Color correction is often the least talked about, most overlooked portion of the post-production process. Alex Bickel has spoken out about how grading can alter the presumed production value of a film, and a recent guest post from Michael Medaglia and Jalal Jemison discussed the importance of communicating your story through the process. This video from the International Colorist Academy offers a nice visual supplement to the aforementioned claims, as it demonstrates the colorist’s ability to amend the tone and context of any given scene. When it comes to transforming day to night, and romance to horror, some things can be left […]...
- 9/2/2014
- by Sarah Salovaara
- Filmmaker Magazine - Blog
Color correction is often the least talked about, most overlooked portion of the post-production process. Alex Bickel has spoken out about how grading can alter the presumed production value of a film, and a recent guest post from Michael Medaglia and Jalal Jemison discussed the importance of communicating your story through the process. This video from the International Colorist Academy offers a nice visual supplement to the aforementioned claims, as it demonstrates the colorist’s ability to amend the tone and context of any given scene. When it comes to transforming day to night, and romance to horror, some things can be left […]...
- 9/2/2014
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
For any film, color grading is an essential part of the process. For some it’s simply a way to get the shots within a scene to match cohesively, despite adjusted lights or a change of sun position. For others it can help tell the story. Either way, If you’ve never sat in on a coloring session before, the whole thing can seem quite daunting. Jalal Jemison has colored five features and has an extensive background in VFX and compositing. He has been a VFX supervisor, a director, a lead compositor and has had his own small VFX studio. For the […]...
- 8/6/2014
- by Michael Medaglia and Jalal Jemison
- Filmmaker Magazine - Blog
For any film, color grading is an essential part of the process. For some it’s simply a way to get the shots within a scene to match cohesively, despite adjusted lights or a change of sun position. For others it can help tell the story. Either way, If you’ve never sat in on a coloring session before, the whole thing can seem quite daunting. Jalal Jemison has colored five features and has an extensive background in VFX and compositing. He has been a VFX supervisor, a director, a lead compositor and has had his own small VFX studio. For the […]...
- 8/6/2014
- by Michael Medaglia and Jalal Jemison
- Filmmaker Magazine-Director Interviews
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