The Berlinale will write to German far-right party Alternative for Germany amid an outcry after members were invited to the festival’s opening ceremony on February 15. By Sunday morning an open letter criticising the invitations had gone offline.
After the letter was signed by more than 200 film professionals from around the world, the festival issued a statement in which it said, “People – including elected representatives – who act contrary to democratic values are not welcome at the Berlinale.”
”We will express this clearly and emphatically in a personal letter to the AfD representatives as well as on other occasions.”
The Berlinale...
After the letter was signed by more than 200 film professionals from around the world, the festival issued a statement in which it said, “People – including elected representatives – who act contrary to democratic values are not welcome at the Berlinale.”
”We will express this clearly and emphatically in a personal letter to the AfD representatives as well as on other occasions.”
The Berlinale...
- 2/4/2024
- ScreenDaily
The Berlinale will write to German far-right party Alternative for Germany amid an outcry after members were invited to the festival’s opening ceremony on February 15. By Sunday morning an open letter criticising the invitations had gone offline.
After the letter was signed by more than 200 film professionals from around the world, the festival issued a statement in which it said, “People – including elected representatives – who act contrary to democratic values are not welcome at the Berlinale.”
”We will express this clearly and emphatically in a personal letter to the AfD representatives as well as on other occasions.”
The Berlinale...
After the letter was signed by more than 200 film professionals from around the world, the festival issued a statement in which it said, “People – including elected representatives – who act contrary to democratic values are not welcome at the Berlinale.”
”We will express this clearly and emphatically in a personal letter to the AfD representatives as well as on other occasions.”
The Berlinale...
- 2/4/2024
- ScreenDaily
The Berlinale will write to German far-right party Alternative for Germany ahead of the attendance of AfD members at the festival’s opening ceremony on February 15. By Sunday morning an open letter criticising the invitations of AfD politicians to attend the ceremony had gone offline.
After the letter was signed by more than 200 film professionals from around the world, the festival issued a statement in which it said, “People – including elected representatives – who act contrary to democratic values are not welcome at the Berlinale.”
”We will express this clearly and emphatically in a personal letter to the AfD representatives as well as on other occasions.
After the letter was signed by more than 200 film professionals from around the world, the festival issued a statement in which it said, “People – including elected representatives – who act contrary to democratic values are not welcome at the Berlinale.”
”We will express this clearly and emphatically in a personal letter to the AfD representatives as well as on other occasions.
- 2/4/2024
- ScreenDaily
The U.K.’s Documentary Film Council (Dfc) is seeking funds to support the independent documentary sector, which is under “existential threat.”
The Dfc was formed in response to a three-year study on the U.K. feature-length documentary film industry and co-designed by several organizations in the field, including Doc Society, Sheffield DocFest, the Grierson Trust, The Whickers, Scottish Documentary Institute, Docs Ireland and BBC Storyville.
An open letter to the U.K. screen industries compiled by the Dfc states that the formation of the Dfc is “based on the recognition that independent documentary in the U.K. faces an existential threat and that there is urgent need for coordinated, long-term interventions across the sector.”
“Films at the independent end of the spectrum – creative, observational, character-led films, films that originate outside of a commissioner’s brief or which explore difficult-but-vital political or cultural questions – are increasingly hard to get made,” the letter adds.
The Dfc was formed in response to a three-year study on the U.K. feature-length documentary film industry and co-designed by several organizations in the field, including Doc Society, Sheffield DocFest, the Grierson Trust, The Whickers, Scottish Documentary Institute, Docs Ireland and BBC Storyville.
An open letter to the U.K. screen industries compiled by the Dfc states that the formation of the Dfc is “based on the recognition that independent documentary in the U.K. faces an existential threat and that there is urgent need for coordinated, long-term interventions across the sector.”
“Films at the independent end of the spectrum – creative, observational, character-led films, films that originate outside of a commissioner’s brief or which explore difficult-but-vital political or cultural questions – are increasingly hard to get made,” the letter adds.
- 10/20/2023
- by Naman Ramachandran
- Variety Film + TV
Selection includes the final film by murdered Lithuanian filmmaker Mantas Kvedaravicius.
The 13 feature documentaries in the running for the 2022 European Film Awards have been revealed.
Scroll down for full list of titles
They include Mariupolis 2 by murdered Lithuanian filmmaker Mantas Kvedaravicius, which premiered at Cannes and comprises footage the director shot before he was captured and killed by the Russian army in the Ukrainian city of Mariupol in April.
Also selected is Mr Landsbergis by Ukrainian director Sergei Loznitsa, a four-hour account of the struggle for Lithuania’s independence from the Ussr in the early 1990s, which won the...
The 13 feature documentaries in the running for the 2022 European Film Awards have been revealed.
Scroll down for full list of titles
They include Mariupolis 2 by murdered Lithuanian filmmaker Mantas Kvedaravicius, which premiered at Cannes and comprises footage the director shot before he was captured and killed by the Russian army in the Ukrainian city of Mariupol in April.
Also selected is Mr Landsbergis by Ukrainian director Sergei Loznitsa, a four-hour account of the struggle for Lithuania’s independence from the Ussr in the early 1990s, which won the...
- 8/30/2022
- by Michael Rosser
- ScreenDaily
167 film critics from 68 countries voted on the awards organised by the Arab Cinema Centre.
Egyptian director Omar El Zohairy’s social satire Feathers, which won the top prize at Cannes Critics’ Week last year, has swept the board at the sixth edition of the Critics’ Awards for Arab Films.
The film, which was nominated in four categories, won best film, director and screenplay.
This year’s edition of the awards, spearheaded by the Cairo-based Arab Cinema Centre (Acc), focuses on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries,...
Egyptian director Omar El Zohairy’s social satire Feathers, which won the top prize at Cannes Critics’ Week last year, has swept the board at the sixth edition of the Critics’ Awards for Arab Films.
The film, which was nominated in four categories, won best film, director and screenplay.
This year’s edition of the awards, spearheaded by the Cairo-based Arab Cinema Centre (Acc), focuses on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries,...
- 5/22/2022
- by Melanie Goodfellow
- ScreenDaily
Past best film awards from the previous five editions include Wajib, Yomeddine and Gaza Mon Amour.
Jordanian director Bassel Ghandour’s The Alleys and Egyptian director Omar El Zohairy’s Feathers lead the nominations in the sixth edition of the Critics Awards for Arab Films.
The films each garnered nominations in four categories, including best film, director and screenplay.
Spearheaded and run by the Cairo-based Arab Cinema Centre (Acc), this edition focused on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries, who viewed the films on Festival Scope.
Jordanian director Bassel Ghandour’s The Alleys and Egyptian director Omar El Zohairy’s Feathers lead the nominations in the sixth edition of the Critics Awards for Arab Films.
The films each garnered nominations in four categories, including best film, director and screenplay.
Spearheaded and run by the Cairo-based Arab Cinema Centre (Acc), this edition focused on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries, who viewed the films on Festival Scope.
- 5/10/2022
- by Melanie Goodfellow
- ScreenDaily
Palestinian-British documentarian Saeed Taji Farouky takes a, largely, observational approach - with a welcome touch of something more abstract - as he embeds himself within a family in rural Myanmar for his latest film. Htwe Tin and his wife Thein Shwe are just one of many couples in the Magway region to swap reaping crops for drilling for oil in a bid to get by as they hope for a brighter future for their kids, the lush greenery of the countryside in sharp contrast to the thick black oil they bring to the surface with a motor pump that has seen better days.
Farouky relaxes into the gentle rhythms of everyday family life for the couple, as they joke with one another about work or play with the children, in between doing their best to extract barrels of the black stuff. We see the major role keeping faith has in.
Farouky relaxes into the gentle rhythms of everyday family life for the couple, as they joke with one another about work or play with the children, in between doing their best to extract barrels of the black stuff. We see the major role keeping faith has in.
- 4/26/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
Now in its 11th edition, the Museum of the Moving Image’s First Look festival brings together a varied, eclectic lineup of cinema from all corners of the world––including a number of films still seeking distribution, making the series perhaps one of your only chances to see these works on the big screen.
With the five-day festival kicking off Wednesday, March 16, we’ve gathered seven essential films to check out. Beginning this Friday, March 11, MoMI will also present Second Look, which looks back at selections from the past decade of the festival.
Babi Yar. Context (Sergei Loznitsa)
One of two new archival documentaries from Ukrainian filmmaker Sergei Loznitsa screening at First Look, Babi Yar. Context revisits the horrific September 1941 massacre of 33,771 Jews that took place outside Kyiv. Casting an unflinching eye in its assembly of footage, the Cannes prizewinner examines factors leading up to the atrocity as Nazis took...
With the five-day festival kicking off Wednesday, March 16, we’ve gathered seven essential films to check out. Beginning this Friday, March 11, MoMI will also present Second Look, which looks back at selections from the past decade of the festival.
Babi Yar. Context (Sergei Loznitsa)
One of two new archival documentaries from Ukrainian filmmaker Sergei Loznitsa screening at First Look, Babi Yar. Context revisits the horrific September 1941 massacre of 33,771 Jews that took place outside Kyiv. Casting an unflinching eye in its assembly of footage, the Cannes prizewinner examines factors leading up to the atrocity as Nazis took...
- 3/10/2022
- by The Film Stage
- The Film Stage
“A Thousand Fires” is the newest full-length work of documentarian filmmaker Saeed Taji Farouky. Like his previous project, in this film too, the director spends a prolonged period of time with his subjects, an unregulated oil field proprietors Thein Shwe and Htwe Tin in Magway region of Myanmar.
A Thousand Fires is Screening at the Museum of the Moving Image
There isn’t much of a story to “A Thousand Fires” per se. We see the family dig oil and live their lives but that’s about it. There isn’t any drama and tension here, except maybe for the fact that the son of the couple we follow tries to be a football player. But there is no tension or drama to his desire to go beyond his family’s means here, nothing to root for, nothing cinematic or dramatic per se. It just feels natural.
This feeling of naturalness defines the entire documentary.
A Thousand Fires is Screening at the Museum of the Moving Image
There isn’t much of a story to “A Thousand Fires” per se. We see the family dig oil and live their lives but that’s about it. There isn’t any drama and tension here, except maybe for the fact that the son of the couple we follow tries to be a football player. But there is no tension or drama to his desire to go beyond his family’s means here, nothing to root for, nothing cinematic or dramatic per se. It just feels natural.
This feeling of naturalness defines the entire documentary.
- 3/1/2022
- by Martin Lukanov
- AsianMoviePulse
Louis Hothothot’s feature debut “Four Journeys” will open the 34th edition of the International Documentary Film Festival Amsterdam (IDFA), which also revealed the lineup of the International Competition program, as well as other sections.
“Four Journeys” is a personal film about the destructive influence on a Chinese family of the one-child policy. Hothothot was born as an “illegal” second child, and the authorities punished his parents harshly. The director forces his parents to confront their traumatic past in the film.
A total of 264 titles from more than 80 countries play in the festival, which runs from Nov. 17-28. Artistic director Orwa Nyrabia said the films show us “how artistic freedom, courage and engagement with the world come in many different languages, styles, and viewpoints.” He added: “The documentary field is being confirmed as a future-proof art form that is unapologetically open, diverse and continuously developing.”
The International Competition lineup includes...
“Four Journeys” is a personal film about the destructive influence on a Chinese family of the one-child policy. Hothothot was born as an “illegal” second child, and the authorities punished his parents harshly. The director forces his parents to confront their traumatic past in the film.
A total of 264 titles from more than 80 countries play in the festival, which runs from Nov. 17-28. Artistic director Orwa Nyrabia said the films show us “how artistic freedom, courage and engagement with the world come in many different languages, styles, and viewpoints.” He added: “The documentary field is being confirmed as a future-proof art form that is unapologetically open, diverse and continuously developing.”
The International Competition lineup includes...
- 11/1/2021
- by Leo Barraclough
- Variety Film + TV
Golden Leopard goes to filmmaker from Indonesia for first time.
Indonesia’s Edwin has received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vengeance Is Mine, All Others Pay Cash, which had its world premiere in the Swiss festival’s International Competition.
The Indonesia-Singapore-Germany co-production – adapted and based on a literary work by Eka Kurniawan – is being handled internationally by The Match Factory.
It is also the first time in Locarno’s 74-year history that the Golden Leopard has gone to a filmmaker from Indonesia.
Accepting the award on behalf of Edwin, who had already...
Indonesia’s Edwin has received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vengeance Is Mine, All Others Pay Cash, which had its world premiere in the Swiss festival’s International Competition.
The Indonesia-Singapore-Germany co-production – adapted and based on a literary work by Eka Kurniawan – is being handled internationally by The Match Factory.
It is also the first time in Locarno’s 74-year history that the Golden Leopard has gone to a filmmaker from Indonesia.
Accepting the award on behalf of Edwin, who had already...
- 8/14/2021
- by Martin Blaney
- ScreenDaily
The first time we hear music in Saeed Taji Farouky’s mesmeric A Thousand Fires is also the first time we’re offered a glimpse of the viscous substance around which the whole documentary orbits. Set in the Magway region of Myanmar, it concerns a family struggling to make ends meet by drilling oil in an unregulated field—a Heart of Darkness-like landscape dotted with derricks, huts, and countless fires. We open with a man cranking a manual well, but it takes a few moments for Farouky to show the fruits of his work; when it happens, the oil splashes through the frame in a kaleidoscope of colors, an impossibly gorgeous vision of shapeshifting hues, accompanied by a synths-heavy melody, a murmur of the Earth. It’s a marriage of sounds and visuals that turns oil into a magic potion, an amniotic liquid, less a resource to be exploited than...
- 8/11/2021
- by Leonardo Goi
- The Film Stage
Vienna-based sales outfit Square Eyes has acquired Saeed Taji Farouky’s “A Thousand Fires,” which will open the Locarno Film Festival’s Critics’ Week section.
Set in the Magway region of Myanmar, which is home to one of the oldest oil industries in the world, “A Thousand Fires” is a portrait of a family in flux and a story of intergenerational conflict and compromise. It follows Thein Shwe and Htwe Tin, a husband and wife who run an unregulated oil field, producing a barrel every few days in the hopes of seeing their youngest son succeed and breaking the cycle of poverty.
“When I first met Thein Shwe, he immediately reminded me of my own father, and I instinctively knew I wanted to make a film with him and his family,” said Farouky, whose documentary feature “Tell Spring Not to Come This Year” won the Panorama Audience Award and the...
Set in the Magway region of Myanmar, which is home to one of the oldest oil industries in the world, “A Thousand Fires” is a portrait of a family in flux and a story of intergenerational conflict and compromise. It follows Thein Shwe and Htwe Tin, a husband and wife who run an unregulated oil field, producing a barrel every few days in the hopes of seeing their youngest son succeed and breaking the cycle of poverty.
“When I first met Thein Shwe, he immediately reminded me of my own father, and I instinctively knew I wanted to make a film with him and his family,” said Farouky, whose documentary feature “Tell Spring Not to Come This Year” won the Panorama Audience Award and the...
- 8/3/2021
- by Christopher Vourlias
- Variety Film + TV
Belgian actor Lubna Azabal, who appeared in Oscar nominated films “Paradise Now” and “Incendies,” and French actor Slimane Dazi, who appeared in Oscar nominated “A Prophet” and Palme d’Or contender “Only Lovers Left Alive,” have joined the cast of Shariff Nasr’s buzzy feature debut “El Houb” (“The Love”).
Azabal, 47, ages up to play the role of the protagonist’s elderly mother in the film, which charts a son’s coming out journey to his Moroccan-Dutch family.
As previously reported, the film stars the Dutch TV and theater actor Fahd Larhzaoui – best known for his presenting role on long-running Dutch kids TV series “Huisje Boompje Beestje.”
Nasr, who co-wrote the screenplay with Philip Delmaar, was inspired by Larhzaoui’s own experiences of coming out to his family, which the actor has previously documented in his solo theater shows.
In a statement, the director said of his cast: “It is...
Azabal, 47, ages up to play the role of the protagonist’s elderly mother in the film, which charts a son’s coming out journey to his Moroccan-Dutch family.
As previously reported, the film stars the Dutch TV and theater actor Fahd Larhzaoui – best known for his presenting role on long-running Dutch kids TV series “Huisje Boompje Beestje.”
Nasr, who co-wrote the screenplay with Philip Delmaar, was inspired by Larhzaoui’s own experiences of coming out to his family, which the actor has previously documented in his solo theater shows.
In a statement, the director said of his cast: “It is...
- 6/30/2021
- by Ann-Marie Corvin
- Variety Film + TV
Members of the U.K. film and TV industry are calling for an overhaul of on-set safety measures and a “recalibration” of how to protect survivors of abuse following reports of multiple allegations of sexual harassment and bullying against Noel Clarke during his decades-long career as an actor, writer and producer.
Since The Guardian released its investigation into the star, best known for his roles in “Doctor Who” and “Bulletproof,” as well as creating “The Hood” film trilogy, 26 people have come forward with accusations against him. Clarke has categorically denied any sexual misconduct or criminal wrongdoing, but released a statement apologizing for some of his actions.
The revelations have emboldened industry insiders to speak out about a culture that has allowed professional misconduct to continue, even after the Time’s Up movement swept the film and TV world four years ago with the #MeToo reckoning sparked by the Harvey Weinstein scandal.
Since The Guardian released its investigation into the star, best known for his roles in “Doctor Who” and “Bulletproof,” as well as creating “The Hood” film trilogy, 26 people have come forward with accusations against him. Clarke has categorically denied any sexual misconduct or criminal wrongdoing, but released a statement apologizing for some of his actions.
The revelations have emboldened industry insiders to speak out about a culture that has allowed professional misconduct to continue, even after the Time’s Up movement swept the film and TV world four years ago with the #MeToo reckoning sparked by the Harvey Weinstein scandal.
- 5/4/2021
- by Hanna Flint
- Variety Film + TV
Director Saeed Taji Farouky has turned heads around the globe with his latest effort, the Afghan war themed documentary Tell Spring Not To Come This Year which saw the director and his crew at the front lines of the ongoing conflict speaking directly with the Afghan people most affected. A major award winner in Berlin the film has been traveling the international festival circuit and with its theatrical release now upon us in the UK, Twitch had the chance to talk with him about his work.Was it really terrifying being out on the frontlines with no weapons, just a movie camera?No, I don't think "terrifying" is the right word. It was a very strange experience. I mean it can be very hard to describe to...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 11/17/2015
- Screen Anarchy
★★★★☆ Saeed Taji Farouky has carved out something of a reputation for directing and producing documentaries that are visually arresting and pack a punch. Tunnel Trade (2007), about Gaza's illegal underground smuggling economy, was nominated for a Rory Peck Award, while The Runner (2013), about an activist and athlete from Western Sahara, garnered high praise and was a finalist in the Social Impact Media Awards. Tell Spring Not to Come This Year is a co-production with Michael McEvoy.
- 11/17/2015
- by CineVue UK
- CineVue
“An incredible selection” was the verdict given by jury president Darren Aronofsky about the Berlinale’s 2015 competition line-up.
Speaking at the the closing gala, Aronofsky said: “Hats off to Dieter [Kosslick], the curators have made an incredible selection. It’s been incredibly difficult to decide on the prizes (…) there were so many quality films that it was hard not to award many, many of the films.“
In fact, the International Jury, which included actors Daniel Brühl and Audrey Tautou and the former Golden Bear winner Claudia Llosa from Peru, gave awards to nine of the 19 Competition titles by splitting two of the prizes, and showed the unanimity of its decisions by all being on stage together for the presentation of the awards in the Berlinale Palast.
Jafar Panahi’s Taxi became the second Iranian film in the Berlinale’s 65-year history to win the Golden Bear - after Asghar Farhadi’s A Separation in 2011 - and is Panahi...
Speaking at the the closing gala, Aronofsky said: “Hats off to Dieter [Kosslick], the curators have made an incredible selection. It’s been incredibly difficult to decide on the prizes (…) there were so many quality films that it was hard not to award many, many of the films.“
In fact, the International Jury, which included actors Daniel Brühl and Audrey Tautou and the former Golden Bear winner Claudia Llosa from Peru, gave awards to nine of the 19 Competition titles by splitting two of the prizes, and showed the unanimity of its decisions by all being on stage together for the presentation of the awards in the Berlinale Palast.
Jafar Panahi’s Taxi became the second Iranian film in the Berlinale’s 65-year history to win the Golden Bear - after Asghar Farhadi’s A Separation in 2011 - and is Panahi...
- 2/16/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
UK documentary Tell Spring Not To Come This Year, filmed on the frontline in Afghanistan, also wins.
Brazilian drama The Second Mother (Que Horas Ela Volta?) has picked up the top prize at the Berlin Film Festival’s 17th Panorama Audience Awards.
Anna Muylaert’s film explores barriers of class when the estranged daughter of a live-in housekeeper suddenly appears, throwing the home into disarray.
UK documentary Tell Spring Not To Come This Year, directed by Saeed Taji Farouky, Michael McEvoy, won the documentary audience award.
The directors accompanied an Afghan National Army company during a year of frontline duty in Helmand.
During the Berlinale, filmgoers were asked to rate the titles shown in the Panorama section. A total of 31,200 votes were cast and counted.
This year the Panorama presented 52 feature-length films from 38 countries, of which 18 screened in the Panorama Dokumente series.
Winners of the Panorama Audience Award - Fiction Film 2015
Que Horas Ela Volta? (The Second...
Brazilian drama The Second Mother (Que Horas Ela Volta?) has picked up the top prize at the Berlin Film Festival’s 17th Panorama Audience Awards.
Anna Muylaert’s film explores barriers of class when the estranged daughter of a live-in housekeeper suddenly appears, throwing the home into disarray.
UK documentary Tell Spring Not To Come This Year, directed by Saeed Taji Farouky, Michael McEvoy, won the documentary audience award.
The directors accompanied an Afghan National Army company during a year of frontline duty in Helmand.
During the Berlinale, filmgoers were asked to rate the titles shown in the Panorama section. A total of 31,200 votes were cast and counted.
This year the Panorama presented 52 feature-length films from 38 countries, of which 18 screened in the Panorama Dokumente series.
Winners of the Panorama Audience Award - Fiction Film 2015
Que Horas Ela Volta? (The Second...
- 2/14/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Exclusive: Saboteur will rep two films at the European Film Market.
Goldcrest’s New York-based doc distributor Saboteur Media is entering the international sales arena and will launch two films at the Efm.
Sales will be handled by Pierre Weisbein, formerly of Goldcrest, Canal+ and StudioCanal.
Screening in Berlin’s Panorama is Afghan war documentary Tell Spring Not To Come This Year, told from the Afghan perspective bydirectors Saeed Taji Farouky and Mike McEvoy.
Also on the slate is Shan Nicholson’s Rubble Kings about gangs and hip hop culture in new York between 1968 and 1975 . Saboteur will release day-and-date in the U.S. later this year.
Set up 18 months ago, Saboteur has handled the Us release of ten films including Sebastian Junger’s Korengal.
Nick Quested, executive director of Goldcrest Films, explained: “We aim to put our films in front of audiences wherever they are. Now with a broader reach, Pierre coming...
Goldcrest’s New York-based doc distributor Saboteur Media is entering the international sales arena and will launch two films at the Efm.
Sales will be handled by Pierre Weisbein, formerly of Goldcrest, Canal+ and StudioCanal.
Screening in Berlin’s Panorama is Afghan war documentary Tell Spring Not To Come This Year, told from the Afghan perspective bydirectors Saeed Taji Farouky and Mike McEvoy.
Also on the slate is Shan Nicholson’s Rubble Kings about gangs and hip hop culture in new York between 1968 and 1975 . Saboteur will release day-and-date in the U.S. later this year.
Set up 18 months ago, Saboteur has handled the Us release of ten films including Sebastian Junger’s Korengal.
Nick Quested, executive director of Goldcrest Films, explained: “We aim to put our films in front of audiences wherever they are. Now with a broader reach, Pierre coming...
- 2/5/2015
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
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