Right from the start, one gets the sense that something’s amiss in Alejandro Amenábar’s The Others. Three servants emerge from the fog that cloaks an estate on the Channel Island of Jersey to apply for jobs we soon learn weren’t yet listed in the local newspaper. Meanwhile, the imposing head of the household, Grace (Nicole Kidman), is perpetually on edge. When she instructs the new help to keep the curtains drawn at all times and always shut and lock every door behind them, it’s unclear whether her neuroses actually stem from the condition that supposedly prevents her two children from being in the sunlight for more than a few seconds or if it’s a calamitous side effect of her rigid Catholic beliefs.
It’s a familiar setup, but The Others doesn’t follow the same path of so many other horror films about women succumbing...
It’s a familiar setup, but The Others doesn’t follow the same path of so many other horror films about women succumbing...
- 10/20/2023
- by Derek Smith
- Slant Magazine
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