The results of the first Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of European-based filmmakers to receive some much-appreciated coin we find Tarik Saleh’s Eagles of the Republic, Carla Simon’s Romería, Joachim Trier’s Sentimental Value, Agnieszka Holland’s Franz, Amanda Kernell’s The Curse, a Love Story and Hafsia Herzi’s The Last One. For the most part, these projects are expected to move into production as early as this spring and get major film festival premieres starting in 2025. 26 fiction films received coin with five docu projects. Here are the films:
Brave – Marie-Elsa Sgualdo (Switzerland) – €300 000
Desire Lines – Dane Komljen (Serbia) – €120 000
Don’t Let Me Die – Andrei Epure (Romania) – €150 000
Eagles of the Republic – Tarik Saleh (Sweden) – €500 000
Fed Up – Júlia De Paz Solvas (Spain) – €250 000
Finale Allegro – Emanuela Piovano (Italy) – €150 000
Franz – Agnieszka Holland (Poland) – €500 000
God Will Not Help – Hana Jušić (Croatia) – €390 000
Haven of Hope – Seemab...
Brave – Marie-Elsa Sgualdo (Switzerland) – €300 000
Desire Lines – Dane Komljen (Serbia) – €120 000
Don’t Let Me Die – Andrei Epure (Romania) – €150 000
Eagles of the Republic – Tarik Saleh (Sweden) – €500 000
Fed Up – Júlia De Paz Solvas (Spain) – €250 000
Finale Allegro – Emanuela Piovano (Italy) – €150 000
Franz – Agnieszka Holland (Poland) – €500 000
God Will Not Help – Hana Jušić (Croatia) – €390 000
Haven of Hope – Seemab...
- 3/26/2024
- by Eric Lavallée
- IONCINEMA.com
New projects from directors including Agnieszka Holland, Carla Simon, Joachim Trier, Amanda Kernell and Tarik Saleh are among 26 features to receive backing from Eurimages’ in its latest round of co-production funding.
The 26 features – including five documentaries and one animation – have shared a total of €7m funding. Fourteen are to be directed by women.
Polish director Agnieszka Holland’s Franz Kafka biopic Franz received €500,000 ahead of an expected shoot in Czech Republic and Germany next month with newcomer Idan Weiss to play Kafka. Holland’s most recent film Green Border won the special jury prize in competition at Venice in 2023.
Spain’s Carla Simon,...
The 26 features – including five documentaries and one animation – have shared a total of €7m funding. Fourteen are to be directed by women.
Polish director Agnieszka Holland’s Franz Kafka biopic Franz received €500,000 ahead of an expected shoot in Czech Republic and Germany next month with newcomer Idan Weiss to play Kafka. Holland’s most recent film Green Border won the special jury prize in competition at Venice in 2023.
Spain’s Carla Simon,...
- 3/26/2024
- ScreenDaily
As various critics groups and awards bodies dole out their top films of the year, it can be hard to parse which ones are actually worth paying attention to. One such list has arrived today with Film Comment’s annual end-of-year survey. Revealed at a special live talk last night, in an unexpected but welcome surprise, David Cronenberg’s Crimes of the Future topped the list, which also included Jerzy Skolimowski’s Eo, Charlotte Wells’s Aftersun, two by Hong Sangsoo, and more. They also revealed their top undistributed films list, which included David Easteal’s The Plains, Bertrand Bonello’s Coma, and Laura Citarella’s Trenque Lauquen.
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
- 12/15/2022
- by Jordan Raup
- The Film Stage
A Flower in the Mouth.There is a common thread between two otherwise disparate premieres in the Forum section of this year’s Berlin International Film Festival—Eric Baudelaire’s A Flower in the Mouth, shot in France and the Netherlands, and Dane Komljen’s Afterwater, shot in Germany. Both films benefited from the direct involvement of the Jeonju Cinema Project: an extraordinary funding and development initiative undertaken in partnership with the South Korean city’s local government and the programming team of its annual film festival. Together, these two works mark out something like a gesture of intention for the project. Baudelaire’s film is a rich, single-setting response to the demands of microbudget filmmaking and pandemic strictures both, particularly in its second half, which transposes a 1922 Luigi Pirandello play to an all-night café in Paris. Meanwhile, Komjlen’s film is a more ephemeral vision overall, composed largely...
- 7/6/2022
- MUBI
More than 200 films selected for first in-person festival since the start of the pandemic.
South Korea’s Jeonju International Film Festival (April 28-May 7) has unveiled a line-up of 217 films from 56 countries for its first fully-fledged physical edition since start of the Covid-19 pandemic.
A special programme curated by Train To Busan director Yeon Sang-ho is among the selection for the festival’s 23rd edition, which was announced at back-to-back press conferences in Jeonju and Seoul today (March 31).
The 10-day event will include an awards ceremony on May 4 while the Jeonju Project industry programme will run May 1-3.
This year’s...
South Korea’s Jeonju International Film Festival (April 28-May 7) has unveiled a line-up of 217 films from 56 countries for its first fully-fledged physical edition since start of the Covid-19 pandemic.
A special programme curated by Train To Busan director Yeon Sang-ho is among the selection for the festival’s 23rd edition, which was announced at back-to-back press conferences in Jeonju and Seoul today (March 31).
The 10-day event will include an awards ceremony on May 4 while the Jeonju Project industry programme will run May 1-3.
This year’s...
- 3/31/2022
- by Jean Noh
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Fatal Attraction (1987)The next season of Karina Longsworth's podcast You Must Remember This will focus on the thorny and sumptuous erotic films of the 1980s and 1990s, including films by Adrian Lyne, Brian De Palma, and Stanley Kubrick. The two-part season will start on April 5. Ahead of its theatrical release, the long-delayed Top Gun: Maverick will play at a special screening in Cannes for the 75th edition of the festival in May. This year's Cannes Film Festival also has a new official partner: TikTok. The partnership will include exclusive festival-related content for users and an in-app competition called #TikTokShortFilm. James Morosini's I Love My Dad and Rosa Ruth Boesten's documentary Master of Light lead this year's SXSW Film Festival awards. Actor William Hurt has died at the age of 71. Hurt was known...
- 3/16/2022
- MUBI
Selection includes projects from Korea, France, Canada and China among others.
South Korea’s Jeonju International Film Festival has revealed the selection for this year’s Jeonju Cinema Project pitching programme, including new titles from Fighter director Jero Yun and Canadian filmmaker Isiah Medina.
Jeonju Cinema Project: Next Edition has increased this year’s selection from six to eight – four in the international and four in the domestic project categories – following a reported increase in submissions.
This year’s Korean projects are Tae Jun-sik’s 1997, Lim Sun-ae’s Fixed Love, Fixed Girl, Jero Yun’s Breath and Lee Sangcheol’s My Dear.
South Korea’s Jeonju International Film Festival has revealed the selection for this year’s Jeonju Cinema Project pitching programme, including new titles from Fighter director Jero Yun and Canadian filmmaker Isiah Medina.
Jeonju Cinema Project: Next Edition has increased this year’s selection from six to eight – four in the international and four in the domestic project categories – following a reported increase in submissions.
This year’s Korean projects are Tae Jun-sik’s 1997, Lim Sun-ae’s Fixed Love, Fixed Girl, Jero Yun’s Breath and Lee Sangcheol’s My Dear.
- 2/23/2022
- by Jean Noh
- ScreenDaily
Selection includes projects from Korea, France, Canada and China among others.
South Korea’s Jeonju International Film Festival has revealed the selection for this year’s Jeonju Cinema Project pitching programme, including new titles from Fighter director Jero Yun and Canadian filmmaker Isiah Medina.
Jeonju Cinema Project: Next Edition has increased this year’s selection from six to eight – four in the international and four in the domestic project categories – following a reported increase in submissions.
This year’s Korean projects are Tae Jun-sik’s 1997, Lim Sun-ae’s Fixed Love, Fixed Girl, Jero Yun’s Breath and Lee Sangcheol’s My Dear.
South Korea’s Jeonju International Film Festival has revealed the selection for this year’s Jeonju Cinema Project pitching programme, including new titles from Fighter director Jero Yun and Canadian filmmaker Isiah Medina.
Jeonju Cinema Project: Next Edition has increased this year’s selection from six to eight – four in the international and four in the domestic project categories – following a reported increase in submissions.
This year’s Korean projects are Tae Jun-sik’s 1997, Lim Sun-ae’s Fixed Love, Fixed Girl, Jero Yun’s Breath and Lee Sangcheol’s My Dear.
- 2/23/2022
- by Jean Noh
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Danny DeVito, Arnold Schwarzenegger, and Ivan Reitman. (Via Arnold Schwarzenegger.) The prolific director and producer Ivan Reitman has died. Though best known for films like National Lampoon's Animal House, Kindergarten Cop, and the original Ghostbusters, Reitman started out by producing two early horror films by David Cronenberg: Shivers and Rapid. Though he mostly produced and directed comedies, in his later career he produced more dramatic films like Hitchcock and his son Jason Reitman's Up in the Air. His final directorial effort was 2014's Draft Day, a sports drama about the NFL. Reitman was known to take the genre of comedy very seriously, stating in 2000: "The great cliché is about how damn tough comedy is. But of course, nobody really gives that any respect." Michael Mann's film Ferrari has finally started its engine.
- 2/16/2022
- MUBI
The opening minutes of Afterwater, Dane Komljen’s second feature, might fool viewers into thinking they know what they’re in for. At a university, a young man sketches varieties of fishes preserved in jars of glass. A young woman attends class in a lab with microscopes on every table. They don’t speak, their expressions remain impassive. We observe them in static and meticulous compositions, as if they themselves were specimens. When a character reads from a book about limnology, i.e. the study of lakes, and the word “microcosm” cues a shot of Berlin’s central train station bustling with commuters, the cut […]
The post “Images are Moving Away From the Eye”: Dane Komljen on Afterwater first appeared on Filmmaker Magazine.
The post “Images are Moving Away From the Eye”: Dane Komljen on Afterwater first appeared on Filmmaker Magazine.
- 2/14/2022
- by Giovanni Marchini Camia
- Filmmaker Magazine - Blog
The opening minutes of Afterwater, Dane Komljen’s second feature, might fool viewers into thinking they know what they’re in for. At a university, a young man sketches varieties of fishes preserved in jars of glass. A young woman attends class in a lab with microscopes on every table. They don’t speak, their expressions remain impassive. We observe them in static and meticulous compositions, as if they themselves were specimens. When a character reads from a book about limnology, i.e. the study of lakes, and the word “microcosm” cues a shot of Berlin’s central train station bustling with commuters, the cut […]
The post “Images are Moving Away From the Eye”: Dane Komljen on Afterwater first appeared on Filmmaker Magazine.
The post “Images are Moving Away From the Eye”: Dane Komljen on Afterwater first appeared on Filmmaker Magazine.
- 2/14/2022
- by Giovanni Marchini Camia
- Filmmaker Magazine-Director Interviews
Vienna-based sales agent acquires worldwide rights to Philip Scheffner’s Europe and Dane Komljen’s Afterwater.
Wouter Jansen’s Vienna-based sales and distribution outfit Square Eyes has added two Berlinale Forum titles to its EFM slate.
The first is Philip Scheffner’s Europe which was originally conceived as documentary and is described by Jansen as a “forced fiction”. It tells the story of Zohra Hamadi (Rhim Ibrir) who lives in France and has just undergone major surgery. For the first time in her life, she can walk upright, virtually pain-free. Her husband Hocine is waiting in Algeria to finally get a family reunification visa,...
Wouter Jansen’s Vienna-based sales and distribution outfit Square Eyes has added two Berlinale Forum titles to its EFM slate.
The first is Philip Scheffner’s Europe which was originally conceived as documentary and is described by Jansen as a “forced fiction”. It tells the story of Zohra Hamadi (Rhim Ibrir) who lives in France and has just undergone major surgery. For the first time in her life, she can walk upright, virtually pain-free. Her husband Hocine is waiting in Algeria to finally get a family reunification visa,...
- 2/4/2022
- by Geoffrey Macnab
- ScreenDaily
Marco Bellocchio Honorary Prize
The 2022 edition of the Visions du Réel film festival in Nyon, Switzerland, will present its Honorary Award to Italian filmmaker Marco Bellocchio. The Fists In My Pocket and The Traitor director will attend the festival to pick up his prize. He will host a masterclass during the event, while a retrospective of his films will be screened, as well as his new documentary. “Marco Bellocchio exercises impressive liberty and modernity to combine registers of images and genres, moving between fiction and documentary, between the intimate and the collective. We are extremely happy and delighted to pay tribute to an indisputable master of contemporary filmmaking, as well as to a body of work which, from the very first films, has demonstrated dazzling modernity, and is brooding, subversive and audacious, formidably eclectic,” said Emilie Bujès, Artistic Director of Visions du Réel.
The prize will be awarded during the 53rd edition of the fest,...
The 2022 edition of the Visions du Réel film festival in Nyon, Switzerland, will present its Honorary Award to Italian filmmaker Marco Bellocchio. The Fists In My Pocket and The Traitor director will attend the festival to pick up his prize. He will host a masterclass during the event, while a retrospective of his films will be screened, as well as his new documentary. “Marco Bellocchio exercises impressive liberty and modernity to combine registers of images and genres, moving between fiction and documentary, between the intimate and the collective. We are extremely happy and delighted to pay tribute to an indisputable master of contemporary filmmaking, as well as to a body of work which, from the very first films, has demonstrated dazzling modernity, and is brooding, subversive and audacious, formidably eclectic,” said Emilie Bujès, Artistic Director of Visions du Réel.
The prize will be awarded during the 53rd edition of the fest,...
- 1/17/2022
- by Tom Grater
- Deadline Film + TV
PoetBerlinale have announced the first 62 titles selected for the 72nd edition of their festival, set to take place physically from February 10 — 20.FORUMAfterwater (Dane Komljen)Poet (Darezhan Omirbayev)The Middle AgesEurope (Philip Scheffner)A Flower in the Mouth (Éric Baudelaire)Memoryland (Kim Quy Bui)My Two Voices (Lina Rodriguez)Nuclear Family (Erin Wilkerson, Travis Wilkerson)Super Natural (Jorge Jácome)The United States of America (James Benning)Forum EXPANDEDDragon Tooth (Rafael Castanheira Parrode)Home When You Return (Carl Elsaesser)Jail Bird in a Peacock Chair (James Gregory Atkinson)Sol in the Dark (Mawena Yehouessi)vs (Lydia Nsiah)PANORAMATalking About the Weather (Annika Pinske)The Apartment with Two Women (Kim Se-in)Brainwashed: Sex-Camera-Power (Nina Menkes)Swing Ride (Chiara Bellosi)Dreaming WallsKlondike (Maryna Er Gorbach)A Love Song (Max Walker-Silverman)Myanmar Diaries (The Myanmar Film Collective)Into My Name (Nicolò Bassetti)Nelly & Nadine (Magnus Gertten)We, Students! (Rafiki Fariala)Until Tomorrow (Ali Asgari...
- 12/15/2021
- MUBI
Samuel Theis’ “Softie” won the top prize at the 62nd Thessaloniki Film Festival, which wrapped Sunday night with a ceremony in Greece’s second city.
The film, which premiered in Cannes’ Critics’ Week section, was awarded the Golden Alexander and a €10,000 cash prize by a jury comprised of writer-director Nanouk Leopold, sound designer Roland Vajs and actor Michelle Valley.
The Special Jury Award was given to “Clara Sola,” by Natalie Álvarez Mesén, while the Special Jury Award for best director went to Lorenzo Vigas for “The Box.”
The award for best actress went to Sofia Kokkali for her performance in “Moon, 66 Questions,” by director Jacqueline Lentzou. Aliocha Reinert won the prize for best actor for his role in Golden Alexander winner “Softie.” The award for best screenplay went to Laurynas Bareiša for his film “Pilgrims,” while a special mention was given to Alexandre Koberidze for “What Do We See When We Look at the Sky?...
The film, which premiered in Cannes’ Critics’ Week section, was awarded the Golden Alexander and a €10,000 cash prize by a jury comprised of writer-director Nanouk Leopold, sound designer Roland Vajs and actor Michelle Valley.
The Special Jury Award was given to “Clara Sola,” by Natalie Álvarez Mesén, while the Special Jury Award for best director went to Lorenzo Vigas for “The Box.”
The award for best actress went to Sofia Kokkali for her performance in “Moon, 66 Questions,” by director Jacqueline Lentzou. Aliocha Reinert won the prize for best actor for his role in Golden Alexander winner “Softie.” The award for best screenplay went to Laurynas Bareiša for his film “Pilgrims,” while a special mention was given to Alexandre Koberidze for “What Do We See When We Look at the Sky?...
- 11/14/2021
- by Christopher Vourlias
- Variety Film + TV
Festival will hold physical screenings of competition titles from May 28 to June 6 exclusively for competition filmmakers and jury members.
South Korea’s Jeonju International Film Festival has unveiled the eight films selected for its International Competition section of first and second-time directors.
As previously announced, the festival will hold physical screenings of its competition titles from May 28 to June 6 exclusively for competition filmmakers and jury members. Online screenings will also be held for public audiences during those dates.
The line-up includes Chinese director Gao Ming’s Damp Season, about a young couple striving to make a living in the southern...
South Korea’s Jeonju International Film Festival has unveiled the eight films selected for its International Competition section of first and second-time directors.
As previously announced, the festival will hold physical screenings of its competition titles from May 28 to June 6 exclusively for competition filmmakers and jury members. Online screenings will also be held for public audiences during those dates.
The line-up includes Chinese director Gao Ming’s Damp Season, about a young couple striving to make a living in the southern...
- 5/18/2020
- by 134¦Jean Noh¦516¦
- ScreenDaily
Jeonju, S. Korea – The 21st Jeonju International Film Festival revealed three selections for the Jeonju Cinema Project 2020: “Three Sisters” by Lee Seungwon, “A Distant Place” by Park Kunyoung, and “Afterwater” By Dane Komljen.
Jeonju Iff is expecting this year’s selections will extend the outline of film art. They are from experimental films blurring the boundary between documentary and fiction, to independent films connecting individuals’ lives and their inner sides and telling the relationship between the society and characters.
First, “Three Sisters” by Lee Seungwon throws questions of the meaning of family through dissimilar sisters. The film shows dramatic character portrayals and unique directing of Lee Seungwon that pushes the characters to the limit. Above all, the thrilling performances by actors Moon Sori, Kim Sunyoung, and Jang Yoonju are brilliant.
still from “Three Sisters”
“A Distant Place” by Park Kunyoung tells a story of Jinwoo, who lives a quiet...
Jeonju Iff is expecting this year’s selections will extend the outline of film art. They are from experimental films blurring the boundary between documentary and fiction, to independent films connecting individuals’ lives and their inner sides and telling the relationship between the society and characters.
First, “Three Sisters” by Lee Seungwon throws questions of the meaning of family through dissimilar sisters. The film shows dramatic character portrayals and unique directing of Lee Seungwon that pushes the characters to the limit. Above all, the thrilling performances by actors Moon Sori, Kim Sunyoung, and Jang Yoonju are brilliant.
still from “Three Sisters”
“A Distant Place” by Park Kunyoung tells a story of Jinwoo, who lives a quiet...
- 5/17/2020
- by Grace Han
- AsianMoviePulse
South Korea’s Jeonju International Film Festival, already delayed by a month due to the coronavirus outbreak, is now to go ahead in its new dates, but in reduced format. Some of its titles, however, will screen until September.
At the end of April, festival organizers confirmed that Jiff will go ahead May 28 to June 6, roughly a month after its usual late-April slot. But they said that it will be stripped down to become “an exclusive edition with no public audience,” consisting of just three sections., an international competition, a Korean competition and a competition for Korean-made short films.
“As the upcoming long holidays in May have caused great alarm among public health authorities, Jiff had no choice but to think about the best way to ensure the safety of the public,” said Lee Joondong, a prominent producer who was appointed festival director in December after a power struggle that caused several programmers to resign.
At the end of April, festival organizers confirmed that Jiff will go ahead May 28 to June 6, roughly a month after its usual late-April slot. But they said that it will be stripped down to become “an exclusive edition with no public audience,” consisting of just three sections., an international competition, a Korean competition and a competition for Korean-made short films.
“As the upcoming long holidays in May have caused great alarm among public health authorities, Jiff had no choice but to think about the best way to ensure the safety of the public,” said Lee Joondong, a prominent producer who was appointed festival director in December after a power struggle that caused several programmers to resign.
- 5/15/2020
- by Patrick Frater
- Variety Film + TV
The American Film Institute unveiled their lineup for AFI Fest’s World Cinema and the inaugural Documentary section. The fest will take place November 14-21 in Los Angeles.
The world cinema section will include five international feature film Oscar submissions and 16 titles from 19 countries. This includes the Los Angeles premiere of Terrence Malick’s A Hidden Life as well as Levan Akin’s And We Danced from Sweden, Sophie Deraspe’s Antigone from Canada, Jan Komasa’s Corpus Christi from Poland, Marco Bellocchio’s The Traitor from Italy and Cornlieu’s The Whistlers from Romania.
On the documentary side, the fest will include Alex Gibney’s Citizen K as well as Desert One from two-time Academy Award winner Barbara Kopple. Other films in the doc lineup include Bikram: Yoga, Guru, Predator from Eva Orner, Jolie Coiffure from Rosine Mbakam and The Human Factor from Dror Moreh.
Read AFI Fest’s...
The world cinema section will include five international feature film Oscar submissions and 16 titles from 19 countries. This includes the Los Angeles premiere of Terrence Malick’s A Hidden Life as well as Levan Akin’s And We Danced from Sweden, Sophie Deraspe’s Antigone from Canada, Jan Komasa’s Corpus Christi from Poland, Marco Bellocchio’s The Traitor from Italy and Cornlieu’s The Whistlers from Romania.
On the documentary side, the fest will include Alex Gibney’s Citizen K as well as Desert One from two-time Academy Award winner Barbara Kopple. Other films in the doc lineup include Bikram: Yoga, Guru, Predator from Eva Orner, Jolie Coiffure from Rosine Mbakam and The Human Factor from Dror Moreh.
Read AFI Fest’s...
- 10/15/2019
- by Dino-Ray Ramos
- Deadline Film + TV
Take note of that unfurling ellipsis in the title of “I Was at Home, But…,” for it’s the first of legion in the latest tranquil brainteaser from Berlin School auteur Angela Schanelec. After unaccountably disappearing for a week, a 13-year-old boy’s return home triggers a variety of physical and psychological maladies in the household: that’s the plainest precis possible, but any potted description of this radically opaque family drama is likely to make it sound more straightforward than it is. The narrative of Schanelec’s film instead cracks, glitches and folds in on itself in a manner that reflects the psyche of its ostensible protagonist, the kid’s neurotic mother Astrid (Maren Eggert). And even that doesn’t explain its woozy sidelong forays into adjacent personal crises, direct Shakespearean quotation and hypnotic animal observation. Next to this, Schanelec’s previous feature, the tellingly titled “The Dreamed Path,...
- 2/12/2019
- by Guy Lodge
- Variety Film + TV
Eleven development grants worth €10,000
and two co-production grants worth €50,000
This spring, International Film Festival Rotterdam (Iffr)’s Hubert Bals Fund(Hbf) selected 11 projects by both upcoming talents and established filmmakers to receive €10,000 each for Script and Project Development. Additionally, two co-productions have been selected for the Nff+Hbf Co-Production Scheme and receive €50,000 each from the Netherlands Film Fund. The Dutch producers working on these two projects are Keplerfilm and Rinkel Film.
Marit van den Elshout, head of Iffr Pro: “This year feels extra special to us, because 2018 marks the 30th anniversary of the Hubert Bals Fund — a good moment to reflect on what we have accomplished in supporting quality independent cinema since 1988. This year, we received a remarkably high number of applicants with project proposals of exceptional quality. We’ll just take it as an indicator of our success that our shortlist was not short at all. I’m happy...
and two co-production grants worth €50,000
This spring, International Film Festival Rotterdam (Iffr)’s Hubert Bals Fund(Hbf) selected 11 projects by both upcoming talents and established filmmakers to receive €10,000 each for Script and Project Development. Additionally, two co-productions have been selected for the Nff+Hbf Co-Production Scheme and receive €50,000 each from the Netherlands Film Fund. The Dutch producers working on these two projects are Keplerfilm and Rinkel Film.
Marit van den Elshout, head of Iffr Pro: “This year feels extra special to us, because 2018 marks the 30th anniversary of the Hubert Bals Fund — a good moment to reflect on what we have accomplished in supporting quality independent cinema since 1988. This year, we received a remarkably high number of applicants with project proposals of exceptional quality. We’ll just take it as an indicator of our success that our shortlist was not short at all. I’m happy...
- 7/22/2018
- by Sydney Levine
- Sydney's Buzz
Award-winning documentary filmmakers take part in pan-European TV project.
Forty-five European documentary directors are taking part in the marathon TV project 24h Europe – We Are The Future (working title) that wraps today (Monday June 18) after a four-day shoot across the continent.
The directors include Germany’s Thomas Riedelsheimer, Serbia’s Mila Turajlic and Romania’s Alexandru Solomon.
It follows 60 protagonists in 25 European countries from Bulgaria to Iceland and focusing on the hopes, fears and desires of young people between the ages of 15 and 30.
The project is a co-production between Berlin-based zero one 24 and France’s Idéale Audience, and is backed by Arte,...
Forty-five European documentary directors are taking part in the marathon TV project 24h Europe – We Are The Future (working title) that wraps today (Monday June 18) after a four-day shoot across the continent.
The directors include Germany’s Thomas Riedelsheimer, Serbia’s Mila Turajlic and Romania’s Alexandru Solomon.
It follows 60 protagonists in 25 European countries from Bulgaria to Iceland and focusing on the hopes, fears and desires of young people between the ages of 15 and 30.
The project is a co-production between Berlin-based zero one 24 and France’s Idéale Audience, and is backed by Arte,...
- 6/18/2018
- by Martin Blaney
- ScreenDaily
10th edition of lab selects 12 projects.
French festival FIDMarseille, known for its focus on experimental, boundary-pushing work spanning both documentary and fiction, has unveiled the selection of projects due to be presented at the 10th edition of its project development event.
Running July 12-13, the FIDLab will feature 12 projects, selected out of 322 submissions.
They includeThe River, the latest film from Lebanese filmmaker Ghassan Salhab after his well-travelled, awarding-winning dramas The Valley and The Mountain.
It revolves around a younger woman and older man whose lunch in a mountain restaurant is disrupted by fighter planes overhead, pushing them out into nature...
French festival FIDMarseille, known for its focus on experimental, boundary-pushing work spanning both documentary and fiction, has unveiled the selection of projects due to be presented at the 10th edition of its project development event.
Running July 12-13, the FIDLab will feature 12 projects, selected out of 322 submissions.
They includeThe River, the latest film from Lebanese filmmaker Ghassan Salhab after his well-travelled, awarding-winning dramas The Valley and The Mountain.
It revolves around a younger woman and older man whose lunch in a mountain restaurant is disrupted by fighter planes overhead, pushing them out into nature...
- 5/18/2018
- by Melanie Goodfellow
- ScreenDaily
– Attending around 150 Film Industry professionals from 55 firms welcomed helpful events
– Breathing of Fire, The(director Ko Hee-young) and Diary of a Dancer (director Damien Manivel) have been selected for ‘Jeonju Cinema Project 2019′
The 10th Jpm(Jeonju Project Market) that took place for 3 days from May 6-8 ended in big success. Many industry insiders from investment, production, and the distribution sector participated in the ‘Jeonju Cinema Fund Promotion, ‘Jeonju Cinema Project (Jcp): Next Edition,’ and a seminar called ‘After Cinema: Next Steps After Filmmaking.’
‘Jeonju Cinema Fund Promotion,’ which introduced selected projects competing for development funding, took place last Sunday May 6. Six projects were invited to pitch at the event including Parkkang Areum’s “One Way Restaurant.” Attendees learned in-depth about each project through Q &A with jury members. Following the ‘Networking Hour’ event and business meetings, industry insiders discussed important aspects of the film industry, including Investment, production and distribution.
– Breathing of Fire, The(director Ko Hee-young) and Diary of a Dancer (director Damien Manivel) have been selected for ‘Jeonju Cinema Project 2019′
The 10th Jpm(Jeonju Project Market) that took place for 3 days from May 6-8 ended in big success. Many industry insiders from investment, production, and the distribution sector participated in the ‘Jeonju Cinema Fund Promotion, ‘Jeonju Cinema Project (Jcp): Next Edition,’ and a seminar called ‘After Cinema: Next Steps After Filmmaking.’
‘Jeonju Cinema Fund Promotion,’ which introduced selected projects competing for development funding, took place last Sunday May 6. Six projects were invited to pitch at the event including Parkkang Areum’s “One Way Restaurant.” Attendees learned in-depth about each project through Q &A with jury members. Following the ‘Networking Hour’ event and business meetings, industry insiders discussed important aspects of the film industry, including Investment, production and distribution.
- 5/15/2018
- by Adriana Rosati
- AsianMoviePulse
The selection consists of 11 development grants and two co-production grants.
International Rotterdam Film Festival (Iffr)’s Hubert Bals Fund (Hbf) has announced the recipients of 11 development grants and two co-production grants for its spring 2018 selection, the 30th anniversary of the Fund.
The Fund, which provides financial support to filmmakers from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe, has awarded script and project development grants of €10,000 and co-production grants of €50,000.
Scroll down for the full list of titles
The former are separated into two categories: ‘Bright Future’, for films by first- and second-time filmmakers, and ‘Voices’ for more advanced creators.
International Rotterdam Film Festival (Iffr)’s Hubert Bals Fund (Hbf) has announced the recipients of 11 development grants and two co-production grants for its spring 2018 selection, the 30th anniversary of the Fund.
The Fund, which provides financial support to filmmakers from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe, has awarded script and project development grants of €10,000 and co-production grants of €50,000.
Scroll down for the full list of titles
The former are separated into two categories: ‘Bright Future’, for films by first- and second-time filmmakers, and ‘Voices’ for more advanced creators.
- 5/15/2018
- by Ben Dalton
- ScreenDaily
Ko Hee-young’s The Breathing Of Fire and Damien Manivel’s Diary Of A Dancer took top awards in Jeonju Project Market.
Paraguayan director Marcelo Martinessi’s feature debut The Heiresses won the International Competition’s Grand Prize at this year’s Jeonju International Film Festival (Jiff), while Jung Hyungsuk’s The Land Of Seonghye won the Korean Competition’s Grand Prize.
The festival opened May 3 with Chong Wishing’s Japanese film Yakiniku Dragonand by its fifth day, Jiff reported the festival had hit a record for most sold-out screenings: 192 out of a total 280 screenings, 52 more than last year.
The...
Paraguayan director Marcelo Martinessi’s feature debut The Heiresses won the International Competition’s Grand Prize at this year’s Jeonju International Film Festival (Jiff), while Jung Hyungsuk’s The Land Of Seonghye won the Korean Competition’s Grand Prize.
The festival opened May 3 with Chong Wishing’s Japanese film Yakiniku Dragonand by its fifth day, Jiff reported the festival had hit a record for most sold-out screenings: 192 out of a total 280 screenings, 52 more than last year.
The...
- 5/10/2018
- by Jean Noh
- ScreenDaily
Mubi is partnering with the New York Film Festival to present highlights from Projections, a festival program of film and video work that expands upon our notions of what the moving image can do and be. Dane Komljen's Fantasy Sentences (2017) is playing October 30 - November 29, 2017 in most countries around the world.A girl and a man played a game. The man would say words. Words like freedom, garden, faded, greeting, crazy, eye of a needle. The girl would then form sentences. Sentences like Since freedom cannot be attained as quickly as the leaves in the garden have faded, its greeting is all the stormier and even the crazy people, who believe the eye of a needle to be larger than a monkey, take part. What she came up with was less about creating a meaning, more about creating a space where none of what she was given to play with was left out.
- 10/29/2017
- MUBI
Below you will find our favorite films of the 42nd Toronto International Film Festival, as well as an index of our coverage.Top Picksfernando F. CROCE1. First Reformed (Paul Schrader)2. Zama (Lucrecia Martel)3. Western (Valeska Grisebach)4. Ex Libris (Frederick Wiseman)5. Faces Places (Agnès Varda, Jr)6. Manhunt (John Woo)7. Jeanette: The Childhood of Joan of Arc (Bruno Dumont)8. Brawl in Cell Block 99 (S. Craig Zahler)9. The Day After (Hong Sang-soo)10. Let the Corpses Tan (Hélène Cattet, Bruno Forzani)Kelley DONG1. Rose Gold (Sarah Cwynar), Strangely Ordinary This Devotion (Dani Restack, Sheilah Wilson Restack)3. Good Luck (Ben Russell)4. Manhunt (John Woo)5. The Third Murder (Hirokazu Kore-eda), Angels Wear White (Vivian Qu)Daniel KASMAN1. Ex Libris (Frederick Wiseman)2. First Reformed (Paul Schrader)3. Zama (Lucrecia Martel)4. Strangely Ordinary This Devotion (Dani Restack, Sheilah Wilson Restack)5. I Love You, Daddy (Louis C.K.)6. Rose Gold (Sarah Cwynar)7. Brawl in Cell Block 99 (S. Craig Zahler)8. below-above (André...
- 9/19/2017
- MUBI
It’s been an interesting run-up to the Toronto International Film Festival, and in terms of the survival of the species, the good ol’ U.S.A. has been something of a race to the bottom. What would do us in first: violent neo-Nazis whose activities are almost explicitly condoned by the Klansman In Chief? Or a 1,000-year weather event on the Gulf Coast whose magnitude surely owes something to global climate change, and whose aftermath of collapsing dams and exploding chemical factories has everything to do with systematic neglect?Given the state of things down here, who wouldn’t want to repair to Canada for some challenging cinema? As always, the Toronto International Film Festival (Tiff) is the place to be in September, and Wavelengths once again features the best of the fest. This is because the films selected for Wavelengths are the opposite of escapism. Whether they tackle...
- 9/7/2017
- MUBI
Mrs. Fang director Wang BingBelow you will find the awards for the 70th Locarno Festival, as well as an index of our coverage.AWARDSInternational CompetitionGolden Leopard: Mrs. Fang (Wang Bing) Special Jury Prize: Good Manners (Juliana Rojas, Marco Dutra) Best Direction: F.J. Ossang (9 Doigts) Best Actress: Isabelle Huppert (Madame Hyde) Best Actor: Elliott Crosset Hove (Winter Brothers)Filmmakers of the Present Golden Leopard: ¾ (Ilian Metev) Special Jury Prize: Milla (Valerie Massadian) Prize for Best Emerging Director: Kim Dae-hwan (The First Lap) Special Mentions: Distant Constellation (Shevaun Mizrahi), Damned Summer (Pedro Cabeleira)Signs of Life Best Film: Cocote (Nelson Carlo De Los Santos Arias) Mantarraya Award: Phantasiesätze (Dane Komljen)First Feature Best First Feature: Scary Mother (Ana Urushadze)Art Peace Hotel Award: Meteors (Gürcan Keltek)Special Mention: Those Who Are Fine (Cyril Schäublin)Favorite MOMENTSFestival coverage by Daniel KasmanYacht Strafing, Gym Rivalry, Alcatraz Island: On Jacques Tourneur's Nick Carter, Master...
- 8/28/2017
- MUBI
Screen speaks to up-and-coming producers from Serbia, Greece, Georgia, Turkey and Bulgaria.
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
- 8/17/2017
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Screen speaks to up-and-coming producers from Serbia, Greece, Georgia, Turkey and Bulgaria.
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
- 8/17/2017
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Update: Audience award winner revealed; Good Manners, Winter Brothers also among winners.
Documentary filmmaker Wang Bing became the fifth director from China in Locarno’s seven-decade history to win the top honour of the Golden Leopard at this year’s edition.
Mrs. Fang, which is the first documentray ever to win the festival’s top prize, follows the last days of a 67-year-old Alzheimer’s patient in southern China.
Previous Golden Leopard winners from China were Hongqui Li with Winter Vacation in 2010 and Xiaolu Guo with She, a Chinese a year before, as well as Shuo Wang with Father in 2000 and Yue Lü with Mr Zhao in 1998.
The decision by the international competition jury, headed by director Olivier Assayas, reflects a trend at international festivals of recent years for documentaries beating out competition from fiction productions.
While the special jury prize went to the Brazilian writing and directing team Juliana Rojas and Marco Dutra’s Good Manners about...
Documentary filmmaker Wang Bing became the fifth director from China in Locarno’s seven-decade history to win the top honour of the Golden Leopard at this year’s edition.
Mrs. Fang, which is the first documentray ever to win the festival’s top prize, follows the last days of a 67-year-old Alzheimer’s patient in southern China.
Previous Golden Leopard winners from China were Hongqui Li with Winter Vacation in 2010 and Xiaolu Guo with She, a Chinese a year before, as well as Shuo Wang with Father in 2000 and Yue Lü with Mr Zhao in 1998.
The decision by the international competition jury, headed by director Olivier Assayas, reflects a trend at international festivals of recent years for documentaries beating out competition from fiction productions.
While the special jury prize went to the Brazilian writing and directing team Juliana Rojas and Marco Dutra’s Good Manners about...
- 8/12/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Ben & Joshua Safdie's Good TimeThe lineup for the 2017 festival has been revealed, including new films by Wang Bing, Radu Jude, Raúl Ruiz and others, alongside retrospectives and tributes dedicated to Jean-Marie Straub, Jacques Tourneur and much more.Piazza GRANDEAmori che non sonno stare al mondo (Francesca Comencini, Italy)Atomic Blonde (David Leitch, USA)Chien (Samuel Benchetrit, France/Belgium)Demain et tous les autres jours (Noémie Lvovsky, France)Drei Zinnen (Jan Zabeil, Germany/Italy)Good Time (Ben & Joshua Safdie, USA)Gotthard - One Life, One Soul (Kevin Merz, Switzerland)I Walked with a Zombie (Jacques Tourneur, USA)Iceman (Felix Randau, Germany/Italy/Austria)Laissez bronzer les cadavres (Hélène Cattet & Bruno Forzani, Belgium/France)Lola Pater (Nadir Moknèche, France/Belgium)Sicilia! (Jean-Marie Straub & Danièle Huillet, Italy/France/Germany)Sparring (Samuel Jouy, France)The Big Sick (Michael Showalter, USA)The Song of Scorpions (Anup Singh, Switzerland/France/Singapore)What Happed to Monday (Tommy Wirkola,...
- 7/12/2017
- MUBI
Exclusive: 12 Polish premieres include Menashe and Makala.
This year’s New Horizons International Film Festival (August 3 – 13) competition in Wroclaw, Poland, will see 12 Polish premieres vying for the Grand Prix award.
The premieres include three Polish films: A Heart of Love, by director Łukasz Ronduda, a biopic about Polish art scene couple Wojtek Bąkowski and Zuza Bartoszek who are played by Jacek Poniedziałek and Justyna Wasilewska; Norman Leto’s Photon; and Karlovy Vary winner The Birds Are Singing in Kigali by Joanna Kos-Krauze and Krzysztof Krauze.
From Mexico will be director Michel Lipkes dark story Strange But True and Natalia Almada’s Everything Else, which stars Babel and Amores Perros actor Adrian Barraza in the lead role.
Mexican director Sergio Flores Thorija, a former student of Bela Tarr, will bring his Bosnia-set movie 3 Women about three women living in Sarajevo who wish to change their lives.
Menashe by Joshua Z. Weinstein is the first film since the second...
This year’s New Horizons International Film Festival (August 3 – 13) competition in Wroclaw, Poland, will see 12 Polish premieres vying for the Grand Prix award.
The premieres include three Polish films: A Heart of Love, by director Łukasz Ronduda, a biopic about Polish art scene couple Wojtek Bąkowski and Zuza Bartoszek who are played by Jacek Poniedziałek and Justyna Wasilewska; Norman Leto’s Photon; and Karlovy Vary winner The Birds Are Singing in Kigali by Joanna Kos-Krauze and Krzysztof Krauze.
From Mexico will be director Michel Lipkes dark story Strange But True and Natalia Almada’s Everything Else, which stars Babel and Amores Perros actor Adrian Barraza in the lead role.
Mexican director Sergio Flores Thorija, a former student of Bela Tarr, will bring his Bosnia-set movie 3 Women about three women living in Sarajevo who wish to change their lives.
Menashe by Joshua Z. Weinstein is the first film since the second...
- 7/11/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Mubi is showing Dane Komljen's film All the Cities of the North (2016) in most countries around the world from April 22 - May 22, 2017 in partnership with Locarno Festival in Los Angeles.Whenever I introduce this film to an audience, I usually like to talk about how it starts. All the Cities of the North has its own distinct way of unfolding and I always hope that my being there is able to ease the passage into the film, from the darkness of the cinema into the flow of images and sounds. In this case, I’m not here, our bodies are not occupying the same darkness, I can't count on my presence to provide a gateway. Perhaps an image is the best substitute then, it seems fitting for a film of so few words.The image I'd like to offer in my place was taken late in the summer when...
- 4/21/2017
- MUBI
April 21 to 23 will see an unprecedented collaboration between Acropolis Cinema, the Locarno Festival, and the Swiss Consulate General of Los Angeles at the Downtown Independent cinema. Curated by Acropolis founder Jordan Cronk and co-artistic director Robert Koehler, the festival’s main program is comprised of a hand-selected group of films from the 69th Locarno Festival’s Competition, Signs of Life, and Filmmakers of the Present programs, with ten features, all Los Angeles premieres, representing no less than nine different countries.Locarno in Los Angeles
Co-organized with the Swiss Consulate General in Los Angeles, the festival will also host two daytime panel discussions featuring a variety of local critics, programmers, and representatives from Acropolis and the Locarno Festival. Along with three evening receptions featuring a selection of Ticino wine and beer, the first Locarno in Los Angeles promises to bring a tantalizing taste of one of the world’s best film...
Co-organized with the Swiss Consulate General in Los Angeles, the festival will also host two daytime panel discussions featuring a variety of local critics, programmers, and representatives from Acropolis and the Locarno Festival. Along with three evening receptions featuring a selection of Ticino wine and beer, the first Locarno in Los Angeles promises to bring a tantalizing taste of one of the world’s best film...
- 4/20/2017
- by Sydney Levine
- Sydney's Buzz
All the Cities of the NorthSundance has the clout, Cannes the razzle-dazzle. Toronto’s epic film selection is world class. But ask any serious cinephile which of the world’s grand festival institutions deserves your undivided attention, their answer more often than not would be Locarno. Since its inception in 1946, the annual Swiss film festival is a haven for innovative new works by veteran and freshman auteurs alike. The Golden Leopard, Locarno’s equivalent of the Palme D’or, has gone to a diverse group of winners that includes both Otto Preminger’s Carmen Jones and Hong Sang-soo’s Right Now, Wrong Then. Sensing an egregious lack of this progressive programing spirit in their Southern California megalopolis, film critics Jordan Cronk and Robert Koehler have masterminded a curatorial anecdote: Locarno in Los Angeles. Running April 21 through April 23, the event will showcase 10 features and a number of shorts that screened at...
- 4/17/2017
- MUBI
Seven films in early development have been selected for the co-pro market.Scroll down for full details of the projects
CineLink, the industry section of Sarajevo Film Festival (August 11-18), has revealed the first seven projects that will travel to this year’s co-production market.
The films are all in early stages of development and will participate in a preparatory workshop with the CineLink team ahead of being involved in the festival’s Industry Days, which run August 12-17 this year.
All seven of the projects come from the south-eastern European region and will form part of a 35-strong CineLink selection come August.
The initial crop include new films from the directors of Sundance 2014 premiere Viktoria, Locarno 2016 premiere All The Cities Of The North, and the first feature from the star of Dogtooth.
Jovan Marjanovic, head of industry at Sarajevo Film Festival commented: “Come August we will have discovered over 35 projects of different film forms and in...
CineLink, the industry section of Sarajevo Film Festival (August 11-18), has revealed the first seven projects that will travel to this year’s co-production market.
The films are all in early stages of development and will participate in a preparatory workshop with the CineLink team ahead of being involved in the festival’s Industry Days, which run August 12-17 this year.
All seven of the projects come from the south-eastern European region and will form part of a 35-strong CineLink selection come August.
The initial crop include new films from the directors of Sundance 2014 premiere Viktoria, Locarno 2016 premiere All The Cities Of The North, and the first feature from the star of Dogtooth.
Jovan Marjanovic, head of industry at Sarajevo Film Festival commented: “Come August we will have discovered over 35 projects of different film forms and in...
- 3/21/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Locarno Festival off-shoot to run from April 21-23.
Matías Piñeiro’s drama Hermia & Helena Camila and Radu Jude’s drama Scarred Hearts bookend the inaugural Locarno In Los Angeles.
Filmmakers Eduardo Williams and Dane Komljen will be among the guests as top brass announced on Friday the full programme and schedule of events.
The off-shoot of the Locarno Festival in Switzerland (pictured) will take place at the Downtown Independent and features panel discussions ‘The Big Question: How to Get Art Cinema in Front of Los Angeles Audiences?’ and ‘Framing a Festival: How Locarno Presents International Cinema’.
Each features a selection of critics, programmers, and representatives from both Locarno in Los Angeles and the Locarno Film Festival proper.
Williams will present The Human Surge and Komljen arrives with All The Cities Of The North – both North American premieres. They join previously announced Theo Anthony, who will present Rat Film.
Locarno In Los Angeles will also include an adjunct...
Matías Piñeiro’s drama Hermia & Helena Camila and Radu Jude’s drama Scarred Hearts bookend the inaugural Locarno In Los Angeles.
Filmmakers Eduardo Williams and Dane Komljen will be among the guests as top brass announced on Friday the full programme and schedule of events.
The off-shoot of the Locarno Festival in Switzerland (pictured) will take place at the Downtown Independent and features panel discussions ‘The Big Question: How to Get Art Cinema in Front of Los Angeles Audiences?’ and ‘Framing a Festival: How Locarno Presents International Cinema’.
Each features a selection of critics, programmers, and representatives from both Locarno in Los Angeles and the Locarno Film Festival proper.
Williams will present The Human Surge and Komljen arrives with All The Cities Of The North – both North American premieres. They join previously announced Theo Anthony, who will present Rat Film.
Locarno In Los Angeles will also include an adjunct...
- 3/17/2017
- ScreenDaily
Swiss Consul General Emil Wyss has the complaisant good cheer one would expect of a diplomat. At a press conference in his Los Angeles home, he notes that the city and Locarno have more in common than people may expect. “They both have palm trees!” he says with a grin. The lakeside city in the south of Switzerland is better-known to cinephiles as the home of one of the oldest, most venerated film festivals in the world. Now, a joint venture between the Locarno Festival and La’s Acropolis Cinema is bringing some of the festival’s choice programming to Southern California.
The inaugural iteration of Locarno in Los Angeles will take place over the weekend of April 21-23 at the Downtown Independent cinema. The program consists of 10 films that played at last year’s festival, curated by Acropolis founder Jordan Cronk and La critic Robert Koehler. Eight of those films remain without U.
The inaugural iteration of Locarno in Los Angeles will take place over the weekend of April 21-23 at the Downtown Independent cinema. The program consists of 10 films that played at last year’s festival, curated by Acropolis founder Jordan Cronk and La critic Robert Koehler. Eight of those films remain without U.
- 2/6/2017
- by Daniel Schindel
- The Film Stage
The Locarno Film Festival is one of the oldest, most respected in the world. It’s also one of the most difficult to get to: Other than its remote location — a lakeside town in Switzerland — the 71-year-old event is marked by bold, eclectic programming that doesn’t make its way elsewhere as reliably as selections from the likes of Cannes and Sundance.
That’s set to change with Locarno in Los Angeles, a new initiative launched by L.A.-based film critics Jordan Cronk and Robert Koehler. Cronk also curates Acropolis Cinema, a screening series focused on local premieres of outré titles that might not otherwise screen in the City of Angels, while Koehler has served as director of programming for the Film Society of Lincoln Center, AFI Fest and the Qingdao International Film Festival.
The event is slated to run from April 21 – 23 at the Downtown Independent with a lineup...
That’s set to change with Locarno in Los Angeles, a new initiative launched by L.A.-based film critics Jordan Cronk and Robert Koehler. Cronk also curates Acropolis Cinema, a screening series focused on local premieres of outré titles that might not otherwise screen in the City of Angels, while Koehler has served as director of programming for the Film Society of Lincoln Center, AFI Fest and the Qingdao International Film Festival.
The event is slated to run from April 21 – 23 at the Downtown Independent with a lineup...
- 2/6/2017
- by Michael Nordine
- Indiewire
Exclusive: Iffr reveals lineup and jury for programme focused on emerging filmmakers.
International Film Festival Rotterdam (Iffr) (25 Jan – 5 Feb) has announced the full line-up of its Bright Future programme, including the titles that will compete for the Bright Future Award.
Scroll down for the full lineup
The competition for the Bright Future Award 2017 consists of sixteen debut films, including Chinese documentary Children Are Not Afraid of Death, Children Are Afraid of Ghosts by Rong Guang Rong and Caroline Leone’s melancholy Brazilian road movie Pela Janela. Also competing are Belgian title Inside the Distance and German feature Self-Criticism Of A Bourgeois Dog.
The jury for the award will be made up of Italian film producer Marta Donzelli (Le Quattro Volte); Marleen Slot, Netherlands producer for Viking Film (Neon Bull) and chair of Film Producers Netherlands (Fpn); and Jean-Pierre Rehm, director of the French film festival Fid Marseille.
Outside of this competition, Bright Future also presents...
International Film Festival Rotterdam (Iffr) (25 Jan – 5 Feb) has announced the full line-up of its Bright Future programme, including the titles that will compete for the Bright Future Award.
Scroll down for the full lineup
The competition for the Bright Future Award 2017 consists of sixteen debut films, including Chinese documentary Children Are Not Afraid of Death, Children Are Afraid of Ghosts by Rong Guang Rong and Caroline Leone’s melancholy Brazilian road movie Pela Janela. Also competing are Belgian title Inside the Distance and German feature Self-Criticism Of A Bourgeois Dog.
The jury for the award will be made up of Italian film producer Marta Donzelli (Le Quattro Volte); Marleen Slot, Netherlands producer for Viking Film (Neon Bull) and chair of Film Producers Netherlands (Fpn); and Jean-Pierre Rehm, director of the French film festival Fid Marseille.
Outside of this competition, Bright Future also presents...
- 1/4/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Exclusive: Jackie, Paterson, The Levelling set to play Iffr 2017.
The 46th International Film Festival Rotterdam (Iffr) has unveiled a first wave of titles ahead its 2017 edition, which runs January 25 – February 5.
The festival’s full programme will be divided into four sections.
Bright Future will present rising film-making talent from across the world. Films to play the strand will include the European premiere of Ricardo Alves Jr’s Elon Doesn’t Believe In Death, the Brazilian feature that premiered at the Brazilia Festival in September, Hope Dickson Leach’s The Levelling, which premiered in Toronto’s Discovery strand and played at the BFI London Film Festival, and Dane Komljen’s All The Cities Of The North, which premiered at this year’s Locarno Film Festival.
The strand offers a Bright Future Award worth €10,000 ($10,700), which is open to film-makers whose films are having their international premieres in the programme. Separately, as part of the Bright Future programme, eight directors...
The 46th International Film Festival Rotterdam (Iffr) has unveiled a first wave of titles ahead its 2017 edition, which runs January 25 – February 5.
The festival’s full programme will be divided into four sections.
Bright Future will present rising film-making talent from across the world. Films to play the strand will include the European premiere of Ricardo Alves Jr’s Elon Doesn’t Believe In Death, the Brazilian feature that premiered at the Brazilia Festival in September, Hope Dickson Leach’s The Levelling, which premiered in Toronto’s Discovery strand and played at the BFI London Film Festival, and Dane Komljen’s All The Cities Of The North, which premiered at this year’s Locarno Film Festival.
The strand offers a Bright Future Award worth €10,000 ($10,700), which is open to film-makers whose films are having their international premieres in the programme. Separately, as part of the Bright Future programme, eight directors...
- 11/16/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
The Film Society of Lincoln Center has announced the complete lineup for the Projections section of the 54th New York Film Festival. Heading into its third year, the annual celebration will take place October 7 through October 9 and include 44 films in 11 programs with 10 world premieres, five North American premieres and 13 U.S. premieres.
The slate features “experimental narratives, avant-garde poetics, crossovers into documentary and ethnographic realms, and contemporary art practices,” per the festival’s press release. The Projections section will bring together a diverse offering of short, medium, and feature-length work by some of today’s most vital and groundbreaking visual artists.
Read More: Nyff Reveals Main Slate of 2016 Titles, Including ‘Manchester By the Sea,’ ‘Paterson’ and ‘Personal Shopper’
Among the films which will be highlighted is Eduardo Williams’s “The Human Surge,” winner of the top prize in Locarno’s 2016 Filmmakers of the Present section and called “the most ambitious...
The slate features “experimental narratives, avant-garde poetics, crossovers into documentary and ethnographic realms, and contemporary art practices,” per the festival’s press release. The Projections section will bring together a diverse offering of short, medium, and feature-length work by some of today’s most vital and groundbreaking visual artists.
Read More: Nyff Reveals Main Slate of 2016 Titles, Including ‘Manchester By the Sea,’ ‘Paterson’ and ‘Personal Shopper’
Among the films which will be highlighted is Eduardo Williams’s “The Human Surge,” winner of the top prize in Locarno’s 2016 Filmmakers of the Present section and called “the most ambitious...
- 8/17/2016
- by Liz Calvario
- Indiewire
As with their Convergence section, the New York Film Festival offers an expanded view of the current cinema with yet another installment in their Projections series, a showcase of recent developments in and classic examples of experimental work from around the globe. These are hard to pin down as fitting particular types, and the only qualifier I can give is that whatever I manage to see from Projections stands as some of the most fascinating, enriching work I encounter at Nyff every given year.
I’m particularly excited about a few things here: two new Nathaniel Dorsky shorts, for one thing, and The Human Surge, a Locarno title and recent Tiff selection that we (positively!) assessed as being “pretty much a film that, by nature, is unlovable.” But that’s a very small pack that stands out, not least of which is because they have individual program slots. Read a...
I’m particularly excited about a few things here: two new Nathaniel Dorsky shorts, for one thing, and The Human Surge, a Locarno title and recent Tiff selection that we (positively!) assessed as being “pretty much a film that, by nature, is unlovable.” But that’s a very small pack that stands out, not least of which is because they have individual program slots. Read a...
- 8/17/2016
- by Nick Newman
- The Film Stage
Today, the Film Society of Lincoln Center announces the lineup for the Projections section of the 54th New York Film Festival, running from September 30 through October 16: "Among the highlights are Eduardo Williams’s The Human Surge, winner of the top prize in Locarno’s 2016 Filmmakers of the Present section; world premieres of new work by visual poets Nathaniel Dorsky and Jerome Hiler, the subjects of last year’s Nyff Retrospective; features including Deborah Stratman’s The Illinois Parables and Dane Komljen’s All the Cities of the North; and the U.S. premiere of Há Terra!, directed by 2015 Kazuko Trust Award winner Ana Vaz." » - David Hudson...
- 8/17/2016
- Keyframe
Today, the Film Society of Lincoln Center announces the lineup for the Projections section of the 54th New York Film Festival, running from September 30 through October 16: "Among the highlights are Eduardo Williams’s The Human Surge, winner of the top prize in Locarno’s 2016 Filmmakers of the Present section; world premieres of new work by visual poets Nathaniel Dorsky and Jerome Hiler, the subjects of last year’s Nyff Retrospective; features including Deborah Stratman’s The Illinois Parables and Dane Komljen’s All the Cities of the North; and the U.S. premiere of Há Terra!, directed by 2015 Kazuko Trust Award winner Ana Vaz." » - David Hudson...
- 8/17/2016
- Fandor: Keyframe
Radu Jude’s Scarred Hearts among titles; In Focus strand also revealed.
Sarajevo Film Festival (Aug 12-20) has unveiled its competition and in focus titles ahead of the launch of its 22nd edition next month.
The eight features in competition include two world premieres: Ivan Marinović’s debut The Black Pin; and Lukas Valenta Rinner’s A Decent Woman.
The Black Pin, from Montenegro director Marinovic, centres on a priest who finds himself at odds with the other inhabitants of his small, rural parish when he opposes a large property sale. Serbian Vladimir Vasiljević is co-producing.
Austrian filmmaker Rinner, whose Parabellum won the special jury prize at Jeonju and was up for Rotterdam’s Tiger Award in 2015, returns with A Decent Woman, the story of a housemaid working in an exclusive gated community on the outskirts of Buenos Aires who embarks on a journey of sexual liberation at a nudist swingers club.
After winning...
Sarajevo Film Festival (Aug 12-20) has unveiled its competition and in focus titles ahead of the launch of its 22nd edition next month.
The eight features in competition include two world premieres: Ivan Marinović’s debut The Black Pin; and Lukas Valenta Rinner’s A Decent Woman.
The Black Pin, from Montenegro director Marinovic, centres on a priest who finds himself at odds with the other inhabitants of his small, rural parish when he opposes a large property sale. Serbian Vladimir Vasiljević is co-producing.
Austrian filmmaker Rinner, whose Parabellum won the special jury prize at Jeonju and was up for Rotterdam’s Tiger Award in 2015, returns with A Decent Woman, the story of a housemaid working in an exclusive gated community on the outskirts of Buenos Aires who embarks on a journey of sexual liberation at a nudist swingers club.
After winning...
- 7/20/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
United States Of Love, Rams and Mustang will feature at the eighth edition of the festival; regional premiere of Mirjana Karanovic’s A Good Wife.Scroll down for full line-up
The eighth Prishtina International Film Festival (April 22-29) will open with a screening of Jonas Carpignano’s Mediterranea, which will compete as part of the event’s European Film Competition.
Tomasz Wasilewski’s Silver Berlin Bear-winning United States Of Love will also compete in the strand, as will Grímur Hákonarson’s Cannes Un Certain Regard-winning Rams and Deniz Gamze Ergüven’s Oscar-nominated Mustang.
Completing the line-up is Juris Kursietis’ Modris, Carlos Marques-Marcet’s 10,000 Km, and Swiss 10-part Sci-Fi anthology Heimtaland. The films will compete for the festival’s Golden Goddess prize for best European film.
The Honey and Blood competition, which showcases Balkan titles, will this year feature nine films including Danis Tanovic’s Silver Berlin Bear-winning Death In Sarajevo - which will close the festival with Tanovic...
The eighth Prishtina International Film Festival (April 22-29) will open with a screening of Jonas Carpignano’s Mediterranea, which will compete as part of the event’s European Film Competition.
Tomasz Wasilewski’s Silver Berlin Bear-winning United States Of Love will also compete in the strand, as will Grímur Hákonarson’s Cannes Un Certain Regard-winning Rams and Deniz Gamze Ergüven’s Oscar-nominated Mustang.
Completing the line-up is Juris Kursietis’ Modris, Carlos Marques-Marcet’s 10,000 Km, and Swiss 10-part Sci-Fi anthology Heimtaland. The films will compete for the festival’s Golden Goddess prize for best European film.
The Honey and Blood competition, which showcases Balkan titles, will this year feature nine films including Danis Tanovic’s Silver Berlin Bear-winning Death In Sarajevo - which will close the festival with Tanovic...
- 4/7/2016
- ScreenDaily
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