Clockwise from top left: It Lives Inside (Neon), Once Upon A Time In Hollywood (Sony Pictures Releasing), The Matrix Resurrections (Warner Bros. Pictures)Image: The A.V. Club
For the holiday season, Hulu is adding some genre favorites and promising new movies to its library. The streaming platform in December welcomes...
For the holiday season, Hulu is adding some genre favorites and promising new movies to its library. The streaming platform in December welcomes...
- 11/30/2023
- by Robert DeSalvo
- avclub.com
Make yourself at home for the holidays with Hulu! The streamer is heading into the final month of the year with a wide variety of new and classic movies, series from around the globe, anime subs and dubs, documentaries, and much more to binge your way through your vacation days.
Plus, Hulu is making your travel plans easier, be it domestic with the premiere of the Original documentary “We Live Here: The Midwest” or internationally with final season of Canada’s “Letterkenny” and the United States premiere of the A24 Brit-com “Such Brave Girls.”
Check out The Streamable’s top picks for the month and find out everything coming to Hulu this December!
30-Day Free Trial $7.99+ / month hulu.com
Through Cyber Monday, Get Hulu For Just $0.99/mo. For Next 12 Months.
What are the 5 Best Shows and Movies Coming to Hulu in December 2023? “We Live Here: The Midwest” | Wednesday, Dec. 6
The...
Plus, Hulu is making your travel plans easier, be it domestic with the premiere of the Original documentary “We Live Here: The Midwest” or internationally with final season of Canada’s “Letterkenny” and the United States premiere of the A24 Brit-com “Such Brave Girls.”
Check out The Streamable’s top picks for the month and find out everything coming to Hulu this December!
30-Day Free Trial $7.99+ / month hulu.com
Through Cyber Monday, Get Hulu For Just $0.99/mo. For Next 12 Months.
What are the 5 Best Shows and Movies Coming to Hulu in December 2023? “We Live Here: The Midwest” | Wednesday, Dec. 6
The...
- 11/29/2023
- by Ashley Steves
- The Streamable
A young woman with a short crop carefully touches up her blonde dye job in the arresting opening moments of Blue Jean, painting the goop on her hair with practiced efficiency to the shimmering notes of Chris Roe’s score. Stepping from the bathroom into the living room of her drab flat, she settles on the couch to watch Blind Date, described by raucous host Cilla Black as “The show that tries to find a boy and a girl that go together like birds of a feather.” That might sound exclusionist or even like a microaggression to some more politically inclined queer viewers. To Jean, it’s just pleasurable fluff.
The scene subtly foreshadows an internal conflict played out with sensitive insightfulness and dramatic tension in writer-director Georgia Oakley’s highly assured debut feature and in a transfixing performance awash in mostly suppressed feeling from Rosy McEwen in her first leading role.
The scene subtly foreshadows an internal conflict played out with sensitive insightfulness and dramatic tension in writer-director Georgia Oakley’s highly assured debut feature and in a transfixing performance awash in mostly suppressed feeling from Rosy McEwen in her first leading role.
- 6/20/2023
- by David Rooney
- The Hollywood Reporter - Movie News
Variety reports that Julia Ormond (The Walking Dead: World Beyond) and Lydia Page (Blue Jean) have been cast in Home Education, a psychological horror movie that’s set in “the scenic Sila plateau in Italy’s Southern Calabria region”. They were actually cast a while back, because filming has already wrapped and a first look image has been released to give us a glimpse of the character Ormond plays in the movie. The image can be seen at the bottom of this article.
The feature debut of writer/director Andrea Niada, Home Education is based on the filmmaker’s London Film School graduation short. The story centers on a family that are followers of an esoteric cult and live in a secluded house deep in the woods. Page’s character is Rachel, a teenager raised according to the cult’s beliefs. When her father Philip dies, Rachel’s domineering mother,...
The feature debut of writer/director Andrea Niada, Home Education is based on the filmmaker’s London Film School graduation short. The story centers on a family that are followers of an esoteric cult and live in a secluded house deep in the woods. Page’s character is Rachel, a teenager raised according to the cult’s beliefs. When her father Philip dies, Rachel’s domineering mother,...
- 6/14/2023
- by Cody Hamman
- JoBlo.com
British actors Julia Ormond (“Ladies in Black”) and Lydia Page (“Blue Jean”) are set to soon appear in psychological horror movie “Home Education” directed by Italy’s Andrea Niada.
Set in the scenic Sila plateau in Italy’s Southern Calabria region, “Home Education” revolves around a family that are followers of an esoteric cult and live in a secluded house deep in the woods.
Warner Bros Entertainment Italia, Italy’s Indiana Production and BlackBox Multimedia are producing with support from the Calabria Film Commission. Germany’s SquareOne Productions is co-producing and handling international sales. Warner Bros. Pictures will release the film in Italian theaters.
Page plays Rachel, a teenager raised according to the cult’s beliefs. When her father Philip dies, Rachel’s domineering mother, Carol, played by Ormond (see first look image), driven by the belief that Philip’s lifeless body will revive itself, forces her daughter to live with the corpse.
Set in the scenic Sila plateau in Italy’s Southern Calabria region, “Home Education” revolves around a family that are followers of an esoteric cult and live in a secluded house deep in the woods.
Warner Bros Entertainment Italia, Italy’s Indiana Production and BlackBox Multimedia are producing with support from the Calabria Film Commission. Germany’s SquareOne Productions is co-producing and handling international sales. Warner Bros. Pictures will release the film in Italian theaters.
Page plays Rachel, a teenager raised according to the cult’s beliefs. When her father Philip dies, Rachel’s domineering mother, Carol, played by Ormond (see first look image), driven by the belief that Philip’s lifeless body will revive itself, forces her daughter to live with the corpse.
- 6/13/2023
- by Nick Vivarelli
- Variety Film + TV
“Not everything is political.” The person saying this, with a sightly exasperated air, is named Jean (Rosy McEwen). She’s a high school Pe teacher, recently(ish) divorced, and still mostly closeted about her sexuality. This declaration of independence is being addressed to her off-on, and very much out, girlfriend Viv (Kerrie Hayes). “Of course it is,” Jean’s partner tells her, and the hint of affection in her voice could almost be mistaken for pity. This is England, 1988 — Margaret Thatcher still rules with an iron-lady fist, and she’s...
- 6/10/2023
- by David Fear
- Rollingstone.com
Georgia Oakley’s Blue Jean is a film about life made unlivable due to the venomous prudishness of British culture. Set in Newcastle, in the north of England, in the late 1980s, the film follows twentysomething Jean (Rosy McEwen) as she juggles a double life: self-effacing physical education teacher by day and femme club-going lesbian by night.
Jean seems to be doing a good job of keeping these personas separate, even if it means that her silence feeds everyone’s presumptions of her heterosexuality. That is, until one of her students, Lois (Lucy Halliday), also a lesbian, starts showing up at the pub where Jean hangs out with her queer friends and butch, tatted-up punk-rock girlfriend, Viv (Kerrie Hayes), who, unlike Jean, is completely uninterested in passing for straight in order to accommodate homophobes.
As in Badrul Hisham Ismail’s recent Maryam, Blue Jean’s protagonist moves through the city in a tiny car.
Jean seems to be doing a good job of keeping these personas separate, even if it means that her silence feeds everyone’s presumptions of her heterosexuality. That is, until one of her students, Lois (Lucy Halliday), also a lesbian, starts showing up at the pub where Jean hangs out with her queer friends and butch, tatted-up punk-rock girlfriend, Viv (Kerrie Hayes), who, unlike Jean, is completely uninterested in passing for straight in order to accommodate homophobes.
As in Badrul Hisham Ismail’s recent Maryam, Blue Jean’s protagonist moves through the city in a tiny car.
- 6/4/2023
- by Diego Semerene
- Slant Magazine
Blue Jean isn’t your typical British fare. Georgia Oakley’s striking debut places a lesbian relationship front and centre – without lacing up its leads in corsets. It’s an Eighties-set drama that’s adorned with familiar references – but isn’t mired in outlandish grime and misery. Most crucially, it’s a story about past injustice that doesn’t gorge itself on self-satisfaction. Nor the comforting myth that Britain is on a steady path of betterment.
Jean (Rosy McEwen) is a teacher in Newcastle. It’s 1988, in the weeks and months after Section 28 has come into effect, instructing British state schools not to “promote the teaching of the acceptability of homosexuality as a pretended family relationship”. Jean has always kept her sexuality hidden from her coworkers. But that veil of self-protection comes under threat when she spots one of her new students, Lois (Lucy Halliday), at the local lesbian bar...
Jean (Rosy McEwen) is a teacher in Newcastle. It’s 1988, in the weeks and months after Section 28 has come into effect, instructing British state schools not to “promote the teaching of the acceptability of homosexuality as a pretended family relationship”. Jean has always kept her sexuality hidden from her coworkers. But that veil of self-protection comes under threat when she spots one of her new students, Lois (Lucy Halliday), at the local lesbian bar...
- 2/9/2023
- by Clarisse Loughrey
- The Independent - Film
BritBox has dropped the trailer for its miniseries “The Confessions of Frannie Langton,” which will premiere all four episodes March 8 in North America, Australia, South Africa, and the Nordic territories.
Starring Karla-Simone Spence in the lead role, “The Confessions of Frannie Langton” depicts a woman who is forcibly employed as a maid in a wealthy London household. When the estate’s owners are suddenly murdered, Frannie is perceived as the culprit and brought to prison, where she attempts to uncover the truth.
“This is my story, and it’s a story of love,” Spence says in a voiceover omnipresent throughout the trailer. “Though everyone expected it to be a story of murder and truth. No one ever expects any kind of story from a woman like me.”
In a particularly heated moment from the one-minute teaser, Spence exchanges a passionate kiss with co-star Sophie Cookson, hinting at the threads of...
Starring Karla-Simone Spence in the lead role, “The Confessions of Frannie Langton” depicts a woman who is forcibly employed as a maid in a wealthy London household. When the estate’s owners are suddenly murdered, Frannie is perceived as the culprit and brought to prison, where she attempts to uncover the truth.
“This is my story, and it’s a story of love,” Spence says in a voiceover omnipresent throughout the trailer. “Though everyone expected it to be a story of murder and truth. No one ever expects any kind of story from a woman like me.”
In a particularly heated moment from the one-minute teaser, Spence exchanges a passionate kiss with co-star Sophie Cookson, hinting at the threads of...
- 2/1/2023
- by Julia MacCary and Katie Reul
- Variety Film + TV
The Last of Us star Bella Ramsey has spoken about leaving children’s TV series The Worst Witch as a teenager to aid her recovery from an eating disorder.
The young actor rose to fame in 2016 when she was just 13 years old, as Lyanna Mormont in Game of Thrones.
A year later, she would be cast in the lead role of Mildred Hubble in Cbbc’s adaptation of The Worst Witch. Ramsey appeared on the show for three series, but left before series four, when she was replaced by Lydia Page.
In a new interview with Elle, Ramsey said that, while filming the first series of the kids’ show, she developed what she’d later understand to be the eating disorder anorexia nervosa.
She initially hadn’t wanted to return for series two or three, but convinced herself to stay. By the time series three was filming, she had predominantly...
The young actor rose to fame in 2016 when she was just 13 years old, as Lyanna Mormont in Game of Thrones.
A year later, she would be cast in the lead role of Mildred Hubble in Cbbc’s adaptation of The Worst Witch. Ramsey appeared on the show for three series, but left before series four, when she was replaced by Lydia Page.
In a new interview with Elle, Ramsey said that, while filming the first series of the kids’ show, she developed what she’d later understand to be the eating disorder anorexia nervosa.
She initially hadn’t wanted to return for series two or three, but convinced herself to stay. By the time series three was filming, she had predominantly...
- 1/18/2023
- by Isobel Lewis
- The Independent - TV
The Blue Jean of David Bowie’s 1984 hit was a girl with “a camouflage face,” not unlike the singer and the two personas he splintered into for the song’s video: a djinn-like rockstar dancing onstage and his ordinary, besuited doppelganger watching from below. So it is for the young woman at the center of Georgia Oakley’s own Blue Jean. A Pe teacher stranded in Tyneside, England, Jean (Rosy McEwen) is a divorcée in a same-sex relationship that no-one—least of all her pupils and co-workers—must ever know about. For the year is 1988 and Britain’s grappling with the revolting aftermath of Section 28. The bill passed by Thatcher’s government banned “the promotion of homosexuality” by local authorities, forcing people like Jean into hiding. Camouflaging—its costs and consequences—is at the cornerstone of Oakley’s frank, often quite gripping feature debut. If Blue Jean does not debunk...
- 12/15/2022
- by Leonardo Goi
- The Film Stage
It was a great night for Charlotte Wells' father-daughter drama Aftersun at the British Independent Film Awards on Sunday evening, as the film—– already a favourite going into the evening after 16 nominations, won seven, including Best British Independent Film, Best Director and Best Screenplay.
Other films scoring several awards included Blue Jean, and The Origin, about a nomadic tribe that faces a terrifying ancient threat that comes when night falls.
The BIFAs continued non-gender-specific main performances categories and added one, the Joint Lead Performance, awarded to Tamara Lawrance and Letitia Wright for their roles as extraordinary real-life siblings who communicated only with each other in The Silent Twins.
Here is the full list of winners…
Best British Independent Film
Aftersun – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson – Winner
Blue Jean – Georgia Oakley, Hélène Sifre
Good Luck To You, Leo Grande – Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living – Oliver Hermanus,...
Other films scoring several awards included Blue Jean, and The Origin, about a nomadic tribe that faces a terrifying ancient threat that comes when night falls.
The BIFAs continued non-gender-specific main performances categories and added one, the Joint Lead Performance, awarded to Tamara Lawrance and Letitia Wright for their roles as extraordinary real-life siblings who communicated only with each other in The Silent Twins.
Here is the full list of winners…
Best British Independent Film
Aftersun – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson – Winner
Blue Jean – Georgia Oakley, Hélène Sifre
Good Luck To You, Leo Grande – Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living – Oliver Hermanus,...
- 12/5/2022
- by James White
- Empire - Movies
It has been a stellar year for British talent, as is evidenced by the amazing line up of films celebrated and championed by BIFA this evening. The British Independent Film Awards were handed out this evening in London and we were there to talk to the presenters and nominees on the red carpet.
A full list of winners follows the interviews. Colin Hart and Ethan Hart were on the red carpet, here are their interviews.
The 2022 BIFAs Red Carpet Interviews
The full list of winners is below.
Best British Independent Film
Aftersun Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson (Winner)
Blue Jean Georgia Oakley, Hélène Sifre
Good Luck to You, Leo Grande Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living Oliver Hermanus, Kazuo Ishiguro, Stephen Woolley, Elizabeth Karlsen
The Wonder Sebastián Lelio, Emma Donoghue, Alice Birch, Juliette Howell, Andrew Lowe, Tessa Ross, Ed Guiney
Best Director,...
A full list of winners follows the interviews. Colin Hart and Ethan Hart were on the red carpet, here are their interviews.
The 2022 BIFAs Red Carpet Interviews
The full list of winners is below.
Best British Independent Film
Aftersun Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson (Winner)
Blue Jean Georgia Oakley, Hélène Sifre
Good Luck to You, Leo Grande Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living Oliver Hermanus, Kazuo Ishiguro, Stephen Woolley, Elizabeth Karlsen
The Wonder Sebastián Lelio, Emma Donoghue, Alice Birch, Juliette Howell, Andrew Lowe, Tessa Ross, Ed Guiney
Best Director,...
- 12/5/2022
- by Jon Lyus
- HeyUGuys.co.uk
Charlotte Wells’ directorial feature debut, “Aftersun,” took home the most awards of any nominated film at the 25th annual British Independent Film Awards (BIFA), nabbing seven victories out of 16 nominations.
The film spans a 20-year period, beginning with 11-year-old Sophie (Frankie Corio) on a father-daughter vacation to Turkey and culminating with her reflection on that experience in adulthood. Upon its premiere at the 2022 Cannes Film Festival, “Aftersun” was winner of the French Touch Jury Prize. Most recently, Wells received a breakthrough director prize at the Gotham Awards.
At the Sunday evening ceremony, “Normal People” actor Daisy Edgar-Jones presented the award for best British independent film to Wells. Also added to the feature’s list of accolades were awards for best director, best debut director, best screenplay, best cinematography, best editing and best music supervision.
Director Georgia Oakley’s “Blue Jean” saw a surge of recognition as well, with wins in...
The film spans a 20-year period, beginning with 11-year-old Sophie (Frankie Corio) on a father-daughter vacation to Turkey and culminating with her reflection on that experience in adulthood. Upon its premiere at the 2022 Cannes Film Festival, “Aftersun” was winner of the French Touch Jury Prize. Most recently, Wells received a breakthrough director prize at the Gotham Awards.
At the Sunday evening ceremony, “Normal People” actor Daisy Edgar-Jones presented the award for best British independent film to Wells. Also added to the feature’s list of accolades were awards for best director, best debut director, best screenplay, best cinematography, best editing and best music supervision.
Director Georgia Oakley’s “Blue Jean” saw a surge of recognition as well, with wins in...
- 12/4/2022
- by Katie Reul
- Variety Film + TV
Scottish filmmaker Charlotte Wells’s acclaimed debut feature Aftersun swept the board, snagging seven wins at the British Independent Film Awards (BIFA) in London this evening.
The film won Best British Independent Film, Best Director, Best Screenplay, and The Douglas Hickox Award for Best Debut Director. This evening’s four wins were added to the film’s previously announced haul in the craft categories with three wins including Best Cinematography, Best Editing, and Best Music Supervision.
Georgia Oakley’s 1980s Section 28 era set Blue Jean, which trailed only Aftersun for the most nominations, picked up three awards on the night: Best Lead Performance for Rosy McEwen, Best Supporting Performance for Kerrie Hayes, and Oakley took home the Best Debut Screenwriter award sponsored by Film4.
Elsewhere, Safia Oakley-Green won the Breakthrough Performance award for her role in Andrew Cumming’s debut feature The Origin and Tamara Lawrance and Letitia Wright picked...
The film won Best British Independent Film, Best Director, Best Screenplay, and The Douglas Hickox Award for Best Debut Director. This evening’s four wins were added to the film’s previously announced haul in the craft categories with three wins including Best Cinematography, Best Editing, and Best Music Supervision.
Georgia Oakley’s 1980s Section 28 era set Blue Jean, which trailed only Aftersun for the most nominations, picked up three awards on the night: Best Lead Performance for Rosy McEwen, Best Supporting Performance for Kerrie Hayes, and Oakley took home the Best Debut Screenwriter award sponsored by Film4.
Elsewhere, Safia Oakley-Green won the Breakthrough Performance award for her role in Andrew Cumming’s debut feature The Origin and Tamara Lawrance and Letitia Wright picked...
- 12/4/2022
- by Zac Ntim
- Deadline Film + TV
Charlotte Wells’ debut scooped seven prizes, including best British independent film and best director.
Charlotte Wells’ directorial debut feature Aftersun was the big winner of the 2022 British Independent Film Awards (Bifas), taking seven prizes at Sunday night’s (December 4) ceremony in London.
Wells’ drama won the award for best British independent film, best director, the Douglas Hickox Award for best debut director, and best screenplay, adding to the three craft awards already announced – best cinematography, best editing and best music supervision.
The Cannes premiere follows a daughter as she reflects on her relationship with her complicated father, through memories of a summer holiday in Turkey,...
Charlotte Wells’ directorial debut feature Aftersun was the big winner of the 2022 British Independent Film Awards (Bifas), taking seven prizes at Sunday night’s (December 4) ceremony in London.
Wells’ drama won the award for best British independent film, best director, the Douglas Hickox Award for best debut director, and best screenplay, adding to the three craft awards already announced – best cinematography, best editing and best music supervision.
The Cannes premiere follows a daughter as she reflects on her relationship with her complicated father, through memories of a summer holiday in Turkey,...
- 12/4/2022
- by Mona Tabbara
- ScreenDaily
The awards ceremony takes place today (December 4), starting at 8pm UK time.
The 2022 British Independent Film Awards (Bifas) ceremony is taking place today (December 4) at London’s Old Billingsgate.
The show starts at 8pm UK time, finishing at approximately 10pm.
Screen will be posting all the winners on this page as they are announced during the live ceremony (refresh the page for latest updates).
Leading the pack for nominations is Charlotte Wells’ Aftersun, with 16 mentions – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. The feature has already won three of those awards,...
The 2022 British Independent Film Awards (Bifas) ceremony is taking place today (December 4) at London’s Old Billingsgate.
The show starts at 8pm UK time, finishing at approximately 10pm.
Screen will be posting all the winners on this page as they are announced during the live ceremony (refresh the page for latest updates).
Leading the pack for nominations is Charlotte Wells’ Aftersun, with 16 mentions – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. The feature has already won three of those awards,...
- 12/4/2022
- by Mona Tabbara
- ScreenDaily
Scottish filmmaker Charlotte Wells’s debut feature Aftersun leads the nominations for this year’s British Independent Film Awards with a sweeping 16 nods, including Best Director and Best film.
The film’s impressive nominations haul includes Best Director, Best Screenplay, Best Debut Director (the Douglas Hickox Award) and Best Debut Screenwriter nods for Wells and a Best Joint Lead Performance nomination for stars Paul Mescal and newcomer Frankie Corio, who received a Breakthrough Performance nomination. The Barry Jenkins-produced pic is also up for Best British Independent Film and racked up a further nine craft nominations, including Best Casting and Cinematography.
Inspired by, but not based on, Wells’s experiences as the child of young parents, the poignant ’90s-set film explores a father and daughter’s complex relationship against the backdrop of a simmering holiday the pair have taken to a resort in Turkey.
Georgia Oakley’s debut film Blue Jean trails behind with 13 nominations.
The film’s impressive nominations haul includes Best Director, Best Screenplay, Best Debut Director (the Douglas Hickox Award) and Best Debut Screenwriter nods for Wells and a Best Joint Lead Performance nomination for stars Paul Mescal and newcomer Frankie Corio, who received a Breakthrough Performance nomination. The Barry Jenkins-produced pic is also up for Best British Independent Film and racked up a further nine craft nominations, including Best Casting and Cinematography.
Inspired by, but not based on, Wells’s experiences as the child of young parents, the poignant ’90s-set film explores a father and daughter’s complex relationship against the backdrop of a simmering holiday the pair have taken to a resort in Turkey.
Georgia Oakley’s debut film Blue Jean trails behind with 13 nominations.
- 11/4/2022
- by Zac Ntim
- Deadline Film + TV
Charlotte Wells’ “Aftersun” and Georgia Oakley’s “Blue Jean” led the nominations at the 2022 British Independent Film Awards (BIFA) with 16 and 13 nods respectively.
Sebastián Lelio’s “The Wonder” followed with 12 nominations, Oliver Hermanus’ “Living” nine and Peter Strickland’s “Flux Gourmet” seven.
From this year, the awards are permanently going gender neutral for acting categories with the traditional best and supporting actress and actor awards being replaced by best lead performance, best supporting performance, best joint lead performance — for performances that are the joint focus of the film — and best ensemble.
The nominations were revealed at London’s Everyman Broadgate cinema by hosts, actors Sam Clafin (“Peaky Blinders”) and Kosar Ali (double BIFA winner for “Rocks”).
BIFA Nominations 2022
The Richard Harris Award For Outstanding Contribution By An Actor To British Film
To Be Announced
Best British Independent Film
“Aftersun” – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson
“Blue Jean” – Georgia Oakley,...
Sebastián Lelio’s “The Wonder” followed with 12 nominations, Oliver Hermanus’ “Living” nine and Peter Strickland’s “Flux Gourmet” seven.
From this year, the awards are permanently going gender neutral for acting categories with the traditional best and supporting actress and actor awards being replaced by best lead performance, best supporting performance, best joint lead performance — for performances that are the joint focus of the film — and best ensemble.
The nominations were revealed at London’s Everyman Broadgate cinema by hosts, actors Sam Clafin (“Peaky Blinders”) and Kosar Ali (double BIFA winner for “Rocks”).
BIFA Nominations 2022
The Richard Harris Award For Outstanding Contribution By An Actor To British Film
To Be Announced
Best British Independent Film
“Aftersun” – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson
“Blue Jean” – Georgia Oakley,...
- 11/4/2022
- by Naman Ramachandran
- Variety Film + TV
Aftersun and Blue Jean are leading the nominations for the 2022 British Independent Film Awards, unveiled on Friday.
Florence Pugh (The Wonder), Emma Mackey (Emily), Paul Mescal (who got nods in two categories: best joint lead performance for Aftersun and best supporting performance for God’s Creatures), Letitia Wright (The Silent Twins), Bill Nighy (Living), Emily Watson (God’s Creatures) and Emma Thompson (Good Luck to You, Leo Grande) are among the nominees in the now gender-neutral acting, or performance, categories.
Organizers highlighted that it was “a strong year for women filmmakers and performers,” adding: “Women dominate performance, writing and directing categories.”
Aftersun, Charlotte Wells’ debut feature about a father and daughter’s complex relationship, landed 16 nominations for this year’s BIFAs, including for best British independent film, best director, best debut director, best screenplay and best debut screenwriter, along with a best joint lead performance...
Florence Pugh (The Wonder), Emma Mackey (Emily), Paul Mescal (who got nods in two categories: best joint lead performance for Aftersun and best supporting performance for God’s Creatures), Letitia Wright (The Silent Twins), Bill Nighy (Living), Emily Watson (God’s Creatures) and Emma Thompson (Good Luck to You, Leo Grande) are among the nominees in the now gender-neutral acting, or performance, categories.
Organizers highlighted that it was “a strong year for women filmmakers and performers,” adding: “Women dominate performance, writing and directing categories.”
Aftersun, Charlotte Wells’ debut feature about a father and daughter’s complex relationship, landed 16 nominations for this year’s BIFAs, including for best British independent film, best director, best debut director, best screenplay and best debut screenwriter, along with a best joint lead performance...
- 11/4/2022
- by Georg Szalai
- The Hollywood Reporter - Movie News
Women dominate the performance, writing and directing categories.
Charlotte Wells’ Aftersun, Georgia Oakley’s Blue Jean and Sebastian Lelio’s The Wonder lead the nominations for the 2022 British Independent Film Awards (Bifas), with several major categories dominated by women including the new merged performance categories.
At the Bifas 25th edition, Wells’ Aftersun has 16 nominations – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. Wells is nominated for best British independent film, director, screenplay, debut director and debut screenwriter; while Frankie Corio and Paul Mescal are nominated in the new best joint lead performance category.
Charlotte Wells’ Aftersun, Georgia Oakley’s Blue Jean and Sebastian Lelio’s The Wonder lead the nominations for the 2022 British Independent Film Awards (Bifas), with several major categories dominated by women including the new merged performance categories.
At the Bifas 25th edition, Wells’ Aftersun has 16 nominations – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. Wells is nominated for best British independent film, director, screenplay, debut director and debut screenwriter; while Frankie Corio and Paul Mescal are nominated in the new best joint lead performance category.
- 11/4/2022
- by Ben Dalton
- ScreenDaily
Women dominate the performance, writing and directing categories.
Charlotte Wells’ Aftersun and Georgia Oakley’s Blue Jean lead the nominations for the 2022 British Independent Film Awards (Bifas), with several major categories dominated by women including the new merged performance categories.
At the Bifas 25th edition, Wells’ Aftersun has 16 nominations – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. Wells is nominated for best British independent film, director, screenplay, debut director and debut screenwriter; while Frankie Corio and Paul Mescal are nominated in the new best joint lead performance category.
Scroll down for the...
Charlotte Wells’ Aftersun and Georgia Oakley’s Blue Jean lead the nominations for the 2022 British Independent Film Awards (Bifas), with several major categories dominated by women including the new merged performance categories.
At the Bifas 25th edition, Wells’ Aftersun has 16 nominations – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. Wells is nominated for best British independent film, director, screenplay, debut director and debut screenwriter; while Frankie Corio and Paul Mescal are nominated in the new best joint lead performance category.
Scroll down for the...
- 11/4/2022
- by Ben Dalton
- ScreenDaily
At the 1987 Conservative Party Conference in Britain, then Prime Minister Margaret Thatcher issued one of the most grimly memorable quotes of her career: “Children who need to be taught to respect traditional moral values are being taught that they have an inalienable right to be gay.” For many of us, it’s a line that now sounds so archaically out of step with contemporary life as to be comical — that “inalienable right” wording ironically appropriated by many a queer-rights cause — though you need only look at Florida’s recent Don’t Say Gay bill to know that Thatcher’s sentiments live among us still. A frank, piercing debut from British writer-director Georgia Oakley, “Blue Jean” is a Thatcher-era period piece that crisply evokes that climate of politically propagated homophobia without preserving it in amber: It effectively puts the past in tacit dialogue with the present.
The year is 1988, and Thatcher...
The year is 1988, and Thatcher...
- 9/9/2022
- by Guy Lodge
- Variety Film + TV
Th 47th edition of the Toronto International Film Festival has selected its Industry Selects, a section of ten audience friendly films up for global acquisition. In addition it was announced that Jason Reitman’s Live Read is returning to the Festival for an all-star event featuring a surprise cast; the filmmaker presenting a surprise screenplay in honor of his late father, Ivan Reitman.
“We’ve worked to build a selection that will appeal to buyers as well as audiences,’’ said Norm Wilner, Programmer, Digital Releasing and Industry Selects. “We aim to celebrate new voices and showcase international talent, in line with the Festival’s global spirit.”
“We’re delighted to present these director-driven and audience-engaging sales titles from around the world to international buyers who rely on our festival to strengthen their upcoming film slate,” added Geoff Macnaughton, Senior Director, Industry and Theatrical. “Fostering sales at the Festival is a key part of our mandate,...
“We’ve worked to build a selection that will appeal to buyers as well as audiences,’’ said Norm Wilner, Programmer, Digital Releasing and Industry Selects. “We aim to celebrate new voices and showcase international talent, in line with the Festival’s global spirit.”
“We’re delighted to present these director-driven and audience-engaging sales titles from around the world to international buyers who rely on our festival to strengthen their upcoming film slate,” added Geoff Macnaughton, Senior Director, Industry and Theatrical. “Fostering sales at the Festival is a key part of our mandate,...
- 8/23/2022
- by Anthony D'Alessandro
- Deadline Film + TV
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