Hello, everyone! This week, we only have a handful of horror and genre titles headed to Blu-ray and DVD, but several of these releases are sure to get you into the holiday spirit, including Scream Factory’s 4K release of Mike Dougherty’s Krampus: The Naughty Cut. Rlje Films is unleashing Creepshow: Season 2 on both Blu-ray and DVD (with the Creepshow Holiday Special included), and if you’re still looking to enhance your holiday spirit even more, there’s always the indie Christmas-themed anthology 13 Slays Till X-Mas coming to Blu-ray, too.
Other home media releases for December 7th include Werewolves Within (one of this writer’s favorite movies of 2021), Blue Monkey, and Broadcast Signal Intrusion.
13 Slays Till X-Mas
On December 24th, five seemingly random men are invited to a dive bar by a mysterious e-mail. They decide to pass the time by resurrecting the old tradition of telling scary stories on Christmas Eve.
Other home media releases for December 7th include Werewolves Within (one of this writer’s favorite movies of 2021), Blue Monkey, and Broadcast Signal Intrusion.
13 Slays Till X-Mas
On December 24th, five seemingly random men are invited to a dive bar by a mysterious e-mail. They decide to pass the time by resurrecting the old tradition of telling scary stories on Christmas Eve.
- 12/7/2021
- by Heather Wixson
- DailyDead
The Who Sell Out was rock’s first perfect package of irony — a wry marriage of highbrow and lowbrow art disguised as a concept album where the only real notion was that the Who wanted cash. They linked the songs together with tongue-in-cheek commercials for deodorant and pimple cream and even hired a real ad agency to pour Heinz beans over Roger Daltrey for the cover art. Without the gimmick, the songs themselves were a glorious hodgepodge. There was one brilliantly chiming anthem “I Can See for Miles,” a South...
- 4/27/2021
- by Kory Grow
- Rollingstone.com
After seventeen years away from our screens, Mike Lowrey and Marcus Burnett made their long-awaited return in Bad Boys For Life, which scored widespread critical acclaim and still remains the highest-grossing movie of 2020 after raking in almost $420 million at the box office before the Coronavirus pandemic sent the industry into the shutdown from which it still hasn’t emerged.
Not content with bringing back one dormant action franchise, directors Adil El Arbi and Bilall Fallah have set their sights on a series that’s been in hibernation for even longer, with the duo being the latest names tasked with steering Beverly Hills Cop 4 out of development hell. We haven’t seen Eddie Murphy’s Alex Foley since the third installment was released in 1994, but after countless false starts, it seems to be picking up some serious momentum, with Netflix footing the bill and Mission: Impossible writers Andre Nemec and...
Not content with bringing back one dormant action franchise, directors Adil El Arbi and Bilall Fallah have set their sights on a series that’s been in hibernation for even longer, with the duo being the latest names tasked with steering Beverly Hills Cop 4 out of development hell. We haven’t seen Eddie Murphy’s Alex Foley since the third installment was released in 1994, but after countless false starts, it seems to be picking up some serious momentum, with Netflix footing the bill and Mission: Impossible writers Andre Nemec and...
- 6/24/2020
- by Scott Campbell
- We Got This Covered
Streaming services always raise eyebrows when they edit the movies on their platform, usually because they never inform viewers as to when they’ve done it. The most recent high-profile example was Disney+ censoring Daryl Hannah’s butt in Splash! by putting some extremely fake-looking CGI hair over it. Now, it’s Netflix’s turn to get fans grumbling, as they’ve inexplicably censored a scene in Back to the Future Part II.
The edit comes during the 1955 sequence where Marty McFly believes he’s finally gotten hold of the Sports Almanac. If you’ll recall, he excitedly opens it, only to realize it’s actually a French girlie magazine called Oh LàLà. In the original, he flicks through it, getting increasingly upset and saying “Oh LàLà?” before ending on the cover. In the Netflix version, he briefly flicks through it, though the scene cuts before we see the cover page.
The edit comes during the 1955 sequence where Marty McFly believes he’s finally gotten hold of the Sports Almanac. If you’ll recall, he excitedly opens it, only to realize it’s actually a French girlie magazine called Oh LàLà. In the original, he flicks through it, getting increasingly upset and saying “Oh LàLà?” before ending on the cover. In the Netflix version, he briefly flicks through it, though the scene cuts before we see the cover page.
- 5/20/2020
- by David James
- We Got This Covered
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