Figa Films has snapped up international sales rights to “Frogs,” by Clara Linhart. Her previous film “Domingo,” (2018), co-directed with Fellipe Barbosa, premiered at the 75th Venice Festival in Venice Days.
The Brazilian production centers on a woman, in her late thirties, invited to an old friends’ get together at a country house. She arrives to find there is no get together and is left instead to spend her weekend with two couples in partial crisis. In her statement about the film director Linhart says, ‘I want the spectators to recognize themselves in these characters or in the situations they experience. I want people to both laugh and cringe because they can relate. I want to use the camera as a microscope capable of visualizing looks, gestures, and whispers that denote desires, fears, and insecurities.”
Paula is played by Thalita Carauta, who put in an award-winning turn in “Narcos” director Fernando Coimbra...
The Brazilian production centers on a woman, in her late thirties, invited to an old friends’ get together at a country house. She arrives to find there is no get together and is left instead to spend her weekend with two couples in partial crisis. In her statement about the film director Linhart says, ‘I want the spectators to recognize themselves in these characters or in the situations they experience. I want people to both laugh and cringe because they can relate. I want to use the camera as a microscope capable of visualizing looks, gestures, and whispers that denote desires, fears, and insecurities.”
Paula is played by Thalita Carauta, who put in an award-winning turn in “Narcos” director Fernando Coimbra...
- 11/25/2022
- by Callum McLennan
- Variety Film + TV
Life, politics and family gatherings can all be pretty shambolic so it is no surprise that the Brazilian drama Domingo, which explores all three, is somewhat messy, too. This new film from Gabriel and the Mountain director Fellipe Barbosa, who here co-directs with Mountain’s assistant director, Clara Linhart, might have a sprawling cast and an abundance of small subplots, but the entire enterprise is more or less held together by the fact it almost all takes place over the course of a single day in and around a single location: the dilapidated mansion of a large, land-owning family. This Venice ...
Life, politics and family gatherings can all be pretty shambolic so it is no surprise that the Brazilian drama Domingo, which explores all three, is somewhat messy, too. This new film from Gabriel and the Mountain director Fellipe Barbosa, who here co-directs with Mountain’s assistant director, Clara Linhart, might have a sprawling cast and an abundance of small subplots, but the entire enterprise is more or less held together by the fact it almost all takes place over the course of a single day in and around a single location: the dilapidated mansion of a large, land-owning family. This Venice ...
Brazil’s Fellipe Barbosa and Clara Linhart are following up the success of their Cannes Critics’ Week player “Gabriel and the Mountain,” with “Domingo,” an intimate look at a bourgeoisie Brazilian family over New Year’s weekend during the 2003 inauguration of former president Luiz Inácio Lula da Silva. The film will compete in the main competition at this year’s Venice Days, then segues to the Toronto Festival’s Contemporary World Cinema showcase.
“Domingo” follows two sides of an old money family, together for a weekend in a poorly-maintained mansion where the family matriarch spent much of her childhood. What starts as a typical barbeque finds its drama amongst the raging hormones of teenage boys, a rainstorm which drives the family into the confines of the home, and too much champagne, mixed with a hidden box of cocaine.
Just as the house from a bygone era shows signs of deterioration,...
“Domingo” follows two sides of an old money family, together for a weekend in a poorly-maintained mansion where the family matriarch spent much of her childhood. What starts as a typical barbeque finds its drama amongst the raging hormones of teenage boys, a rainstorm which drives the family into the confines of the home, and too much champagne, mixed with a hidden box of cocaine.
Just as the house from a bygone era shows signs of deterioration,...
- 9/1/2018
- by Jamie Lang
- Variety Film + TV
Non-FictionThe programme for the 2018 edition of the Venice Film Festival has been unveiled, and includes new films from Tsai Ming-liang, Frederick Wiseman, Sergei Loznitsa, Olivier Assayas, the Coen Brothers, and many more.COMPETITIONFirst Man (Damien Chazelle)The Mountain (Rick Alverson)Non-Fiction (Olivier Assayas)The Sisters Brothers (Jacques Audiard)The Ballad of Buster ScruggsVox Lux (Brady Corbet)Roma (Alfonso Cuarón)22 July (Paul Greengrass)Suspiria (Luca Guadagnino)Werk ohne autor (Florian Henckel von Donnersmarck)The Nightingale (Jennifer Kent)The Favourite (Yorgos Lanthimos)Peterloo (Mike Leigh)Capri-revolution (Mario Martone)What You Gonna Do When the World's On Fire? (Roberto Minervini)Sunset (László Nemes)Frères ennemis (David Oeloffen)Where Life is Born (Carlos Reygadas)At Eternity's Gate (Julian Schnabel)Acusada (Gonzalo Tobal)Killing (Shinya Tsukamoto)Out Of COMPETITIONFeaturesThe Other Side of the Wind (Orson Welles)They'll Love Me When I'm Dead (Morgan Neville)L'amica geniale (Saverio Costanzo)Il diario di angela - noi...
- 7/25/2018
- MUBI
Six of the 12 films in the main programme are by women
Six of the 12 features in Venice Days are directed by women for the first time in the event’s 15-year history.
They include Real Love (C’est Ca L’Amour), the second feature from French filmmaker Claire Burger, who co-directed Party Girl, which won the Camera d’Or at Cannes in 2014. Real Love is a semi-autobiographical drama starring Belgian actor and director Bouli Lanners as Mario, a man left to bring up his two turbulent teenager daughters on his own after his wife walks out on the family. Indie Sales has international rights.
Six of the 12 features in Venice Days are directed by women for the first time in the event’s 15-year history.
They include Real Love (C’est Ca L’Amour), the second feature from French filmmaker Claire Burger, who co-directed Party Girl, which won the Camera d’Or at Cannes in 2014. Real Love is a semi-autobiographical drama starring Belgian actor and director Bouli Lanners as Mario, a man left to bring up his two turbulent teenager daughters on his own after his wife walks out on the family. Indie Sales has international rights.
- 7/24/2018
- by Louise Tutt
- ScreenDaily
With the Venice Film Festival due to reveal its competition lineup tomorrow, parallel sections are getting a jump. Today’s roster unveiling is for the Venice Days section, or Giornate degli Autori — an independent section that resembles Cannes’ Directors’ Fortnight. In the mix are new films from Oscar nominee Rithy Panh, After Love‘s Joachim Lafosse, and Peter Medak with The Ghost Of Peter Sellers. The latter is billed as a Special Event and is a tragicomic documentary about the unraveling of 1973 pirate comedy Ghost In The Noonday Sun.
Panh will open the section with Graves Without A Name, the Cambodian helmer’s latest examination of the fallout of the Khmer Rouge. Lafosse is in competition with mother-son drama Keep Going starring Virginie Efira. Out of competition, the closing film is The Suicide Of Emma Peteers by Nicole Palo. In total, six of the official selection titles are directed by women.
Panh will open the section with Graves Without A Name, the Cambodian helmer’s latest examination of the fallout of the Khmer Rouge. Lafosse is in competition with mother-son drama Keep Going starring Virginie Efira. Out of competition, the closing film is The Suicide Of Emma Peteers by Nicole Palo. In total, six of the official selection titles are directed by women.
- 7/24/2018
- by Nancy Tartaglione
- Deadline Film + TV
The Venice Film Festival’s independently run Venice Days section, modeled on Cannes Directors’ Fortnight, has unveiled its lineup of 11 competition entries, all world premieres, marked by a particularly strong presence of female directors.
The section will open with “Graves Without a Name” (pictured), a new documentary on the horrors of the Khmer Rouge era by revered Cambodian-born director Rithy Panh, producer of Angelina Jolie’s “First They Killed My Father.” The lineup mixes promising entries from both well-known auteurs and newcomers. The out-of competition closer is suicide-themed comedy “Emma Peeters” from young Belgian director Nicole Palo.
Venice Days artistic director Giorgio Gosetti noted that six out of 12 titles in the official selection are directed by women and said that “female characters play a crucial role in all the films.” But he also said his choice was unconstrained by gender considerations. “We sought the best that we could find and...
The section will open with “Graves Without a Name” (pictured), a new documentary on the horrors of the Khmer Rouge era by revered Cambodian-born director Rithy Panh, producer of Angelina Jolie’s “First They Killed My Father.” The lineup mixes promising entries from both well-known auteurs and newcomers. The out-of competition closer is suicide-themed comedy “Emma Peeters” from young Belgian director Nicole Palo.
Venice Days artistic director Giorgio Gosetti noted that six out of 12 titles in the official selection are directed by women and said that “female characters play a crucial role in all the films.” But he also said his choice was unconstrained by gender considerations. “We sought the best that we could find and...
- 7/24/2018
- by Nick Vivarelli
- Variety Film + TV
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