Over the last two decades, Christopher Nolan’s name has been solidified as one of the most distinct minds that has emerged in modern filmmaking. The filmmaker’s career is on a roll as he went from doing low-budget indie films to creating Oppenheimer which had an explosive effect on the film industry. Nolan is notorious for pushing the limits of filmmaking.
Christopher Nolan. Credits: HellaCinema/ Wikimedia Commons
In each of his films, he would push the idea to its limits as he keeps bringing something new to the table; such was the case with his 2014 sci-fi drama Interstellar, featuring Matthew McConaughey in the lead. The film was something that had never been seen before in the history of filmmaking. The film was praised by everyone, including Quentin Tarantino praising the director for his imaginative skills and creative vision.
Christopher Nolan’s Interstellar Had a Magic Effect On Quentin Tarantino
Quentin Tarantino,...
Christopher Nolan. Credits: HellaCinema/ Wikimedia Commons
In each of his films, he would push the idea to its limits as he keeps bringing something new to the table; such was the case with his 2014 sci-fi drama Interstellar, featuring Matthew McConaughey in the lead. The film was something that had never been seen before in the history of filmmaking. The film was praised by everyone, including Quentin Tarantino praising the director for his imaginative skills and creative vision.
Christopher Nolan’s Interstellar Had a Magic Effect On Quentin Tarantino
Quentin Tarantino,...
- 5/17/2024
- by Tushar Auddy
- FandomWire
Writer/director Zeshaan Younus' feature debut flirts with genre in the same way Tarkovsky and Malick flirt with genre. The film follows two friends as they venture into the mysterious remote area in a vast Southern California desert that a religious community has selected as their new home. There are significant pieces of The Buildout that are shot found-footage style, as the friends bring a camcorder along with them. But the film isn’t interested in classic sci-fi or horror thrills; its focus is the relationship between the two women, and how the loss of someone they both loved has changed that relationship. Before introducing the pair, The Buildout opens with long, gorgeous shots of the desert, and two voiceover diary logs from community members. At first,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/11/2024
- Screen Anarchy
When you picture the co-founder and president of an artificial intelligence film production start-up, odds are, you’re not thinking of someone like Tye Sheridan, an actor and producer who literally got his start when Terence Malick discovered him at age 11 during a casting call for his “The Tree of Life.”
But Sheridan — who is continuing to expand his on-screen range, adding producing into the mix and targeting writing and directing opportunities that would allow him to make films like his heroes Malick, Jeff Nichols, and David Gordon Green — is also the co-founder and president of Wonder Dynamics, a production tools startup that uses AI to scale up visual effects and computer-generated characters. And, ideally, yes, the productions that use those tools will be indie.
Sheridan is clear: The “Wonder Dynamics mission … is to enable Hollywood-level movies on an indie budget.” When Sheridan and visual effects artist Nikola Todorovic first...
But Sheridan — who is continuing to expand his on-screen range, adding producing into the mix and targeting writing and directing opportunities that would allow him to make films like his heroes Malick, Jeff Nichols, and David Gordon Green — is also the co-founder and president of Wonder Dynamics, a production tools startup that uses AI to scale up visual effects and computer-generated characters. And, ideally, yes, the productions that use those tools will be indie.
Sheridan is clear: The “Wonder Dynamics mission … is to enable Hollywood-level movies on an indie budget.” When Sheridan and visual effects artist Nikola Todorovic first...
- 3/29/2024
- by Kate Erbland
- Indiewire
When Tye Sheridan was just 11 years old, something crazy happened: Terrence Malick came looking for him.
Specifically, the beloved American auteur wanted to cast a trio of young brothers for his “The Tree of Life,” co-starring Brad Pitt and Jessica Chastain. The vast majority of kids Malick and his team saw were — like Texas native Sheridan — totally green to this acting thing.
Sixteen years later, Sheridan isn’t green anymore. The actor is only continuing to build out his resume, adding producing into the mix with his most recent feature film, Jean-Stéphane Sauvaire’s “Asphalt City,” which debuted at the 2023 Cannes Film Festival under the title “Black Flies.”
Still, ask Sheridan about where his initial love of moviemaking came from, and it’s like he’s right back on Malick’s set. “I was randomly cast in the film. They recruited 10,000 kids in the state of Texas to come and audition.
Specifically, the beloved American auteur wanted to cast a trio of young brothers for his “The Tree of Life,” co-starring Brad Pitt and Jessica Chastain. The vast majority of kids Malick and his team saw were — like Texas native Sheridan — totally green to this acting thing.
Sixteen years later, Sheridan isn’t green anymore. The actor is only continuing to build out his resume, adding producing into the mix with his most recent feature film, Jean-Stéphane Sauvaire’s “Asphalt City,” which debuted at the 2023 Cannes Film Festival under the title “Black Flies.”
Still, ask Sheridan about where his initial love of moviemaking came from, and it’s like he’s right back on Malick’s set. “I was randomly cast in the film. They recruited 10,000 kids in the state of Texas to come and audition.
- 3/28/2024
- by Kate Erbland
- Indiewire
While Martin Scorsese aims to kick off production on his Jesus film this year, Terrence Malick is going on year five of editing his, marking one of the only films to wrap production pre-pandemic that still has yet to be released. As so happens every year before the Cannes Film Festival announces its lineup, rumors have swirled that the director’s Biblical epic The Way of the Wind (formerly known as The Last Planet) may see a premiere in 2024. We will, unfortunately, have to wait another year, but in the meantime we have exclusive new details on the highly anticipated project.
Actor Géza Röhrig, who stars as Jesus in the film, recently stopped by a university in the Northeast for a conversation on his career. During the chat he confirmed the film is targeting a 2025 Cannes debut. Wind will not exactly focus on Jesus and Peter (as played by Matthias Schoenaerts...
Actor Géza Röhrig, who stars as Jesus in the film, recently stopped by a university in the Northeast for a conversation on his career. During the chat he confirmed the film is targeting a 2025 Cannes debut. Wind will not exactly focus on Jesus and Peter (as played by Matthias Schoenaerts...
- 3/27/2024
- by Jordan Raup
- The Film Stage
In the whole history of cinema, only a handful of actors have managed to create such a deep significant impression as Al Pacino has. Widely regarded as one of the greatest actors in the history of American cinema, the legend has delivered masterclasss, one after the other, in each and every role he has taken.
A Pacino (Image: YouTube | Jimmy Kimmel Live)
With a more than five decades-long career, Pacino has won numerous awards and accolades for his unforgettable performances in films such as The Godfather, Scarface, and Scent of a Woman. Yet when it comes to regrets, the acclaimed actor only laments not being able to work with one visionary director.
Al Pacino Mourns Turning Down One Oscar-Winning Movie
A still from Days of Heaven
While there are many actors and actresses who have graced the film industry with their great talents, Al Pacino is just a grade above the rest.
A Pacino (Image: YouTube | Jimmy Kimmel Live)
With a more than five decades-long career, Pacino has won numerous awards and accolades for his unforgettable performances in films such as The Godfather, Scarface, and Scent of a Woman. Yet when it comes to regrets, the acclaimed actor only laments not being able to work with one visionary director.
Al Pacino Mourns Turning Down One Oscar-Winning Movie
A still from Days of Heaven
While there are many actors and actresses who have graced the film industry with their great talents, Al Pacino is just a grade above the rest.
- 3/27/2024
- by Maria Sultan
- FandomWire
Wendie Malick is the ghost of the week in Not Dead Yet Season 2 Episode 4, and TV Insider has the exclusive first look at her guest-star appearance. In Season 2 of the ABC comedy, airing Wednesdays at 9:30/8:30c before Abbott Elementary, Nell Serrano (Gina Rodriguez) is more in the swing of things as the obituary writer at a California local newspaper called the SoCal Independent. She’s also much more used to having the ghosts of her obituary subjects pop up whenever she gets a new assignment. Malick guest stars as Mary Sue Manners, a Southern bell who was a homemaking star in her time on Earth and Nell’s latest obituary subject. Think of Mary Sue as a campier Ina Garten or Martha Stewart. In the TV Insider exclusive clip above, the ghost tries to help Nell connect with her new colleague, Tj (Jesse Garcia), who’s clearly not...
- 2/28/2024
- TV Insider
Serving the entertainment industry for more than two decades is a big deal, and Christopher Nolan has been doing it flawlessly. But there are several filmmakers, who played a major role in Nolan’s success. One such inspiration is Terrence Malick, who has unknowingly influenced Nolan’s works to such an extent, that today the Tenet director has turned into one of the most celebrated filmmakers.
Christopher Nolan on The Late Show with Stephen Colbert
Although the visionary director, Terrence Malick has been overlooked by the Academy Awards for years, his works have reached out to people and fans like Christopher Nolan. Hailed for his truly epic, and humanitarian films like Badlands, The Thin Red Line, and The Tree of Life, Malick’s works have transcended boundaries.
Christopher Nolan is a Fan of Terrence Malick’s Work
Often taking inspiration from incredible movies that common people aren’t even aware of,...
Christopher Nolan on The Late Show with Stephen Colbert
Although the visionary director, Terrence Malick has been overlooked by the Academy Awards for years, his works have reached out to people and fans like Christopher Nolan. Hailed for his truly epic, and humanitarian films like Badlands, The Thin Red Line, and The Tree of Life, Malick’s works have transcended boundaries.
Christopher Nolan is a Fan of Terrence Malick’s Work
Often taking inspiration from incredible movies that common people aren’t even aware of,...
- 2/21/2024
- by Krittika Mukherjee
- FandomWire
While Andrea Arnold is putting the finishing touches on her next feature Bird, starring Barry Keoghan and Franz Rogowski, the British director has already unveiled her next project, one based on a true story. Scarlett Johansson will lead Arnold’s crime thriller Featherwood, according to Deadline.
Johansson will take the role of Carol Blevins, “a heroin addict and ‘Aryan Princess featherwood’ (property of a gang member) who became one of the FBI’s most important informants during an epic, six-year investigation into the murderous, neo-Nazi crime and drug syndicate known as the Aryan Brotherhood Of Texas. Blevins, who lived with the gang, memorized details, pre-empted murders and interrupted robberies, helped convict 13 members of the group. However, her harrowing journey left her with significant physical and mental scars and she lives under constant threat of reprisal by the Abt.” Though no production timetable has been unveiled, Johansson’s schedule is fairly clear,...
Johansson will take the role of Carol Blevins, “a heroin addict and ‘Aryan Princess featherwood’ (property of a gang member) who became one of the FBI’s most important informants during an epic, six-year investigation into the murderous, neo-Nazi crime and drug syndicate known as the Aryan Brotherhood Of Texas. Blevins, who lived with the gang, memorized details, pre-empted murders and interrupted robberies, helped convict 13 members of the group. However, her harrowing journey left her with significant physical and mental scars and she lives under constant threat of reprisal by the Abt.” Though no production timetable has been unveiled, Johansson’s schedule is fairly clear,...
- 2/12/2024
- by Jordan Raup
- The Film Stage
The director’s rereleased 1978 film revealed some of the authorial signatures that would underscore a film-making career punctuated by a two-decade disappearance
Terrence Malick’s richly achieved early film from 1978 is now rereleased; it is a tragic romance and slo-mo melodrama which appeared five years after his debut, and after which Malick mysteriously vanished from public view until The Thin Red Line came out fully 21 years later to banish his Salingerian reclusive reputation. Days of Heaven reintroduced to movie audiences his passionate sense of landscape, his unhurried tempo and mastery of calm, although this is in fact an eventful and dramatic film. It also established his compositional technique which foregrounds the shifts and eddies of mood; it is partly a function of shooting a great deal, shaping the movie in the edit and cutting a lot out. In years and decades to come, many of his actors would be disconcerted...
Terrence Malick’s richly achieved early film from 1978 is now rereleased; it is a tragic romance and slo-mo melodrama which appeared five years after his debut, and after which Malick mysteriously vanished from public view until The Thin Red Line came out fully 21 years later to banish his Salingerian reclusive reputation. Days of Heaven reintroduced to movie audiences his passionate sense of landscape, his unhurried tempo and mastery of calm, although this is in fact an eventful and dramatic film. It also established his compositional technique which foregrounds the shifts and eddies of mood; it is partly a function of shooting a great deal, shaping the movie in the edit and cutting a lot out. In years and decades to come, many of his actors would be disconcerted...
- 2/1/2024
- by Peter Bradshaw
- The Guardian - Film News
Wendie Malick, Nico Santos, Rob Corddry, Tommy Martinez, Lidia Porto, Annie O’Donnell, Jesse Garcia, and Cedric Yarbrough are joining the cast in guest roles on ABC’s “Not Dead Yet,” which returns for its Season 2 on Wednesday, February 7 at 8:30 p.m. Et on ABC (and streaming the next day on Hulu). The comedy, based on the book “Confessions of a 40-something F**k Up” by Alexandra Potter, stars Gina Rodriguez as Nell Serrano, newspaper obituary writer who can see the dead people she’s writing about.
David Windsor and Casey Johnson (“This Is Us”) are the showrunners on “Not Dead Yet,” which also stars Hannah Simone, Lauren Ash, Rick Glassman, Joshua Banday and Angela Gibbs. Most of the guest stars will appear in one episode — usually as one of the dead bodies that talks to Nell. But Garcia will serve as a recurring guest star, and appear in six...
David Windsor and Casey Johnson (“This Is Us”) are the showrunners on “Not Dead Yet,” which also stars Hannah Simone, Lauren Ash, Rick Glassman, Joshua Banday and Angela Gibbs. Most of the guest stars will appear in one episode — usually as one of the dead bodies that talks to Nell. But Garcia will serve as a recurring guest star, and appear in six...
- 1/30/2024
- by Michael Schneider
- Variety Film + TV
With the rerelease of Malick’s 1978 masterpiece Days of Heaven, we rate the 80-year-old director’s mystical movies and singular vision
This is the low point of the Terrence Malick canon: despite moments of visual panache, the Malickian style descends here into mannerism, cliche and self-parody. His epiphanic moments of wonder, generally deployed to evoke the American heartland or ordinary people generally, are now applied to the silly and self-important world of an LA screenwriter (Christian Bale) undergoing the least interesting spiritual crisis in history. The golden-hour sunsets, whispery voiceovers and woozy flashback-montages feel flaccid.
This is the low point of the Terrence Malick canon: despite moments of visual panache, the Malickian style descends here into mannerism, cliche and self-parody. His epiphanic moments of wonder, generally deployed to evoke the American heartland or ordinary people generally, are now applied to the silly and self-important world of an LA screenwriter (Christian Bale) undergoing the least interesting spiritual crisis in history. The golden-hour sunsets, whispery voiceovers and woozy flashback-montages feel flaccid.
- 1/25/2024
- by Peter Bradshaw
- The Guardian - Film News
Foe Movie Review Rating:
Star Cast: Saoirse Ronan, Paul Mescal, and Aaron Pierre
Director: Garth Davis
Foe Movie Review Is Out! (Picture Credit: Youtube)
What’s Good: Ronan and Mescal are young and beautiful, and the premise is intriguing.
What’s Bad: The film needs to learn how to use its premise efficiently, and neither lead has chemistry.
Loo Break: There are a lot of loo breaks in here as the film goes for the slow-burn method but doesn’t know when to drop the bomb and how the climax should affect the rest of the film.
Watch or Not?: It would be best to avoid this for more exciting and compelling romance or science fiction films.
Language: English (with subtitles).
Available On: Amazon Prime Video
Runtime: 111 Minutes.
User Rating:
To create a romantic film is to be sure that you can establish, develop, and showcase a human relationship based on love,...
Star Cast: Saoirse Ronan, Paul Mescal, and Aaron Pierre
Director: Garth Davis
Foe Movie Review Is Out! (Picture Credit: Youtube)
What’s Good: Ronan and Mescal are young and beautiful, and the premise is intriguing.
What’s Bad: The film needs to learn how to use its premise efficiently, and neither lead has chemistry.
Loo Break: There are a lot of loo breaks in here as the film goes for the slow-burn method but doesn’t know when to drop the bomb and how the climax should affect the rest of the film.
Watch or Not?: It would be best to avoid this for more exciting and compelling romance or science fiction films.
Language: English (with subtitles).
Available On: Amazon Prime Video
Runtime: 111 Minutes.
User Rating:
To create a romantic film is to be sure that you can establish, develop, and showcase a human relationship based on love,...
- 1/15/2024
- by Nelson Acosta
- KoiMoi
[Editor’s Note: The following story contains spoilers for “Passages.”]
Franz Rogowski’s intense and offbeat appeal gets its purest expression in the despairing polycule at the center of Ira Sachs’ “Passages.” In the Euro-chic romantic drama that recalls Mike Nichols’ “Closer” through the unsentimental lens of a Maurice Pialat film, the German dancer-turned-actor plays solipsistic, emotionally arrested filmmaker Tomas Freibur. On the eve of wrapping his latest film, he strays from his taciturn husband Martin (Ben Whishaw) and into the arms of Agathe (Adèle Exarchopoulos), who, when Tomas later tells her he’s in love with her, replies, “You must say that a lot.”
Rogowski is a physically striking performer, here in great shape in this film after withering as a gay prisoner post-World War II for his European Film Award-nominated turn in 2021’s “Great Freedom.” His filmography has acquainted him closely with the world’s great filmmakers, from Michael Haneke to Terrence Malick (“A Hidden Life”) and Christian Petzold...
Franz Rogowski’s intense and offbeat appeal gets its purest expression in the despairing polycule at the center of Ira Sachs’ “Passages.” In the Euro-chic romantic drama that recalls Mike Nichols’ “Closer” through the unsentimental lens of a Maurice Pialat film, the German dancer-turned-actor plays solipsistic, emotionally arrested filmmaker Tomas Freibur. On the eve of wrapping his latest film, he strays from his taciturn husband Martin (Ben Whishaw) and into the arms of Agathe (Adèle Exarchopoulos), who, when Tomas later tells her he’s in love with her, replies, “You must say that a lot.”
Rogowski is a physically striking performer, here in great shape in this film after withering as a gay prisoner post-World War II for his European Film Award-nominated turn in 2021’s “Great Freedom.” His filmography has acquainted him closely with the world’s great filmmakers, from Michael Haneke to Terrence Malick (“A Hidden Life”) and Christian Petzold...
- 12/28/2023
- by Ryan Lattanzio
- Indiewire
Francis Ford Coppola's bleak Vietnam War picture "Apocalypse Now" is not only one of the best films of 1979, but is handily one of the finest, most important films of its decade. Using Joseph Conrad's 1899 novella "Heart of Darkness" as a template, Copolla transposed the book's action from the late 1800s Congo to the jungles of Cambodia, and, in so doing, exposed the madness and horror of the Vietnam War in harrowing, soul-hollowing terms. As Captain Willars (Martin Sheen) treks deeper and deeper into the chaos of the natural world -- drifting ever closer to the insane, cult-founding rogue Colonel Kurtz (Marlon Brando) -- reality begins to dissipate. Eventually, madness and violence are all that remain, and war is reduced to its base function: brazen, meaningless destruction and cruelty. "Apocalypse Now" is a great, great film.
Curiously, a lot of war enthusiasts love "Apocalypse Now," seemingly ignoring the film's...
Curiously, a lot of war enthusiasts love "Apocalypse Now," seemingly ignoring the film's...
- 12/18/2023
- by Witney Seibold
- Slash Film
To hell with equivocation: Days of Heaven is the greatest film ever made. And let the word “film” be emphasized, since Terrence Malick’s sophomore feature earns this exalted designation from its position as a work of pure cinema, a concoction of sound and image so formally sumptuous and yet effortlessly poignant that, when I first saw it as a high schooler, it shattered my previous preconceptions about the possibilities afforded by the art form.
To an extent far greater than in his exceptional 1973 debut feature, Badlands, what Malick does in Days of Heaven is convey virtually everything of import through visual and sonic means, his tale, often denigrated as sketchy, left purposely simple and slender so that it might be elevated to the realm of timeless archetype via plaintive aestheticism. Malick’s directorial gestures wholly meld with the story, as every dramatically tangential stare at the vast 1920 Texas panhandle landscape,...
To an extent far greater than in his exceptional 1973 debut feature, Badlands, what Malick does in Days of Heaven is convey virtually everything of import through visual and sonic means, his tale, often denigrated as sketchy, left purposely simple and slender so that it might be elevated to the realm of timeless archetype via plaintive aestheticism. Malick’s directorial gestures wholly meld with the story, as every dramatically tangential stare at the vast 1920 Texas panhandle landscape,...
- 12/14/2023
- by Nick Schager
- Slant Magazine
Among the most enduring films––not only from the furtive creative period of the 1970s, but all of cinema history––Terrence Malick’s second feature Days of Heaven is a work of ravishing beauty. Like most in that rarified echelon, its path wasn’t easy––Malick clashed with crew as he rebelled against the standardized approaches of cinematography and production, then took two years in the editing room to shape the film (admittedly a short time compared to his modern method) and discover Linda Manz’s essential voiceover. Any battles were well worth the fight as, 45 years later, his 1916-set love triangle tale is often cited as the most visually exquisite film ever made.
With a gorgeous new 4K digital restoration supervised and approved by Malick, camera operator John Bailey, and editor Billy Weber now opening theatrically at NYC’s Film Forum and arriving on the Criterion Collection, I was...
With a gorgeous new 4K digital restoration supervised and approved by Malick, camera operator John Bailey, and editor Billy Weber now opening theatrically at NYC’s Film Forum and arriving on the Criterion Collection, I was...
- 12/7/2023
- by Jordan Raup
- The Film Stage
There are narrative flourishes and then there are narrative flourishes. And one in the new film from director Amy Glazer (Seducing Charlie Barker, The Surrogate) is a doozy. How much you appreciate this heartwarming drama about a female pilot who discovers that her grandmother may actually be a legendary figure in aviation history will depend on how much you’re willing to go along with its major plot twist, which won’t be revealed here but is relatively easy to figure out. But if you’re willing to suspend some disbelief, 7000 Miles, recently showcased at the Fort Lauderdale International Film Festival, offers myriad pleasures, not the least of which is a terrific performance by Wendie Malick. The veteran sitcom actress (Dream On, Just Shoot Me, Hot in Cleveland) anchors the film with her charismatic turn in a rare leading role that Katharine Hepburn would have killed for.
The central character...
The central character...
- 11/21/2023
- by Frank Scheck
- The Hollywood Reporter - Movie News
“Lyrical” is often used to describe poet-turned-filmmaker Raven Jackson’s first feature film, “All Dirt Roads Taste of Salt.” Inspired by Terence Malick and cinematographer Emmanuel Lubezki’s collaboration on “Tree of Life,” Jackson and cinematographer Jomo Fray wanted to make a film that had a unified aesthetic that came through process and principles rather than rehearsal and refining of the camera work.
“Jomo and I started off talking about the emotionality of the film before we were thinking visually,” Jackson told IndieWire. “What feelings we were aiming to evoke with the images. And eventually Jomo had a suggestion to do a manifesto.”
Before shooting every day of production on the decades-spanning exploration of a woman’s life in the South, Jackson and Fray read aloud their 12-point manifesto. Although the collaborators had a shot list and a visual language for the film, the manifesto served as a way of...
“Jomo and I started off talking about the emotionality of the film before we were thinking visually,” Jackson told IndieWire. “What feelings we were aiming to evoke with the images. And eventually Jomo had a suggestion to do a manifesto.”
Before shooting every day of production on the decades-spanning exploration of a woman’s life in the South, Jackson and Fray read aloud their 12-point manifesto. Although the collaborators had a shot list and a visual language for the film, the manifesto served as a way of...
- 11/9/2023
- by Chris O'Falt
- Indiewire
Brad Pitt and Oscar-winner Jessica Chastain admittedly lost themselves in their characters during an intense fight scene. And the film’s director thought it was too compelling to leave off the feature.
How Jessica Chastain’s on-screen argument with brad Pitt got out of hand Jessica Chastain and Brad Pitt | Karl Walter/Getty Images
Chastain and Pitt both collaborated on the coming-of-age film Tree of Life directed by Terrence Malick. The pair played a married couple in the film, taking care of their three young children when tragedy strikes their family. In a resurfaced interview with CBS News, Chastain shared that she’d been attached to the project for a very long time. Back then, everyone she knew couldn’t stop talking about Chastain playing the Fight Club star‘s wife. But some didn’t believe it because of her movie’s long film delay.
“Then I get Tree of Life opposite Brad Pitt.
How Jessica Chastain’s on-screen argument with brad Pitt got out of hand Jessica Chastain and Brad Pitt | Karl Walter/Getty Images
Chastain and Pitt both collaborated on the coming-of-age film Tree of Life directed by Terrence Malick. The pair played a married couple in the film, taking care of their three young children when tragedy strikes their family. In a resurfaced interview with CBS News, Chastain shared that she’d been attached to the project for a very long time. Back then, everyone she knew couldn’t stop talking about Chastain playing the Fight Club star‘s wife. But some didn’t believe it because of her movie’s long film delay.
“Then I get Tree of Life opposite Brad Pitt.
- 10/20/2023
- by Antonio Stallings
- Showbiz Cheat Sheet
Above: 1973 New York Film Festival poster designed by Niki de Saint Phalle.The 61st edition of the New York Film Festival, which opens tonight, has 32 films in its Main Slate, fifteen films in its Spotlight section, ten films and seven collections of shorts in the Currents sidebar, and eleven revivals. That's over 60 feature films. Fifty years ago, in 1973, the 11th edition of the festival had just eighteen feature films and nineteen shorts. Just like this year’s opener—Todd Haynes’s May December—1973’s opening night film, François Truffaut’s Day for Night, had premiered four months earlier at the Cannes Film Festival. And as with this year’s festival, the 1973 edition opened, fifty years and one day ago exactly, in the shadow of an artists' strike. Local 802 of the American Federation of Musicians had been picketing the New York Philharmonic outside Lincoln Center’s Avery Fisher Hall, where the festival was taking place,...
- 9/29/2023
- MUBI
The Creative Coalition’s annual Humanitarian Awards takes place the week of the Primetime Emmys — but even though the big show was pushed to January, the benefit luncheon still took place on Thursday, Sept. 14 at the La Peer Hotel rooftop in West Hollywood, attracting a wide range of honorees and presenters.
The Humanitarian Awards recognizes talent who donate their time, resources and their celebrity to promote worthy social causes. This year, honors went to Jason Alexander, Pauline Chalamet, Billy Eichner, Wendie Malick, Arian Moayed and Lena Waithe, as well as Josefina López, who was saluted with the Your Voice Carries Weight award. Presenters included Alyssa Milano, Cazzie David, Lawrence O’Donnell, Gloria Calderón Kellet, Samantha Hanratty, Debbie Levin, Bradley Whitford and Darnell Moore.
Variety co-editor-in-chief Cynthia Littleton hosted the luncheon, which opened with remarks from The Creative Coalition CEO Robin Bronk; both cited the org’s continued fight for arts funding and education.
The Humanitarian Awards recognizes talent who donate their time, resources and their celebrity to promote worthy social causes. This year, honors went to Jason Alexander, Pauline Chalamet, Billy Eichner, Wendie Malick, Arian Moayed and Lena Waithe, as well as Josefina López, who was saluted with the Your Voice Carries Weight award. Presenters included Alyssa Milano, Cazzie David, Lawrence O’Donnell, Gloria Calderón Kellet, Samantha Hanratty, Debbie Levin, Bradley Whitford and Darnell Moore.
Variety co-editor-in-chief Cynthia Littleton hosted the luncheon, which opened with remarks from The Creative Coalition CEO Robin Bronk; both cited the org’s continued fight for arts funding and education.
- 9/25/2023
- by Michael Schneider
- Variety Film + TV
While Terrence Malick happily toils away on year five of editing his Biblical epic The Way of the Wind, he’s found a number of artistic diversions in recent years. The latest is an epic-looking interactive exhibit that finds him reuniting with his Knight of Cups, Song of Song, and Voyage of Time collaborator Cate Blanchett, while also boasting contributions from Radiohead’s Jonny Greenwood.
Premiering at Australia’s Acmi and what looks to be an expanded version of the Tribeca premiere Evolver, Marshmallow Laser Feast: Works of Nature “illuminates the hidden forces surrounding us, revealing the sublime through sensory journeys beyond our everyday perception. From the roots of a majestic Amazonian tree to the unseen branches of the body and the birth of galaxies, this hypnotic, immersive experience explores the rhythm that cultivates and connects all life – breath.”
Featuring five major digital artworks, the experience features “guided meditation, large-scale screen works and interactive experiences,...
Premiering at Australia’s Acmi and what looks to be an expanded version of the Tribeca premiere Evolver, Marshmallow Laser Feast: Works of Nature “illuminates the hidden forces surrounding us, revealing the sublime through sensory journeys beyond our everyday perception. From the roots of a majestic Amazonian tree to the unseen branches of the body and the birth of galaxies, this hypnotic, immersive experience explores the rhythm that cultivates and connects all life – breath.”
Featuring five major digital artworks, the experience features “guided meditation, large-scale screen works and interactive experiences,...
- 9/7/2023
- by Jordan Raup
- The Film Stage
Director Jeff Nichols wanted three magnetic faces to anchor his motorcycle movie, “The Bikeriders”, which just launched at the Telluride Film Festival. He and his casting director Francine Maisler landed a stellar multinational cast for this three-hander led by Tom Hardy, Austin Butler, and Jodie Comer.
The Nichols/Maisler collaboration began with “The Tree of Life” producer Sarah Green. “There’s this young guy who could be the next Terry Malick,” Green told Maisler, who checked out “Take Shelter” and met with Nichols back in 2010. “He was very quiet and humble,” Maisler said at a Telluride interview with Nichols.
Maisler went on to cast “Mud” and every Nichols film since, including “Midnight Special,” which featured an early role for Adam Driver, and “Loving,” which landed Irish actress Ruth Negga an Oscar nomination. “You just put an actor in his hands and they can fly,” said Maisler. “You have a script.
The Nichols/Maisler collaboration began with “The Tree of Life” producer Sarah Green. “There’s this young guy who could be the next Terry Malick,” Green told Maisler, who checked out “Take Shelter” and met with Nichols back in 2010. “He was very quiet and humble,” Maisler said at a Telluride interview with Nichols.
Maisler went on to cast “Mud” and every Nichols film since, including “Midnight Special,” which featured an early role for Adam Driver, and “Loving,” which landed Irish actress Ruth Negga an Oscar nomination. “You just put an actor in his hands and they can fly,” said Maisler. “You have a script.
- 9/4/2023
- by Anne Thompson
- Indiewire
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