Simon Lereng Wilmont on Oleg Afanasyev and his grandmother Alexandra Ryabichkina in The Distant Barking Of Dogs: "It has been a cinematic blessing to be let into Oleg and Alexandra's life from the very beginning." Photo: Anne-Katrin Titze
Last Thursday night at the Cinema Eye Awards, Simon Lereng Wilmont, director/cinematographer of the Oscar-shortlisted The Distant Barking Of Dogs was presented with the Spotlight Prize by Bing Liu, Sandi Tan (who won with Lucas Celler in the Graphic Design or Animation for Shirkers), and RaMell Ross
Simon Lereng Wilmont with Oleg Afanasyev and his grandmother Alexandra Ryabichkina Photo: Anne-Katrin Titze
I spoke with Simon about the score by Uno Helmersson (Elvira Lind's Bobbi Jene) and Erik Enocksson (Paul Wright's For Those in Peril) with additional music by Karsten Fundal (Feras Fayyad and Steen Johannessen's Last Men In Aleppo), the sound design, editing with Michael Aaglund, the...
Last Thursday night at the Cinema Eye Awards, Simon Lereng Wilmont, director/cinematographer of the Oscar-shortlisted The Distant Barking Of Dogs was presented with the Spotlight Prize by Bing Liu, Sandi Tan (who won with Lucas Celler in the Graphic Design or Animation for Shirkers), and RaMell Ross
Simon Lereng Wilmont with Oleg Afanasyev and his grandmother Alexandra Ryabichkina Photo: Anne-Katrin Titze
I spoke with Simon about the score by Uno Helmersson (Elvira Lind's Bobbi Jene) and Erik Enocksson (Paul Wright's For Those in Peril) with additional music by Karsten Fundal (Feras Fayyad and Steen Johannessen's Last Men In Aleppo), the sound design, editing with Michael Aaglund, the...
- 1/14/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
141 original scores just made the Oscar shortlist, meaning that we have no real idea which soundtracks will go on to be nominated for the actual Academy Award — “Phantom Thread” composer Jonny Greenwood looks poised to finally be recognized for his work, but might “Baywatch” be a spoiler? We simply don’t know, dear reader. We simply don’t know.
As you await the nominations — which will be announced on Tuesday, January 23 — treat yourself to this selection of tracks from the shortlist.
Read More:2018 Oscar Predictions: Best Original Score
Read More:Oscars 2018: Best Original Score Shortlist Includes ‘The Shape of Water,’ ‘All the Money in the World,’ and More
Here are the 141 scores vying for an Oscar nod:
“Alien: Covenant,” Jed Kurzel, composer
“All I See Is You,” Marc Streitenfeld, composer
“All the Money in the World,” Daniel Pemberton, composer
“Annabelle: Creation,” Benjamin Wallfisch, composer
“Band Aid,” Lucius, composer
“Battle of the Sexes,...
As you await the nominations — which will be announced on Tuesday, January 23 — treat yourself to this selection of tracks from the shortlist.
Read More:2018 Oscar Predictions: Best Original Score
Read More:Oscars 2018: Best Original Score Shortlist Includes ‘The Shape of Water,’ ‘All the Money in the World,’ and More
Here are the 141 scores vying for an Oscar nod:
“Alien: Covenant,” Jed Kurzel, composer
“All I See Is You,” Marc Streitenfeld, composer
“All the Money in the World,” Daniel Pemberton, composer
“Annabelle: Creation,” Benjamin Wallfisch, composer
“Band Aid,” Lucius, composer
“Battle of the Sexes,...
- 12/23/2017
- by Michael Nordine
- Indiewire
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