Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 9/1/2022
- by Screen staff
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 8/30/2022
- by Screen staff
- ScreenDaily
Uruguayan filmmaker Manuel Nieto’s social thriller “The Employer and the Employee,” starring Nahuel Pérez Biscayart (“Persian Lessons” and “Bpm” (Beats Per Minute), comes to the San Sebastian Film Festival to close the Horizontes Latinos sidebar on Thursday, Sept. 23. It’s a journey that began at Cannes’ Directors’ Fortnight where it world premiered after winning development prizes at Toulouse’s Latin Film Festival, Mar del Plata’s LoboLab and San Sebastián’s Wip Latam.
Picked up by Latido Films in the run-up to Cannes in July, “The Employer and the Employee” is Nieto’s third feature after his debut “The Dog Pound,” followed by “The Militant.” If there’s a thru line to find among his films, Nieto sees several: “The leads are masculine, the father figure is always present, they deal with youth in different stages and weights of responsibility and invariably touch on the concepts of legacy, identity,...
Picked up by Latido Films in the run-up to Cannes in July, “The Employer and the Employee” is Nieto’s third feature after his debut “The Dog Pound,” followed by “The Militant.” If there’s a thru line to find among his films, Nieto sees several: “The leads are masculine, the father figure is always present, they deal with youth in different stages and weights of responsibility and invariably touch on the concepts of legacy, identity,...
- 9/23/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Argentina’s Murillo Cine, whose credits take in Cannes sidebar entries “The Snatch Thief” and “Land of Ashes,” is dipping its toe into TV drama production with “Vertientes del Paraná,” a miniseries project exposing the social tragedy of femicide, from writer-director María Florencia Álvarez.
Álvarez turned heads with her 2013 feature debut, “Habi la Extranjera,” a Walter Sales, Hugo Sigman and Lita Stantic production, selected for Berlin’s Panorama and picked up by HBO.
The “Vertientes del Paraná” project will be pitched for the first time ever at the current edition of Los Cabos International Film Festival’s Gabriel Figueroa Film Fund sidebar.
The seven-episode TV drama is inspired by the novel “Chicas muertas,” written by Selva Almada, co-author of the script alongside Álvarez, Alejandro Millán Pastori and Maximiliano Schonfeld.
Set in Villa del Rosario, a 8,000-inhabitant town located on the Argentine coast, the story starts with a car crash, and a...
Álvarez turned heads with her 2013 feature debut, “Habi la Extranjera,” a Walter Sales, Hugo Sigman and Lita Stantic production, selected for Berlin’s Panorama and picked up by HBO.
The “Vertientes del Paraná” project will be pitched for the first time ever at the current edition of Los Cabos International Film Festival’s Gabriel Figueroa Film Fund sidebar.
The seven-episode TV drama is inspired by the novel “Chicas muertas,” written by Selva Almada, co-author of the script alongside Álvarez, Alejandro Millán Pastori and Maximiliano Schonfeld.
Set in Villa del Rosario, a 8,000-inhabitant town located on the Argentine coast, the story starts with a car crash, and a...
- 11/14/2019
- by Emiliano De Pablos
- Variety Film + TV
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