Japanese actress Yuko Takeuchi has been found dead at her Tokyo home at the age of 40.
Police have launched an investigation and suspect the mother of two took her own life, according to local media reports. Her second child was born in January.
Takeuchi was well-known in Japan and played the female Sherlock Holmes in the 2018 Hulu and HBO Asia co-pro series Miss Sherlock, which was broadcast in multiple international markets including the U.S.
She also won best actress in a leading role three years in a row, between 2004 and 2007, at the Japanese Academy Awards. Early roles also included horror hit The Ring.
Although suicide has not been confirmed, it has been the cause of death for a number of Japanese talents recently, including the actress Sei Ashina earlier this month, actor Haruma Miura in July and wrestling star Hana Kimura in May.
If you or anyone you know in the U.
Police have launched an investigation and suspect the mother of two took her own life, according to local media reports. Her second child was born in January.
Takeuchi was well-known in Japan and played the female Sherlock Holmes in the 2018 Hulu and HBO Asia co-pro series Miss Sherlock, which was broadcast in multiple international markets including the U.S.
She also won best actress in a leading role three years in a row, between 2004 and 2007, at the Japanese Academy Awards. Early roles also included horror hit The Ring.
Although suicide has not been confirmed, it has been the cause of death for a number of Japanese talents recently, including the actress Sei Ashina earlier this month, actor Haruma Miura in July and wrestling star Hana Kimura in May.
If you or anyone you know in the U.
- 9/27/2020
- by Andreas Wiseman
- Deadline Film + TV
Alien Huang, the Taiwanese actor, singer and entertainment personality, has been found dead at the age of 36. Local media is reporting that he was found unresponsive in his apartment in Taipei City on Wednesday morning local time. No cause of death has been officially confirmed.
A former K-pop boy band member, Huang began acting in the 2000s, racking up credits including the 2015 gang pic Gatao, for which he also wrote music, and the 2016 comedy Go! Crazy Gangster. He most recently appeared in romantic comedy Acting Out Of Love, which released locally earlier this year.
His TV work included a major role in the drama series Lovestore At The Corner, and he was also well recognized as a presenter of the the variety show 100% Entertainment.
Off screen, Huang also made a name for himself as a solo artist and as a fashion designer.
Huang has become the third Asian actor to...
A former K-pop boy band member, Huang began acting in the 2000s, racking up credits including the 2015 gang pic Gatao, for which he also wrote music, and the 2016 comedy Go! Crazy Gangster. He most recently appeared in romantic comedy Acting Out Of Love, which released locally earlier this year.
His TV work included a major role in the drama series Lovestore At The Corner, and he was also well recognized as a presenter of the the variety show 100% Entertainment.
Off screen, Huang also made a name for himself as a solo artist and as a fashion designer.
Huang has become the third Asian actor to...
- 9/16/2020
- by Tom Grater
- Deadline Film + TV
Japanese actress Sei Ashina, star of the historical arthouse drama Silk and the cult television series Kamen Rider Hibiki, has died. She was 36.
She was found dead in her Tokyo apartment on Monday, according to local news reports. Ashina’s agency and Tokyo police confirmed that the actress died by suicide.
Ashina, real name Igarashi Aya, was born in Fukushima in 1983. As a teenager, she moved to Tokyo and worked as a model. Acting roles quickly followed and she made her TV debut in 2002. In 2005, she starred in the superhero television series Kamen Rider Hibiki and the film Kamen ...
She was found dead in her Tokyo apartment on Monday, according to local news reports. Ashina’s agency and Tokyo police confirmed that the actress died by suicide.
Ashina, real name Igarashi Aya, was born in Fukushima in 1983. As a teenager, she moved to Tokyo and worked as a model. Acting roles quickly followed and she made her TV debut in 2002. In 2005, she starred in the superhero television series Kamen Rider Hibiki and the film Kamen ...
- 9/16/2020
- The Hollywood Reporter - Film + TV
Japanese actress Sei Ashina, star of the historical arthouse drama Silk and the cult television series Kamen Rider Hibiki, has died. She was 36.
She was found dead in her Tokyo apartment on Monday, according to local news reports. Ashina’s agency and Tokyo police confirmed that the actress died by suicide.
Ashina, real name Igarashi Aya, was born in Fukushima in 1983. As a teenager, she moved to Tokyo and worked as a model. Acting roles quickly followed and she made her TV debut in 2002. In 2005, she starred in the superhero television series Kamen Rider Hibiki and the film Kamen ...
She was found dead in her Tokyo apartment on Monday, according to local news reports. Ashina’s agency and Tokyo police confirmed that the actress died by suicide.
Ashina, real name Igarashi Aya, was born in Fukushima in 1983. As a teenager, she moved to Tokyo and worked as a model. Acting roles quickly followed and she made her TV debut in 2002. In 2005, she starred in the superhero television series Kamen Rider Hibiki and the film Kamen ...
- 9/16/2020
- The Hollywood Reporter - Movie News
Japanese actress Sei Ashina was found dead in her Tokyo apartment Monday. Her agency and Tokyo police confirmed to Japanese media that she died by suicide. Ashina was 36.
Beginning her career as a model, Ashina made her acting debut in TBS’ 2002 drama The Tail of Happiness (Shiawase no Shippo). In 2007, she was cast as the Japanese lead in François Girard’s Silk, a historical drama starring Michael Pitt and Keira Knightley as a 19th century French silkworm smuggler and his wife who journey to Japan.
Other credits include TV series Nanase: The Psychic Wanderers, Aibo: Tokyo Detective Duo, The Emperor’s Cook, Daisy Luck, Hand of God and this year’s Theseus no fune (Ship of Theseus) and the January theatrical release AI Hokai (AI Amok), among many others. She provided the voice for the character Emily Thorne in the Japanese-language version of the 2011 American series Revenge.
Ashina’s body...
Beginning her career as a model, Ashina made her acting debut in TBS’ 2002 drama The Tail of Happiness (Shiawase no Shippo). In 2007, she was cast as the Japanese lead in François Girard’s Silk, a historical drama starring Michael Pitt and Keira Knightley as a 19th century French silkworm smuggler and his wife who journey to Japan.
Other credits include TV series Nanase: The Psychic Wanderers, Aibo: Tokyo Detective Duo, The Emperor’s Cook, Daisy Luck, Hand of God and this year’s Theseus no fune (Ship of Theseus) and the January theatrical release AI Hokai (AI Amok), among many others. She provided the voice for the character Emily Thorne in the Japanese-language version of the 2011 American series Revenge.
Ashina’s body...
- 9/15/2020
- by Greg Evans
- Deadline Film + TV
The official website for King Game, the latest live-action film by manga artist Tatsuya Egawa (Golden Boy, Tokyo Daigaku Monogatari), has been updated with a new trailer.
Unlike Egawa’s last film, 2006’s “Tokyo University Story”, this is not based on one of his manga, but an entirely original story. Takuya Ishida (The Chasing World) and Sei Ashina (Nanase Futatabi: The Movie) star as two of 10 people gathered together in a room to play a mysterious game. In fact, they’ve each been brought there under a secret contract, and are not allowed to reveal any details about their true identities to each other. The film is said to highlight dark aspects of the human psyche, illustrating people’s potential for lust and violence when trapped somewhere and controlled.
“King Game” will be released at Shinjuku K’s Cinema on August 28, 2010.
Thanks to logboy for the heads up.
Unlike Egawa’s last film, 2006’s “Tokyo University Story”, this is not based on one of his manga, but an entirely original story. Takuya Ishida (The Chasing World) and Sei Ashina (Nanase Futatabi: The Movie) star as two of 10 people gathered together in a room to play a mysterious game. In fact, they’ve each been brought there under a secret contract, and are not allowed to reveal any details about their true identities to each other. The film is said to highlight dark aspects of the human psyche, illustrating people’s potential for lust and violence when trapped somewhere and controlled.
“King Game” will be released at Shinjuku K’s Cinema on August 28, 2010.
Thanks to logboy for the heads up.
- 6/30/2010
- Nippon Cinema
Yesterday it was announced that manga artist Tatsuya Egawa (Golden Boy, Tokyo Daigaku Monogatari) has completed work on his second live-action film as a director and that it will be released this summer. Unlike his last film, 2006’s “Tokyo University Story”, this is not based on one of his manga, but an entirely original story.
Takuya Ishida (The Chasing World) and Sei Ashina (Nanase Futatabi: The Movie) star as two of 10 people gathered together in a room to play a mysterious game. In fact, they’ve each been brought there under a secret contract, and are not allowed to reveal any details about their true identities to each other. The film is said to highlight dark aspects of the human psyche, illustrating people’s potential for lust and violence when trapped somewhere and controlled.
Other cast members include Shunsuke Kubozuka, Ai Maeda, Keisuke Horibe, Hiroshi Yamamoto, Nana Natsume, Jai West,...
Takuya Ishida (The Chasing World) and Sei Ashina (Nanase Futatabi: The Movie) star as two of 10 people gathered together in a room to play a mysterious game. In fact, they’ve each been brought there under a secret contract, and are not allowed to reveal any details about their true identities to each other. The film is said to highlight dark aspects of the human psyche, illustrating people’s potential for lust and violence when trapped somewhere and controlled.
Other cast members include Shunsuke Kubozuka, Ai Maeda, Keisuke Horibe, Hiroshi Yamamoto, Nana Natsume, Jai West,...
- 6/11/2010
- Nippon Cinema
Us distributor Viz Pictures will be releasing Katsuhide Motoki's Battle League Horumo on region 1 DVD in July. The film got its North American premiere at Fantasia 2009 and has subsequently been screened at Fantastic Fest, the Hawaii International Film Festival, and San Francisco's Viz Cinema.
Plot: After spending two long years cramming for his entrance exam, Akira Abe (Takayuki Yamada) finally gets accepted to Kyoto University. One day, he and his friend Takamura (Gaku Hamada) get invited to a party hosted by a club called "The Azure Dragons". They agree to attend for the free food, but it's at the party where Abe meets Kyoko Sawara (Sei Ashina) and instantly falls in love. Determined to get closer to Sawara, he decides to join the Dragons and convinces Kawamura to tag along.
What initially seems to be a typical university social club turns out to be part of a 1,000-year tradition...
Plot: After spending two long years cramming for his entrance exam, Akira Abe (Takayuki Yamada) finally gets accepted to Kyoto University. One day, he and his friend Takamura (Gaku Hamada) get invited to a party hosted by a club called "The Azure Dragons". They agree to attend for the free food, but it's at the party where Abe meets Kyoko Sawara (Sei Ashina) and instantly falls in love. Determined to get closer to Sawara, he decides to join the Dragons and convinces Kawamura to tag along.
What initially seems to be a typical university social club turns out to be part of a 1,000-year tradition...
- 5/8/2010
- Nippon Cinema
[Our thanks to Charles Webb for the following review.]
In a comedic performance, there's a fine line between playing a role with abandon and simply mugging for the camera. Battle League Horumo succeeds largely in part due to its performers throwing themselves just up to - but not over - that fine line.
Based on a bestselling fantasy novel, the movie plays like Pokémon for the college set, with its lead, Akira (Takayuki Yamada of Train Main-fame) joining a mysterious club just to get close to his dream girl, Ms. Sawara (Sei Ashina, icily radiant). The club seems fairly innocuous at first with free food, drinks, and outings led by Sugawara (YosiYosi Arakawa of Survive Style 5+). But there are signs something is up from the outset - from the club leader insisting emphatically that the club is perfectly normal and not at all weird to a kimono-clad midnight march to the city center for a meeting with other clubs in some inscrutable ceremony.
In a comedic performance, there's a fine line between playing a role with abandon and simply mugging for the camera. Battle League Horumo succeeds largely in part due to its performers throwing themselves just up to - but not over - that fine line.
Based on a bestselling fantasy novel, the movie plays like Pokémon for the college set, with its lead, Akira (Takayuki Yamada of Train Main-fame) joining a mysterious club just to get close to his dream girl, Ms. Sawara (Sei Ashina, icily radiant). The club seems fairly innocuous at first with free food, drinks, and outings led by Sugawara (YosiYosi Arakawa of Survive Style 5+). But there are signs something is up from the outset - from the club leader insisting emphatically that the club is perfectly normal and not at all weird to a kimono-clad midnight march to the city center for a meeting with other clubs in some inscrutable ceremony.
- 2/20/2010
- Screen Anarchy
I'm not sure how a movie about a secretive group of students competing in an underground fighting group where they control unseen God Spirits could be so merely passable, but after watching Kamogawa Horumo - Battle League in Kyoto, I at least know that it's possible. Akira Abe (Takayuki Yamada) foolishly joins a strange club in order to get closer to the beautiful Kyoko (Sei Ashina). They go rafting, throw parties, and have the ability to see and control Oni (the tiny demon trolls of Japanese lore) in epic battles. Apparently, Kyoto University doesn't have a football team. The film isn't all that bad. There are a lot of funny moments that translate beyond cultural borders - a hapless fool in love, a ridiculous sidekick character that gets stranger as time progresses, and the continual cute overload of the CGI Oni - and the characters are pretty likable. Sort of. Most...
- 9/25/2009
- by Dr. Cole Abaius
- FilmSchoolRejects.com
Word began to trickle out early this year about the film adaptation of the suspense comedy Akumu no Elevator, which is based on the first installment of author Hanta Kinoshita’s popular “Akumu series”. It marks the the directorial debut of actor Keisuke Horibe and stars Masaaki Uchino, Aimi Satsukawa, Fuyuki Moto and Takumi Saitoh. Supporting roles go to Koichi Ohori, Sei Ashina and Manami Honjo.
Three men and a women trapped for hours together in an elevator, each desperate to leave, for their own very different reasons. Inside the confined space first tempers flare as their frustration turns to anger and distrust. Later as boredom and fatigue take hold, they each start to recount their darkly funny tales, of how they came to be stuck there in the first place. 24Fps
It would seem that the trailer has been out for a couple weeks now but better late than never.
Three men and a women trapped for hours together in an elevator, each desperate to leave, for their own very different reasons. Inside the confined space first tempers flare as their frustration turns to anger and distrust. Later as boredom and fatigue take hold, they each start to recount their darkly funny tales, of how they came to be stuck there in the first place. 24Fps
It would seem that the trailer has been out for a couple weeks now but better late than never.
- 8/6/2009
- by Andrew Mack
- Screen Anarchy
This review was written for the festival screening of "Silk".Toronto International Film Festival
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than "Silk" has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid "The Red Violin") stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than "Silk" has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid "The Red Violin") stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
- 9/12/2007
- The Hollywood Reporter - Movie News
This review was written for the festival screening of "Silk".Toronto International Film Festival
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than "Silk" has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid "The Red Violin") stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than "Silk" has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid "The Red Violin") stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
- 9/12/2007
- The Hollywood Reporter - Movie News
Toronto International Film Festival
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than "Silk" has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid "The Red Violin") stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than "Silk" has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid "The Red Violin") stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
- 9/12/2007
- The Hollywood Reporter - Movie News
Toronto International Film Festival
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than Silk has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid The Red Violin) stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
TORONTO -- The arresting European and Japanese locales, period costumes, sets and props all seem poised for a much richer and more significant movie than Silk has to offer. You search its images, which seems to have more to do with mid-19th century methods of international travel than characters or events, for any sort of action to glom on to. Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Based on Alessandro Baricco's 1996 best-selling novel, this film by Francois Girard (who made the splendid The Red Violin) stages a love story with an O. Henry ending against the world of the silk trade in the 1860s. It's an exotic world that requires a man to make a dangerous journey from France to Japan -- prior to the Suez Canal -- no less than three times, estranging him from his wife back home but creating a romantic obsession with a Japanese girl who lives "at the end of the world."
Stars Michael Pitt and Keira Knightley are ill-suited to this period. They are modern actors who feel out of time and place despite their costumes, and their talents are poorly used by this moody tone poem of far-flung loves. Audiences will find the whole thing an alien puzzle, filled with wondrous images that are little more than postcards from the past. Knightley's current popularity and the book's admirers may create enough buzz for a solid opening. After that, boxoffice looks to be light.
Pitt's Herve Joncour appears headed for a run-of-the-mill military career until a trader named Baldabiou (Alfred Molina) plucks him from the army to journey to Africa to buy silkworm eggs to replace those ruined by a mysterious disease in Europe. However, the epidemic reaches Africa before Herve does. So the only hope for the silk mills that has caused Herve's hometown to prosper is for him to journey to Japan, a country entirely closed to foreigners, to buy pristine eggs.
His three trips to Japan, each increasingly more dangerous, drives an unspoken wedge between him and his wife, Helene (Knightley), who remains childless. Meanwhile, in a snowy mountain village in Japan, where he is led each time blindfolded, for whatever reason, he falls under the protection of a powerful baron, Hara Jubei (Koji Yakusho).
The baron's concubine intrigues him. On his second visit he is gifted with his own girl of ethereal beauty (Sei Ashina). Their lovemaking is as photogenic as Girard can make it.
Even Baldabiou warns him against a third visit. A rebellion has broken out in Japan. Yet Herve's obsession with The Girl forces him to return. So again, for a third time, the film treats the viewer to the train trip from Vienna to Moravia, a caravan to cross 3,000 miles of Russian steppes, a boat ride in a smuggler's ship and that blindfolded horse trip up the mountain. It's a long way to go to get laid.
You learn little about the silk trade or these characters or the political tumult and war that make the journeys so tricky. All Girard and co-writer Michael Golding seek out are gorgeous shots of travel, exotic lands, the picturesque French village (actually shot in Italian towns), the silk factory, steaming bathing pools in Japan surrounded by snow and lovemaking at each end of the earth.
What a gorgeous coffee table book these images would make. But what a dull movie.
SILK
Picturehouse
Picturehouse presents in association with Alliance Atlantis/Asmik Ace Entertainment/Mesuda Film a Rhombus Media/Fandango/Bee Vine Pidctures presentation
Credits:
Director: Francois Girard
Writers: Francois Girard, Michael Golding
Based on the novel by: Alessandro Baricco
Producers: Niv Fichman, Nandine Luque, Domenico Procacci, Sonoko Sakai
Executive producers: Tom Yoda, Yashshi Shina, Akira Ishii, Camela Galano, Jonathan Debin, Patrice Theroux, Alessandro Baricco
Director of photography: Alain Dostie
Production designer: Francois Seguin
Costume designers: Carlo Poggioli, Kazuko Kurosawa
Music: Ryuichi Sakamoto
Editor: Pia Di Ciaula
Cast:
Herve Joncour: Michael Pitt
Helene Joncour: Keira Knightley
Baldabiou: Alfred Molina
Hara Jubei: Koji Yakusho
Madame Blanche: Miki Nakatani
Ludovic: Mark Rendall
Girl: Sei Ashina
Running time -- 109 minutes
MPAA rating: R...
- 9/12/2007
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.