Projection equipment through Glasgow film. Musicians from Scottish Symphony Orchestra. Industrial void venue's own. Photo: Andrew Robertson
Many of my favourite film stories are bound up in the cinema experience. There are sensational moments, an ambulance called to someone not just struck but stricken by Titane. Faintings filling in the gap left by the red square in Bryan M Ferguson's Flamingo. There are subtler ones though. Seeing Behaviour as the last film in a programme where the audience had clapped for every one before, feeling those around me grow in dread as they realised they would be obligated by past performance to applaud a film that itself is washed in discomfort. A screening of The Irishman where due to the odd angles of the auditorium and the position of my seat I could not help but see a person checking their watch again and again, more visibly affected by...
Many of my favourite film stories are bound up in the cinema experience. There are sensational moments, an ambulance called to someone not just struck but stricken by Titane. Faintings filling in the gap left by the red square in Bryan M Ferguson's Flamingo. There are subtler ones though. Seeing Behaviour as the last film in a programme where the audience had clapped for every one before, feeling those around me grow in dread as they realised they would be obligated by past performance to applaud a film that itself is washed in discomfort. A screening of The Irishman where due to the odd angles of the auditorium and the position of my seat I could not help but see a person checking their watch again and again, more visibly affected by...
- 3/7/2023
- by Andrew Robertson
- eyeforfilm.co.uk
Click here to read the full article.
Director Marie Alice Wolfszahn’s Mother Superior has taken best feature in the main competition at the Brooklyn Horror Film Festival with the abortion-focused anthology Give Me An A garnering the Gold Audience Award during the seventh edition of the festival.
Other main competition jury prize winners at Bhff, which ran from Oct. 13-20 with events held in Williamsburg and Prospect Park, included Wolfszahn for best director, Megalomaniac’s Eline Schumacher for best performance and a special jury mention for the Paolo Strippoli-directed Flowing.
The main competition jury, which was comprised of filmmaker Zach Clark, HuffPost Senior Culture Editor Candice Frederick and author Kate Robertson, lauded Mother Superior — a directorial debut from the Austrian Wolfszahn — as “a thoughtfully crafted folk story exploring the völkisch occult with a captivating aesthetic indebted to the gothic tradition and tight editing, each frame carefully considered.”
The...
Director Marie Alice Wolfszahn’s Mother Superior has taken best feature in the main competition at the Brooklyn Horror Film Festival with the abortion-focused anthology Give Me An A garnering the Gold Audience Award during the seventh edition of the festival.
Other main competition jury prize winners at Bhff, which ran from Oct. 13-20 with events held in Williamsburg and Prospect Park, included Wolfszahn for best director, Megalomaniac’s Eline Schumacher for best performance and a special jury mention for the Paolo Strippoli-directed Flowing.
The main competition jury, which was comprised of filmmaker Zach Clark, HuffPost Senior Culture Editor Candice Frederick and author Kate Robertson, lauded Mother Superior — a directorial debut from the Austrian Wolfszahn — as “a thoughtfully crafted folk story exploring the völkisch occult with a captivating aesthetic indebted to the gothic tradition and tight editing, each frame carefully considered.”
The...
- 10/25/2022
- by Abbey White
- The Hollywood Reporter - Movie News
Based on a novel, Bryan M Ferguson's film Red Room starts with two technologies on either side of movable type. The woods, deep and trackless. A studio, a filament deposit manufacturing rig, a 3D printer. Between the latter and a bedroom, a phone call.
On either side, detail. Orange gloves, nitrile. Tarot cards, spread. "I don't want to talk about the red room," he says, then they're talking about reproduction. About copies. Those serried ranks of sisterly stems, the fraternal boughs of biological brotherhood. The words one sound at a time. Preservation. Avoiding things becoming lost.
Where is the when? It's a bright blue Ford from the period between automated assembly and side impact protection. A 1977 Cortina, from the era where petrol had lead and nobody would knock it. The telephones are landlines. That spread of cards has in its glossiness a sense less of Rider-Waite than Android.
What is the everyday.
On either side, detail. Orange gloves, nitrile. Tarot cards, spread. "I don't want to talk about the red room," he says, then they're talking about reproduction. About copies. Those serried ranks of sisterly stems, the fraternal boughs of biological brotherhood. The words one sound at a time. Preservation. Avoiding things becoming lost.
Where is the when? It's a bright blue Ford from the period between automated assembly and side impact protection. A 1977 Cortina, from the era where petrol had lead and nobody would knock it. The telephones are landlines. That spread of cards has in its glossiness a sense less of Rider-Waite than Android.
What is the everyday.
- 7/24/2022
- by Andrew Robertson
- eyeforfilm.co.uk
Crystal Castles maven Alice Glass is getting louder and even more fierce with her new single and music video for “Love Is Violence” off her forthcoming debut LP, Prey//IV, now due February 16 via Eating Glass Records. The Bryan M. Ferguson-directed video echoes that of a romantic thriller plot where a couple is seen becoming […]
The post Alice Glass Drops Insanely Bloody Body Horror Music Video for “Love Is Violence”! appeared first on Bloody Disgusting!.
The post Alice Glass Drops Insanely Bloody Body Horror Music Video for “Love Is Violence”! appeared first on Bloody Disgusting!.
- 1/28/2022
- by Brad Miska
- bloody-disgusting.com
To some, love is a many-splendored thing. But in Alice Glass’ universe, love is a cruel, vicious emotion that can rip through your insides and leave you for dead — literally.
On Friday, Glass released her newest single, “Love Is Violence,” which details the physical and psychological anguish brought on by a toxic relationship through various metaphors involving slaughter, bloodshed and torture. The accompanying early 00s-inspired video isn’t for the faint of heart. In the clip, directed by Bryan M. Ferguson, two lovestruck goths become so overcome by teenage lust...
On Friday, Glass released her newest single, “Love Is Violence,” which details the physical and psychological anguish brought on by a toxic relationship through various metaphors involving slaughter, bloodshed and torture. The accompanying early 00s-inspired video isn’t for the faint of heart. In the clip, directed by Bryan M. Ferguson, two lovestruck goths become so overcome by teenage lust...
- 1/28/2022
- by Rolling Stone
- Rollingstone.com
Alice Glass has released a video for her new song “Fair Game.” The dramatic clip, directed by Bryan M. Ferguson, sees the singer bound in chains in a darkened room and slowly shows her escaping.
“Fair Game is Trauma Core,” Glass wrote on Twitter as the video premiered. “Pain equalizes us all. Suffering is our great equalizer.” She added, “Crystal Castles was. Alice Glass is.”
Glass has released several singles this year, leading up to the release of her album, Prey//IV, which arrives on Jan. 28 via Eating Glass Records.
“Fair Game is Trauma Core,” Glass wrote on Twitter as the video premiered. “Pain equalizes us all. Suffering is our great equalizer.” She added, “Crystal Castles was. Alice Glass is.”
Glass has released several singles this year, leading up to the release of her album, Prey//IV, which arrives on Jan. 28 via Eating Glass Records.
- 12/8/2021
- by Emily Zemler
- Rollingstone.com
We're back with another edition of Horror Highlights! In today's installment, watch the short film Insecticide, learn more about the new comic book series Black of Heart, watch the trailer for The Last Exorcist, and read an interview with the director of Cruiser!
Watch the Short Film Insecticide: "I made a short horror film during lockdown with my wife that I thought might be of interest - we both suffer from Anxiety Disorder so our mental health during this new paranoid way of living has reached new and old heights - it's the first time I've properly picked up my old Dslr in 3 years.
I wanted to channel what I was feeling and inject the anxious, paranoiac claustrophobia of right now into a short work by setting myself ground rules - That constant nervous energy must be present even behind the camera in every aspect of making this, so...
Watch the Short Film Insecticide: "I made a short horror film during lockdown with my wife that I thought might be of interest - we both suffer from Anxiety Disorder so our mental health during this new paranoid way of living has reached new and old heights - it's the first time I've properly picked up my old Dslr in 3 years.
I wanted to channel what I was feeling and inject the anxious, paranoiac claustrophobia of right now into a short work by setting myself ground rules - That constant nervous energy must be present even behind the camera in every aspect of making this, so...
- 9/3/2020
- by Jonathan James
- DailyDead
Although the Covid-19 pandemic is preventing Salem Horror Fest from hosting their anticipated Women with Guts conference, that's not stopping the festival from celebrating women in horror, as they've announced a Mother's Day Massacre virtual celebration that will include feature-length screenings, short films, and a panel with Jessica Locke, Rebekah McKendry PhD, Jennifer Trudrung, and Sady Doyle:
Press Release: Salem Ma - After being forced to cancel their Women with Guts weekend due to Covid-19, Salem Horror Fest has begun to offer digital content such as video on demand titles, virtual premieres and panels. This month, Salem Horror Fest will present Mother’S Day Massacre, a live program featuring Attack of the 50 Foot Woman, The Wasp Woman, a three hour block of horror shorts and Mothers of Horror panel discussion with Jessica Locke, Rebekah McKendry PhD, Jennifer Trudrung, and Sady Doyle, author of Dead Blondes and Bad Mothers: Monstrosity,...
Press Release: Salem Ma - After being forced to cancel their Women with Guts weekend due to Covid-19, Salem Horror Fest has begun to offer digital content such as video on demand titles, virtual premieres and panels. This month, Salem Horror Fest will present Mother’S Day Massacre, a live program featuring Attack of the 50 Foot Woman, The Wasp Woman, a three hour block of horror shorts and Mothers of Horror panel discussion with Jessica Locke, Rebekah McKendry PhD, Jennifer Trudrung, and Sady Doyle, author of Dead Blondes and Bad Mothers: Monstrosity,...
- 5/1/2020
- by Derek Anderson
- DailyDead
A seemingly sunny aerobics tape is secretly the key to accessing Hell—with the completion of five devilish tasks—in the short film Satanic Panic ’87, which you can watch in its entirety right here on Daily Dead.
Written, directed, and edited by Bryan M. Ferguson, Satanic Panic ’87 stars Arran Totten, Yuki Sutton, Amy Clydesdale, and Yoshie Campbell.
"Commissioned by Channel 4’s Random Acts and programmed by Film4 for their FilmFear season 2019.
Synopsis: It’s 1987 and two metalheads have opened a gateway to hell when following the instructions of a satanic aerobics tape.
Writer/Editor/Director: Bryan M. Ferguson
Producer: Aidan O’Mara
Cinematographer: George Harwood
Digital Effects: Vari Ferguson
Art Dept: Nathan Elliott
Make-Up and Prosthetics Artist: Laura McGowan
Sound Recordist: Jonny McLoone
Music: Alex Mackay
1st A.C.: Ross Elliott
Aerobics Videographer: Jimmy Gage
Commissioning Editor: Catherine Bray
Commissioning Assistant: Jake Cunningham
Runners: Misha McCullagh and Matt Cairns...
Written, directed, and edited by Bryan M. Ferguson, Satanic Panic ’87 stars Arran Totten, Yuki Sutton, Amy Clydesdale, and Yoshie Campbell.
"Commissioned by Channel 4’s Random Acts and programmed by Film4 for their FilmFear season 2019.
Synopsis: It’s 1987 and two metalheads have opened a gateway to hell when following the instructions of a satanic aerobics tape.
Writer/Editor/Director: Bryan M. Ferguson
Producer: Aidan O’Mara
Cinematographer: George Harwood
Digital Effects: Vari Ferguson
Art Dept: Nathan Elliott
Make-Up and Prosthetics Artist: Laura McGowan
Sound Recordist: Jonny McLoone
Music: Alex Mackay
1st A.C.: Ross Elliott
Aerobics Videographer: Jimmy Gage
Commissioning Editor: Catherine Bray
Commissioning Assistant: Jake Cunningham
Runners: Misha McCullagh and Matt Cairns...
- 12/17/2019
- by Derek Anderson
- DailyDead
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