On this week’s episode of Nightmare on Film Street, we’re finally ready to reveal a big secret…..we like musicals! But mostly only musicals filled with tragedy, and revenge, and buckets of blood. Join your horror hosts Kimmi & Jon as they break down Tim Burton’s adaptation of the macabre musical classic, Sweeney Todd: The Demon Barber of Fleet Street (2007).
We’re chatting about that killer barber chair/corpse delivery system, investigating that uncomfortable feeling you get watching Alan Richman portray a sinister villain, and biting our lips while trying not to sing all of our favorite tracks from this minor key bloodbath. Join ussssss…
Support The Show:
Nightmare on Film Street is a labor of love – and Terror! Support us on Patreon at nofspodcast.com/fiendclub to unlock frightfully good rewards; like bonus episodes, watch parties, exclusive merch, producer credits, and much more!
Released:
March 21, 2024
Links:
Apple...
We’re chatting about that killer barber chair/corpse delivery system, investigating that uncomfortable feeling you get watching Alan Richman portray a sinister villain, and biting our lips while trying not to sing all of our favorite tracks from this minor key bloodbath. Join ussssss…
Support The Show:
Nightmare on Film Street is a labor of love – and Terror! Support us on Patreon at nofspodcast.com/fiendclub to unlock frightfully good rewards; like bonus episodes, watch parties, exclusive merch, producer credits, and much more!
Released:
March 21, 2024
Links:
Apple...
- 3/21/2024
- by Nightmare on Film Street
On air, Will McAvoy (Jeff Daniels), the news-anchor superhero at the center of The Newsroom (HBO), talks to America about important things while his staff looks on adoringly. Meanwhile, in his active dating life, Will is wont to assume a kingly hauteur when talking down to the very women he’s trying to woo. Tonight, in the decisively bad fourth episode of Aaron Sorkin’s wild pitch of a screwball, Will is more than once powerfully rude in denouncing the evils of gossip to his ladyfriends, and, more than once his lectures earn damp feedback—the little liquid smack of a drink thrown in his face.
The drink to the face! Say the phrase and visions of Joan Crawford flinging silver gin in black-and-white wash over the gray matter. Its film history dates at least to The Wages of Sin, a 1914 silent short in which a ruined woman takes a...
The drink to the face! Say the phrase and visions of Joan Crawford flinging silver gin in black-and-white wash over the gray matter. Its film history dates at least to The Wages of Sin, a 1914 silent short in which a ruined woman takes a...
- 7/18/2012
- by Gazelle Emami
- Huffington Post
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