Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drift (Anthony Chen)
Singaporean director Anthony Chen’s English-language debut follows a West African refugee, Jacqueline (Cynthia Erivo), who washes up on a Greek island homeless, cashless, and friendless. She doesn’t speak until ten minutes into Drift, taking in her surroundings, plagued by a fear that’s nestled deep within her. Understandably, she’s scared of everyone and everything, living in a cave, eating whatever she can find, making money by washing tourists’ feet on the beach. – Michael F. (full review)
Where to Stream: VOD
A Drifting Up (Jacob Lee)
Coming off antidepressants for the first time, young London-based filmmaker Jacob Lee decided to dance his way through it and record the process. This BAFTA-nominated short documentary captures his joyful interactions...
Drift (Anthony Chen)
Singaporean director Anthony Chen’s English-language debut follows a West African refugee, Jacqueline (Cynthia Erivo), who washes up on a Greek island homeless, cashless, and friendless. She doesn’t speak until ten minutes into Drift, taking in her surroundings, plagued by a fear that’s nestled deep within her. Understandably, she’s scared of everyone and everything, living in a cave, eating whatever she can find, making money by washing tourists’ feet on the beach. – Michael F. (full review)
Where to Stream: VOD
A Drifting Up (Jacob Lee)
Coming off antidepressants for the first time, young London-based filmmaker Jacob Lee decided to dance his way through it and record the process. This BAFTA-nominated short documentary captures his joyful interactions...
- 3/29/2024
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
And the Razzie Goes to . . .
As much as we hate to give Razzies any sort of promotion, The Criterion Channel has a new series to show just how wrong the execrable organization has been over the past decades. Launching today, they are spotlighting comedic gems like Tom Green’s Freddy Got Fingered, Elaine May’s Ishtar, and Neil Labute’s The Wicker Man, alongside Cruising, Heaven’s Gate, Xanadu, Querelle, Under the Cherry Moon, Cocktail, Showgirls, Barb Wire, The Blair Witch Project, Swept Away and Gigli.
Where to Stream: The Criterion Channel
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score.
And the Razzie Goes to . . .
As much as we hate to give Razzies any sort of promotion, The Criterion Channel has a new series to show just how wrong the execrable organization has been over the past decades. Launching today, they are spotlighting comedic gems like Tom Green’s Freddy Got Fingered, Elaine May’s Ishtar, and Neil Labute’s The Wicker Man, alongside Cruising, Heaven’s Gate, Xanadu, Querelle, Under the Cherry Moon, Cocktail, Showgirls, Barb Wire, The Blair Witch Project, Swept Away and Gigli.
Where to Stream: The Criterion Channel
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score.
- 3/1/2024
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Beyond Utopia (Madeleine Gavin)
A harrowing, brave account of what it’s like to defect from North Korea, Madeleine Gavin’s Beyond Utopia follows a heroic pastor and the people he helps. Perhaps most unforgettable is a multigenerational family whose escape is shown through furtive, horror-movie-like handheld camera and revealing interviews. As Gavin offers a rundown of North Korean politics, we see this family slowly reckon with their own brainwashing and realize the world outside North Korea is not what their upbringing taught them to believe. – Lena W.
Where to Stream: PBS
The Florida Project (Sean Baker)
How, exactly, did Sean Baker do it? How did the director of Tangerine make this story of a mother and daughter living at a rundown...
Beyond Utopia (Madeleine Gavin)
A harrowing, brave account of what it’s like to defect from North Korea, Madeleine Gavin’s Beyond Utopia follows a heroic pastor and the people he helps. Perhaps most unforgettable is a multigenerational family whose escape is shown through furtive, horror-movie-like handheld camera and revealing interviews. As Gavin offers a rundown of North Korean politics, we see this family slowly reckon with their own brainwashing and realize the world outside North Korea is not what their upbringing taught them to believe. – Lena W.
Where to Stream: PBS
The Florida Project (Sean Baker)
How, exactly, did Sean Baker do it? How did the director of Tangerine make this story of a mother and daughter living at a rundown...
- 1/12/2024
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Birth/Rebirth (Laura Moss)
Likely a film that some will find underwhelming due to its lowkey, mostly affectless style, it’s a rather impressive feat of narrative economy that manages to separate itself from the seemingly endless indie horror crop. Directed by Laura Moss, there’s the sense they either don’t have much of a feel for the genre or rather harbors a general disdain for the shorthands it’s fallen into (hopefully they don’t get absorbed into bad studio product soon), the film’s tendencies refreshingly feel free of the trappings of calling-card cinema. – Ethan V. (full review)
Where to Stream: Shudder, AMC+
The Curse (Nathan Fielder and Benny Safdie)
Following up the discomfitingly brilliant The Rehearsal, Nathan Fielder...
Birth/Rebirth (Laura Moss)
Likely a film that some will find underwhelming due to its lowkey, mostly affectless style, it’s a rather impressive feat of narrative economy that manages to separate itself from the seemingly endless indie horror crop. Directed by Laura Moss, there’s the sense they either don’t have much of a feel for the genre or rather harbors a general disdain for the shorthands it’s fallen into (hopefully they don’t get absorbed into bad studio product soon), the film’s tendencies refreshingly feel free of the trappings of calling-card cinema. – Ethan V. (full review)
Where to Stream: Shudder, AMC+
The Curse (Nathan Fielder and Benny Safdie)
Following up the discomfitingly brilliant The Rehearsal, Nathan Fielder...
- 11/10/2023
- by Jordan Raup
- The Film Stage
Explore where to stream the best films of 2023.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drylongso (Cauleen Smith)
Writer-director Cauleen Smith made Drylongso when she was in college, 25 years ago, premiering at Sundance in 1998. She has gone on to create dozens of short films, art installations, and more experimental work, focused on similar themes of feminism, racial violence, and Black communities. The low-key hangout movie should have been a stepping stone for Smith, but, as with many other works by Black female filmmaking of the last half-century, it fell out of circulation. – Michael F. (full interview)
Where to Stream: The Criterion Channel
Fingernails (Christos Nikou)
Is love quantifiable? No, but that doesn’t stop Greek filmmaker Christos Nikou from exploring that question over two dull, excruciating hours in Fingernails,...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drylongso (Cauleen Smith)
Writer-director Cauleen Smith made Drylongso when she was in college, 25 years ago, premiering at Sundance in 1998. She has gone on to create dozens of short films, art installations, and more experimental work, focused on similar themes of feminism, racial violence, and Black communities. The low-key hangout movie should have been a stepping stone for Smith, but, as with many other works by Black female filmmaking of the last half-century, it fell out of circulation. – Michael F. (full interview)
Where to Stream: The Criterion Channel
Fingernails (Christos Nikou)
Is love quantifiable? No, but that doesn’t stop Greek filmmaker Christos Nikou from exploring that question over two dull, excruciating hours in Fingernails,...
- 11/3/2023
- by Jordan Raup
- The Film Stage
Explore where to stream the best films of 2023.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Amerikatsi (Michael A. Goorjian)
If “Rear Window meets Life Is Beautiful” sounds like an all-timer of a cursed elevator pitch, then there’s nothing Michael A. Goorjian’s well-intentioned crowd-pleaser Amerikatsi will be able to do to win you over. A stubbornly unfashionable blend of broad comedy and highly sentimental prisoner-of-war drama, it’s paint-by-numbers middlebrow cinema of the kind the Weinstein Company would release regularly, albeit on a much more contained budget. While there is some brief novelty factor that movies of this distinctively Weinsteinian vintage are still getting made outside Hollywood, even as the broader cinematic landscape has moved past emulating that studio’s tried-and-tested formula in the hopes of awards success,...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Amerikatsi (Michael A. Goorjian)
If “Rear Window meets Life Is Beautiful” sounds like an all-timer of a cursed elevator pitch, then there’s nothing Michael A. Goorjian’s well-intentioned crowd-pleaser Amerikatsi will be able to do to win you over. A stubbornly unfashionable blend of broad comedy and highly sentimental prisoner-of-war drama, it’s paint-by-numbers middlebrow cinema of the kind the Weinstein Company would release regularly, albeit on a much more contained budget. While there is some brief novelty factor that movies of this distinctively Weinsteinian vintage are still getting made outside Hollywood, even as the broader cinematic landscape has moved past emulating that studio’s tried-and-tested formula in the hopes of awards success,...
- 10/27/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Ashkal: The Tunisian Investigation (Youssef Chebbi)
Realized with a formally exacting chilliness, Youssef Chebbi’s slow-burning noir concerns police officers investigating the mysteries behind corpses who have died from immolation. While the nebulous, metaphor-heavy script leaves much to be desired, Chebbi’s Cannes, TIFF, and Nd/Nf selection excels at conjuring an atmosphere of dread and isolation amidst a derelict apartment complex.
Where to Stream: VOD
Carpet Cowboys (Emily MacKenzie and Noah Collier)
The tiny city of Dalton, Georgia, has left a large footprint in the daily lives of millions who most wouldn’t have stopped for a second to consider. Well, it’s probably more appropriate to say that millions have left large footprints in Dalton’s biggest export: this city...
Ashkal: The Tunisian Investigation (Youssef Chebbi)
Realized with a formally exacting chilliness, Youssef Chebbi’s slow-burning noir concerns police officers investigating the mysteries behind corpses who have died from immolation. While the nebulous, metaphor-heavy script leaves much to be desired, Chebbi’s Cannes, TIFF, and Nd/Nf selection excels at conjuring an atmosphere of dread and isolation amidst a derelict apartment complex.
Where to Stream: VOD
Carpet Cowboys (Emily MacKenzie and Noah Collier)
The tiny city of Dalton, Georgia, has left a large footprint in the daily lives of millions who most wouldn’t have stopped for a second to consider. Well, it’s probably more appropriate to say that millions have left large footprints in Dalton’s biggest export: this city...
- 8/25/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Armageddon Time (James Gray)
Armageddon Time is the sort of film usually invoked as a “portrait of the nation” or “state of the union address,” something taking the temperature of a country—most likely the United States—at a particular time in history. But it’s also a work that makes self-consciousness a virtue: its wonderful writer-director, James Gray, is informed up to his eyes about the virtues and pitfalls of films like these, and here makes something so idiosyncratically his own but that audiences and critics might still mislabel with one of those aforementioned ideas. – David K. (full review)
Where to Stream: Prime Video
Godland (Hlynur Pálmason)
Featuring onscreen text explaining how the film was inspired by left-behind photos taken by...
Armageddon Time (James Gray)
Armageddon Time is the sort of film usually invoked as a “portrait of the nation” or “state of the union address,” something taking the temperature of a country—most likely the United States—at a particular time in history. But it’s also a work that makes self-consciousness a virtue: its wonderful writer-director, James Gray, is informed up to his eyes about the virtues and pitfalls of films like these, and here makes something so idiosyncratically his own but that audiences and critics might still mislabel with one of those aforementioned ideas. – David K. (full review)
Where to Stream: Prime Video
Godland (Hlynur Pálmason)
Featuring onscreen text explaining how the film was inspired by left-behind photos taken by...
- 6/23/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All These Sons
With his first documentary Minding the Gap, Bing Liu turned the lens on himself and his friends to examine the domestic violence around them. One of the more human documentaries of the last decade, Liu’s film looked at Rockford, Illinois, and the racial and social elements that affect young men and women in this decent-sized city. With his newest effort, All These Sons, Liu and collaborator Joshua Altman focus on Chicago’s South and West Sides, following young Black men at Iman and Maafa, two community organizations aiming to keep these men away from the gun violence that surrounds them. Once again the resulting film bursts with empathy, built-in trauma, and forgiveness. – John F. (full review)
Where to...
All These Sons
With his first documentary Minding the Gap, Bing Liu turned the lens on himself and his friends to examine the domestic violence around them. One of the more human documentaries of the last decade, Liu’s film looked at Rockford, Illinois, and the racial and social elements that affect young men and women in this decent-sized city. With his newest effort, All These Sons, Liu and collaborator Joshua Altman focus on Chicago’s South and West Sides, following young Black men at Iman and Maafa, two community organizations aiming to keep these men away from the gun violence that surrounds them. Once again the resulting film bursts with empathy, built-in trauma, and forgiveness. – John F. (full review)
Where to...
- 4/28/2023
- by Jordan Raup
- The Film Stage
The summer season is upon us and, per each year, we’ve dug beyond studio offerings (though a few potential highlights remain) to present an in-depth look at what should be on your radar. From festival winners of the past year to selections coming straight from Cannes to genre delights to, yes, a few blockbuster spectacles, there’s more than enough to anticipate.
Check out our picks below and return for monthly updates as more is sure to be added to the calendar.
Riceboy Sleeps (Anthony Shim; May 2)
So-Young (Choi Seung-yoon) didn’t want to leave South Korea. She had no choice. The father of her newborn son committed suicide and, as an orphan who was never adopted, she had no other family. So, with nowhere to turn and a boy who couldn’t legally become a citizen due to being born out of wedlock, she immigrated to Canada to start anew.
Check out our picks below and return for monthly updates as more is sure to be added to the calendar.
Riceboy Sleeps (Anthony Shim; May 2)
So-Young (Choi Seung-yoon) didn’t want to leave South Korea. She had no choice. The father of her newborn son committed suicide and, as an orphan who was never adopted, she had no other family. So, with nowhere to turn and a boy who couldn’t legally become a citizen due to being born out of wedlock, she immigrated to Canada to start anew.
- 4/25/2023
- by The Film Stage
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Behind the Scenes with Jane Campion (Prisca Bouchet & Nick Mayow)
In the wide-open spaces of Montana, a glimpse of the set of Jane Campion’s The Power of the Dog, which earned her an Academy Award for best directing after a decade-long hiatus. Narrated by Campion herself, it also features her sketches, notes, and visual inspirations.
Where to Stream: Le Cinéma Club
Enys Men and Bait (Mark Jenkin)
Perched on the cliff of a windswept island off the coast of Cornwall is a shock of white flowers. Every day a woman studies their petals in religious silence before heading home and jotting notes in a diary. Date. Daily temperature. Observations. The year is 1973, the month April, and that’s about as much...
Behind the Scenes with Jane Campion (Prisca Bouchet & Nick Mayow)
In the wide-open spaces of Montana, a glimpse of the set of Jane Campion’s The Power of the Dog, which earned her an Academy Award for best directing after a decade-long hiatus. Narrated by Campion herself, it also features her sketches, notes, and visual inspirations.
Where to Stream: Le Cinéma Club
Enys Men and Bait (Mark Jenkin)
Perched on the cliff of a windswept island off the coast of Cornwall is a shock of white flowers. Every day a woman studies their petals in religious silence before heading home and jotting notes in a diary. Date. Daily temperature. Observations. The year is 1973, the month April, and that’s about as much...
- 4/21/2023
- by Jordan Raup
- The Film Stage
Now in its 12th edition, the Museum of the Moving Image’s First Look festival brings together a varied, eclectic lineup of cinema from all corners of the world––including a number of films still seeking distribution, making the series perhaps one of your only chances to see these works on the big screen. With the five-day festival kicking off Wednesday, March 15, we’re delighted to exclusively premiere the festival trailer and we’ve also gathered eight essential films to check out. Watch and read on below.
Fremont (Babak Jalali)
In Fremont, Donya (Anaita Wali Zada) is often alone. She lives in a small apartment in Fremont, California, commuting each day to her job in a fortune cookie factory in San Francisco. She has a single friend that works there with her. Donya splits time between her apartment, the factory, and a therapist’s office, in hopes of receiving sleeping pills.
Fremont (Babak Jalali)
In Fremont, Donya (Anaita Wali Zada) is often alone. She lives in a small apartment in Fremont, California, commuting each day to her job in a fortune cookie factory in San Francisco. She has a single friend that works there with her. Donya splits time between her apartment, the factory, and a therapist’s office, in hopes of receiving sleeping pills.
- 3/9/2023
- by The Film Stage
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Happening (Audrey Diwan)
Diwan’s sophomore feature is an unglamorous, straightforward film that tells a simple story about an ordinary girl. It is also the single most intense, shatteringly empathetic thing I’ve seen all year. Carried by Anamaria Vartolomei’s fiercely committed performance, the ’60s-set drama takes on the subject of unintended pregnancy and illustrates how far from a political / religious issue it can be when it happens to you. Abortion has been dealt with in landmark films, but the intimacy of perspective achieved here feels truly unmatched. A vital call for kindness like no other. – Zhuo-Ning Su
Where Stream: Hulu
M3GAN (Gerard Johnstone)
Not outwardly terrifying, director Gerard Johnstone’s sci-fi slasher features a lifelike AI doll named M3GAN,...
Happening (Audrey Diwan)
Diwan’s sophomore feature is an unglamorous, straightforward film that tells a simple story about an ordinary girl. It is also the single most intense, shatteringly empathetic thing I’ve seen all year. Carried by Anamaria Vartolomei’s fiercely committed performance, the ’60s-set drama takes on the subject of unintended pregnancy and illustrates how far from a political / religious issue it can be when it happens to you. Abortion has been dealt with in landmark films, but the intimacy of perspective achieved here feels truly unmatched. A vital call for kindness like no other. – Zhuo-Ning Su
Where Stream: Hulu
M3GAN (Gerard Johnstone)
Not outwardly terrifying, director Gerard Johnstone’s sci-fi slasher features a lifelike AI doll named M3GAN,...
- 1/27/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
This week’s New to Streaming column is sponsored by Matthew Heineman’s Retrograde, now streaming on Disney+, courtesy of National Geographic Documentary Films.
Retrograde (Matthew Heineman)
There’s a common view that one needs distance and perspective to truly process and reconcile current events before making a worthwhile film on any particular subject, be it narrative or nonfiction. Throughout his intrepid career, Matthew Heineman has refuted this notion, immersing himself in the Syrian conflict, on the front lines of the Mexican drug war, and NYC’s early days of Covid-19. In each instance he has delivered full-bodied, cinematic portraits of considerable immediacy, humanity, and discernment of the events unfolding around him. His work not only provides vital dispatches of ongoing conflict,...
This week’s New to Streaming column is sponsored by Matthew Heineman’s Retrograde, now streaming on Disney+, courtesy of National Geographic Documentary Films.
Retrograde (Matthew Heineman)
There’s a common view that one needs distance and perspective to truly process and reconcile current events before making a worthwhile film on any particular subject, be it narrative or nonfiction. Throughout his intrepid career, Matthew Heineman has refuted this notion, immersing himself in the Syrian conflict, on the front lines of the Mexican drug war, and NYC’s early days of Covid-19. In each instance he has delivered full-bodied, cinematic portraits of considerable immediacy, humanity, and discernment of the events unfolding around him. His work not only provides vital dispatches of ongoing conflict,...
- 12/9/2022
- by Jordan Raup
- The Film Stage
Though we aim to discuss a wide breadth of films each year, few things give us more pleasure than the arrival of bold, new voices. It’s why we venture to festivals and pore over a variety of different features that might bring to light some emerging talent. This year was an especially notable time for new directors making their stamp, and we’re highlighting the handful of 2022 debuts that most impressed us.
Below one can check out a list spanning a variety of different genres, and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
The African Desperate (Martine Syms)
One of the most exciting directorial debuts of the year, Martine Syms’ The African Desperate is an electrifying ride through a day in the life of Palace Bryant (Diamond Stingily). An Mfa grad on her final day of academia, she navigates...
Below one can check out a list spanning a variety of different genres, and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
The African Desperate (Martine Syms)
One of the most exciting directorial debuts of the year, Martine Syms’ The African Desperate is an electrifying ride through a day in the life of Palace Bryant (Diamond Stingily). An Mfa grad on her final day of academia, she navigates...
- 12/8/2022
- by The Film Stage
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Armageddon Time (James Gray)
Armageddon Time is the sort of film usually invoked as a “portrait of the nation” or “state of the union address,” something taking the temperature of a country—most likely the United States—at a particular time in history. But it’s also a work that makes self-consciousness a virtue: its wonderful writer-director, James Gray, is informed up to his eyes about the virtues and pitfalls of films like these, and here makes something so idiosyncratically his own but that audiences and critics might still mislabel with one of those aforementioned ideas. – David K. (full review)
Where to Stream: VOD
Avatar (James Cameron)
After pulling the film from their service to drum up interest in the theatrical re-release,...
Armageddon Time (James Gray)
Armageddon Time is the sort of film usually invoked as a “portrait of the nation” or “state of the union address,” something taking the temperature of a country—most likely the United States—at a particular time in history. But it’s also a work that makes self-consciousness a virtue: its wonderful writer-director, James Gray, is informed up to his eyes about the virtues and pitfalls of films like these, and here makes something so idiosyncratically his own but that audiences and critics might still mislabel with one of those aforementioned ideas. – David K. (full review)
Where to Stream: VOD
Avatar (James Cameron)
After pulling the film from their service to drum up interest in the theatrical re-release,...
- 11/25/2022
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Ambulance (Michael Bay)
The Marvel machine may be the most fortuitous development for Michael Bay. Though the director hasn’t dabbled in the world of superheroes—despite a fondness for a cinematic universe of the robot variety—the homogenized, green-screen wasteland of today’s box-office behemoths has indirectly led to a reappreciation of the director’s schoolboy giddiness for practical effects and continually upping the ante for where he can place a camera. As bombastic and occasionally mind-numbing as his approach may be, there’s distinct poetry to the momentum of a maximalist vision where previs filmmaking vis-a-vis a committee is not only missing from his vocabulary, but a kinetic approach makes such a proposition nigh impossible. With Ambulance, a streamlined spectacle that borrows liberally from Heat,...
Ambulance (Michael Bay)
The Marvel machine may be the most fortuitous development for Michael Bay. Though the director hasn’t dabbled in the world of superheroes—despite a fondness for a cinematic universe of the robot variety—the homogenized, green-screen wasteland of today’s box-office behemoths has indirectly led to a reappreciation of the director’s schoolboy giddiness for practical effects and continually upping the ante for where he can place a camera. As bombastic and occasionally mind-numbing as his approach may be, there’s distinct poetry to the momentum of a maximalist vision where previs filmmaking vis-a-vis a committee is not only missing from his vocabulary, but a kinetic approach makes such a proposition nigh impossible. With Ambulance, a streamlined spectacle that borrows liberally from Heat,...
- 9/30/2022
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Breaking (Abi Damaris Corbin)
Following on the heels of his impressive turn in Steve McQueen’s Red, White and Blue, John Boyega does noble work in Breaking, directed by Abi Damaris Corbin. Boyega stars as Brian Brown-Easley, the 33-year-old Marine veteran who held a bank hostage in order to get a disability check from the Department of Veterans Affairs he was owed. The amount was eight-hundred and ninety-two dollars. – Dan M. (full review)
Where to Stream: VOD
Destello Bravío (Ainhoa Rodríguez)
In the arid, lunar landscape of Ainhoa Rodríguez’s Destello Bravío, a whole village waits for things to fall apart. We’re in the rural outskirts of Spain’s Extremadura region, a few miles from the border with Portugal, but the...
Breaking (Abi Damaris Corbin)
Following on the heels of his impressive turn in Steve McQueen’s Red, White and Blue, John Boyega does noble work in Breaking, directed by Abi Damaris Corbin. Boyega stars as Brian Brown-Easley, the 33-year-old Marine veteran who held a bank hostage in order to get a disability check from the Department of Veterans Affairs he was owed. The amount was eight-hundred and ninety-two dollars. – Dan M. (full review)
Where to Stream: VOD
Destello Bravío (Ainhoa Rodríguez)
In the arid, lunar landscape of Ainhoa Rodríguez’s Destello Bravío, a whole village waits for things to fall apart. We’re in the rural outskirts of Spain’s Extremadura region, a few miles from the border with Portugal, but the...
- 9/16/2022
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Ahed’s Knee (Nadav Lapid)
It’s always interesting, at the beginning of any Nadav Lapid film, to note the myriad Israeli institutions that have backed the project. Since Emile’s Girlfriend (2006), Lapid’s work has sought to make sense of Israeli society—his criticisms a byproduct of attempting to articulate the confusion and warring arguments in his own head. Having won Berlin’s Golden Bear with Synonyms in 2019, Lapid could claim to be the most renowned Israeli filmmaker of his generation. That his work is at risk of falling afoul of that same state speaks volumes about the country’s ever-increasing authoritarianism as a whole. Further confirmation of that renown came with news that his latest would compete for the Palme...
Ahed’s Knee (Nadav Lapid)
It’s always interesting, at the beginning of any Nadav Lapid film, to note the myriad Israeli institutions that have backed the project. Since Emile’s Girlfriend (2006), Lapid’s work has sought to make sense of Israeli society—his criticisms a byproduct of attempting to articulate the confusion and warring arguments in his own head. Having won Berlin’s Golden Bear with Synonyms in 2019, Lapid could claim to be the most renowned Israeli filmmaker of his generation. That his work is at risk of falling afoul of that same state speaks volumes about the country’s ever-increasing authoritarianism as a whole. Further confirmation of that renown came with news that his latest would compete for the Palme...
- 7/15/2022
- by Jordan Raup
- The Film Stage
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