The biggest celebration of genre films in Latin America will kick off on May 17th with Brazil's 2018 Fantaspoa film festival, and following the reveal of the first wave of titles, the second wave of titles for the anticipated festival have now been unveiled, along with the announcement that filmmaker William Lustig will join Mick Garris in receiving a career achievement award:
We have the official press release below with the full second wave of titles, and be sure to visit Fantaspoa's official website for more information.
Press Release: Porto Alegre, Brazil - April 30, 2018 - Brazil's Fantaspoa, the largest genre film festival in Latin America, is proud to reveal the second wave of programming selected for their upcoming fourteenth edition, running from May 17th through June 3rd, 2018. The celebrated genre film fest, which takes place annually in the lakeside city of Porto Alegre will announce their full line-up, containing more than 100 films from around the world,...
We have the official press release below with the full second wave of titles, and be sure to visit Fantaspoa's official website for more information.
Press Release: Porto Alegre, Brazil - April 30, 2018 - Brazil's Fantaspoa, the largest genre film festival in Latin America, is proud to reveal the second wave of programming selected for their upcoming fourteenth edition, running from May 17th through June 3rd, 2018. The celebrated genre film fest, which takes place annually in the lakeside city of Porto Alegre will announce their full line-up, containing more than 100 films from around the world,...
- 5/1/2018
- by Derek Anderson
- DailyDead
Brazil’s Fantaspoa, the largest genre film festival in Latin America, have revealed the second wave of programming selected for their upcoming fourteenth edition, running from May 17th through June 3rd, 2018. The celebrated genre film fest, which takes place annually in the lakeside city of Porto Alegre will announce their full line-up, containing more than 100 films from around the world, on the second week of May.
Twenty new features are being announced today, in addition to the seventeen previously announced, which included Puppet Master: The Littlest Reich, Mohawk, The Ranger, Ederlezi Rising, and Les Garçons Sauvages.
Along with previously announced “Masters of Horror” creator Mick Garris, director William Lustig will also receive a career achievement award at the 2018 festival. Lustig, whose films include Maniac, Uncle Sam, and the Maniac Cop trilogy, is also the CEO of Blue Underground, an American entertainment company specializing in the distribution of obscure exploitation films.
Twenty new features are being announced today, in addition to the seventeen previously announced, which included Puppet Master: The Littlest Reich, Mohawk, The Ranger, Ederlezi Rising, and Les Garçons Sauvages.
Along with previously announced “Masters of Horror” creator Mick Garris, director William Lustig will also receive a career achievement award at the 2018 festival. Lustig, whose films include Maniac, Uncle Sam, and the Maniac Cop trilogy, is also the CEO of Blue Underground, an American entertainment company specializing in the distribution of obscure exploitation films.
- 5/1/2018
- by Phil Wheat
- Nerdly
Let’s not beat around the bush: Vampire Clay is not a very good film. The problem at the heart of Sôichi Umezawa’s directorial debut is that plasticine is not scary. Unfortunately, that’s all that the film has to offer. Vampire Clay is set in an art school in rural Japan. When the lone faculty member […]...
- 9/20/2017
- by Joe Lipsett
- bloody-disgusting.com
by Staff
Peter Kuplowsky, the new programmer of Midnight Madness, tells us what to expect from Tiff ‘17’s deadliest lineup.
After 20 years, Midnight Madness has new blood. Peter Kuplowsky, the series’ longtime programming associate under Colin Geddes, has assumed the throne — and with today’s programming announcement, his choices are as eclectic as they are enticing. We quizzed the new guy about what we can expect at 12am every night of Festival, emerging trends in genre cinema, and why Vincent Price embodies the spirit of the programme.
Browse All Films
What can people expect from this year’s Midnight Madness lineup?
Having grown up as an ardent fan of the program, I very much wanted to preserve the sensibility Colin Geddes has cultivated over these past 20 years. As always, the 10 films will run the gamut of genres and sensibilities with a healthy balance of work made by emerging artists and returning alumni.
Peter Kuplowsky, the new programmer of Midnight Madness, tells us what to expect from Tiff ‘17’s deadliest lineup.
After 20 years, Midnight Madness has new blood. Peter Kuplowsky, the series’ longtime programming associate under Colin Geddes, has assumed the throne — and with today’s programming announcement, his choices are as eclectic as they are enticing. We quizzed the new guy about what we can expect at 12am every night of Festival, emerging trends in genre cinema, and why Vincent Price embodies the spirit of the programme.
Browse All Films
What can people expect from this year’s Midnight Madness lineup?
Having grown up as an ardent fan of the program, I very much wanted to preserve the sensibility Colin Geddes has cultivated over these past 20 years. As always, the 10 films will run the gamut of genres and sensibilities with a healthy balance of work made by emerging artists and returning alumni.
- 8/3/2017
- by Sydney Levine
- Sydney's Buzz
ThelmaA selection of films from the 2017 edition of the Toronto International Film Festival has been unveiled, with new films by Sebastián Lelio, Deniz Gamze Ergüven, Darren Aronofsky, Greta Gerwig, Guillermo Del Toro, Joachim Trier, Wim Wenders, and many more.Special PRESENTATIONSOpening Night: Ladybird (Greta Gerwig)Closing Night: Sheikh Jackson (Amr Salama)Battle of the Sexes (Valerie Faris & Jonathan Dayton)Bpm (Beats Per Minute) (Robin Campillo)The Brawler (Anurag Kashyap)The Breadwinner (Nora Twomey)Call Me By Your Name (Luca Guadagnino)Catch the Wind (Gaël Morel)The Children Act (Richard Eyre)The Current War (Alfonso Gomez-Rejon)Disobedience (Sebastián Lelio)Downsizing (Alexander Payne)A Fantastic Woman (Sebastián Lelio)First They Killed My Father (Angelina Jolie)The Guardians (Xavier Beauvois)Hostiles (Scott Cooper)The Hungry (Bornila Chatterjee)I, Tonya (Craig Gillespie)Mother! (Darren Aronofsky)Novitiate (Maggie Betts)Omerta (Hansal Mehta)Plonger (Mélanie Laurent)The Price of Success (Teddy Lussi-Modeste)Professor Marston & the Wonder Women...
- 8/3/2017
- MUBI
Following an initial round of premieres and the announcement that Borg vs. McEnroe will open Toronto International Film Festival 2017, they’ve now announced their lineup for Midnight Madness and Documentaries. Leading the pack of our most-anticipated among midnight tiles is Brawl in Cell Block 99, which is S. Craig Zahler’s follow-up to Bone Tomahawk and will premiere at Venice beforehand. There’s also the latest film from Joseph Kahn, Bodied, which will open the sidebar, and the first trailer has landed.
On the documentary side, there is Frederick Wiseman’s Ex Libris – The New York Public Library, as well as new films from Morgan Spurlock, Heidi Ewing (Jesus Camp), Brett Morgen (Kurt Cobain: Montage of Heck), and more. Check out the new additions below, along with images and trailers where available.
Midnight Madness
Midnight Madness Opening Film
Bodied Joseph Kahn, USA
World Premiere
Our #TIFF17 Midnight Madness Opening Night Film is @JosephKahn’s Bodied,...
On the documentary side, there is Frederick Wiseman’s Ex Libris – The New York Public Library, as well as new films from Morgan Spurlock, Heidi Ewing (Jesus Camp), Brett Morgen (Kurt Cobain: Montage of Heck), and more. Check out the new additions below, along with images and trailers where available.
Midnight Madness
Midnight Madness Opening Film
Bodied Joseph Kahn, USA
World Premiere
Our #TIFF17 Midnight Madness Opening Night Film is @JosephKahn’s Bodied,...
- 8/2/2017
- by Jordan Raup
- The Film Stage
For a 24-hour period, many children find themselves hunted by their crazed parents—including a pair played by Nicolas Cage and Selma Blair—in Brian Taylor's Mom and Dad, one of ten films featured in this year's Toronto International Film Festival's Midnight Madness program:
Press Release: Toronto — Tomb it may concern: strap in, secure your spooktacles, and feel free to let loose a mighty battle cry, because Midnight Madness has just launched its lineup for the 42nd Toronto International Film Festival®, presented by new programmer Peter Kuplowsky. Screening for near-riotous crowds into the wee hours, this year's films are guaranteed to melt minds, split sides and drop jaws. Midnight Madness is generously sponsored by Cineplex Entertainment.
"We can't wait to unleash Peter on Midnight Madness audiences," said Tiff Artistic Director Cameron Bailey. "He's tracked down 10 films that preserve the section's legendary kick-out-the-jams approach, while still putting his own ruthless stamp on it.
Press Release: Toronto — Tomb it may concern: strap in, secure your spooktacles, and feel free to let loose a mighty battle cry, because Midnight Madness has just launched its lineup for the 42nd Toronto International Film Festival®, presented by new programmer Peter Kuplowsky. Screening for near-riotous crowds into the wee hours, this year's films are guaranteed to melt minds, split sides and drop jaws. Midnight Madness is generously sponsored by Cineplex Entertainment.
"We can't wait to unleash Peter on Midnight Madness audiences," said Tiff Artistic Director Cameron Bailey. "He's tracked down 10 films that preserve the section's legendary kick-out-the-jams approach, while still putting his own ruthless stamp on it.
- 8/1/2017
- by Derek Anderson
- DailyDead
Morgan Spurlock re-engages with the food industry, James Franco digs into the ‘worst film ever made’.
Top brass at the Toronto International Film Festival (Tiff) unveiled on Tuesday selections in the Tiff Docs, Midnight Madness, and Short Cuts programmes.
The Canadian titles that are part of this year’s programme will be announced on August 9. The 42nd Toronto International Film Festival is scheduled to run from September 7-17 and will open with Borg/McEnroe.
Tiff Docs
The world premiere of Morgan Spurlock’s Super Size Me 2: Holy Chicken! joins a marquee Tiff Docs roster from renowned filmmakers that opens with Sophie Fiennes’ Grace Jones: Bloodlight And Bami.
Selections include Brett Morgen’s profile of primatologist Jane Goodall in Jane; the story of three Hasidic Jews who attempt to join the secular world in One Of Us by Heidi Ewing and Rachel Grady; Violeta Ayala’s Bolivian drug trade film Cocaine Prison; and Emmanuel Gras’ closing film Makala...
Top brass at the Toronto International Film Festival (Tiff) unveiled on Tuesday selections in the Tiff Docs, Midnight Madness, and Short Cuts programmes.
The Canadian titles that are part of this year’s programme will be announced on August 9. The 42nd Toronto International Film Festival is scheduled to run from September 7-17 and will open with Borg/McEnroe.
Tiff Docs
The world premiere of Morgan Spurlock’s Super Size Me 2: Holy Chicken! joins a marquee Tiff Docs roster from renowned filmmakers that opens with Sophie Fiennes’ Grace Jones: Bloodlight And Bami.
Selections include Brett Morgen’s profile of primatologist Jane Goodall in Jane; the story of three Hasidic Jews who attempt to join the secular world in One Of Us by Heidi Ewing and Rachel Grady; Violeta Ayala’s Bolivian drug trade film Cocaine Prison; and Emmanuel Gras’ closing film Makala...
- 8/1/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
They are two of the Toronto International Film Festival’s wildest sections — for very different reasons — and this year’s slate of both Midnight Madness and Documentary offerings appear to signal another strong lineup for the festival. Thrills, chills, terror, and scares await movie-goers, all care of unbelievable real-life stories and slightly less true tales for genre fans of all stripes.
This year’s Midnight Madness section will open with Joseph Kahn’s provocative World Premiere of “Bodied,” and also offers up the World Premiere of “The Disaster Artist,” directed by James Franco and based on the making of Tommy Wiseau’s 2003 cult film, “The Room.” (The film previously screened as a work-in-progress at SXSW.)
Read MoreTIFF Reveals First Slate of 2017 Titles, Including ‘The Shape of Water,’ ‘Downsizing,’ and ‘Call Me By Your Name’
In his first year as programmer, Peter Kuplowsky is also welcoming back several fest alumni, including David Bruckner,...
This year’s Midnight Madness section will open with Joseph Kahn’s provocative World Premiere of “Bodied,” and also offers up the World Premiere of “The Disaster Artist,” directed by James Franco and based on the making of Tommy Wiseau’s 2003 cult film, “The Room.” (The film previously screened as a work-in-progress at SXSW.)
Read MoreTIFF Reveals First Slate of 2017 Titles, Including ‘The Shape of Water,’ ‘Downsizing,’ and ‘Call Me By Your Name’
In his first year as programmer, Peter Kuplowsky is also welcoming back several fest alumni, including David Bruckner,...
- 8/1/2017
- by Kate Erbland
- Indiewire
The film is based on the manga series “Chimamire Sukeban Chainsaw.” by Rei Mikamoto and, in general, Yamaguchi manages to retain the preposterous aesthetics of the original medium.
In that fashion, the film does not delay a moment to highlight its bloody, slapstick and fan service nature as Giko Nokomura, the protagonist, immediately gets into a fight with a bunch of ex-classmates, who have been transformed into killer androids by her archrival Nero. Cheerleaders that shoot bullets from their heads and rockets from their bottoms, mechanical mouths, transgender ninjas, a head on metallic spider legs, and Giko herself, who uses a huge chainsaw to rip all of them to pieces comprise a setting that has obviously jumped out of the pages of a manga. Add to that the fact that Giko insists on giving exams in order to pass the class amidst all this chaos, and her quest to find...
In that fashion, the film does not delay a moment to highlight its bloody, slapstick and fan service nature as Giko Nokomura, the protagonist, immediately gets into a fight with a bunch of ex-classmates, who have been transformed into killer androids by her archrival Nero. Cheerleaders that shoot bullets from their heads and rockets from their bottoms, mechanical mouths, transgender ninjas, a head on metallic spider legs, and Giko herself, who uses a huge chainsaw to rip all of them to pieces comprise a setting that has obviously jumped out of the pages of a manga. Add to that the fact that Giko insists on giving exams in order to pass the class amidst all this chaos, and her quest to find...
- 3/1/2017
- by Panos Kotzathanasis
- AsianMoviePulse
Directed by Julian Barratt, Alexandre Bustillo, Larry Fessenden, Julian Gilbey, E.L. Katz, Aharon Keshales, Steven Kostanski, Julien Maury, Vincenzo Natali, Bill Plympton, Jen & Sylvia Soska and many more…
It’s a second go around the alphabet of fear with The ABCs of Death 2. 2012′s first installment – an anthology of 26 stories, each representing a letter of the alphabet – was the very definition of a mixed bag, with (sadly) the bad often outweighing the good. However, given that the good was Very good I still held out hope that this sequel would live up to the expectations and potential that the format has.
Thankfully this time round the good outweighs the bad, although surprisingly there are some disappointing segments from directors whose work I’ve enjoyed; and whose feature work has been hailed as some of the best in the genre – not that there’s any evidence of that here – including...
It’s a second go around the alphabet of fear with The ABCs of Death 2. 2012′s first installment – an anthology of 26 stories, each representing a letter of the alphabet – was the very definition of a mixed bag, with (sadly) the bad often outweighing the good. However, given that the good was Very good I still held out hope that this sequel would live up to the expectations and potential that the format has.
Thankfully this time round the good outweighs the bad, although surprisingly there are some disappointing segments from directors whose work I’ve enjoyed; and whose feature work has been hailed as some of the best in the genre – not that there’s any evidence of that here – including...
- 3/18/2015
- by Phil Wheat
- Nerdly
Directed by Julian Barratt, Alexandre Bustillo, Larry Fessenden, Julian Gilbey, E.L. Katz, Aharon Keshales, Steven Kostanski, Julien Maury, Vincenzo Natali, Bill Plympton, Jen & Sylvia Soska and many more…
It’s a second go around the alphabet of fear with the debut of The ABCs of Death 2 as part of this years Celluloid Screams film festival. 2012′s first installment – an anthology of 26 stories, each representing a letter of the alphabet – was the very definition of a mixed bag, with (sadly) the bad often outweighing the good. However, given that the good was Very good I still held out hope that this sequel would live up to the expectations and potential that the format has.
Thankfully this time round the good outweighs the bad, although surprisingly there are some disappointing segments from directors whose work I’ve enjoyed; and whose feature work has been hailed as some of the best in...
It’s a second go around the alphabet of fear with the debut of The ABCs of Death 2 as part of this years Celluloid Screams film festival. 2012′s first installment – an anthology of 26 stories, each representing a letter of the alphabet – was the very definition of a mixed bag, with (sadly) the bad often outweighing the good. However, given that the good was Very good I still held out hope that this sequel would live up to the expectations and potential that the format has.
Thankfully this time round the good outweighs the bad, although surprisingly there are some disappointing segments from directors whose work I’ve enjoyed; and whose feature work has been hailed as some of the best in...
- 10/24/2014
- by Phil Wheat
- Nerdly
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