Chicago – According to multiple reports from the 2010 Cannes Film Festival, Oliver Schmitz’s artfully lensed, sensitively acted film received one of the warmest receptions. Set in a modern South African village, “Life, Above All” is one of several recent pictures aiming to illustrate that an HIV-positive diagnosis is no longer a death sentence. It’s a film of grand statements delivered with quiet power.
Like Ramin Bahrani, Schmitz is extraordinarily gifted at eliciting naturalistic performances from untrained actors. At the heart of “Life” is Khomotso Manyaka, a child actress devoid of any self-conscious mannerisms to indicate that she is, in fact, acting. Manyaka’s work is beautiful, but Schmitz’s direction is the key to her success. By allowing his young star to freely inhabit her character, he avoids the usual pitfalls that occur when an overly ambitious director is paired with a blank slate. Schmitz seems to know precisely...
Like Ramin Bahrani, Schmitz is extraordinarily gifted at eliciting naturalistic performances from untrained actors. At the heart of “Life” is Khomotso Manyaka, a child actress devoid of any self-conscious mannerisms to indicate that she is, in fact, acting. Manyaka’s work is beautiful, but Schmitz’s direction is the key to her success. By allowing his young star to freely inhabit her character, he avoids the usual pitfalls that occur when an overly ambitious director is paired with a blank slate. Schmitz seems to know precisely...
- 12/14/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Title: Live, Above All Directed By: Oliver Schmitz Written By: Dennis Foon, from Allan Stratton’s novel, ‘Chandra’s Secrets’ Cast: Khomotso Manyaka, Keaobaka Makanyane, Harriet Lenabe, Lerato Mvelase, Tinah Mnumzana Screened at: Sony, NYC, 6/23/11 Opens: July 15, 2011 Some words are more taboo than the usual four-letter designations, particularly since the movies have made the latter commonplace. Think of these terms: death, died, cancer, AIDS. More often than not, a person has not died but ‘passed away’ or ‘passed’ or ‘is with Jesus’ or ‘is an angel.’ Even worse, kids are sometimes told that their deceased father is ‘asleep.’ As for cancer, this term was verboten to a greater extent...
- 6/24/2011
- by Brian Corder
- ShockYa
"35 Shots of Rum". Two couples live across the hall in the same Paris apartment building. Neither couple is "together." Gabrielle and Noe have the vibes of roommates, but the way Lionel and Josephine love one another, it's a small shock when she calls him "papa." Lionel (Alex Descas) is a train engineer. Jo (Mati Diop) works in a music store. Gabrielle (Nicole Dogue) drives her own taxi. Noe (Gregoire Colin) claims only his much-loved cat is preventing him from moving to Brazil.
The four people are in and out of both apartments so readily, we sense they're a virtual family. One night they head out together in Gabrielle's taxi for a concert. The taxi breaks down, it rains, they shelter in a Jamaican cafe, there's good music on the juke box, they dance with one another. During the dancing and kidding around, it becomes clear to them, and to us,...
The four people are in and out of both apartments so readily, we sense they're a virtual family. One night they head out together in Gabrielle's taxi for a concert. The taxi breaks down, it rains, they shelter in a Jamaican cafe, there's good music on the juke box, they dance with one another. During the dancing and kidding around, it becomes clear to them, and to us,...
- 1/2/2011
- by Roger Ebert
- blogs.suntimes.com/ebert
Of the 12 films I've seen at Cannes, the most warmly cheered has been the South African "Life, Above All." That's possibly more significant than in other years.
The audiences at Cannes this year have been oddly restrained, and there's less clapping at the names of directors; even Jean-Luc Godard received only perfunctory applause. Is this becoming less a directors' festival and more a trade fair?
Perhaps I leap unfairly to conclusions. Some traditions remain. Before every screening at the Auditorium Debussy, for example, someone in the dark is sure to call out "Raoul!" There's laughter and a little buzz as old-timers explain to their neighbors that once in dim antiquity a moviegoer entered after the lights went down, was unable to find his friend, and shouted out "Raoul!" The search continues.
Oliver Schmitz's "Life, Above All" has been the best heart-warmer and tear-jerker so far--and when I write from...
The audiences at Cannes this year have been oddly restrained, and there's less clapping at the names of directors; even Jean-Luc Godard received only perfunctory applause. Is this becoming less a directors' festival and more a trade fair?
Perhaps I leap unfairly to conclusions. Some traditions remain. Before every screening at the Auditorium Debussy, for example, someone in the dark is sure to call out "Raoul!" There's laughter and a little buzz as old-timers explain to their neighbors that once in dim antiquity a moviegoer entered after the lights went down, was unable to find his friend, and shouted out "Raoul!" The search continues.
Oliver Schmitz's "Life, Above All" has been the best heart-warmer and tear-jerker so far--and when I write from...
- 5/18/2010
- by Roger Ebert
- blogs.suntimes.com/ebert
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