Top award comes with a $96,500 prize.
Ramata-Toulaye Sy’s first feature, Banel & Adama, has won the $96,500 Melbourne International Film Festival (Miff) Bright Horizons Award, it was announced at Forum Theatre at the closing night gala today (August 19).
Banel & Adama, which is in the Pulaar language and features a cast of non-professionals, was the only debut in competition in Cannes this year. Only first and second time directors are eligible for the Bright Horizons Award.
The director was born and raised in Paris but draws on her Senegalese ancestry to tell this story about Banel and Adama, who are passionately in love,...
Ramata-Toulaye Sy’s first feature, Banel & Adama, has won the $96,500 Melbourne International Film Festival (Miff) Bright Horizons Award, it was announced at Forum Theatre at the closing night gala today (August 19).
Banel & Adama, which is in the Pulaar language and features a cast of non-professionals, was the only debut in competition in Cannes this year. Only first and second time directors are eligible for the Bright Horizons Award.
The director was born and raised in Paris but draws on her Senegalese ancestry to tell this story about Banel and Adama, who are passionately in love,...
- 8/19/2023
- by Sandy George
- ScreenDaily
On the final weekend of a bustling 18-day event, the in-person edition of this year’s Melbourne Film Festival has drawn to a close with an awards ceremony that saw a whopping $300,000 Aud in prize money handed out across six categories. The biggest individual award of $140,000 Aud was presented to the winner of the fest’s international Bright Horizons competition: “Banel & Adama,” an arresting debut feature by Franco-Senegalese filmmaker Ramata-Toulaye Sy.
It’s a notable coup for a small-scale rural love story that turned heads — but won no prizes — when it premiered in Competition at the Cannes Film Festival in May, and is still seeking distribution in the U.S. and other major territories. Reviewing the film out of Cannes, Variety critic Jessica Kiang commended the “subtly seductive power” of a “striking debut [that] revolves with graceful poetry around the inner experiences of a curious, unknowable woman.”
Its win came...
It’s a notable coup for a small-scale rural love story that turned heads — but won no prizes — when it premiered in Competition at the Cannes Film Festival in May, and is still seeking distribution in the U.S. and other major territories. Reviewing the film out of Cannes, Variety critic Jessica Kiang commended the “subtly seductive power” of a “striking debut [that] revolves with graceful poetry around the inner experiences of a curious, unknowable woman.”
Its win came...
- 8/19/2023
- by Guy Lodge
- Variety Film + TV
Awards are among the most lucrative film festival prizes in the world.
Melbourne International Film Festival (Miff) has revealed it will award more than $200,000 in cash prizes at its upcoming edition and has unveiled the nominees for its inaugural First Nations Film Creative Award.
The prize pool, spread across six award categories, is now one of the most lucrative on the film festival circuit. Nearly half is allocated to the Bright Horizons Competition, featuring first and second-time directors, with $95,300 awarded to the winning filmmaker. Those competing for this year’s prize were announced earlier this month.
The festival, which runs...
Melbourne International Film Festival (Miff) has revealed it will award more than $200,000 in cash prizes at its upcoming edition and has unveiled the nominees for its inaugural First Nations Film Creative Award.
The prize pool, spread across six award categories, is now one of the most lucrative on the film festival circuit. Nearly half is allocated to the Bright Horizons Competition, featuring first and second-time directors, with $95,300 awarded to the winning filmmaker. Those competing for this year’s prize were announced earlier this month.
The festival, which runs...
- 7/27/2023
- by Michael Rosser
- ScreenDaily
The Melbourne International Film Festival has confirmed that it will provide $202,000 will go to the winner of its Bright Horizons competition for features by first- and second-time directors. Bragging rights to being the richest film competition in the country previously belonged to the smaller CinefestOZ festival in West Australia, which follows later in August.
The Melbourne festival (in cinemas Aug. 3-20) has this year added two significant prizes: the inaugural First Nations Film Creative Award in collaboration with Kearney Group, and the return of the Blackmagic Design Australian Innovation Award, worth $47,500 recognizing an outstanding Australian creative within a film playing in the Melbourne 2023 program.
Winners across long-form awards categories will be announced at Melbourne’s closing night gala on Aug. 19, These will include the juried prizes and the Miff Audience Award.
The First Nations Film Creative Award supports First Nations talent and storytelling with the recipient awarded a $13,500 cash prize and $16,900 worth of financial services.
The Melbourne festival (in cinemas Aug. 3-20) has this year added two significant prizes: the inaugural First Nations Film Creative Award in collaboration with Kearney Group, and the return of the Blackmagic Design Australian Innovation Award, worth $47,500 recognizing an outstanding Australian creative within a film playing in the Melbourne 2023 program.
Winners across long-form awards categories will be announced at Melbourne’s closing night gala on Aug. 19, These will include the juried prizes and the Miff Audience Award.
The First Nations Film Creative Award supports First Nations talent and storytelling with the recipient awarded a $13,500 cash prize and $16,900 worth of financial services.
- 7/27/2023
- by Patrick Frater
- Variety Film + TV
The documentary premiered in Un Certain Regard at Cannes.
The Mother Of All Lies from Moroccan filmmaker Asmae El Moudir has scooped the top prize at the 70th Sydney Film Festival (Sff).
The documentary drama won the Sydney Film Prize, which includes a cash award of A$60,000 and was praised by jury head Anurag Kashyap for “the courage of choosing a theme perhaps wilfully obliterated from public memory”.
The film explores a 1981 massacre in Casablanca through interviews and interactions with the director’s family and former neighbours, using tiny models of them and a miniature set of their former street made by her father.
The Mother Of All Lies from Moroccan filmmaker Asmae El Moudir has scooped the top prize at the 70th Sydney Film Festival (Sff).
The documentary drama won the Sydney Film Prize, which includes a cash award of A$60,000 and was praised by jury head Anurag Kashyap for “the courage of choosing a theme perhaps wilfully obliterated from public memory”.
The film explores a 1981 massacre in Casablanca through interviews and interactions with the director’s family and former neighbours, using tiny models of them and a miniature set of their former street made by her father.
- 6/19/2023
- by Sandy George
- ScreenDaily
Warwick Thornton’s “The New Boy” has been set as the opening title of next month’s Sydney Film Festival, which will celebrate its 70th edition, June 7-18. The film, a tale of sprituality and survival in 1940s Australia, starring Cate Blanchett, Deborah Mailman, Wayne Blair and Aswan Reid, will also play in the festival’s competition section.
Other titles in competition include: the world premiere of Australian documentary feature “The Dark Emu Story,” directed by Allan Clarke; Christian Petzold’s previously announced “Afire”; Charlotte Regan’s Sundance Grand Jury Prize winner “Scrapper”; Kore-eda Hirokazu’s “Monster”; Aki Kaurismäki’s compassionate comedy “Fallen Leaves”; Kim Jee-woon’s “Cobweb”; Asmae El Moudir’s “The Mother of All Lies”; Alice Englert’s directorial debut “Bad Behaviour”; Celine Song’s Sundance and Berlinale 2023 selected romance “Past Lives”; Liu Jian’s 2023 Berlinale-selected animation “Art College 1994”; Devashish Makhija’s “Joram,” a thriller about an...
Other titles in competition include: the world premiere of Australian documentary feature “The Dark Emu Story,” directed by Allan Clarke; Christian Petzold’s previously announced “Afire”; Charlotte Regan’s Sundance Grand Jury Prize winner “Scrapper”; Kore-eda Hirokazu’s “Monster”; Aki Kaurismäki’s compassionate comedy “Fallen Leaves”; Kim Jee-woon’s “Cobweb”; Asmae El Moudir’s “The Mother of All Lies”; Alice Englert’s directorial debut “Bad Behaviour”; Celine Song’s Sundance and Berlinale 2023 selected romance “Past Lives”; Liu Jian’s 2023 Berlinale-selected animation “Art College 1994”; Devashish Makhija’s “Joram,” a thriller about an...
- 5/10/2023
- by Patrick Frater
- Variety Film + TV
Screen Australia and Nitv have unveiled the six projects that will share in more than $600,000 of production funding under the No Ordinary Black short film initiative.
Aimed at bringing First Nations stories to the screen, No Ordinary Black is run in partnership Screen Nsw, Screen Territory, Screen Queensland and Screenwest.
The program brought together eight teams for a virtual development workshop in July last year, from which six successful projects were selected to go into production for Nitv.
Screen Australia’s CEO Graeme Mason said the agency was proud to support the creators in taking the next step in their careers.
“Each of the six teams has created the kind of bold and ambitious stories that are exactly what we are looking for, with captivating scripts that explore a range of themes, including family, identity, childhood, belonging, and adventure,” he said.
Nitv head of commissioning and programming Kyas Hepworth said...
Aimed at bringing First Nations stories to the screen, No Ordinary Black is run in partnership Screen Nsw, Screen Territory, Screen Queensland and Screenwest.
The program brought together eight teams for a virtual development workshop in July last year, from which six successful projects were selected to go into production for Nitv.
Screen Australia’s CEO Graeme Mason said the agency was proud to support the creators in taking the next step in their careers.
“Each of the six teams has created the kind of bold and ambitious stories that are exactly what we are looking for, with captivating scripts that explore a range of themes, including family, identity, childhood, belonging, and adventure,” he said.
Nitv head of commissioning and programming Kyas Hepworth said...
- 6/21/2021
- by Sean Slatter
- IF.com.au
Writer/director Adrian Russell Wills and producer Gillian Moody have been friends for more than 20 years. Together, they have made projects such as doco Black Divaz and shorts Angel and Daniel’s 21st. The duo’s next project is personal: documentary Kindred for Nitv, which explores their friendship and shared experience of adoption. They also hope to begin production soon on feature film Ginderella, a musical set in ‘80s Western Australia that follows an Indigenous transgender woman.
Adrian Russell Wills
Gill and I met over 21 years ago now at Metro Screen, as part of the Uncle Lester Bostock short film initiative.
I was introduced to her by Kristina Nehm, who was producing my first short. She knew straight away that I had to meet this girl that she worked with at Sbs called Gill – something told her that we had to meet. In the end, Kristina stepped away so that...
Adrian Russell Wills
Gill and I met over 21 years ago now at Metro Screen, as part of the Uncle Lester Bostock short film initiative.
I was introduced to her by Kristina Nehm, who was producing my first short. She knew straight away that I had to meet this girl that she worked with at Sbs called Gill – something told her that we had to meet. In the end, Kristina stepped away so that...
- 3/22/2021
- by Jackie Keast
- IF.com.au
The ten Indigenous-led productions due to participate in Bunya Talent Lab LA will each receive development funding and participate in a companion writing program with Netflix.
Originally scheduled for May 2020 in LA, the five-day incubator program was delayed due to travel restrictions but will now take place virtually in early February 2021.
In order for the creatives to maintain momentum and utilise the extra time ahead of the event, Screen Australia’s Indigenous department and Netflix will give each team development funding to further develop their projects with Bunya producers.
As part of the hub, each project will also receive one-on-one international mentorship for their production from Australians in Film (AiF).
A final pitch session to Netflix commissioners in early 2021 will see one of the projects land a formal development deal with Netflix, with Bunya Productions engaged as producers.
Projects include a range of feature film and TV series ideas encompassing comedy,...
Originally scheduled for May 2020 in LA, the five-day incubator program was delayed due to travel restrictions but will now take place virtually in early February 2021.
In order for the creatives to maintain momentum and utilise the extra time ahead of the event, Screen Australia’s Indigenous department and Netflix will give each team development funding to further develop their projects with Bunya producers.
As part of the hub, each project will also receive one-on-one international mentorship for their production from Australians in Film (AiF).
A final pitch session to Netflix commissioners in early 2021 will see one of the projects land a formal development deal with Netflix, with Bunya Productions engaged as producers.
Projects include a range of feature film and TV series ideas encompassing comedy,...
- 11/12/2020
- by Staff Writer
- IF.com.au
Creative Incubator facilitator, producer Gillian Moody.
Screen Nsw, in partnership with Bunya Talent, is calling for emerging and mid-career Aboriginal and Torres Strait Islander creatives to participate in an intensive masterclass and mentoring program.
The three-day incubator, facilitated by producer Gillian Moody, will work with up to eight practitioners to identify and harness their talent, and to advance story ideas and skills.
It is a bespoke program, tailored for each participants’ interests, background and skill sets, and will feature masterclasses and one-to-one mentoring with experienced Aboriginal and Torres Strait Islander industry practitioners.
Screen Nsw head Grainne Brunsdon said: “Telling stories is a critical way for us to understand our past, navigate the present and imagine possible futures. This program will provide tangible career pathways in the screen sector, kickstart avenues for important stories to be shared across the country and worldwide, and support building important networks and relationships for emerging practitioners.
Screen Nsw, in partnership with Bunya Talent, is calling for emerging and mid-career Aboriginal and Torres Strait Islander creatives to participate in an intensive masterclass and mentoring program.
The three-day incubator, facilitated by producer Gillian Moody, will work with up to eight practitioners to identify and harness their talent, and to advance story ideas and skills.
It is a bespoke program, tailored for each participants’ interests, background and skill sets, and will feature masterclasses and one-to-one mentoring with experienced Aboriginal and Torres Strait Islander industry practitioners.
Screen Nsw head Grainne Brunsdon said: “Telling stories is a critical way for us to understand our past, navigate the present and imagine possible futures. This program will provide tangible career pathways in the screen sector, kickstart avenues for important stories to be shared across the country and worldwide, and support building important networks and relationships for emerging practitioners.
- 7/2/2020
- by jkeast
- IF.com.au
Prince Albert II with Alick Tipoti (© Monaco Expeditions/Ariel Fuchs).
Screen Australia’s Indigenous department is contributing $745,000 in production funding to four documentary projects including two for Nitv and one for the ABC.
Co-funded by Stan, Freshwater Pictures’ Alick and Albert looks at the unlikely friendship between art activist Alick Tipoti and Prince Albert of Monaco.
Commissioned by Nitv, Tamarind Tree Pictures and Roar Film’s Looky Looky Here Comes Cooky is billed as a fresh, funny and provocative look at Captain Cook’s arrival from a First Nations’ perspective.
Also for Nitv, Kalori Productions and Jotz Productions’ feature documentary Kindred explores friendship, adoption and belonging through the relationship between filmmakers Gillian Moody and Adrian Russell Wills.
Commissioned by the ABC, Blackfella Films’ Maralinga Tjarutja will chronicle the history of the Maralinga Tjarutja people and the impact the British nuclear testing in the 1950s and 1960s had on their land and community.
Screen Australia’s Indigenous department is contributing $745,000 in production funding to four documentary projects including two for Nitv and one for the ABC.
Co-funded by Stan, Freshwater Pictures’ Alick and Albert looks at the unlikely friendship between art activist Alick Tipoti and Prince Albert of Monaco.
Commissioned by Nitv, Tamarind Tree Pictures and Roar Film’s Looky Looky Here Comes Cooky is billed as a fresh, funny and provocative look at Captain Cook’s arrival from a First Nations’ perspective.
Also for Nitv, Kalori Productions and Jotz Productions’ feature documentary Kindred explores friendship, adoption and belonging through the relationship between filmmakers Gillian Moody and Adrian Russell Wills.
Commissioned by the ABC, Blackfella Films’ Maralinga Tjarutja will chronicle the history of the Maralinga Tjarutja people and the impact the British nuclear testing in the 1950s and 1960s had on their land and community.
- 3/25/2020
- by The IF Team
- IF.com.au
Miranda Tapsell and Nakkiah Lui in ‘Get Krack!n’ (Photo credit: ABC).
The nine creative teams comprising 13 individuals who will take part in the inaugural Bunya Talent Indigenous Hub in Los Angeles in March were announced today.
Presented in association with Netflix Australia and Screen Australia’s Indigenous Department, the five-day talent incubator is aimed at mid-career Indigenous writers, showrunners, directors and producers.
The 13 will develop and pitch their projects and attend meetings and presentations by executives from Netflix and other industry practitioners.
The feature film and TV series ideas encompass comedy, drama and the supernatural. The event will take place at Charlie’s, Australians in Film’s hub for business, project development and networking for the Australian screen community in La.
At the end of the incubator, one participant’s work will be selected to proceed to further development with Bunya Productions as producers, receiving up to $20,000 in further development...
The nine creative teams comprising 13 individuals who will take part in the inaugural Bunya Talent Indigenous Hub in Los Angeles in March were announced today.
Presented in association with Netflix Australia and Screen Australia’s Indigenous Department, the five-day talent incubator is aimed at mid-career Indigenous writers, showrunners, directors and producers.
The 13 will develop and pitch their projects and attend meetings and presentations by executives from Netflix and other industry practitioners.
The feature film and TV series ideas encompass comedy, drama and the supernatural. The event will take place at Charlie’s, Australians in Film’s hub for business, project development and networking for the Australian screen community in La.
At the end of the incubator, one participant’s work will be selected to proceed to further development with Bunya Productions as producers, receiving up to $20,000 in further development...
- 1/29/2020
- by The IF Team
- IF.com.au
The Digital Originals initiative workshop. (Photo: John McCrae)
Sbs and Screen Australia have selected ten short-form projects for development as part of the Digital Originals initiative, aimed at providing tangible opportunities for writers from backgrounds underrepresented in the Australian screen sector.
The teams are being developed as part of a workshop under the mentorship of Australian television director and producer, Anna Dokoza and Ryan O’Connell, writer, producer and star of the Emmy-nominated Netflix short-form series, Special. The initiative will continue with a second workshop in February, and up to three projects will be selected for further development, and potentially production, for Sbs On Demand with Screen Australia funding.
The selected projects include:
• A Beginner’s Guide to Grief – Anna Lindner (Writer)
• Breeders – Holly Zwalf (Writer), Erin McBean (Producer) and Dallas Webster (Writer)
• The Dissolution Loops – Grant Scicluna (Writer/Producer)
• 50 Shades of Black (Girl) – Gemma Bird Matheson (Writer) Lizzie Cater (Producer) and Ratidzo Mambo (Producer)
• fine.
Sbs and Screen Australia have selected ten short-form projects for development as part of the Digital Originals initiative, aimed at providing tangible opportunities for writers from backgrounds underrepresented in the Australian screen sector.
The teams are being developed as part of a workshop under the mentorship of Australian television director and producer, Anna Dokoza and Ryan O’Connell, writer, producer and star of the Emmy-nominated Netflix short-form series, Special. The initiative will continue with a second workshop in February, and up to three projects will be selected for further development, and potentially production, for Sbs On Demand with Screen Australia funding.
The selected projects include:
• A Beginner’s Guide to Grief – Anna Lindner (Writer)
• Breeders – Holly Zwalf (Writer), Erin McBean (Producer) and Dallas Webster (Writer)
• The Dissolution Loops – Grant Scicluna (Writer/Producer)
• 50 Shades of Black (Girl) – Gemma Bird Matheson (Writer) Lizzie Cater (Producer) and Ratidzo Mambo (Producer)
• fine.
- 11/27/2019
- by jkeast
- IF.com.au
Tanith Glynn-Maloney (Photo credit: Dylan River)
Tanith Glynn-Maloney has joined Bunya Productions in the third Indigenous producer placement for the production company owned by David Jowsey, Ivan Sen and Greer Simpkin.
Tanith, who produced She Who Must Be Loved, Erica Glynn’s biopic of Freda Glynn which had its international premiere in the Panorama section of the Berlin International Film Festival, will spend a year working across Bunya’s film and TV slate.
The placement is funded by Screen Australia’s Indigenous Screen Business Fund, which aims to help build business capacity within the Indigenous screen production sector.
Her appointment follows Gillian Moody’s placement last year. Gillian went on to produce Black Divaz for Sbs.
Mitch Stanley, who produced the documentary Servant or Slave , was also part of the Screen Australia Indigenous Producer Placement program. He has joined the Bunya Talent Hub and is developing and producing a slate of Indigenous-led projects.
Tanith Glynn-Maloney has joined Bunya Productions in the third Indigenous producer placement for the production company owned by David Jowsey, Ivan Sen and Greer Simpkin.
Tanith, who produced She Who Must Be Loved, Erica Glynn’s biopic of Freda Glynn which had its international premiere in the Panorama section of the Berlin International Film Festival, will spend a year working across Bunya’s film and TV slate.
The placement is funded by Screen Australia’s Indigenous Screen Business Fund, which aims to help build business capacity within the Indigenous screen production sector.
Her appointment follows Gillian Moody’s placement last year. Gillian went on to produce Black Divaz for Sbs.
Mitch Stanley, who produced the documentary Servant or Slave , was also part of the Screen Australia Indigenous Producer Placement program. He has joined the Bunya Talent Hub and is developing and producing a slate of Indigenous-led projects.
- 2/22/2019
- by The IF Team
- IF.com.au
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