Dominic Cooper (“Mamma Mia”) and Sarah Gadon (“A Dangerous Method”) are co-starring in “Cry From The Sea,” a Canadian-Irish movie directed by cinematographer-turned-helmer Vic Sarin (“Cold Comfort”).
The movie, which is currently shooting, is represented in international markets by Cinema Management Group, with WME and Laura Rister handling U.S. rights and Level Film on board as the Canadian distributor.
Penned by Ciaran Creagh (“Parked”), “Cry From The Sea” is set in the aftermath of World War I and the Irish Civil War. It revolves around Seamus Óg Mac Grianna (Cooper), an Irish lighthouse keeper who has created a life of isolation and ritual in penance for a tragedy he feels he should have prevented. Seamus’s only company is Maire (Bolger), his housekeeper and protector, who enables him to remain closed off from the world while quietly waiting for him to see her. His meticulously structured world begins to...
The movie, which is currently shooting, is represented in international markets by Cinema Management Group, with WME and Laura Rister handling U.S. rights and Level Film on board as the Canadian distributor.
Penned by Ciaran Creagh (“Parked”), “Cry From The Sea” is set in the aftermath of World War I and the Irish Civil War. It revolves around Seamus Óg Mac Grianna (Cooper), an Irish lighthouse keeper who has created a life of isolation and ritual in penance for a tragedy he feels he should have prevented. Seamus’s only company is Maire (Bolger), his housekeeper and protector, who enables him to remain closed off from the world while quietly waiting for him to see her. His meticulously structured world begins to...
- 9/19/2023
- by Elsa Keslassy
- Variety Film + TV
Why do we have children? Cait’s Mam and Da would be hard-pressed to answer that, with a house full of sour teenage daughters, a toddler barely walking, another baby about to land and not enough money to pay a day laborer to bring in the hay. These are the kind of kids who go to school with no lunch.
With The Quiet Girl, Ireland’s entry for the Best International Feature Oscar, we are apparently in the late 1960s. As her family’s middle child, Cait (Catherine Clinch) has learned to be silently wary, lowering her eyes as she walks by the school bullies and fading into the back seat of her father’s car when he picks up his fancy woman in the middle of nowhere on a country road, snickering with her as they drive along with no one to see them. No one who counts, that is.
With The Quiet Girl, Ireland’s entry for the Best International Feature Oscar, we are apparently in the late 1960s. As her family’s middle child, Cait (Catherine Clinch) has learned to be silently wary, lowering her eyes as she walks by the school bullies and fading into the back seat of her father’s car when he picks up his fancy woman in the middle of nowhere on a country road, snickering with her as they drive along with no one to see them. No one who counts, that is.
- 12/14/2022
- by Stephanie Bunbury
- Deadline Film + TV
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