Rihanna brought all her iconic hits during her highly anticipated return to the stage during the Apple Music Super Bowl Halftime Show on Sunday — and hinted at being pregnant with her second child.
Opening the performance in an all-red outfit as she descended from the sky on a floating platform, she sang “Bitch Better Have My Money.”
She’S Baaaack...
Opening the performance in an all-red outfit as she descended from the sky on a floating platform, she sang “Bitch Better Have My Money.”
She’S Baaaack...
- 2/13/2023
- by Carly Thomas
- The Hollywood Reporter - Movie News
Zendaya just proved once again she's a true fashion icon. The 25-year-old actress attended the Dune photocall at Le Grand Rex in Paris on Monday, Sept. 6 and, as always, she totally nailed her look. Zendaya wore a stunning outfit designed by Alaïa's creative director Pieter Mulier for the brand's Spring/Summer 2022 collection and accessorized her ensemble with a pair of Jimmy Choos. "She's a grown woman," her stylist Law Roach wrote in an Instagram post showing Zendaya modeling the piece with Beyoncé's "Grown Woman" playing in the background. Zendaya wasn't the only star from the movie to walk the red carpet. Her co-stars Timothée Chalamet and Rebecca...
- 9/6/2021
- E! Online
Recently, fashion documentaries have been very much in vogue. It may seem that another is perhaps unnecessary. But Frédéric Tcheng, who worked on both "Valentino: The Last Emperor," and "Diana Vreeland: The Eye Has to Travel," has made another terrific fashion doc with "Dior and I." Here, Tcheng acts less like a fly on the wall at the House of Dior and more like a silkworm creating the threads. So intimate is his camera that the viewer can feel the fabric of the dresses being made with a special technique called imprimé chaîne (printing the thread before weaving) for newly-minted Dior creative director Raf Simons' first haute couture show. The film chronicles the painstaking eight-week process leading up to the final runway show. Tcheng takes time to introduce the premières (seamstresses who manage the work) at the atelier (workshop). He deftly shows how Raf and his right hand man, Pieter Mulier,...
- 4/7/2015
- by Gary M. Kramer
- Indiewire
Dior And I The Orchard Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes. Grade: B Director: Frédéric Tcheng Cast: Raf Simons, Pieter Mulier Screened at: Dolby88, NYC, 3/26/15 Opens: April 10, 2015 The annual Academy awards celebrations are arguably the dullest shows on TV, given the insipid thank-you speeches that name that the audience knows or cares to know. That means there’s only one reason that people watch, and that’s to look at the clothing that the stars are wearing. Since men don only the traditional tux and bow tie, only the women are worth admiring for their taste in threads. And that’s where Christian Dior comes in. [ Read More ]
The post Dior and I Movie Review appeared first on Shockya.com.
The post Dior and I Movie Review appeared first on Shockya.com.
- 3/27/2015
- by Harvey Karten
- ShockYa
A completely fascinating peek inside a legendary fashion house where the demands of business and art clash in interesting ways. I’m “biast” (pro): nothing
I’m “biast” (con): not particularly interested in the fashion industry
(what is this about? see my critic’s minifesto)
I don’t have the least bit of interest in capital-f Fashion, but I was completely fascinated by this peek into the House of Christian Dior in Paris and the mad rush that then newly appointed creative director Raf Simons put himself through to bring his first haute couture collection from concepts to finished garments models could wear in a mere eight weeks, in Spring 2012. (This is a process that apparently typically occupies five to six months.) Filmmaker Frédéric Tcheng got unprecedented access to Simons, his lieutenant Pieter Mulier, and the ateliers (workshops) where seamstresses interpreted Simons’ designs and brought them to life,...
I’m “biast” (con): not particularly interested in the fashion industry
(what is this about? see my critic’s minifesto)
I don’t have the least bit of interest in capital-f Fashion, but I was completely fascinated by this peek into the House of Christian Dior in Paris and the mad rush that then newly appointed creative director Raf Simons put himself through to bring his first haute couture collection from concepts to finished garments models could wear in a mere eight weeks, in Spring 2012. (This is a process that apparently typically occupies five to six months.) Filmmaker Frédéric Tcheng got unprecedented access to Simons, his lieutenant Pieter Mulier, and the ateliers (workshops) where seamstresses interpreted Simons’ designs and brought them to life,...
- 3/27/2015
- by MaryAnn Johanson
- www.flickfilosopher.com
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