Ecuador-based producer Daniela Fuentes Moncada of Epopeya is introducing the introspective queer feature, “Ñusta,” as part of three regional films on her development slate at Locarno’s Producer’s Lab, an Open Doors initiative spotlighting Latin America and Caribbean talent.
Epopeya teams Moncada with founder María de los Ángeles Palacio.
Underscoring the project’s industry pulling power, co-producing the project are Director Papu Corotto at Argentina’s Hain Cine (“Esteros”) alongside Lady Vinces(“Checoslovaquia”) and Silvia Arellano (“En Medio Del Laberinto”) of Peru’sCasa Aguaflorida.
The pair bring poignant narratives to life, with Moncada previously backing “La Mala Noche” directed by Gabriela Calvache, a raw portrait of human trafficking that premiered at SXSW and was selected by festivals worldwide, receiving 15 awards and nominations. Epopeya produces animation, documentary and fiction with a focus on forward-thinking narratives.
“We believe we have a powerful tool to transform the world one viewer at a time,...
Epopeya teams Moncada with founder María de los Ángeles Palacio.
Underscoring the project’s industry pulling power, co-producing the project are Director Papu Corotto at Argentina’s Hain Cine (“Esteros”) alongside Lady Vinces(“Checoslovaquia”) and Silvia Arellano (“En Medio Del Laberinto”) of Peru’sCasa Aguaflorida.
The pair bring poignant narratives to life, with Moncada previously backing “La Mala Noche” directed by Gabriela Calvache, a raw portrait of human trafficking that premiered at SXSW and was selected by festivals worldwide, receiving 15 awards and nominations. Epopeya produces animation, documentary and fiction with a focus on forward-thinking narratives.
“We believe we have a powerful tool to transform the world one viewer at a time,...
- 8/7/2022
- by Holly Jones
- Variety Film + TV
Ecuador’s Cineática Films has boarded “Slay the Dragon” (“Matar el Dragon”) the third directorial outing by Chilean helmer-producer Roberto Doveris of Niña Niño Films, whose producing credits include Venice 2019 Queer Lion winner, “The Prince.”
“Slay the Dragon” is among the 17 feature films in development that have participated at Sanfic Industria’s Santiago Lab: Fiction.
Doveris and Cineatica’s Gabriela Calvache met way back at the 2013 Cartagena Film Festival and reconnected at the 2019 Sanfic, which led to this alliance, said Doveris. Chile’s Peso Pluma (“Vida de Familia,” 2017) also co-produces.
“There are two things that prompted me to co-produce ‘Slay the Dragon’: The first is its director, Roberto Doveris, whom I admire as an artist and also love as a human being. The second reason is the story and the genre of the script,” said Calvache, who wrote, directed and produced her first feature “La Mala Noche,” Ecuador’s...
“Slay the Dragon” is among the 17 feature films in development that have participated at Sanfic Industria’s Santiago Lab: Fiction.
Doveris and Cineatica’s Gabriela Calvache met way back at the 2013 Cartagena Film Festival and reconnected at the 2019 Sanfic, which led to this alliance, said Doveris. Chile’s Peso Pluma (“Vida de Familia,” 2017) also co-produces.
“There are two things that prompted me to co-produce ‘Slay the Dragon’: The first is its director, Roberto Doveris, whom I admire as an artist and also love as a human being. The second reason is the story and the genre of the script,” said Calvache, who wrote, directed and produced her first feature “La Mala Noche,” Ecuador’s...
- 3/26/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Sex in all its permutations dominates this year’s crop of Latin American submissions, whether it be intersex issues in Venezuela’s “Being Impossible,” Bolivia’s homophobia in “Tu Me Manques,” or a transgender’s person’s plight in Panama’s “Everybody Changes.”
“Retablo,” set in a mountaintop hamlet in Peru, is Alvaro Delgado-Aparicio’s nuanced portrait of a young indigenous teen as he struggles with a revelation about his devoted father, exacerbated by the ultra-conservative, religious community they live in.
The Dominican Republic’s Jose Maria Cabral, representing his county for the third time with “The Projectionist,” also dwells on unsettling revelations about parents in the context of a road movie.
Colombian Alejandro Landes’ “Monos” is a breed apart although one of its child soldiers is androgynous in this haunting tropical mash-up of “Apocalypse Now” and “Lord of the Flies.”
Out of the 15 entries this year, four are by women,...
“Retablo,” set in a mountaintop hamlet in Peru, is Alvaro Delgado-Aparicio’s nuanced portrait of a young indigenous teen as he struggles with a revelation about his devoted father, exacerbated by the ultra-conservative, religious community they live in.
The Dominican Republic’s Jose Maria Cabral, representing his county for the third time with “The Projectionist,” also dwells on unsettling revelations about parents in the context of a road movie.
Colombian Alejandro Landes’ “Monos” is a breed apart although one of its child soldiers is androgynous in this haunting tropical mash-up of “Apocalypse Now” and “Lord of the Flies.”
Out of the 15 entries this year, four are by women,...
- 12/5/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Earlier in the week, we finally learned which films would be selected by all of the countries in search of Academy Award love in Best International Feature. Not only did we get the answers to some questions regarding what each nation would pick, but we found that a record breaking 93 submissions have been made here in 2019. It’s truly the largest slate ever for voters to sift through. Talk about a good problem to have! Below you can see all of the titles in competition for the Best International Feature Oscar. Right now, only Parasite from South Korea and Pain and Glory from Spain seem like safe bets, with the former almost assured of winning the Academy Award. Aside from them? Anything goes in this category, which has potential nominees like Atlantics from Senegal, Beanpole from Russia, The Boy Who Harnessed the Wind from the United Kingdom, The Chambermaid from Mexico,...
- 10/12/2019
- by Joey Magidson
- Hollywoodnews.com
Universal’s Global Talent Development and Inclusion have unveiled the participants for the 2019 Directors Initiative. The initiative has also expanded their partnerships to include the American Black Film Festival and the New York Latino Film Festival. In addition, NBCUniversal Filmmasters will join veteran partners AFI Directing Workshop for Women as well as the Sundance Institute’s FilmTwo Fellowship.
This year, the Initiative has doubled in size with 17 directors from diverse backgrounds selected to participate. This year, the Initiative has the strongest international reach with directors from China, Dominican Republic, Ecuador, France, Germany, Iran and Singapore.
Sundance Institute FilmTwo filmmakers participating in this year’s Initiative include Laure de Clermont-Tonnerre (The Mustang), Rhys Ernst (Adam), Atsuko Hirayanagi (Oh Lucy!) and Kirsten Tan (Pop Aye). From the AFI Directing Workshop for Women are directors Amber Sealey (How Does it Start), Jessica Kaye (Inheritance), Carly Usdin (Suicide Kale), Parisa Barani (Ablution (Wuzu)), Marielle Woods...
This year, the Initiative has doubled in size with 17 directors from diverse backgrounds selected to participate. This year, the Initiative has the strongest international reach with directors from China, Dominican Republic, Ecuador, France, Germany, Iran and Singapore.
Sundance Institute FilmTwo filmmakers participating in this year’s Initiative include Laure de Clermont-Tonnerre (The Mustang), Rhys Ernst (Adam), Atsuko Hirayanagi (Oh Lucy!) and Kirsten Tan (Pop Aye). From the AFI Directing Workshop for Women are directors Amber Sealey (How Does it Start), Jessica Kaye (Inheritance), Carly Usdin (Suicide Kale), Parisa Barani (Ablution (Wuzu)), Marielle Woods...
- 10/7/2019
- by Dino-Ray Ramos
- Deadline Film + TV
Universal’s Global Talent Development & Inclusion group has selected filmmakers for its 2019 Directors Initiative, which introduces directors to the studio filmmaking process as well as executives across the company.
The Sundance Institute FilmTwo filmmakers participating in the Directors Initiative include Laure de Clermont-Tonnerre (“The Mustang”), Rhys Ernst (“Adam”), Atsuko Hirayanagi (“Oh Lucy!”), and Kirsten Tan (“Pop Aye”). From the AFI Directing Workshop for Women, directors participating include Amber Sealey (“How Does it Start”), Jessica Kaye (“Inheritance”), Carly Usdin (“Suicide Kale”), Parisa Barani (“Ablution (Wuzu)”), Marielle Woods (“Do No Harm”), Shilpi Roy (“Hipsterhood”), Siyou Tan (“Hello Ahma”) and Talia Zucker (“Child”).
Additionally, Lukas von Berg (“L’aria Del Moscerino”) is joining from NBCUniversal’s Global Distribution & International Filmmasters program, while Numa Perrier (“Jezebel”) is participating from American Black Film Festival, and Gabriela Calvache (“The Longest Night”) is joining from New York Latino Film Festival. Dinh Thai (“Monday”) is joining from last...
The Sundance Institute FilmTwo filmmakers participating in the Directors Initiative include Laure de Clermont-Tonnerre (“The Mustang”), Rhys Ernst (“Adam”), Atsuko Hirayanagi (“Oh Lucy!”), and Kirsten Tan (“Pop Aye”). From the AFI Directing Workshop for Women, directors participating include Amber Sealey (“How Does it Start”), Jessica Kaye (“Inheritance”), Carly Usdin (“Suicide Kale”), Parisa Barani (“Ablution (Wuzu)”), Marielle Woods (“Do No Harm”), Shilpi Roy (“Hipsterhood”), Siyou Tan (“Hello Ahma”) and Talia Zucker (“Child”).
Additionally, Lukas von Berg (“L’aria Del Moscerino”) is joining from NBCUniversal’s Global Distribution & International Filmmasters program, while Numa Perrier (“Jezebel”) is participating from American Black Film Festival, and Gabriela Calvache (“The Longest Night”) is joining from New York Latino Film Festival. Dinh Thai (“Monday”) is joining from last...
- 10/7/2019
- by Beatrice Verhoeven
- The Wrap
A record 93 countries submitted entries in the International Feature Film race at the 2020 Oscars. That is up by six from last year,when the category was still called Best Foreign-Language Film, and eclipses the record 92 submissions in 2018. The nations represented ranged from A (Albania) to V (Vietnam). Predicting the eventual five Oscar nominees is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as will three films added by the 20 members of the executive committee.
Those nine semi-finalists will be screened three per day beginning in early January by select committee members in Gotham, Hollywood, London and San Francisco. These 40 folks will...
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as will three films added by the 20 members of the executive committee.
Those nine semi-finalists will be screened three per day beginning in early January by select committee members in Gotham, Hollywood, London and San Francisco. These 40 folks will...
- 10/7/2019
- by Paul Sheehan
- Gold Derby
Expanded shortlist of 10 films to be announced on December 16.
The Academy on Monday (7) confirmed that 93 countries have submitted films for consideration in the international feature film category for the 92nd Academy Awards.
Ghana, Nigeria and Uzbekistan are first-time entrants with Kwabena Gyansah’s Azali, Genevieve Nnaji’s Lionheart, and Umid Khamdamov’s Hot Bread, respectively.
Earlier this year, the Academy board voted to rename the category formerly known as foreign language film, and expand the shortlist from nine to 10 films.
The shortlist will be announced on December 16. Nominations for the 92nd Oscars will be unveiled on January 13, 2020, and the Oscars...
The Academy on Monday (7) confirmed that 93 countries have submitted films for consideration in the international feature film category for the 92nd Academy Awards.
Ghana, Nigeria and Uzbekistan are first-time entrants with Kwabena Gyansah’s Azali, Genevieve Nnaji’s Lionheart, and Umid Khamdamov’s Hot Bread, respectively.
Earlier this year, the Academy board voted to rename the category formerly known as foreign language film, and expand the shortlist from nine to 10 films.
The shortlist will be announced on December 16. Nominations for the 92nd Oscars will be unveiled on January 13, 2020, and the Oscars...
- 10/7/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
A record-breaking total of 93 countries have submitted entries to be considered for best international film nominations at the Academy Awards.
The Academy announced the full list of eligible films and countries on Monday. Ghana, Nigeria and Uzbekisztan are competing for the first time in the category, which was previously known as the best foreign-language film category.
The previous high for submissions was 92 in 2017. A total of 87 films were submitted last year. Alfonso Cuaron’s “Roma” won the category this year, becoming the first Mexican entry to win the award.
High-profile entries include South Korea’s “Parasite,” Bong Joon Ho’s black comedy which won the Palme d’Or at the Cannes Film Festival; Spain’s “Pain and Glory” from Pedro Almodovar with Antonio Banderas starring as a film director; Japan’s “Weathering With You,” the country’s first animated entry since “Princess Mononoke”; Senegal’s “Atlantics” from director Mati Diop,...
The Academy announced the full list of eligible films and countries on Monday. Ghana, Nigeria and Uzbekisztan are competing for the first time in the category, which was previously known as the best foreign-language film category.
The previous high for submissions was 92 in 2017. A total of 87 films were submitted last year. Alfonso Cuaron’s “Roma” won the category this year, becoming the first Mexican entry to win the award.
High-profile entries include South Korea’s “Parasite,” Bong Joon Ho’s black comedy which won the Palme d’Or at the Cannes Film Festival; Spain’s “Pain and Glory” from Pedro Almodovar with Antonio Banderas starring as a film director; Japan’s “Weathering With You,” the country’s first animated entry since “Princess Mononoke”; Senegal’s “Atlantics” from director Mati Diop,...
- 10/7/2019
- by Dave McNary
- Variety Film + TV
The 2020 foreign-language Oscar nominees will come from submissions from 93 countries, up from last year’s 87, and breaking the record 92 from 2017. A contender for the renamed Best International Feature must be a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly non-English dialogue track.
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
- 10/7/2019
- by Anne Thompson
- Thompson on Hollywood
The 2020 foreign-language Oscar nominees will come from submissions from 93 countries, up from last year’s 87, and breaking the record 92 from 2017. A contender for the renamed Best International Feature must be a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly non-English dialogue track.
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
- 10/7/2019
- by Anne Thompson
- Indiewire
The Academy of Motion Picture Arts and Sciences has released the full list of countries that have submitted a pic for consideration for the new International Feature Film Oscar category.
Here are the 93 nations and their hopefuls, in alphabetical order:
Albania, The Delegation, Bujar Alimani, director;
Algeria, Papicha, Mounia Meddour, director;
Argentina, Heroic Losers, Sebastián Borensztein, director;
Armenia, Lengthy Night, Edgar Baghdasaryan, director;
Australia, Buoyancy, Rodd Rathjen, director;
Austria, Joy, Sudabeh Mortezai, director;
Bangladesh, Alpha, Nasiruddin Yousuff, director;
Belarus, Debut, Anastasiya Miroshnichenko, director;
Belgium, Our Mothers, César Díaz, director;
Bolivia, I Miss You, Rodrigo Bellott, director;
Bosnia and Herzegovina, The Son, Ines Tanovic, director;
Brazil, Invisible Life, Karim Aïnouz, director;
Bulgaria, Ága, Milko Lazarov, director;
Cambodia, In the Life of Music, Caylee So, Sok Visal, directors;
Canada, Antigone, Sophie Deraspe, director;
Chile, Spider, Andrés Wood, director;
China, Ne Zha, Yu Yang, director;
Colombia, Monos, Alejandro Landes, director;
Costa Rica, The Awakening of the Ants,...
Here are the 93 nations and their hopefuls, in alphabetical order:
Albania, The Delegation, Bujar Alimani, director;
Algeria, Papicha, Mounia Meddour, director;
Argentina, Heroic Losers, Sebastián Borensztein, director;
Armenia, Lengthy Night, Edgar Baghdasaryan, director;
Australia, Buoyancy, Rodd Rathjen, director;
Austria, Joy, Sudabeh Mortezai, director;
Bangladesh, Alpha, Nasiruddin Yousuff, director;
Belarus, Debut, Anastasiya Miroshnichenko, director;
Belgium, Our Mothers, César Díaz, director;
Bolivia, I Miss You, Rodrigo Bellott, director;
Bosnia and Herzegovina, The Son, Ines Tanovic, director;
Brazil, Invisible Life, Karim Aïnouz, director;
Bulgaria, Ága, Milko Lazarov, director;
Cambodia, In the Life of Music, Caylee So, Sok Visal, directors;
Canada, Antigone, Sophie Deraspe, director;
Chile, Spider, Andrés Wood, director;
China, Ne Zha, Yu Yang, director;
Colombia, Monos, Alejandro Landes, director;
Costa Rica, The Awakening of the Ants,...
- 10/7/2019
- by Erik Pedersen
- Deadline Film + TV
Japan has officially named Makoto Shinkai’s “Weathering With You” its 2020 Oscar entry in the Best International Film category, which is the new name being given to the Best Foreign Language Film prize. The selection makes “Weathering With You” the first anime movie to represent Japan in the category at the Oscars in over 20 years. The country’s last anime Oscar submission was Hayao Miyazaki’s “Princess Mononoke” in 1997, but it failed to land a nomination the following year at the 70th Academy Awards.
“Weathering With You” is Shinkai’s first directorial effort since earning newfound international acclaim and recognition after the release of the 2016 anime blockbuster “Your Name.” Shinkai’s latest centers around the romance between a high school runaway from Tokyo and a young orphan girl who appears to be able to manipulate the weather.
“Weathering With You” has already opened in Japan and has grossed over $100 million,...
“Weathering With You” is Shinkai’s first directorial effort since earning newfound international acclaim and recognition after the release of the 2016 anime blockbuster “Your Name.” Shinkai’s latest centers around the romance between a high school runaway from Tokyo and a young orphan girl who appears to be able to manipulate the weather.
“Weathering With You” has already opened in Japan and has grossed over $100 million,...
- 8/26/2019
- by Zack Sharf
- Indiewire
When it comes to Dana, the main character in “La Mala Noche,” there are things you can tell just by looking at her: Dana’s wardrobe suggests that she is a prostitute, while her behavior — interpreted by actress Nöelle Schönwald — reveals her experience, from the way she talks to her more hesitant clients to the manner in which Dana banishes tension to arrange her features into a simulation of inviting intimacy before another anonymous hotel room door opens. And yet, in Gabriela Calvache’s brittle, bleak feature debut, that veneer of self-controlled professionalism masks deepening desperation.
Dana is in debt to her despicable ex-lover Nelson (Jaime Tamariz), now a local kingpin with a sideline in trafficking children into sex slavery. Dana’s beloved but estranged young daughter needs expensive medications and Dana herself has a burgeoning drug addiction, depicted, with the same forensic remove as the sex scenes, in a queasy toe-injecting sequence.
Dana is in debt to her despicable ex-lover Nelson (Jaime Tamariz), now a local kingpin with a sideline in trafficking children into sex slavery. Dana’s beloved but estranged young daughter needs expensive medications and Dana herself has a burgeoning drug addiction, depicted, with the same forensic remove as the sex scenes, in a queasy toe-injecting sequence.
- 3/28/2019
- by Jessica Kiang
- Variety Film + TV
The Guadalajara Int’l Film Festival (Ficg), Mexico’s largest film festival, is further expanding its lineup with the addition of a new competitive animation section in its 34th edition, running March 8 -15. Oscar-winning Guadalajara native Guillermo del Toro has put his heft behind the new section and will also announce the first winner of his Del Toro-Jenkins film scholarship at the fest. Ficg aptly opens Friday with an animated feature, Carlos Gutierrez’s “Day of the Dead” (“Día de Muertos”).
Actor Peter Fonda (“Easy Rider”) and British helmer Hugh Hudson (“Chariots of Fire”) are receiving Mayahuel International lifetime achievement awards at this edition. Festival will also screen “Easy Rider,” which Fonda co-wrote, co-produced and starred in, to mark its 50th year anniversary.
The festival kicks off with a new female general director at the helm, Estrella Araiza, who has been the festival’s head of industry & markets and has...
Actor Peter Fonda (“Easy Rider”) and British helmer Hugh Hudson (“Chariots of Fire”) are receiving Mayahuel International lifetime achievement awards at this edition. Festival will also screen “Easy Rider,” which Fonda co-wrote, co-produced and starred in, to mark its 50th year anniversary.
The festival kicks off with a new female general director at the helm, Estrella Araiza, who has been the festival’s head of industry & markets and has...
- 3/6/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Jean-Luc Godard, the subject of a film showcase at this year’s Lumière Film Festival in Lyon that includes his latest film, “The Image Work,” remains a hot commodity for Paris-based sales group Wide.
The company, which is attending the fest’s International Classic Film Market with a strong heritage film lineup, recently signed a number of new deals for Godard’s 1962 drama “Vivre sa vie” in major markets in Asia. Wide sold the newly restored 4K version of “Vivre sa vie,” which stars Anna Karina, to Japan’s Zazie Film and Alto Media in South Korea as well as to the China Film Archive.
“We see that the Asian market is really looking into the classics,” said Maxime Montagne, Wide’s head of business affairs and acquisitions, noting that China in particular is looking to put together a catalog of important classics.
The China Film Archive also picked up...
The company, which is attending the fest’s International Classic Film Market with a strong heritage film lineup, recently signed a number of new deals for Godard’s 1962 drama “Vivre sa vie” in major markets in Asia. Wide sold the newly restored 4K version of “Vivre sa vie,” which stars Anna Karina, to Japan’s Zazie Film and Alto Media in South Korea as well as to the China Film Archive.
“We see that the Asian market is really looking into the classics,” said Maxime Montagne, Wide’s head of business affairs and acquisitions, noting that China in particular is looking to put together a catalog of important classics.
The China Film Archive also picked up...
- 10/20/2018
- by Ed Meza
- Variety Film + TV
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