Anthony Vincent as amassed millions of YouTube followers; the man of a million voices two incredible skills: First, he can reduce any song to its essence and re-record it as a 10-second piece; next, he performs covers in, literally dozens of styles. For example, you can see his version of Queen’s “Bohemian Rhapsody” in 42 […] The post Virtuoso Vocalist/Musician Performs Enter Sandman in 20 Different Styles appeared first on Dread Central.
- 2/3/2019
- by Josh Millican
- DreadCentral.com
Musician Anthony Vincent, who has made a cottage industry out of performing hit songs in 20 different styles, takes on Metallica’s “Enter Sandman” in his latest video. Over the course of six minutes, he interprets snippets of the song to sound like David Bowie, the Beatles, Stevie Wonder and P-Funk, among others. For each interpretation, he changes the instrumentation to match the song; for the Eurythmics, he adds a little “Sweet Dreams” synth, and for a Lil Uzi Vert style, he adds trap beats. For his Doors interpretation, he make...
- 2/1/2019
- by Kory Grow
- Rollingstone.com
In his latest viral mash-up video, Anthony Vincent reinterprets Drake’s electro-r&B hit “In My Feelings” as a Scorpions-styled arena-metal anthem, Arctic Monkeys-ish indie-rocker and old-school rap cut in the vein of Sugarhill Gang, among other styles.
Throughout the clip, “10 Second Songs” singer moves from hard-rock wailing to gothic screams to R&B crooning, all while keeping the Scorpion cut’s lyrics in-tact. His other parody targets include Marilyn Manson, Michael Jackson, Justin Timberlake, jazz singer Cab Calloway, Panic at the Disco, Bloodhound Gang, trap-metal artist Scarlxrd, Bill Wurtz...
Throughout the clip, “10 Second Songs” singer moves from hard-rock wailing to gothic screams to R&B crooning, all while keeping the Scorpion cut’s lyrics in-tact. His other parody targets include Marilyn Manson, Michael Jackson, Justin Timberlake, jazz singer Cab Calloway, Panic at the Disco, Bloodhound Gang, trap-metal artist Scarlxrd, Bill Wurtz...
- 8/15/2018
- by Ryan Reed
- Rollingstone.com
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