For the 20th edition 33 films projects from 26 countries will take part.
New features from Palestinian filmmaker Muayad Alayan and German director Leonie Krippendorff are among those to be presented at the 20th Berliane Co-production Market (February 18 to 22), the first in-person edition since 2020.
The market will provide the opportunity for 33 projects from 26 countries to secure financing and get fired up as international co-productions in the next few years, with sales agents, broadcasters, funding bodies, streaming platforms, film distributors and other financing partners in attendance.
For the official project selection, 17 fiction feature projects with budgets between €600,000 and €5m and chosen from among 302 submissions will take part.
New features from Palestinian filmmaker Muayad Alayan and German director Leonie Krippendorff are among those to be presented at the 20th Berliane Co-production Market (February 18 to 22), the first in-person edition since 2020.
The market will provide the opportunity for 33 projects from 26 countries to secure financing and get fired up as international co-productions in the next few years, with sales agents, broadcasters, funding bodies, streaming platforms, film distributors and other financing partners in attendance.
For the official project selection, 17 fiction feature projects with budgets between €600,000 and €5m and chosen from among 302 submissions will take part.
- 1/9/2023
- by Mona Tabbara
- ScreenDaily
How we’re heard, how we raise our voice to be recognized, will for many be one of the essential discoveries in the continually unfurling magnitude of 2020. For some it’s through social media, for others it’s marching in the street, but for Cris, in Catalina Arroyave Restrepo’s breezily street-level debut “Days Of The Whale,” it’s found in the rattle and color of a can of spray paint. While filmed before *gestures at the world* this coming-of-age tale brims with the recognizable, head-swimming mix of young love and adolescent rebellion, and the charge that comes from standing up for your beliefs.
Continue reading ‘Days Of The Whale’: A Vibrant Tale Of Young Love & Adolescent Rebellion [Review] at The Playlist.
Continue reading ‘Days Of The Whale’: A Vibrant Tale Of Young Love & Adolescent Rebellion [Review] at The Playlist.
- 7/21/2020
- by Kevin Jagernauth
- The Playlist
The 15th Zurich Film Festival (Sept. 26-Oct. 6) is marking a major changing of the guard while again presenting an impressive selection of high-profile international works and showcasing the
latest in Swiss cinema.
Todd Phillips’ “Joker,” Rupert Goold’s “Judy” and James Mangold’s “Le Mans ’66” (aka “Ford v Ferrari”) are among the films screening in the fest’s Gala Premieres section, which offers some of the year’s most highly anticipated films.
Zurich will again welcome a slew of major stars and filmmakers. This year the fest is honoring Roland Emmerich, Cate Blanchett and Kristen Stewart.
Likewise on hand will be Oliver Stone, who heads the fest’s international feature film competition jury, as well as Donald Sutherland, Javier Bardem and Julie Delpy, all of whom will be taking part in the
Zff Masters series.
2019 marks the final outing for fest founders and co-directors Nadja Schildknecht and Karl Spoerri. They...
latest in Swiss cinema.
Todd Phillips’ “Joker,” Rupert Goold’s “Judy” and James Mangold’s “Le Mans ’66” (aka “Ford v Ferrari”) are among the films screening in the fest’s Gala Premieres section, which offers some of the year’s most highly anticipated films.
Zurich will again welcome a slew of major stars and filmmakers. This year the fest is honoring Roland Emmerich, Cate Blanchett and Kristen Stewart.
Likewise on hand will be Oliver Stone, who heads the fest’s international feature film competition jury, as well as Donald Sutherland, Javier Bardem and Julie Delpy, all of whom will be taking part in the
Zff Masters series.
2019 marks the final outing for fest founders and co-directors Nadja Schildknecht and Karl Spoerri. They...
- 9/26/2019
- by Ed Meza
- Variety Film + TV
For all the peril that darkens its fringes, there’s an indomitable youthful exuberance that thrums through Catalina Arroyave Restrepo’s debut feature “Days of the Whale.” It makes the slight, and somewhat familiar, small-scale story, following a few days in the lives of a pair of Medellín-based graffiti artists, feel fresh enough as to be wet to the touch — a neon-colorful, if not hugely deep, manifesto of optimistic defiance spray-stenciled on a newly white-washed wall.
It’s this unmistakable energy and unconcealed filmmaking glee, rather than any particularly strong narrative instinct that marks Arroyave as one to watch. And as a calling card, “Days of the Whale” has already performed well, garnering the writer-director a special recognition in the CherryPicks Female First Feature category at SXSW, following stints at the Cartagena and Tallinn Black Nights film festivals. And in providing such a markedly lively contrast to her countrywoman Laura Mora’s grittier,...
It’s this unmistakable energy and unconcealed filmmaking glee, rather than any particularly strong narrative instinct that marks Arroyave as one to watch. And as a calling card, “Days of the Whale” has already performed well, garnering the writer-director a special recognition in the CherryPicks Female First Feature category at SXSW, following stints at the Cartagena and Tallinn Black Nights film festivals. And in providing such a markedly lively contrast to her countrywoman Laura Mora’s grittier,...
- 3/28/2019
- by Jessica Kiang
- Variety Film + TV
South MountainIn my last dispatch from Austin I pinpointed the Visions section as a shortcut to South by Southwest’s generally more adventurous programming, if only to facilitate sifting through a number of arcane plot summaries. High-profile acts are bound to the festival thanks to tradition, release date timing, and in some cases city loyalty (think Richard Linklater’s Boyhood and Terrence Malick’s Song to Song; both were shot in Austin and both ultimately premiered at SXSW). It would seem that some worthy but inconspicuous titles could easily fall between the cracks, though pioneers like Barry Jenkins prove otherwise. This year’s Global section I found particularly fertile, with titles ranging from X&Y, artist Anna Oddell’s experimental film inquisition of public personas and gender roles, to Marlén Viñayo’s Cachada: The Opportunity, a documentary about a group of working-class Salvadoran women that stage a performative re-enactment of their traumatic life stories.
- 3/24/2019
- MUBI
The SXSW Film Festival has announced the winners of the its Narrative and Documentary Competitions. The winners were unveiled during a ceremony at Austin’s Paramount Theater on Tuesday, alongside several other prizes for features and shorts from across the the SXSW lineup.
Among this year’s big Narrative Feature entries is Grand Jury winner “Alice,” Josephine Mackerras’ story of a woman’s choice to become a sex worker to support her husband and child. “For Sama,” this year’s Documentary Feature winner, follows a Syrian filmmaker as she starts a family amidst the backdrop of the country’s ongoing political turmoil.
Previous SXSW winners include Lena Dunham’s “Tiny Furniture” and “Marwencol.” Last year, the top prizes went to “Thunder Road” and “People’s Republic of Desire.”
Audience awards will be announced closer to the conclusion of the festival. The full list of Tuesday evening’s winners can be...
Among this year’s big Narrative Feature entries is Grand Jury winner “Alice,” Josephine Mackerras’ story of a woman’s choice to become a sex worker to support her husband and child. “For Sama,” this year’s Documentary Feature winner, follows a Syrian filmmaker as she starts a family amidst the backdrop of the country’s ongoing political turmoil.
Previous SXSW winners include Lena Dunham’s “Tiny Furniture” and “Marwencol.” Last year, the top prizes went to “Thunder Road” and “People’s Republic of Desire.”
Audience awards will be announced closer to the conclusion of the festival. The full list of Tuesday evening’s winners can be...
- 3/13/2019
- by Steve Greene
- Indiewire
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