The Asian representation in Vienna Shorts this year was quite restricted with just 8 movies in the program. However, among those, there are definitely a couple of gems, while the diversity is impressive, since experimental, animation, comedy, horror, drama are just some of the elements that appear in the film. Without further ado, here is a list of all the Asian entries, in random order.
Click on the titles for the full articles. The roundup will be updated.
Hito (2023) by Stephen Lopez
Stephen Lopez can easily be described as one of Khavn's “students”, since his chaotic style of filmmaking with the many, absurd vignettes, the constant mocking of a number of concepts including the title and his filmmaking itself, the music video aesthetics and the sociopolitical commentary are all elements found in Khavn's cinema. At the same time though, Lopez is somewhat more grounded in terms of his script,...
Click on the titles for the full articles. The roundup will be updated.
Hito (2023) by Stephen Lopez
Stephen Lopez can easily be described as one of Khavn's “students”, since his chaotic style of filmmaking with the many, absurd vignettes, the constant mocking of a number of concepts including the title and his filmmaking itself, the music video aesthetics and the sociopolitical commentary are all elements found in Khavn's cinema. At the same time though, Lopez is somewhat more grounded in terms of his script,...
- 6/7/2023
- by Panos Kotzathanasis
- AsianMoviePulse
By Henry McKeand
It's been twenty years since the release of “Anbe Sivam,” the ambitious collaboration between director Sundar C and writer/star Kamal Haasan that became an enduring cult classic of Tamil cinema. At the time, it must have seemed an unlikely pairing. The latter's script for the film was deeply rooted in themes of class struggle and philosophy, while the former was known for his work in more commercial fare. At first, it wasn't clear if such a partnership would be successful. It was released in January of 2003 to rave reviews from critics but it underperformed at the box office. However, it gained a loyal following after home video releases and television re-runs allowed audiences to discover its potent blend of comedy and humanism. Now, it is regarded as one of the greatest Tamil films of the 21st century.
on Amazon by clicking on the...
It's been twenty years since the release of “Anbe Sivam,” the ambitious collaboration between director Sundar C and writer/star Kamal Haasan that became an enduring cult classic of Tamil cinema. At the time, it must have seemed an unlikely pairing. The latter's script for the film was deeply rooted in themes of class struggle and philosophy, while the former was known for his work in more commercial fare. At first, it wasn't clear if such a partnership would be successful. It was released in January of 2003 to rave reviews from critics but it underperformed at the box office. However, it gained a loyal following after home video releases and television re-runs allowed audiences to discover its potent blend of comedy and humanism. Now, it is regarded as one of the greatest Tamil films of the 21st century.
on Amazon by clicking on the...
- 4/27/2023
- by Guest Writer
- AsianMoviePulse
By Henry McKeand
Kiyoshi Kurosawa's “Pulse” had an inescapable impact on the Japanese horror scene when it hit theatres in 1997. Countless filmmakers were inspired by its pervasive unease and refusal to settle for simple scares. Along with the release of Hideo Nakata's “Ringu” a year later, it set the standard for the J-Horror renaissance that forever altered the cinematic landscape in the 2000s. But even with the hordes of imitators and worshippers, perhaps no film owes more to “Pulse” than “Saimin” by Masayuki Ochiai. Released later as “The Hypnotist” in the U.S., “Saimin” shares themes of hypnosis and the inherent darkness of human nature with “Pulse”, but it is ultimately a more commercial take on the same material, trading in Kurosawa's ambient dread for gonzo thrills.
on Amazon by clicking on the image below
The film kicks off in bravura fashion, with Ochiai cross-cutting...
Kiyoshi Kurosawa's “Pulse” had an inescapable impact on the Japanese horror scene when it hit theatres in 1997. Countless filmmakers were inspired by its pervasive unease and refusal to settle for simple scares. Along with the release of Hideo Nakata's “Ringu” a year later, it set the standard for the J-Horror renaissance that forever altered the cinematic landscape in the 2000s. But even with the hordes of imitators and worshippers, perhaps no film owes more to “Pulse” than “Saimin” by Masayuki Ochiai. Released later as “The Hypnotist” in the U.S., “Saimin” shares themes of hypnosis and the inherent darkness of human nature with “Pulse”, but it is ultimately a more commercial take on the same material, trading in Kurosawa's ambient dread for gonzo thrills.
on Amazon by clicking on the image below
The film kicks off in bravura fashion, with Ochiai cross-cutting...
- 4/8/2023
- by Guest Writer
- AsianMoviePulse
By Henry McKeand
There's a growing sentiment that modern superhero films value spectacle and brand recognition over genuine cinematic storytelling, but this hasn't stopped international filmmakers from trying to replicate Marvel's franchise success. It only makes sense that the Indian film industry, which has had a chokehold on “spectacle” for the better part of a century, would have the best chance of challenging America's shared universes. Last year saw the release of “Brahmastra: Part One”, which used Hindu mythology to kickstart a planned ‘Astraverse' and “Rrr”, a film that reminded global audiences what a real blockbuster can look like. But perhaps the most exciting Indian ‘franchise' film of 2022 was “Vikram”, the smash hit Tamil action film that belongs in the Lokesh Cinematic Universe, a planned series of connected releases helmed by Lokesh Kanagaraj. “Vikram” received rave reviews and interest from Western viewers hungry for more of what “Rrr” had to offer,...
There's a growing sentiment that modern superhero films value spectacle and brand recognition over genuine cinematic storytelling, but this hasn't stopped international filmmakers from trying to replicate Marvel's franchise success. It only makes sense that the Indian film industry, which has had a chokehold on “spectacle” for the better part of a century, would have the best chance of challenging America's shared universes. Last year saw the release of “Brahmastra: Part One”, which used Hindu mythology to kickstart a planned ‘Astraverse' and “Rrr”, a film that reminded global audiences what a real blockbuster can look like. But perhaps the most exciting Indian ‘franchise' film of 2022 was “Vikram”, the smash hit Tamil action film that belongs in the Lokesh Cinematic Universe, a planned series of connected releases helmed by Lokesh Kanagaraj. “Vikram” received rave reviews and interest from Western viewers hungry for more of what “Rrr” had to offer,...
- 4/1/2023
- by Guest Writer
- AsianMoviePulse
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