French critic, historian and author was loyal contributor to Screen’s Cannes jury grid.
Iconic French film critic and historian Michel Ciment has died, his entourage confirmed on Monday evening to French radio station France Inter, home to his world-renowned radio show Le Masque et la Plume since 1970. He was 85.
Born in 1938 in Paris, Ciment devoted his life to cinema and became a pillar of French film criticism and history for more than half a century.
He served as a juror at major festivals including Cannes, Venice, Berlin and Locarno and received numerous French civic honours including the Legion of Honour,...
Iconic French film critic and historian Michel Ciment has died, his entourage confirmed on Monday evening to French radio station France Inter, home to his world-renowned radio show Le Masque et la Plume since 1970. He was 85.
Born in 1938 in Paris, Ciment devoted his life to cinema and became a pillar of French film criticism and history for more than half a century.
He served as a juror at major festivals including Cannes, Venice, Berlin and Locarno and received numerous French civic honours including the Legion of Honour,...
- 11/13/2023
- by Rebecca Leffler
- ScreenDaily
Mediawan Rights doc arm previously enjoyed festival success with Kubrick By Kubrick in 2020.
Mediawan Rights has acquired international rights to bio-doc Godard Cinema, exploring the life and work of iconic French-Swiss director Jean-Luc Godard, via its documentary arm which will launch sales on the title at the EFM running February 10-17.
It marks the first title in a slate of feature documentaries suitable for theatrical release being pulled together by Arianna Castoldi, head of documentary sales for all formats within Mediawan Rights, the sales arm of burgeoning Paris-based international film and TV group Mediawan.
“Unlike the TV catalogue, which is vast,...
Mediawan Rights has acquired international rights to bio-doc Godard Cinema, exploring the life and work of iconic French-Swiss director Jean-Luc Godard, via its documentary arm which will launch sales on the title at the EFM running February 10-17.
It marks the first title in a slate of feature documentaries suitable for theatrical release being pulled together by Arianna Castoldi, head of documentary sales for all formats within Mediawan Rights, the sales arm of burgeoning Paris-based international film and TV group Mediawan.
“Unlike the TV catalogue, which is vast,...
- 2/3/2022
- by Melanie Goodfellow
- ScreenDaily
Dubai-based sales agent Cercamon is launching a dedicated documentary feature label and will unveil its first slate of titles at this year’s European Film Market, including Constantin Wulff’s Berlinale Forum selection “For the Many – The Vienna Chamber of Labor.”
The company plans to handle 8 to 10 documentaries per year across all markets, with former Doc & Film International and Mediawan Rights exec Suzanne Nodale tapped to oversee all acquisitions and sales of the slate.
A specialist in documentary sales, Nodale has worked on titles such as Gianfranco Rosi’s Oscar-nominated “Fire at Sea,” Gregory Monro’s International Emmy Award winner “Kubrick by Kubrick” and “Banksy Most Wanted,” a Tribeca Film Festival selection from directors Aurelia Rouvier and Seamus Haley.
“I am thrilled to have Suzanne joining the team to expand the reach of Cercamon,” said the company’s CEO, Sebastien Chesneau. “I have known her since she first stepped...
The company plans to handle 8 to 10 documentaries per year across all markets, with former Doc & Film International and Mediawan Rights exec Suzanne Nodale tapped to oversee all acquisitions and sales of the slate.
A specialist in documentary sales, Nodale has worked on titles such as Gianfranco Rosi’s Oscar-nominated “Fire at Sea,” Gregory Monro’s International Emmy Award winner “Kubrick by Kubrick” and “Banksy Most Wanted,” a Tribeca Film Festival selection from directors Aurelia Rouvier and Seamus Haley.
“I am thrilled to have Suzanne joining the team to expand the reach of Cercamon,” said the company’s CEO, Sebastien Chesneau. “I have known her since she first stepped...
- 1/24/2022
- by Christopher Vourlias
- Variety Film + TV
The U.K. edition of “The Masked Singer,” comedy “Call My Agent” and drama “Tehran” were among the top winners Monday at the 49th annual International Emmy Awards in New York.
David Tennant took the trophy for best actor for his work as a deceptively meek serial killer in ITV’s “Des.” Hayley Squires won for actress for her role as a happily well-adjusted porn star in “Adult Material.”
Israeli drama “Tehran,” about a female Mossad agent who goes undercover in Iran, won the top drama series prize. Season 4 of “Call My Agent,” set among agents at a Paris talent rep firm, took the prize for comedy.
The ITV rendition of “Masked Singer” prevailed in the nonscripted entertainment category. Netflix’s “Hope Frozen: A Quest to Live Twice” took the documentary award, marking the first International Emmy honor for a program from Thailand.
“Insecure” star Yvonne Orji hosted the ceremony at Casa Cipriani.
David Tennant took the trophy for best actor for his work as a deceptively meek serial killer in ITV’s “Des.” Hayley Squires won for actress for her role as a happily well-adjusted porn star in “Adult Material.”
Israeli drama “Tehran,” about a female Mossad agent who goes undercover in Iran, won the top drama series prize. Season 4 of “Call My Agent,” set among agents at a Paris talent rep firm, took the prize for comedy.
The ITV rendition of “Masked Singer” prevailed in the nonscripted entertainment category. Netflix’s “Hope Frozen: A Quest to Live Twice” took the documentary award, marking the first International Emmy honor for a program from Thailand.
“Insecure” star Yvonne Orji hosted the ceremony at Casa Cipriani.
- 11/23/2021
- by William Earl
- Variety Film + TV
The French comedy Call My Agent and Israeli drama Tehran took the top prizes at the 49th annual International Emmys, which here handed out Monday night during an in-person ceremony in New York. See the full list of winners below.
The UK boasts both top acting honors David Tennant for crime thriller Des and Hayley Squires for porn drama Adult Material — as well as winning the Non-Scripted Entertainment prize for The Masked Singer.
Norway’s Atlantic Crossing went home with the Emmy for TV Movie/Miniseries, and Thailand’s Hope Frozen: A Quest to Live Twice won for Documentary. It was the country’s first International Emmy.
“We are delighted to be able to gather the global television community, in-person again, in New York to celebrate the world’s best television.” said International Academy President & CEO Bruce Paisner. “The diversity and geographic spread of tonight’s winners demonstrate once again...
The UK boasts both top acting honors David Tennant for crime thriller Des and Hayley Squires for porn drama Adult Material — as well as winning the Non-Scripted Entertainment prize for The Masked Singer.
Norway’s Atlantic Crossing went home with the Emmy for TV Movie/Miniseries, and Thailand’s Hope Frozen: A Quest to Live Twice won for Documentary. It was the country’s first International Emmy.
“We are delighted to be able to gather the global television community, in-person again, in New York to celebrate the world’s best television.” said International Academy President & CEO Bruce Paisner. “The diversity and geographic spread of tonight’s winners demonstrate once again...
- 11/23/2021
- by Erik Pedersen
- Deadline Film + TV
In Gregory Monro’s Kubrick by Kubrick from Michel Ciment’s audiotape interview, Stanley Kubrick on why he chose Ryan O’Neal for Barry Lyndon: “Well, he had to be physically attractive, so it couldn’t be Jack Nicholson or Al Pacino.”
In the final instalment of my conversation with Kubrick By Kubrick (a Tribeca Film Festival highlight) director Gregory Monro, we discussed Michel Ciment’s audiotapes, why Stanley Kubrick noted Ryan O’Neal was the right choice for Barry Lyndon, not Jack Nicholson or Al Pacino; wanting to do Napoleon; Veit Harlan, the Aryan Papers, and Steven Spielberg’s Schindler’s List; James Joyce; Full Metal Jacket, and Eyes Wide Shut.
Gregory Monro: “Kubrick’s century is really the 18th. Because it’s a twist in his history and humanity’s history.”
Tribeca Film Festival Artistic Director Frédéric Boyer had mentioned to me Last Film Show (Spotlight Narrative opening film), in which the director,...
In the final instalment of my conversation with Kubrick By Kubrick (a Tribeca Film Festival highlight) director Gregory Monro, we discussed Michel Ciment’s audiotapes, why Stanley Kubrick noted Ryan O’Neal was the right choice for Barry Lyndon, not Jack Nicholson or Al Pacino; wanting to do Napoleon; Veit Harlan, the Aryan Papers, and Steven Spielberg’s Schindler’s List; James Joyce; Full Metal Jacket, and Eyes Wide Shut.
Gregory Monro: “Kubrick’s century is really the 18th. Because it’s a twist in his history and humanity’s history.”
Tribeca Film Festival Artistic Director Frédéric Boyer had mentioned to me Last Film Show (Spotlight Narrative opening film), in which the director,...
- 7/27/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Malcolm McDowell (A Clockwork Orange) with Stanley Kubrick in Gregory Monro’s Tribeca Film Festival highlight Kubrick by Kubrick
In the first instalment of my conversation on Tribeca Film Festival highlight Kubrick By Kubrick with director Gregory Monro, we discussed Stanley Kubrick’s thoughts as a room and the rarity of hearing his voice in the recorded taped interviews by Michel Ciment. Malcolm McDowell (A Clockwork Orange) saying “John Wayne is more violent”, Marisa Berenson (Barry Lyndon), and Sterling Hayden (The Killing and Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb), Kubrick’s longtime association with Leon Vitali, the mystery of 2001: A Space Odyssey, and The Shining also came up. I noted two other Tribeca highlights - Pan Nalin’s Last Film Show, where he references Kubrick and Douglas Tirola’s use of a Look magazine photo taken by Kubrick for his documentary on Leonard Bernstein,...
In the first instalment of my conversation on Tribeca Film Festival highlight Kubrick By Kubrick with director Gregory Monro, we discussed Stanley Kubrick’s thoughts as a room and the rarity of hearing his voice in the recorded taped interviews by Michel Ciment. Malcolm McDowell (A Clockwork Orange) saying “John Wayne is more violent”, Marisa Berenson (Barry Lyndon), and Sterling Hayden (The Killing and Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb), Kubrick’s longtime association with Leon Vitali, the mystery of 2001: A Space Odyssey, and The Shining also came up. I noted two other Tribeca highlights - Pan Nalin’s Last Film Show, where he references Kubrick and Douglas Tirola’s use of a Look magazine photo taken by Kubrick for his documentary on Leonard Bernstein,...
- 6/26/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Chicago – The mercurial genius of filmmaker Stanley Kubrick is a cinephile’s dream, and his films continue to influence. A new documentary, “Kubrick by Kubrick,” directed by Gregory Monro, uses Kubrick’s actual words from past interviews.
The film is available to download during the virtual and online 56th Chicago International Film Festival through October 25th.
Stanley Kubrick remains one of the most audacious and misunderstood directors in film history, mostly because of his perceived reclusiveness. Through an amazing cache of interview tapes from film scholar Michel Ciment, Kubrick himself goes over his career, and illuminates many of the thought processes and filmmaker methods that have thrilled and challenged audiences for three generations. Director Monro has created a visual symphony to go along with Kubrick’s own words, in a remarkable 75 minute package. (click here).
The 56th Chicago International Film Festival Celebrates Day Eight of the movie extravaganza, with films available for 2020 virtually and online.
The film is available to download during the virtual and online 56th Chicago International Film Festival through October 25th.
Stanley Kubrick remains one of the most audacious and misunderstood directors in film history, mostly because of his perceived reclusiveness. Through an amazing cache of interview tapes from film scholar Michel Ciment, Kubrick himself goes over his career, and illuminates many of the thought processes and filmmaker methods that have thrilled and challenged audiences for three generations. Director Monro has created a visual symphony to go along with Kubrick’s own words, in a remarkable 75 minute package. (click here).
The 56th Chicago International Film Festival Celebrates Day Eight of the movie extravaganza, with films available for 2020 virtually and online.
- 10/21/2020
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
With another day at the (virtual) 56th Chicago International Film Festival comes another batch to sift through. It was a lighter batch too, not just in numbers but also in runtimes. Day three consisted of two short documentaries and another scripted feature, but did the quality make up for quantity? Not quite, but at least they all had their moments.
Making its Midwest premiere at the festival is Gregory Monro’s Kubrick by Kubrick (Grade: C), a 72-minute documentary about Stanley Kubrick’s work. Here, Monro zips us from the filmmaker’s childhood to death, touching on a majority of his offerings in between. Yet it’s not so much Monro doing it: It’s Kubrick himself through interviews and recordings. The idea of making a documentary about the man isn’t inherently flawed, but this one’s approach is, lacking the insight or visuals to make it feel like...
Making its Midwest premiere at the festival is Gregory Monro’s Kubrick by Kubrick (Grade: C), a 72-minute documentary about Stanley Kubrick’s work. Here, Monro zips us from the filmmaker’s childhood to death, touching on a majority of his offerings in between. Yet it’s not so much Monro doing it: It’s Kubrick himself through interviews and recordings. The idea of making a documentary about the man isn’t inherently flawed, but this one’s approach is, lacking the insight or visuals to make it feel like...
- 10/17/2020
- by Matt Cipolla
- The Film Stage
The Lisbon festival is now spread over six “moments”, each based on a different theme, from October 2020 to March 2021.
The first part of the line-up of Portugal’s documentary festival Doclisboa has been announced, with this year’s edition staged across six months and comprising 31 world premieres.
The Lisbon festival was due to take place in October but is now spread over six “moments”, each based on a different theme, from October 2020 to March 2021. Screenings will take place in physical cinemas in Lisbon; while Nebulae, Doclisboa’s industry hub will run entirely online.
The first instalment, titled ‘Signals’, will run...
The first part of the line-up of Portugal’s documentary festival Doclisboa has been announced, with this year’s edition staged across six months and comprising 31 world premieres.
The Lisbon festival was due to take place in October but is now spread over six “moments”, each based on a different theme, from October 2020 to March 2021. Screenings will take place in physical cinemas in Lisbon; while Nebulae, Doclisboa’s industry hub will run entirely online.
The first instalment, titled ‘Signals’, will run...
- 10/13/2020
- by Orlando Parfitt
- ScreenDaily
Virtual festival to run from October 14-25.
A host of Cannes Label and autumn festival selections populate the competitions line-up at the upcoming virtual edition of the 56th Chicago International Film Festival announced on Monday (September 21).
Venice and Toronto selections in the International Feature Competition include Apples (Greece) from Christos Nikou and Philippe Lacôte’s Ivorian Night Of The Kings, while among the New Directors highlights are João Paulo Miranda Maria’s Memory House from Brazil, and Palestine-set Gaza Mon Amor from Tarzan and Arab Nasser.
True Mothers (Japan) from Naomi Kawase in International Feature Competition and Spring Blossom (France...
A host of Cannes Label and autumn festival selections populate the competitions line-up at the upcoming virtual edition of the 56th Chicago International Film Festival announced on Monday (September 21).
Venice and Toronto selections in the International Feature Competition include Apples (Greece) from Christos Nikou and Philippe Lacôte’s Ivorian Night Of The Kings, while among the New Directors highlights are João Paulo Miranda Maria’s Memory House from Brazil, and Palestine-set Gaza Mon Amor from Tarzan and Arab Nasser.
True Mothers (Japan) from Naomi Kawase in International Feature Competition and Spring Blossom (France...
- 9/21/2020
- by Jeremy Kay
- ScreenDaily
Festival to screen 16 films at nearly 100 theatres across the Czech Republic.
The Karlovy Vary International Film Festival (Kviff) is to screen 16 films at 96 cinemas across the Czech Republic as an alternative to its annual event, which was cancelled due to the Covid-19 pandemic.
The selection, titled Kviff at Your Cinema, comprises features that have debuted at festivals since last autumn and include the European premieres of three titles: Zeina Durra’s Luxor, Fernanda Valadez’s Identifying Features, and Maite Alberdi’s The Mole Agent.
The films will screen from July 3-11, the original dates of the festival. Each of the...
The Karlovy Vary International Film Festival (Kviff) is to screen 16 films at 96 cinemas across the Czech Republic as an alternative to its annual event, which was cancelled due to the Covid-19 pandemic.
The selection, titled Kviff at Your Cinema, comprises features that have debuted at festivals since last autumn and include the European premieres of three titles: Zeina Durra’s Luxor, Fernanda Valadez’s Identifying Features, and Maite Alberdi’s The Mole Agent.
The films will screen from July 3-11, the original dates of the festival. Each of the...
- 5/26/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
While the Karlovy Vary International Film Festival, known each summer for bringing global cinema to the Czech Republic, canceled its 2020 edition, that doesn’t mean the show can’t still go on. Instead, Karlovy Vary will offer a taste of the festival experience on select cinema screens with the Kviff at Your Cinema (July 3-11) program, touring 16 films around the Czech Republic as the government lightens up on lockdown procedures. Movie theaters opened in the country earlier in May, though no concessions are currently allowed to be purchased.
The Karlovy Vary at Your Cinema program features films plucked from the past year on the international festival circuit, including last year’s Kviff and through this year’s Berlinale. The lineup includes, most notably, “Kubrick by Kubrick,” a new documentary about the master filmmaker from director Gregory Monro that would’ve played at this year’s Tribeca Film Festival, also canceled.
The Karlovy Vary at Your Cinema program features films plucked from the past year on the international festival circuit, including last year’s Kviff and through this year’s Berlinale. The lineup includes, most notably, “Kubrick by Kubrick,” a new documentary about the master filmmaker from director Gregory Monro that would’ve played at this year’s Tribeca Film Festival, also canceled.
- 5/25/2020
- by Ryan Lattanzio
- Indiewire
While the Karlovy Vary International Film Festival was forced to cancel its 55th edition this summer amid the coronavirus, the event plans to screen 16 films at 96 theaters across Czech Republic from July 3-11. Cinemas in the market opened earlier this month, though not the major circuits and with a ban on concessions. The Kviff At Your Cinema program will include titles from festivals that ran from last fall through this year’s Berlinale. Among the European premieres are Zeina Durra’s drama Luxor, Fernanda Valadez’ debut Identifying Features and Maite Alberdi’s spy comedy/documentary The Mole Agent. Ohter films include Shannon Murphy’s Babyteeth, Pablo Larrain’s Ema, Alma Har’el’s Honey Boy, Gregory Monro’s Kubrick By Kubrick, Bassam Tariq’s Mogul Mowgli and Alice Winocour’s Proxima.
The Taipei Film Festival plans to go ahead as scheduled from June 25-July 11, organizers announced today. However, there will be...
The Taipei Film Festival plans to go ahead as scheduled from June 25-July 11, organizers announced today. However, there will be...
- 5/25/2020
- by Nancy Tartaglione
- Deadline Film + TV
In the last 10 years, there’s been an ever-widening niche of documentaries about Stanley Kubrick. Every one of them has been fascinating, one or two (like “Stanley Kubrick’s Boxes”) are as idiosyncratic as the director himself, and the most artful and memorable — “Filmworker” (2017), a portrait of Kubrick’s monkishly devoted gofer and right-hand assistant, Leon Vitali — is an essential artifact. Amid the steady outpouring of Kubrickiana, the 72-minute-long “Kubrick by Kubrick” may be the least exotic, but it still gives any Kubrick believer a heady share of morsels to chew on.
The film is built around a series of tape-recorded interviews that Michel Ciment, the French film critic and editor of Positif, conducted with Kubrick over the course of 20 years. In 1968, Ciment wrote the first major overview of Kubrick’s work to appear in France, and the director got in touch with him. Kubrick, from that point on, virtually never gave interviews.
The film is built around a series of tape-recorded interviews that Michel Ciment, the French film critic and editor of Positif, conducted with Kubrick over the course of 20 years. In 1968, Ciment wrote the first major overview of Kubrick’s work to appear in France, and the director got in touch with him. Kubrick, from that point on, virtually never gave interviews.
- 5/9/2020
- by Owen Gleiberman
- Variety Film + TV
In the two decades since his passing, Stanley Kubrick’s filmmaking vision continues to be a subject of endless curiosity. Documentarian Gregory Monro’s newest film, Kubrick by Kubrick, was selected for a premiere at the Tribeca Film Festival, and is based entirely on French critic Michel Ciment’s extended interviews with the director over multiple decades. Specifically, Ciment interviewed him for A Clockwork Orange, Barry Lyndon, The Shining, and Full Metal Jacket upon release.
Monro phoned us from quarantine where he talks about creating a movie about Kubrick with the sole foundation of Ciment’s interviews, how he recreated the bedroom from 2001: A Space Odyssey, Kubrick’s resistance to personal analysis from journalists, and Monro’s thoughts on Steven Spielberg’s The Shining sequence in Ready Player One.
The Film Stage: How did this project with Michel Ciment come about?
Gregory Monro: I wanted to make a movie...
Monro phoned us from quarantine where he talks about creating a movie about Kubrick with the sole foundation of Ciment’s interviews, how he recreated the bedroom from 2001: A Space Odyssey, Kubrick’s resistance to personal analysis from journalists, and Monro’s thoughts on Steven Spielberg’s The Shining sequence in Ready Player One.
The Film Stage: How did this project with Michel Ciment come about?
Gregory Monro: I wanted to make a movie...
- 4/24/2020
- by Joshua Encinias
- The Film Stage
Stanley Kubrick is one of the most written-about, discussed, dissected, pored-over filmmakers in history. He’s been an irresistible subject for critics, journalists, film scholars, documentarians, conspiracy theorists – in short, for everybody except maybe Kubrick himself.
The director, who was born in the Bronx but spent most of his adult life living in England, was famously reluctant to talk about himself. Other people may have wanted his thoughts on movies like “Paths of Glory,” “Spartacus,” “Lolita,” “Dr. Strangelove,” “2001: A Space Odyssey,” “A Clockwork Orange,” “Barry Lyndon,” “The Shining,” “Full Metal Jacket” and “Eyes Wide Shut,” but Kubrick wasn’t interested in explaining anything.
“I’ve never found it meaningful or even possible to talk about film,” said the director who to many might have been like that big black monolith in “2001”: an inscrutable blank with enormous powers, but who knows what’s lurking in the depths?
Also Read: Sue Lyon,...
The director, who was born in the Bronx but spent most of his adult life living in England, was famously reluctant to talk about himself. Other people may have wanted his thoughts on movies like “Paths of Glory,” “Spartacus,” “Lolita,” “Dr. Strangelove,” “2001: A Space Odyssey,” “A Clockwork Orange,” “Barry Lyndon,” “The Shining,” “Full Metal Jacket” and “Eyes Wide Shut,” but Kubrick wasn’t interested in explaining anything.
“I’ve never found it meaningful or even possible to talk about film,” said the director who to many might have been like that big black monolith in “2001”: an inscrutable blank with enormous powers, but who knows what’s lurking in the depths?
Also Read: Sue Lyon,...
- 4/22/2020
- by Steve Pond
- The Wrap
Anyone who’s ever worked with Stanley Kubrick has a story to tell, from Shelley Duvall’s traumatic experience while filming “The Shining,” to Malcolm McDowell’s physical injuries during the making of “A Clockwork Orange,” to Leon Vitali, the actor who became Kubrick’s assistant as seen in the 2017 documentary “Filmworker.” Such lore around the cinematic legend will be newly explored in the latest documentary on Stanley Kubrick, “Kubrick by Kubrick.” Watch the first trailer below.
The film is directed by French filmmaker Gregory Monro, a Hollywood obsessive who’s made movies about James Stewart, Robert Mitchum, Jerry Lewis, Calamity Jane, Toulouse-Lautrec, and other luminaries who’ve touched cinema in one way or another. “Kubrick by Kubrick” was set to premiere at this year’s edition of the Tribeca Film Festival, but the annual New York fest was called off back in March, with programming elements soon beginning to migrate online.
The film is directed by French filmmaker Gregory Monro, a Hollywood obsessive who’s made movies about James Stewart, Robert Mitchum, Jerry Lewis, Calamity Jane, Toulouse-Lautrec, and other luminaries who’ve touched cinema in one way or another. “Kubrick by Kubrick” was set to premiere at this year’s edition of the Tribeca Film Festival, but the annual New York fest was called off back in March, with programming elements soon beginning to migrate online.
- 4/9/2020
- by Ryan Lattanzio
- Indiewire
“Here y’are, baby. Take this, wipe the lipstick off, slide over here next to me, and let’s get started.”
The Nutty Professor will screen double feature with Jerry Lewis, The Man Behind The Clown will screen Saturday Nov 12th at 1pm at Webster University’s Moore Auditorium (470 East Lockwood) as part of this year’s St. Louis International Film Festival. This event is Free
Since his earliest days, Sliff Lifetime Achievement Award honoree Jerry Lewis had the masses laughing with his visual gags, pantomime sketches, and signature slapstick humor. But Lewis was far more than just a funny performer. After his breakup with partner Dean Martin, he moved behind the camera, writing, producing, and directing many of the adored classics in which he starred. In this double bill, Gregory Monro’s brisk, informative documentary reveals the man behind the clown, and The Nutty Professor provides the proof of Lewis’ comic genius.
The Nutty Professor will screen double feature with Jerry Lewis, The Man Behind The Clown will screen Saturday Nov 12th at 1pm at Webster University’s Moore Auditorium (470 East Lockwood) as part of this year’s St. Louis International Film Festival. This event is Free
Since his earliest days, Sliff Lifetime Achievement Award honoree Jerry Lewis had the masses laughing with his visual gags, pantomime sketches, and signature slapstick humor. But Lewis was far more than just a funny performer. After his breakup with partner Dean Martin, he moved behind the camera, writing, producing, and directing many of the adored classics in which he starred. In this double bill, Gregory Monro’s brisk, informative documentary reveals the man behind the clown, and The Nutty Professor provides the proof of Lewis’ comic genius.
- 11/8/2016
- by Tom Stockman
- WeAreMovieGeeks.com
Into the InfernoThe lineup for the 2016 Telluride Film Festival (September 2nd - 5th) have been announced:Arrival (Denis Villeneuve, Us)The B-Side: Elsa Dorfman's Portrait Photography (Errol Morris, Us)Bleed For This (Ben Younger, Us)California Typewriter (Doug Nichol, Us)Chasing Trane (John Scheinfeld, Us)The End of Eden (Angus Macqueen, UK)Finding Oscar (Ryan Suffern, Us)Fire at Sea (Gianfranco Rosi, Italy/France)Frantz (François Ozon, France)Gentleman Rissient (Benoît Jacquot, Pascal Mérigeau, Guy Seligmann, France)Graduation (Cristian Mungiu, Romania/France/Belgium)Into the Inferno (Werner Herzog, UK/Austria)The Ivory Game (Kief Davidson, Richard Ladkani, Austria/Us)La La Land (Damien Chazelle, Us)Lost in Paris (d. Fiona Gordon, Dominique Abel, France/Belgium)Manchester by the Sea (Kenneth Lonergan, Us)Maudie (Aisling Walsh, Canada/Ireland)Men: A Love Story (Mimi Chakarova, Us)Moonlight (Barry Jenkins, Us)My Journey through French Cinema (Bertrand Tavernier, France)Neruda (Pablo Larraín,...
- 9/1/2016
- MUBI
Kenneth Lonergan’s Sundance hit, Denis Villeneuve’s Venice selection, and Pablo Larrain’s acclaimed Chilean biopic are among select titles heading to Colorado this weekend.
The 43rd edition of the Telluride Film Festival includes Clint Eastwood’s Tom Hanks starrer Sully, Barry Jenkins’ anticipated triptych Moonlight and Maren Ade’s Cannes triumph Toni Erdmann.
Joining them are Aisling Walsh’s Maudie, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea, Damien Chazelle’s Venice opener La La Land and also from the Lido, Rama Burshtein’s Through The Wall.
Telluride runs from September 2-5. The main slate line-up appears below.
Arrival (Denis Villeneuve, Us, 2016)The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, Us 2016)Bleed For This (Ben Younger, Us, 2016)California Typewriter (Doug Nichol, Us, 2016)Chasing Trane (John Scheinfeld, Us, 2016)The End Of Eden (Angus Macqueen, UK, 2016)Finding Oscar (Ryan Suffern, Us, 2016)Fire At Sea (Gianfranco Rosi, Italy-France, 2016)Frantz ([link...
The 43rd edition of the Telluride Film Festival includes Clint Eastwood’s Tom Hanks starrer Sully, Barry Jenkins’ anticipated triptych Moonlight and Maren Ade’s Cannes triumph Toni Erdmann.
Joining them are Aisling Walsh’s Maudie, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea, Damien Chazelle’s Venice opener La La Land and also from the Lido, Rama Burshtein’s Through The Wall.
Telluride runs from September 2-5. The main slate line-up appears below.
Arrival (Denis Villeneuve, Us, 2016)The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, Us 2016)Bleed For This (Ben Younger, Us, 2016)California Typewriter (Doug Nichol, Us, 2016)Chasing Trane (John Scheinfeld, Us, 2016)The End Of Eden (Angus Macqueen, UK, 2016)Finding Oscar (Ryan Suffern, Us, 2016)Fire At Sea (Gianfranco Rosi, Italy-France, 2016)Frantz ([link...
- 9/1/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Welcome to September folks! I’ve been saying for a few weeks now that this new month means that it’s time for the fall festival season, and here’s some real evidence of it. Earlier today, the lineup for the 2016 Telluride Film Festival dropped, and it’s quite the slate. We now basically know the complete festival landscape now, with the contenders spread out before us. We’ll get into what’s playing shortly, but I just want to say how much I look forward to this part of the season, every single year. We emerge from the summer into an exciting fall, with 2016 looking to be no exception. Especially with how underwhelming the summer movie season was, festival season looks to be where film makes its mark in 2016. It’s full steam ahead towards Academy Award nominations now, and I couldn’t be happier. This is my cinematic happy place.
- 9/1/2016
- by Joey Magidson
- Hollywoodnews.com
Buoyed by its worldwide premiere at the ongoing Venice Film Festival – early reviews are praising the musical as an audacious, deeply romantic feature – Damien Chazelle’s Whiplash follow-up La La Land has booked its place at Telluride 2016.
The picture, one that stars Emma Stone and Ryan Gosling in central roles, is one of the many soon-to-be-released features to be locked in for the imminent film festival, joining the ranks alongside Manchester By the Sea, Moonlight, Things to Come, Bleed For This and Clint Eastwood’s airborne thriller Sully. It is, without question, a fairly stacked lineup, which only has us all the more excited for the onset of the Toronto International Film Festival later this month.
But over the coming weekend, it is Telluride that will take center stage. Similar to La La Land, today’s unveiling confirms a second festival appearance for Denis Villeneuve’s intriguing sci-fi pic Arrival.
The picture, one that stars Emma Stone and Ryan Gosling in central roles, is one of the many soon-to-be-released features to be locked in for the imminent film festival, joining the ranks alongside Manchester By the Sea, Moonlight, Things to Come, Bleed For This and Clint Eastwood’s airborne thriller Sully. It is, without question, a fairly stacked lineup, which only has us all the more excited for the onset of the Toronto International Film Festival later this month.
But over the coming weekend, it is Telluride that will take center stage. Similar to La La Land, today’s unveiling confirms a second festival appearance for Denis Villeneuve’s intriguing sci-fi pic Arrival.
- 9/1/2016
- by Michael Briers
- We Got This Covered
One of the last question marks of the early fall film festival onslaught was Telluride Film Festival, who announces their line-up just a day before the event kicks off. Today now brings the slate for the 43rd edition of the festival, which runs from Friday through Monday.
Featuring the world premiere of Clint Eastwood‘s Sully, there’s also the Venice favorites La La Land and Arrival, as well as past festival highlights and some highly-anticipated dramas headed to Tiff, including Manchester By the Sea, Moonlight, Things to Come, Bleed For This, Toni Erdmann, Una, Neruda, and more. Check out the line-up below, along with links to our reviews where available.
Line-Up
Arrival (d. Denis Villeneuve, U.S., 2016)
The B-side: Elsa Dorfman’S Portrait Photography (d. Errol Morris, U.S., 2016)
Bleed For This (d. Ben Younger, U.S., 2016)
California Typewriter (d. Doug Nichol, U.S., 2016)
Chasing Trane (d. John Scheinfeld,...
Featuring the world premiere of Clint Eastwood‘s Sully, there’s also the Venice favorites La La Land and Arrival, as well as past festival highlights and some highly-anticipated dramas headed to Tiff, including Manchester By the Sea, Moonlight, Things to Come, Bleed For This, Toni Erdmann, Una, Neruda, and more. Check out the line-up below, along with links to our reviews where available.
Line-Up
Arrival (d. Denis Villeneuve, U.S., 2016)
The B-side: Elsa Dorfman’S Portrait Photography (d. Errol Morris, U.S., 2016)
Bleed For This (d. Ben Younger, U.S., 2016)
California Typewriter (d. Doug Nichol, U.S., 2016)
Chasing Trane (d. John Scheinfeld,...
- 9/1/2016
- by Jordan Raup
- The Film Stage
The Telluride Film Festival has announced its lineup for the 2016 edition, which begins Friday. As usual, the exclusive Labor Day weekend gathering of industry insiders and midwestern movie buffs will offer a sneak peak at highly anticipated fall films, including several awards season hopefuls, alongside several favorites from the festival circuit, smaller discoveries and classic films.
Damien Chazelle’s vibrant ode to musicals of the past, “La La Land,” will head to Telluride fresh from the Lionsgate release’s successful opening night slot at the Venice Film Festival, while another Venice premiere, Denis Villeneuve’s sci-fi “Arrival,” comes to Telluride courtesy of Paramount alongside a special tribute to star Amy Adams. Another tributee, Casey Affleck, will be in town with Sundance hit “Manchester By the Sea,” which Amazon famously acquired at the Park City gathering for a hefty price tag.
Read More: ‘Manchester By The Sea’ Trailer: Discover Why Kenneth Lonergan...
Damien Chazelle’s vibrant ode to musicals of the past, “La La Land,” will head to Telluride fresh from the Lionsgate release’s successful opening night slot at the Venice Film Festival, while another Venice premiere, Denis Villeneuve’s sci-fi “Arrival,” comes to Telluride courtesy of Paramount alongside a special tribute to star Amy Adams. Another tributee, Casey Affleck, will be in town with Sundance hit “Manchester By the Sea,” which Amazon famously acquired at the Park City gathering for a hefty price tag.
Read More: ‘Manchester By The Sea’ Trailer: Discover Why Kenneth Lonergan...
- 9/1/2016
- by Eric Kohn
- Indiewire
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