Dmitriy Kiselev’s overlooked Russian thriller is an exciting and inspirational true account of the first walk in space by a Soviet cosmonaut — a mission that nearly became a tragedy. It’s almost as emotional an experience as Apollo 13 — the worthy cosmonauts demonstrate ‘the right stuff’ under much more trying conditions. The beautifully produced and splendidly acted show makes it seem a crime that foreign movies this good are routinely denied theatrical exhibition here. The Blu-ray comes with an excellent pair of featurettes, with the participation of the original spacewalker Alexey Leonov.
Spacewalker
Blu-ray
Capelight
2017 / Color / 2:35 widescreen / 137 min. / Vremya pervykh (The First Time); Spacewalker / Street Date January 19, 2021 / Available from Amazon / (pretty cheap)
Starring: Evgeniy Mironov, Konstantin Khabenskiy, Vladimir Ilin, Anatoliy Kotenyov, Aleksandra Ursulyak, Elena Panova, Aleksandr Novin, Gennadiy Smirnov, Yuriy Nifontov, Sergey Batalov.
Cinematography: Vladimir Bashta
Visuyal Effects supervisors: Kirill Kulakov, Sergei Nevshupov, Pavel Perepyolkin
Film Editors: Anton Anisimov,...
Spacewalker
Blu-ray
Capelight
2017 / Color / 2:35 widescreen / 137 min. / Vremya pervykh (The First Time); Spacewalker / Street Date January 19, 2021 / Available from Amazon / (pretty cheap)
Starring: Evgeniy Mironov, Konstantin Khabenskiy, Vladimir Ilin, Anatoliy Kotenyov, Aleksandra Ursulyak, Elena Panova, Aleksandr Novin, Gennadiy Smirnov, Yuriy Nifontov, Sergey Batalov.
Cinematography: Vladimir Bashta
Visuyal Effects supervisors: Kirill Kulakov, Sergei Nevshupov, Pavel Perepyolkin
Film Editors: Anton Anisimov,...
- 4/17/2021
- by Glenn Erickson
- Trailers from Hell
Hong Kong International Film Festival
HONG KONG -- In what is sure to be viewed as a Russian spin on The Devil Wears Prada, director Andrei Konchalovsky (Sibiriada, Runaway Train) turns an only partially jaundiced eye at the modern fixation on celebrity and fashion.
This is somewhat outdated and well-worn material, and explorations of the encroachment of Western celebrity culture on developing nations isn't new either. On top of that, a good amount of the film relies on tired character archetypes. Although cinematically polished and possessing an engaging lead, Gloss never manages to take flight as an effective satire.
Any film skewering the fashion industry and what was once called The Jet Set is likely to get attention from independent and Art House distributors. Gloss certainly has the production values for limited overseas release, but it's just as likely to be consigned to DVD after a spin on the festival circuit.
Galya (an appropriately low-rent Yulia Vysotskaya) is a working-class seamstress in the backwater town of Rostov-on-Don who dreams of becoming Russia's next great supermodel. After she's featured in a second-rate ad in a local newspaper, she decides the time is right to move to Moscow. She borrows enough money to get there from her on-and-off thug boyfriend, Vitya (Ilya Isaev), and quickly finesses her way into the office of the editor of Beauty magazine.
The editor, Marina (Irina Rozanova), lays the brutal truth on Galya: She doesn't stand a chance of making her mag's cover. Only temporarily defeated, Galya lands on her feet by working as a seamstress for the Karl Lagerfeld-like Mark (Yefim Shifrin), stumbles (literally) onto the runway in his new collection's show, loses her job and winds up working for erstwhile agent and escort mogul Petya (Gennady Smirnov). In the end, she does make the cover of Beauty after being transformed into a latter-day Grace Kelly and marrying up to politico Klimenko (Alekander Domogarov).
There's a lot going on in Gloss, and Konchalovsky and co-writer Dunya Smirnova go to great pains to draw links among fashion, prostitution, power and celebrity while at the same time peeling some of the glamor from the glitterati. The film is populated by shallow, fundamentally unhappy people who are simply spinning their wheels.
Marina's magazine is just a little behind the curve, and she feels her age when she looks at her competition, some of which comes in the form of her arrogant, needling daughter Nastya (Olga Arntgolts). Rozanova is affecting as a former beauty facing forced retirement, but she's only in Galya's sphere for a fleeting moment. Gloss is loaded with partially explored ideas, but therein lies the problem: They're also partially unexplored.
GLOSS
A Mosfilm, Motion Investment Group, Cadran Prods., Studio Canal, Backup Films production
Sales agent: Fortissimo Films
Credits:
Director: Andrei Konchalovsky
Screenwriters: Andrei Konchalovsky, Dunya Smirnova
Producer: Andrei Konchalovsky
Director of photography: Mariya Solovyova
Production designer: Yekaterina Zaletayeva
Music: Eduard Artemyev
Co-producers: Jeremy Burdek, Nadia Khamlichi, Adrian Politowski
Editor: Olga Grinshpun
Cast:
Galya: Yulia Vysotskaya
Zhanna: Olga Meloyanina
Vitya: Ilya Isaev
Marina: Irina Rozanova
Nastya: Olga Arntgolts
Mark: Yefim Shifrin
Petya: Gennady Smirnov
Klimenko: Alekander Domogarov
Running time -- 118 minutes
No MPAA rating...
HONG KONG -- In what is sure to be viewed as a Russian spin on The Devil Wears Prada, director Andrei Konchalovsky (Sibiriada, Runaway Train) turns an only partially jaundiced eye at the modern fixation on celebrity and fashion.
This is somewhat outdated and well-worn material, and explorations of the encroachment of Western celebrity culture on developing nations isn't new either. On top of that, a good amount of the film relies on tired character archetypes. Although cinematically polished and possessing an engaging lead, Gloss never manages to take flight as an effective satire.
Any film skewering the fashion industry and what was once called The Jet Set is likely to get attention from independent and Art House distributors. Gloss certainly has the production values for limited overseas release, but it's just as likely to be consigned to DVD after a spin on the festival circuit.
Galya (an appropriately low-rent Yulia Vysotskaya) is a working-class seamstress in the backwater town of Rostov-on-Don who dreams of becoming Russia's next great supermodel. After she's featured in a second-rate ad in a local newspaper, she decides the time is right to move to Moscow. She borrows enough money to get there from her on-and-off thug boyfriend, Vitya (Ilya Isaev), and quickly finesses her way into the office of the editor of Beauty magazine.
The editor, Marina (Irina Rozanova), lays the brutal truth on Galya: She doesn't stand a chance of making her mag's cover. Only temporarily defeated, Galya lands on her feet by working as a seamstress for the Karl Lagerfeld-like Mark (Yefim Shifrin), stumbles (literally) onto the runway in his new collection's show, loses her job and winds up working for erstwhile agent and escort mogul Petya (Gennady Smirnov). In the end, she does make the cover of Beauty after being transformed into a latter-day Grace Kelly and marrying up to politico Klimenko (Alekander Domogarov).
There's a lot going on in Gloss, and Konchalovsky and co-writer Dunya Smirnova go to great pains to draw links among fashion, prostitution, power and celebrity while at the same time peeling some of the glamor from the glitterati. The film is populated by shallow, fundamentally unhappy people who are simply spinning their wheels.
Marina's magazine is just a little behind the curve, and she feels her age when she looks at her competition, some of which comes in the form of her arrogant, needling daughter Nastya (Olga Arntgolts). Rozanova is affecting as a former beauty facing forced retirement, but she's only in Galya's sphere for a fleeting moment. Gloss is loaded with partially explored ideas, but therein lies the problem: They're also partially unexplored.
GLOSS
A Mosfilm, Motion Investment Group, Cadran Prods., Studio Canal, Backup Films production
Sales agent: Fortissimo Films
Credits:
Director: Andrei Konchalovsky
Screenwriters: Andrei Konchalovsky, Dunya Smirnova
Producer: Andrei Konchalovsky
Director of photography: Mariya Solovyova
Production designer: Yekaterina Zaletayeva
Music: Eduard Artemyev
Co-producers: Jeremy Burdek, Nadia Khamlichi, Adrian Politowski
Editor: Olga Grinshpun
Cast:
Galya: Yulia Vysotskaya
Zhanna: Olga Meloyanina
Vitya: Ilya Isaev
Marina: Irina Rozanova
Nastya: Olga Arntgolts
Mark: Yefim Shifrin
Petya: Gennady Smirnov
Klimenko: Alekander Domogarov
Running time -- 118 minutes
No MPAA rating...
- 3/27/2008
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.