Raine Allen Miller’s debut feature Rye Lane, Adjani Salmon’s Dreaming Whilst Black, and Roald Dahl’s Matilda The Musical were among the top winners at the sixth edition of the CDG Casting Awards. Scross down for the full list of winners.
Kharmel Cochrane picked up the Best Casting in an Independent Film award for her work on Rye Lane. Dreaming Whilst Black landed the Best Casting in a TV Comedy Series award for Heather Basten, Peter Noden, and Fran Cattaneo, and Louise Kiely won Best Casting in a Film for The Banshees of Inisherin.
High-profile titles that missed out on honors include Greta Gerwig’s Barbie, which was nominated for Best Casting in a Film alongside Emerald Fennell’s Saltburn. Kharmel Cochrane cast Saltburn and also popped in the noms for Best Casting in a Commercial for her work on Vanish ‘Me, My Autism & I.
The awards were...
Kharmel Cochrane picked up the Best Casting in an Independent Film award for her work on Rye Lane. Dreaming Whilst Black landed the Best Casting in a TV Comedy Series award for Heather Basten, Peter Noden, and Fran Cattaneo, and Louise Kiely won Best Casting in a Film for The Banshees of Inisherin.
High-profile titles that missed out on honors include Greta Gerwig’s Barbie, which was nominated for Best Casting in a Film alongside Emerald Fennell’s Saltburn. Kharmel Cochrane cast Saltburn and also popped in the noms for Best Casting in a Commercial for her work on Vanish ‘Me, My Autism & I.
The awards were...
- 2/22/2024
- by Zac Ntim
- Deadline Film + TV
The Boiling Point TV series, The Banshees of Inisherin, Rye Lane and Roald Dahl’s Matilda the Musical are among the U.K. Casting Directors’ Guild Awards winners for 2024.
The sixth CDG Casting Awards, handed out Wednesday evening in London, also honored the likes of the theater play Dear England, a TV adaptation of which Sky has just unveiled.
Competing for the awards were productions that premiered between Sept. 1, 2022 and Dec. 31, 2023 and they were selected as nominees by members of the guild. The Casting Directors’ Guild represents casting directors in the film, television, theater and commercials industries in the U.K. and Ireland.
Its awards celebrate “the incredible work achieved by casting teams across film, television, theater and commercials,” in partnership with global casting platform Spotlight.
“Casting directors are often the unsung storytellers of the industry. Their vision and skills that help orchestrate an ensemble of characters bring a script to life in every medium,...
The sixth CDG Casting Awards, handed out Wednesday evening in London, also honored the likes of the theater play Dear England, a TV adaptation of which Sky has just unveiled.
Competing for the awards were productions that premiered between Sept. 1, 2022 and Dec. 31, 2023 and they were selected as nominees by members of the guild. The Casting Directors’ Guild represents casting directors in the film, television, theater and commercials industries in the U.K. and Ireland.
Its awards celebrate “the incredible work achieved by casting teams across film, television, theater and commercials,” in partnership with global casting platform Spotlight.
“Casting directors are often the unsung storytellers of the industry. Their vision and skills that help orchestrate an ensemble of characters bring a script to life in every medium,...
- 2/22/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Barbie, Saltburn and The Banshees of Inisherin are among the nominees at the UK’s sixth CDG Casting Awards.
Lucy Bevan, Olivia Grant (associate), Lucy Downes (assistant) are nominated in Best Casting in a Film for Barbie, with Kharmel Cochrane (Saltburn), Louise Kiley (Banshees of Inisherin), Kahleen Crawford, Carla Morris & Eliza Heslop (All of Us Strangers) and Jessie Frost (Triangle of Sadness) providing the competition.
In the Best Casting in a TV Drama Series category, Nina Gold is nominated three times, for Andor and Slow Horses Seasons 2 and 3, competing against Shaheen Baig, Jonny Boutwood and Carolyn McLeod for Boiling Point and Robert Sterne and Kate Bone for The Crown.
In the TV Comedy category, Heather Basten, casting execs for Dreaming Whilst Black, Extraordinary, Motherland, Sex Education Season 4 and Ted Lasso Season 3 are up for awards. In the Limited or Single Series race are casting execs from A Small Light, Black Mirror Season 6, Somewhere Boy,...
Lucy Bevan, Olivia Grant (associate), Lucy Downes (assistant) are nominated in Best Casting in a Film for Barbie, with Kharmel Cochrane (Saltburn), Louise Kiley (Banshees of Inisherin), Kahleen Crawford, Carla Morris & Eliza Heslop (All of Us Strangers) and Jessie Frost (Triangle of Sadness) providing the competition.
In the Best Casting in a TV Drama Series category, Nina Gold is nominated three times, for Andor and Slow Horses Seasons 2 and 3, competing against Shaheen Baig, Jonny Boutwood and Carolyn McLeod for Boiling Point and Robert Sterne and Kate Bone for The Crown.
In the TV Comedy category, Heather Basten, casting execs for Dreaming Whilst Black, Extraordinary, Motherland, Sex Education Season 4 and Ted Lasso Season 3 are up for awards. In the Limited or Single Series race are casting execs from A Small Light, Black Mirror Season 6, Somewhere Boy,...
- 1/30/2024
- by Jesse Whittock
- Deadline Film + TV
Barbie, Saltburn, Sex Education and Ted Lasso are among the U.K. Casting Directors’ Guild Awards nominees for the 2024 edition of its honors.
The list of nominees for the CDG Casting Awards, now in its sixth year, also includes the likes of The Crown, Andor, Slow Horses and All of Us Strangers.
Nominated productions premiered between Sept. 1, 2022 and Dec. 31, 2023 and have been selected by members of the guild. The Casting Directors’ Guild represents casting directors in the film, television, theater and commercials industries in the U.K. and Ireland.
“We are delighted to be celebrating the sixth edition of our CDG Awards, recognizing the outstanding contributions of our members,” said CDG co-chairs Jessica Ronane and Rebecca Wright.
Celebrating “the incredible work achieved by casting teams across film, television, theater and commercials, the awards will be held on Feb. 21 in London in partnership with global casting platform Spotlight.
Check out the full list of nominees below.
The list of nominees for the CDG Casting Awards, now in its sixth year, also includes the likes of The Crown, Andor, Slow Horses and All of Us Strangers.
Nominated productions premiered between Sept. 1, 2022 and Dec. 31, 2023 and have been selected by members of the guild. The Casting Directors’ Guild represents casting directors in the film, television, theater and commercials industries in the U.K. and Ireland.
“We are delighted to be celebrating the sixth edition of our CDG Awards, recognizing the outstanding contributions of our members,” said CDG co-chairs Jessica Ronane and Rebecca Wright.
Celebrating “the incredible work achieved by casting teams across film, television, theater and commercials, the awards will be held on Feb. 21 in London in partnership with global casting platform Spotlight.
Check out the full list of nominees below.
- 1/30/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Marco Bellocchio Honorary Prize
The 2022 edition of the Visions du Réel film festival in Nyon, Switzerland, will present its Honorary Award to Italian filmmaker Marco Bellocchio. The Fists In My Pocket and The Traitor director will attend the festival to pick up his prize. He will host a masterclass during the event, while a retrospective of his films will be screened, as well as his new documentary. “Marco Bellocchio exercises impressive liberty and modernity to combine registers of images and genres, moving between fiction and documentary, between the intimate and the collective. We are extremely happy and delighted to pay tribute to an indisputable master of contemporary filmmaking, as well as to a body of work which, from the very first films, has demonstrated dazzling modernity, and is brooding, subversive and audacious, formidably eclectic,” said Emilie Bujès, Artistic Director of Visions du Réel.
The prize will be awarded during the 53rd edition of the fest,...
The 2022 edition of the Visions du Réel film festival in Nyon, Switzerland, will present its Honorary Award to Italian filmmaker Marco Bellocchio. The Fists In My Pocket and The Traitor director will attend the festival to pick up his prize. He will host a masterclass during the event, while a retrospective of his films will be screened, as well as his new documentary. “Marco Bellocchio exercises impressive liberty and modernity to combine registers of images and genres, moving between fiction and documentary, between the intimate and the collective. We are extremely happy and delighted to pay tribute to an indisputable master of contemporary filmmaking, as well as to a body of work which, from the very first films, has demonstrated dazzling modernity, and is brooding, subversive and audacious, formidably eclectic,” said Emilie Bujès, Artistic Director of Visions du Réel.
The prize will be awarded during the 53rd edition of the fest,...
- 1/17/2022
- by Tom Grater
- Deadline Film + TV
MediaPro CEO
Spain’s Mediapro Group has upped Laura Fernández Espeso to the role of Chief Executive Officer at its Mediapro Studio, which produces and distributes content. She has been with the company for a decade and was previously Corporate and Television Director. In the new role she will direct the management and strategy of all the productions and production companies integrated under the Mediapro Studio umbrella. Recent films out of Mediapro include Woody Allen’s Rifkin’s Festival and Official Competition with Penelope Cruz and Antonio Banderas.
Dascham Thriller
Exclusive: Filmmaker Christian Nilsson and YouTuber Eric Tabach have partnered with production co Kamikaze Dogfight to finance Nilsson’s feature-length directorial debut Dashcam. Nilsson previously directed short film Unsubscribe, shot over Zoom, which gained prominence for topping the U.S. box office chart in June during lockdown despite only playing in one theater, grossing $25,000. The feature will star Tabach with Giorgia Whigham,...
Spain’s Mediapro Group has upped Laura Fernández Espeso to the role of Chief Executive Officer at its Mediapro Studio, which produces and distributes content. She has been with the company for a decade and was previously Corporate and Television Director. In the new role she will direct the management and strategy of all the productions and production companies integrated under the Mediapro Studio umbrella. Recent films out of Mediapro include Woody Allen’s Rifkin’s Festival and Official Competition with Penelope Cruz and Antonio Banderas.
Dascham Thriller
Exclusive: Filmmaker Christian Nilsson and YouTuber Eric Tabach have partnered with production co Kamikaze Dogfight to finance Nilsson’s feature-length directorial debut Dashcam. Nilsson previously directed short film Unsubscribe, shot over Zoom, which gained prominence for topping the U.S. box office chart in June during lockdown despite only playing in one theater, grossing $25,000. The feature will star Tabach with Giorgia Whigham,...
- 12/16/2020
- by Andreas Wiseman and Tom Grater
- Deadline Film + TV
The Dark Knight Rises; The Bourne Legacy; New Year's Eve; In Your Hands
Having proved definitively with Inception that blockbuster movies don't have to be dumb to be successful (despite industry claims to the contrary), Christopher Nolan returns to complete his Batman trilogy in typically bar-raising fashion. That The Dark Knight Rises (2012, Warner, 12) should offer an exhilarating conclusion to this monolithic screen reinvention of Bob Kane's comic-book antihero is no surprise. Nolan's knight has always been cut from more shadowy cloth than any of his franchised affiliates, with the spectre of Frank Miller's Nietzschean crusader casting a long shadow over the handsomely ambiguous proceedings.
In many ways Nolan has given us what Tim Burton first promised in the 80s – a vision of Batman as a tortured soul in purgatory, struggling to escape his childhood demons, outcast by the people whom he is perversely sworn to protect. Here the metaphor becomes a literal reality,...
Having proved definitively with Inception that blockbuster movies don't have to be dumb to be successful (despite industry claims to the contrary), Christopher Nolan returns to complete his Batman trilogy in typically bar-raising fashion. That The Dark Knight Rises (2012, Warner, 12) should offer an exhilarating conclusion to this monolithic screen reinvention of Bob Kane's comic-book antihero is no surprise. Nolan's knight has always been cut from more shadowy cloth than any of his franchised affiliates, with the spectre of Frank Miller's Nietzschean crusader casting a long shadow over the handsomely ambiguous proceedings.
In many ways Nolan has given us what Tim Burton first promised in the 80s – a vision of Batman as a tortured soul in purgatory, struggling to escape his childhood demons, outcast by the people whom he is perversely sworn to protect. Here the metaphor becomes a literal reality,...
- 12/2/2012
- by Mark Kermode
- The Guardian - Film News
In Your Hands (aka Contre toi) is a subtle psychological thriller, the second full-length feature by the French writer-director Lola Doillon, but the first to be shown here. A claustrophobic virtual two-hander, it stars Kristin Scott Thomas as confident, childless divorcee Anna Cooper, a surgeon working in the obstetrics and gynaecology department of a prison hospital, and Pio Marmaï as Yann, a wild young man.
At the beginning Anna appears distraught but carefully controlled, running from a shabby suburban house to her smart Parisian apartment. The movie doesn't leave us long to wonder about her conduct. She goes to the police to report her abduction, and in a tensely developed flashback we learn that she has been held in a cellar by Yann, the vengeful husband of a patient who died during a Caesarean operation carried out by Anna. In this first part there's an emotional ebb and flow, the...
At the beginning Anna appears distraught but carefully controlled, running from a shabby suburban house to her smart Parisian apartment. The movie doesn't leave us long to wonder about her conduct. She goes to the police to report her abduction, and in a tensely developed flashback we learn that she has been held in a cellar by Yann, the vengeful husband of a patient who died during a Caesarean operation carried out by Anna. In this first part there's an emotional ebb and flow, the...
- 7/21/2012
- by Philip French
- The Guardian - Film News
Kristin Scott Thomas adds to her recent Francophone transgressive sex canon – but this one runs out of ideas
Kristin Scott Thomas gives us another movie in a distinctive genre that she has made her own: modern day, no makeup, speaking French, transgressive sex. It's an intense and claustrophobic two-hander, well acted – especially by her – but frankly a bit of a shaggy-dog story with a faintly unsatisfactory ending. Scott Thomas plays Anna Cooper, a single professional woman living on her own in Paris and a bit of a workaholic. The name signals that, though a fluent and idiomatic French speaker, she is British but otherwise there is no back story. At the beginning of a rare holiday, Anna comes into traumatic contact with an intense figure: Yann, played by Pio Marmaï, and their encounter becomes a terrifying ordeal. The film begins intriguingly and promises much, with an interesting flashback structure which...
Kristin Scott Thomas gives us another movie in a distinctive genre that she has made her own: modern day, no makeup, speaking French, transgressive sex. It's an intense and claustrophobic two-hander, well acted – especially by her – but frankly a bit of a shaggy-dog story with a faintly unsatisfactory ending. Scott Thomas plays Anna Cooper, a single professional woman living on her own in Paris and a bit of a workaholic. The name signals that, though a fluent and idiomatic French speaker, she is British but otherwise there is no back story. At the beginning of a rare holiday, Anna comes into traumatic contact with an intense figure: Yann, played by Pio Marmaï, and their encounter becomes a terrifying ordeal. The film begins intriguingly and promises much, with an interesting flashback structure which...
- 7/19/2012
- by Peter Bradshaw
- The Guardian - Film News
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