Exclusive: Jorge Vargas (‘Snowpiercer’), Tanaya Beatty (‘Yellowstone,’), and Skywalker Hughes (‘Joe Pickett’) are rounding out the previously announced cast of Academy Award winner Andrew Stanton’s In The Blink of an Eye starring Kate McKinnon, Rashida Jones, and Daveed Diggs. Principal photography has now commenced in British Columbia.
The movie follows three storylines, spanning thousands of years, intersect and reflect on hope, connection and the circle of life. Jared Ian Goldman (Ingrid Goes West, ‘Russian Doll’) produces the pic written and executive produced by Colby Day (Spaceman).
“From the first read I knew Colby Day’s script was special,” said Stanton, “and it has only become more rarified of a project as our team has formed. What a privilege to have such an ideal cast and crew realize this beautiful story.”
“Andrew is a visionary artist whose unique gifts as a storyteller shine in this beautiful film,” added Searchlight Presidents Matthew Greenfield and David Greenbaum.
The movie follows three storylines, spanning thousands of years, intersect and reflect on hope, connection and the circle of life. Jared Ian Goldman (Ingrid Goes West, ‘Russian Doll’) produces the pic written and executive produced by Colby Day (Spaceman).
“From the first read I knew Colby Day’s script was special,” said Stanton, “and it has only become more rarified of a project as our team has formed. What a privilege to have such an ideal cast and crew realize this beautiful story.”
“Andrew is a visionary artist whose unique gifts as a storyteller shine in this beautiful film,” added Searchlight Presidents Matthew Greenfield and David Greenbaum.
- 3/30/2023
- by Anthony D'Alessandro and Rosy Cordero
- Deadline Film + TV
Dylan O’Brien has joined the cast of the upcoming feature satire “Not Okay.”
Star of “The Maze Runner” and “Love and Monsters,” O’Brien joins previously-announced leading lady Zoey Deutch in the project from writer-director Quinn Shephard. Brad Weston and Negin Salmasi’s Makeready are producing the film, which will premiere exclusively on Disney’s Dtc platforms.
With shooting already underway in New York City, “Not Okay” follows a misguided young woman desperate for friends and fame, who fakes a trip to Paris to up her social media presence. When a terrifying incident takes place in the real world and becomes part of her imaginary trip, her white lie becomes a moral quandary that offers her all the attention she’s wanted.
Rounding out the ensemble cast is Mia Isaac (Amazon’s upcoming “Don’t Make Me Go” opposite John Cho), Embeth Davidtz (“Old”) and Nadia Alexander. Actors Tia Dionne Hodge...
Star of “The Maze Runner” and “Love and Monsters,” O’Brien joins previously-announced leading lady Zoey Deutch in the project from writer-director Quinn Shephard. Brad Weston and Negin Salmasi’s Makeready are producing the film, which will premiere exclusively on Disney’s Dtc platforms.
With shooting already underway in New York City, “Not Okay” follows a misguided young woman desperate for friends and fame, who fakes a trip to Paris to up her social media presence. When a terrifying incident takes place in the real world and becomes part of her imaginary trip, her white lie becomes a moral quandary that offers her all the attention she’s wanted.
Rounding out the ensemble cast is Mia Isaac (Amazon’s upcoming “Don’t Make Me Go” opposite John Cho), Embeth Davidtz (“Old”) and Nadia Alexander. Actors Tia Dionne Hodge...
- 8/2/2021
- by Matt Donnelly
- Variety Film + TV
It’s unclear who the audience is for director Kevin Willmott’s “The 24th,” a solemn look at a crucial and under-seen moment in Black history that mostly feels like homework. This portrait of an infantry of Black soldiers who, in 1917, stood up to horrifying police brutality has plenty going for it, including a few strong performances and an evocatively Southern-tinged mood. But it’s ultimately an agitprop package, and .
As a story of Black rebellion against corrupt and monstrous law enforcement, “The 24th” arrives at a critical moment as America stares down the maw of its inherently racist past and tries to figure out where to go from here. The largely forgotten episode in question is the Camp Logan mutiny that took place in Houston, where Black soldiers eager to serve their country stood up to a vile police force, and staged a coup that resulted in a staggering murder trial which,...
As a story of Black rebellion against corrupt and monstrous law enforcement, “The 24th” arrives at a critical moment as America stares down the maw of its inherently racist past and tries to figure out where to go from here. The largely forgotten episode in question is the Camp Logan mutiny that took place in Houston, where Black soldiers eager to serve their country stood up to a vile police force, and staged a coup that resulted in a staggering murder trial which,...
- 8/21/2020
- by Ryan Lattanzio
- Indiewire
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the editor of the Narrative Spotlight film, We’ll Never Have Paris, Mollie Goldstein. Filmmaker: Why this movie? Why did you decide to do it? Goldstein: The first question for me when considering a project is always the script, and this one was fun, funny, and had a screwball quality to it that I was really drawn to. Secondly, I really connected to […]...
- 3/10/2014
- by Danielle Lurie
- Filmmaker Magazine-Director Interviews
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the editor of the Narrative Spotlight film, We’ll Never Have Paris, Mollie Goldstein. Filmmaker: Why this movie? Why did you decide to do it? Goldstein: The first question for me when considering a project is always the script, and this one was fun, funny, and had a screwball quality to it that I was really drawn to. Secondly, I really connected to […]...
- 3/10/2014
- by Danielle Lurie
- Filmmaker Magazine - Blog
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