On the Adamant.Competition(Jury: Kristen Stewart, Golshifteh Farahani, Valeska Grisebach, Radu Jude, Francine Maisler, Carla Simón, Johnnie To)Golden BearOn the Adamant (Nicolas Philibert)Silver Bear — Grand Jury PrizeAfire (Christian Petzold) (read interview)Silver Bear — Jury PrizeBad Living (João Canijo)Silver Bear for Best DirectorPhilippe Garrel (The Plough) (read more)Silver Bear for Best Leading PerformanceSofía OteroSilver Bear for Best Supporting PerformanceThea Ehre (Till the End of the Night) (read more)Silver Bear for Best ScreenplayAngela Schanelec (Music) (read more)Silver Bear for Outstanding Artistic ContributionHélène Louvart (Disco Boy)HereENCOUNTERS(Jury: Dea Kulumbegashvili, Angeliki Papoulia, Paolo Moretti)Award for Best FilmHere (Bas Devos)Special Jury AwardOrlando, My Political Biography (Paul B. Preciado)Samsara (Lois Patiño)Award for Best DirectorTatiana Huezo (The Echo)Generation — Kplus(Jury: Venice Atienza, Alise Ģelze, Gudrun Sommer)Crystal BearSweet As (Jub Clerc)Special MentionSea Sparkle (Domien Huyghe)Best Short FilmQueenie (Lloyd Lee Choi)Special...
- 3/14/2023
- MUBI
The Berlin Film Festival has revealed its juries, and the addition of Liu Jian’s animated feature “Art College 1994” to its competition lineup, which now has 19 films and is complete.
In addition to the already announced actor Kristen Stewart as president, the International Jury members will be actor Golshifteh Farahani (Iran/France), director and writer Valeska Grisebach (Germany), director and screenwriter Radu Jude (Romania), casting director and producer Francine Maisler (U.S.), director and screenwriter Carla Simón (Spain), and director and producer Johnnie To.
“Art College 1994” is set in China in the 1990s. It follows a group of young people who “prepare to face a world caught between tradition and modernity,” according to the festival. The film, represented for world sales by Memento Intl., was originally destined for Cannes, but Liu and the film were reported to have faced bureaucratic obstacles, which put the kibosh on those plans. The director...
In addition to the already announced actor Kristen Stewart as president, the International Jury members will be actor Golshifteh Farahani (Iran/France), director and writer Valeska Grisebach (Germany), director and screenwriter Radu Jude (Romania), casting director and producer Francine Maisler (U.S.), director and screenwriter Carla Simón (Spain), and director and producer Johnnie To.
“Art College 1994” is set in China in the 1990s. It follows a group of young people who “prepare to face a world caught between tradition and modernity,” according to the festival. The film, represented for world sales by Memento Intl., was originally destined for Cannes, but Liu and the film were reported to have faced bureaucratic obstacles, which put the kibosh on those plans. The director...
- 2/1/2023
- by Leo Barraclough
- Variety Film + TV
Director Liu Jian was previously in Competition with ‘Have A Nice Day’ in 2017.
The Berlinale has made a last-minute addition to its Competition lineup with Chinese filmmaker Liu Jian’s animated feature Art College 1994 and revealed its competition juries.
Art College 1994 will receive its world premiere at the festival’s 73rd edition, which runs February 16-26, and marks Liu’s third feature after 2010’s Piercing I and Have A Nice Day, which became the first Chinese animation ever selected to play in Competition at the Berlinale in 2017.
Art College 1994 is set among a group of students in China in the...
The Berlinale has made a last-minute addition to its Competition lineup with Chinese filmmaker Liu Jian’s animated feature Art College 1994 and revealed its competition juries.
Art College 1994 will receive its world premiere at the festival’s 73rd edition, which runs February 16-26, and marks Liu’s third feature after 2010’s Piercing I and Have A Nice Day, which became the first Chinese animation ever selected to play in Competition at the Berlinale in 2017.
Art College 1994 is set among a group of students in China in the...
- 2/1/2023
- by Michael Rosser
- ScreenDaily
“Coming of age” is a demure, blushing phrase and so quite unsuited to the fat lips and cracked foreheads of Melanie Waelde’s visceral, exposed-nerve debut. And yet, loosely speaking, it’s what “Naked Animals” tracks: a short, painful, hesitant phase in the lives of five wild teenagers living largely without adult supervision. In a provincial nowhere, geographically near Berlin but spiritually half a galaxy away, the rituals that have evolved among this little wolfpack are so incomprehensible to outsiders as to make them seem like aliens, giving Waelde’s unmistakably personal film the feel of a particularly bruising work of vaguely dystopian ethnography.
Caged into the square frames of Fion Mutert’s punchy, hotheaded camerawork, the focus of the film, which is far stronger in its charismatic, contradictory characterizations than in plot, is Katja (Marie Tragousti). She is a troubled young woman whose main outlet, as she faces down...
Caged into the square frames of Fion Mutert’s punchy, hotheaded camerawork, the focus of the film, which is far stronger in its charismatic, contradictory characterizations than in plot, is Katja (Marie Tragousti). She is a troubled young woman whose main outlet, as she faces down...
- 4/3/2020
- by Jessica Kiang
- Variety Film + TV
Director: Michael Haneke Writer: Michael Haneke Starring: Christian Friedel, Leonie Benesch, Ulrich Tukur, Ursina Lardi, Burghart Klaussner, Maria-Victoria Dragus, Rainer Bock, Susanne Lothar Welcome to the cold and grey environs of the Protestant north-German village of Eichwald during the fall harvest of 1913. Not long before the outbreak of World War I, Eichwald is still functioning as a semi-feudal society. The lord of the manor – the baron (Ulrich Tukur) – possesses a majority of the wealth and workforce of the village; the pastor (Burghart Klaußner) and the doctor (Rainer Bock) also wield some power due to their societal status. The three men enjoy absolute moral authority over the women, children and peasants of Eichwald. The baron treats his workers like slaves, caring little of their health and safety – one woman falls to her death through rotten floorboards of the baron’s sawmill, yet no one seems to care but her children. The...
- 2/19/2010
- by Don Simpson
- SmellsLikeScreenSpirit
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