Pakistani Canadian filmmaker Anam Abbas has won the Canadian Media Producers Assn.’s 2023 Kevin Tierney Emerging Producer Award, it was announced Sept. 7 at the Indiescreen Awards, the opening event of the Toronto International Film Festival’s industry conference at Glenn Gould Studios.
Abbas’ latest feature is writer and director Zarrar Kahn’s feature debut “In Flames,” a Pakistani Canadian horror-drama about a Karachi woman and her mother who are beset by malevolent figures from their past after the family patriarch dies. The film, which screens next week in Toronto, premiered in Director’s Fortnight at Cannes, where XYZ Films’ announced the title would launch its New Visions slate.
The award, which comes with a C$10,000 cash prize, recognizes the talents of emerging feature producers. Abbas was recognized by the jury for her ingenuity and her passion for creating films that feel real and essential.
Nancy Grant of Metafilms received the...
Abbas’ latest feature is writer and director Zarrar Kahn’s feature debut “In Flames,” a Pakistani Canadian horror-drama about a Karachi woman and her mother who are beset by malevolent figures from their past after the family patriarch dies. The film, which screens next week in Toronto, premiered in Director’s Fortnight at Cannes, where XYZ Films’ announced the title would launch its New Visions slate.
The award, which comes with a C$10,000 cash prize, recognizes the talents of emerging feature producers. Abbas was recognized by the jury for her ingenuity and her passion for creating films that feel real and essential.
Nancy Grant of Metafilms received the...
- 9/7/2023
- by Jennie Punter
- Variety Film + TV
Canada has brought its Online Streaming Act into law after years of heated debate.
The key impact of Bill C-11 is that streamers such as Netflix, Prime Video and Disney+ will now be regulated by similar laws to those overseeing the country’s networks.
In practice, the streaming services are now required to “contribute to the creation and availability of Canadian stories and music” and “pay their fair share in supporting Canadian artists, just like traditional broadcasters,” as per government bill guidelines issued last year. Canadian networks are compelled to hit certain quotas to fulfil terms of their licenses.
Should streamers fail to comply, local regulator the Canadian Radio-television and Telecommunications Commission (Crtc) can impose fines and other penalties.
The bill passed a final hurdle in the Senate yesterday and received royal assent, meaning it is now Canadian law.
The new law has created passionate supporters and detractors since Justin Trudeau...
The key impact of Bill C-11 is that streamers such as Netflix, Prime Video and Disney+ will now be regulated by similar laws to those overseeing the country’s networks.
In practice, the streaming services are now required to “contribute to the creation and availability of Canadian stories and music” and “pay their fair share in supporting Canadian artists, just like traditional broadcasters,” as per government bill guidelines issued last year. Canadian networks are compelled to hit certain quotas to fulfil terms of their licenses.
Should streamers fail to comply, local regulator the Canadian Radio-television and Telecommunications Commission (Crtc) can impose fines and other penalties.
The bill passed a final hurdle in the Senate yesterday and received royal assent, meaning it is now Canadian law.
The new law has created passionate supporters and detractors since Justin Trudeau...
- 4/28/2023
- by Jesse Whittock
- Deadline Film + TV
Andrew Barnsley, executive producer of “Schitt’s Creek,” is joining the Toronto Film School as president.
Barnsley has won an Emmy and a Golden Globe for outstanding comedy series for “Schitt’s Creek.” He is also an eight-time Canadian Screen Award nominee and winner for his work on “Schitt’s Creek,” “Jann” and “Spun Out.”
“I’m honored to now lead Toronto Film School, mentor students, support a broad range of creative voices and shape curriculum alongside the school’s world-class staff and faculty,” Barnsley said. “I’m a big believer in post-secondary education, that cultural change begins in the classroom, and that meaningful and relevant instruction builds confidence in students to make their mark on the world.”
Barnsley had previously served as Toronto Film School’s executive producer in residence for the past four years, collaborating closely with faculty, students and alumni.
“Toronto Film School graduates will not only be ‘set-ready,’ but ‘industry-ready,...
Barnsley has won an Emmy and a Golden Globe for outstanding comedy series for “Schitt’s Creek.” He is also an eight-time Canadian Screen Award nominee and winner for his work on “Schitt’s Creek,” “Jann” and “Spun Out.”
“I’m honored to now lead Toronto Film School, mentor students, support a broad range of creative voices and shape curriculum alongside the school’s world-class staff and faculty,” Barnsley said. “I’m a big believer in post-secondary education, that cultural change begins in the classroom, and that meaningful and relevant instruction builds confidence in students to make their mark on the world.”
Barnsley had previously served as Toronto Film School’s executive producer in residence for the past four years, collaborating closely with faculty, students and alumni.
“Toronto Film School graduates will not only be ‘set-ready,’ but ‘industry-ready,...
- 5/18/2021
- by Naman Ramachandran
- Variety Film + TV
Fund launched last autumn and has been doubled to $100m Cad.
Producers groups in English and French-speaking parts of Canada welcomed on Wednesday (February 10) the national government’s extension and increase of Covid compensation through March 31, 2022.
Canadian heritage minister Steven Guilbeault announced that the Short-Term Compensation Fund (Stcf) for Canadian audiovisual productions launched last autumn in support of productions has expanded by $50m Cad to $100m Cad.
Telefilm Canada administers the fund, which according to reports has enabled around 50 productions to the finish line despite Covid cases or interruptions due to the virus.
“Throughout the pandemic, Minister Guilbeault and the...
Producers groups in English and French-speaking parts of Canada welcomed on Wednesday (February 10) the national government’s extension and increase of Covid compensation through March 31, 2022.
Canadian heritage minister Steven Guilbeault announced that the Short-Term Compensation Fund (Stcf) for Canadian audiovisual productions launched last autumn in support of productions has expanded by $50m Cad to $100m Cad.
Telefilm Canada administers the fund, which according to reports has enabled around 50 productions to the finish line despite Covid cases or interruptions due to the virus.
“Throughout the pandemic, Minister Guilbeault and the...
- 2/10/2021
- by Jeremy Kay
- ScreenDaily
Honours handed out virtually as part of Cmpa’s closing reception for annual Prime Time conference.
Jennifer Holness and Dominique Dussault emerged as the winners at the 15th annual Indiescreen Awards announced by Canadian Media Producers Association (Cmpa) on Wednesday (February 10).
Holness received the Established Producer Award, which recognises her contribution to Canada’s film industry and career achievements, and carries a $10,000 cash prize.
Her producing credits include Home Again (2012), Badge Of Pride (2010), and Love, Sex And Eating The Bones (2003). Her latest documentary feature, Stateless, won the special jury prize at the 2020 Hot Docs Canadian International Documentary Festival.
Dussault (Nemesis Films...
Jennifer Holness and Dominique Dussault emerged as the winners at the 15th annual Indiescreen Awards announced by Canadian Media Producers Association (Cmpa) on Wednesday (February 10).
Holness received the Established Producer Award, which recognises her contribution to Canada’s film industry and career achievements, and carries a $10,000 cash prize.
Her producing credits include Home Again (2012), Badge Of Pride (2010), and Love, Sex And Eating The Bones (2003). Her latest documentary feature, Stateless, won the special jury prize at the 2020 Hot Docs Canadian International Documentary Festival.
Dussault (Nemesis Films...
- 2/10/2021
- by Jeremy Kay
- ScreenDaily
Winners to be announced at live virtual ceremony on February 10.
The producers of French Exit, No Ordinary Man and Nadia, Butterfly are among nominees for the 15th annual Indiescreen Awards announced by the Canadian Media Producers Association (Cmpa).
The winners of both the Established Producer and Kevin Tierney Emerging Producer categories will be announced at a live virtual ceremony presented in partnership with Telefilm Canada as part of Cmpa’s Prime Time Online conference on February 10.
Cmpa president and CEO Reynolds Mastin said despite the impact of the pandemic on the independent Canadian film sector, “this diverse group of incredible...
The producers of French Exit, No Ordinary Man and Nadia, Butterfly are among nominees for the 15th annual Indiescreen Awards announced by the Canadian Media Producers Association (Cmpa).
The winners of both the Established Producer and Kevin Tierney Emerging Producer categories will be announced at a live virtual ceremony presented in partnership with Telefilm Canada as part of Cmpa’s Prime Time Online conference on February 10.
Cmpa president and CEO Reynolds Mastin said despite the impact of the pandemic on the independent Canadian film sector, “this diverse group of incredible...
- 1/12/2021
- by Jeremy Kay
- ScreenDaily
A total of 214 camera-ready Canadian film and TV projects worth C$1,093,479,381 ($830 million) are at risk because of lack of Covid-19 insurance, two separate surveys by Canadian producers’ associations have found.
The projects, which would directly generate 19,560 jobs, are at risk unless the government launches an insurance program for productions. Insurers around the world do not include pandemic cover, and in many cases policies are specifically worded to exclude Covid-19.
In June, the Canadian Media Producers Assn. (Cmpa) and the Association québécoise de la production médiatique (Aqpm) submitted a joint proposal for the creation of a government-backed insurance program. No initiative has been announced by the Canadian government yet.
“We’ve met with government officials across multiple ministries to discuss our proposal, and although they acknowledge the urgency of this issue, months have passed without any action,” said the Cmpa’s president and CEO Reynolds Mastin. “While governments in the United Kingdom,...
The projects, which would directly generate 19,560 jobs, are at risk unless the government launches an insurance program for productions. Insurers around the world do not include pandemic cover, and in many cases policies are specifically worded to exclude Covid-19.
In June, the Canadian Media Producers Assn. (Cmpa) and the Association québécoise de la production médiatique (Aqpm) submitted a joint proposal for the creation of a government-backed insurance program. No initiative has been announced by the Canadian government yet.
“We’ve met with government officials across multiple ministries to discuss our proposal, and although they acknowledge the urgency of this issue, months have passed without any action,” said the Cmpa’s president and CEO Reynolds Mastin. “While governments in the United Kingdom,...
- 9/18/2020
- by Naman Ramachandran
- Variety Film + TV
“This crisis is going to pay long-term dividends in terms of the willingness by the entire industry to collaborate on issues of common interest.”
President of the Canadian Media Producers Association Reynolds Mastin says there is a “steely optimism” among his members as he and other leading executives in the audiovisual industry chart a course through the pandemic.
The longtime industry professional and filmmaker advocate has been working with the provinces to get the sector back to work in a safe and timely manner, discussing health and safety protocol guidelines and relief funding, and consulting with the federal government on proposals for an insurance backstop.
President of the Canadian Media Producers Association Reynolds Mastin says there is a “steely optimism” among his members as he and other leading executives in the audiovisual industry chart a course through the pandemic.
The longtime industry professional and filmmaker advocate has been working with the provinces to get the sector back to work in a safe and timely manner, discussing health and safety protocol guidelines and relief funding, and consulting with the federal government on proposals for an insurance backstop.
- 7/3/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Canada’s insurance solution for the film and TV industry could see a Cad$100 million ($75 million) government backstop instated to help productions restart in the wake of the coronavirus pandemic, Variety can reveal.
Producers’ trade body, the Canadian Media Producers Association (Cmpa), has confirmed it has asked the federal government to contribute Cad$100 million ($75 million) to top up a “pledged reserve” of funds, pooled from the sale of coronavirus-specific insurance policies.
Canada’s insurance response is one of the more unique strategies to emerge from the Covid-19 crisis, with producers, insurers and the government all being asked to put some skin in the game to safeguard the industry.
That collective element is a “key point” in the plan, Cmpa president and CEO Reynolds Mastin tells Variety. “We set out parameters that would provide affordable, accessible and comprehensive coverage in a way that would enable producers to [get] production back up and begin employing people.
Producers’ trade body, the Canadian Media Producers Association (Cmpa), has confirmed it has asked the federal government to contribute Cad$100 million ($75 million) to top up a “pledged reserve” of funds, pooled from the sale of coronavirus-specific insurance policies.
Canada’s insurance response is one of the more unique strategies to emerge from the Covid-19 crisis, with producers, insurers and the government all being asked to put some skin in the game to safeguard the industry.
That collective element is a “key point” in the plan, Cmpa president and CEO Reynolds Mastin tells Variety. “We set out parameters that would provide affordable, accessible and comprehensive coverage in a way that would enable producers to [get] production back up and begin employing people.
- 6/10/2020
- by Manori Ravindran
- Variety Film + TV
Rhombus Media’s Kevin Krikst and Fraser Ash have jointly won the Canadian Media Producers Assn.’s 2019 Kevin Tierney Emerging Producer Award, it was announced this afternoon at the Indiescreen Awards, the opening event of the Toronto film festival’s industry conference at Glenn Gould Studios.
The Toronto-based pair’s latest feature is Albert Shin’s “Clifton Hill,” a Niagara Falls-set psychological thriller starring Tuppence Middleton (“Sense8”), Hannah Gross (“Mindhunter”), David Cronenberg and Eric Johnson (“Vikings”). The film has its world premiere tonight. WTFIlms’ Gregory Chambet is handling international sales. Elevation is distributing in Canada.
The award, which comes with a C$5,000 cash prize, recognizes the talents of emerging feature producers. Krikst and Ash’s previous Toronto film, Stephen Dunn’s “Closet Monster,” won the festival’s Best Canadian Film prize in 2015.
Felize Frappier of Max Films Media received the Cmpa’s 2019 Established Producer Award in recognition of her remarkable contribution to Canadian cinema,...
The Toronto-based pair’s latest feature is Albert Shin’s “Clifton Hill,” a Niagara Falls-set psychological thriller starring Tuppence Middleton (“Sense8”), Hannah Gross (“Mindhunter”), David Cronenberg and Eric Johnson (“Vikings”). The film has its world premiere tonight. WTFIlms’ Gregory Chambet is handling international sales. Elevation is distributing in Canada.
The award, which comes with a C$5,000 cash prize, recognizes the talents of emerging feature producers. Krikst and Ash’s previous Toronto film, Stephen Dunn’s “Closet Monster,” won the festival’s Best Canadian Film prize in 2015.
Felize Frappier of Max Films Media received the Cmpa’s 2019 Established Producer Award in recognition of her remarkable contribution to Canadian cinema,...
- 9/5/2019
- by Jennie Punter
- Variety Film + TV
Both recipients’ latest features premiere at Tiff.
The Canadian Media Producers Association announced the winners of its annual Cmpa Indiescreen Awards on Thursday (5) at an afternoon ceremony to mark the opening of the 2019 Toronto International Film Festival (Tiff).
Félize Frappier (Max Films Media) received the Cmpa’s 2019 Established Producer Award in recognition of her contribution to Canadian cinema, which includes Marécages (2011), L’autre Maison (2013), Corbo (2014) and Ville-Marie (2015). The Montreal-based producer’s latest film, Kuessipan, receives its world premiere in Discovery on September 8.
Rhombus Media’s Kevin Krikst and Fraser Ash were named joint winners of the Kevin Tierney Emerging Producer Award,...
The Canadian Media Producers Association announced the winners of its annual Cmpa Indiescreen Awards on Thursday (5) at an afternoon ceremony to mark the opening of the 2019 Toronto International Film Festival (Tiff).
Félize Frappier (Max Films Media) received the Cmpa’s 2019 Established Producer Award in recognition of her contribution to Canadian cinema, which includes Marécages (2011), L’autre Maison (2013), Corbo (2014) and Ville-Marie (2015). The Montreal-based producer’s latest film, Kuessipan, receives its world premiere in Discovery on September 8.
Rhombus Media’s Kevin Krikst and Fraser Ash were named joint winners of the Kevin Tierney Emerging Producer Award,...
- 9/5/2019
- by Jeremy Kay
- ScreenDaily
Five established producers and seven up-and-comers are in the running.
The Canadian Media Producers Association (Cmpa) has named the nominees for its 2019 Indiescreen Awards.
Up for the Established Producer Award are: Christina Piovesan, from First Generation Films (American Woman); Felize Frappier, from Max Films Media (Kuessipan); Jessica Adams, from Ja Productions (Tammy’s Always Dying); Judy Holm, from Markham Street Films (Level 16); and Lori Lozinski, of Violator Films (The Body Remembers When the World Broke Open).
Nominated for the Kevin Tierney Emerging Producer Award are: Julie Strifler, of Endgame Films (Easy Land); Katie Bird Nolan and Lindsay Tapscott, from Babe...
The Canadian Media Producers Association (Cmpa) has named the nominees for its 2019 Indiescreen Awards.
Up for the Established Producer Award are: Christina Piovesan, from First Generation Films (American Woman); Felize Frappier, from Max Films Media (Kuessipan); Jessica Adams, from Ja Productions (Tammy’s Always Dying); Judy Holm, from Markham Street Films (Level 16); and Lori Lozinski, of Violator Films (The Body Remembers When the World Broke Open).
Nominated for the Kevin Tierney Emerging Producer Award are: Julie Strifler, of Endgame Films (Easy Land); Katie Bird Nolan and Lindsay Tapscott, from Babe...
- 8/20/2019
- by John Hazelton
- ScreenDaily
The Film Farm’s Simone Urdl and Jennifer Weiss (“Away From Her”) have won the Canadian Media Producers Assn.’s 2018 Established Producer Award, it was announced this afternoon at the Indiescreen Awards, the opening event of the Toronto film festival’s industry conference at Glenn Gould Studios.
The award comes with a Can$10,000 cash prize.
The producers’ latest, Darlene Naponse’s “Falls Around Her,” which has its world premiere Sunday, is one of three Toronto titles featuring the beloved Metis actor Tantoo Cardinal.
The Cmpa also announced Prowler Film’s Caitlin Grabham won newly dedicated Kevin Tierney Emerging Producer Award for her inspiring early-career accomplishments and bright future as an influential filmmaker. The award is named for the late Canadian film producer, best known for “Bon Cop Bad Cop.”
The award comes with a $5,000 cash prize.
“Firecrackers,” which Grabham produced through Telefilm’s Talent to Watch program, has its world...
The award comes with a Can$10,000 cash prize.
The producers’ latest, Darlene Naponse’s “Falls Around Her,” which has its world premiere Sunday, is one of three Toronto titles featuring the beloved Metis actor Tantoo Cardinal.
The Cmpa also announced Prowler Film’s Caitlin Grabham won newly dedicated Kevin Tierney Emerging Producer Award for her inspiring early-career accomplishments and bright future as an influential filmmaker. The award is named for the late Canadian film producer, best known for “Bon Cop Bad Cop.”
The award comes with a $5,000 cash prize.
“Firecrackers,” which Grabham produced through Telefilm’s Talent to Watch program, has its world...
- 9/6/2018
- by Jennie Punter
- Variety Film + TV
Emerging Producer Award renamed Kevin Tierney Emerging Producer Award.
The Canadian Media Producers Association (Cmpa) on Tuesday (August 21) announced the nominees for the 2018 Indiescreen Awards, which will kick off the Tiff Industry Conference on September 6.
The Cmpa, which represents the country’s independent producers, also announced that its Emerging Producer Award will be renamed the Kevin Tierney Emerging Producer Award in honour of the producer of Bon Cop Bad Cop and The Trotsky who died last spring.
“This year’s Indiescreen Awards nominees have each made important contributions to the rich fabric of our national cinematic tapestry,” said Cmpa president and CEO Reynolds Mastin.
The Canadian Media Producers Association (Cmpa) on Tuesday (August 21) announced the nominees for the 2018 Indiescreen Awards, which will kick off the Tiff Industry Conference on September 6.
The Cmpa, which represents the country’s independent producers, also announced that its Emerging Producer Award will be renamed the Kevin Tierney Emerging Producer Award in honour of the producer of Bon Cop Bad Cop and The Trotsky who died last spring.
“This year’s Indiescreen Awards nominees have each made important contributions to the rich fabric of our national cinematic tapestry,” said Cmpa president and CEO Reynolds Mastin.
- 8/21/2018
- by Jeremy Kay
- ScreenDaily
President and CEO of Interactive Ontario succeeds eight-year veteran Carolle Brabant.
Canadian heritage minister Mélanie Joly on Tuesday (June 26) announced that Christa Dickenson has been appointed Telefilm Canada executive director in a move that was received warmly by the Canadian Media Producers Association (Cmpa).
Dickenson currently serves as president and CEO of Interactive Ontario and will serve a five-year term commencing on July 30. She succeeds Carolle Brabant, who stepped down in March after eight years.
The new hire has worked for more than 20 years as a marketing executive in the broadcast, technology, and telecommunications sectors.
“I am delighted with the appointment of Ms.
Canadian heritage minister Mélanie Joly on Tuesday (June 26) announced that Christa Dickenson has been appointed Telefilm Canada executive director in a move that was received warmly by the Canadian Media Producers Association (Cmpa).
Dickenson currently serves as president and CEO of Interactive Ontario and will serve a five-year term commencing on July 30. She succeeds Carolle Brabant, who stepped down in March after eight years.
The new hire has worked for more than 20 years as a marketing executive in the broadcast, technology, and telecommunications sectors.
“I am delighted with the appointment of Ms.
- 6/26/2018
- by Jeremy Kay
- ScreenDaily
Mélanie Joly Prime Time fireside covers Ott, exports, protecting Canadian culture.
Canadian heritage minister Mélanie Joly has moved to allay fears over the recently announced Netflix Canada deal and in particular its impact on French-Canadian culture.
Speaking during a fireside chat with Canadian Media Producers Association president and CEO Reynolds Mastin on Thursday (February 1), Joly said she understood concerns but agreed with Mastin that the Netflix development had caused confusion “and a lot of surprises” in the industry.
The minister’s comments came in a 30-minute session in which she emphasised the important of an export strategy, spoke warmly of her relations with her counterpart in China, and said she had instructed her department to implement up a zero tolerance policy over sexual harassment, with training programmes and a code of conduct in the hopes of allowing women to tell their stories.
Netflix deal part of ‘a transition plan’
On the thorny issue of Netflix, the minister began by...
Canadian heritage minister Mélanie Joly has moved to allay fears over the recently announced Netflix Canada deal and in particular its impact on French-Canadian culture.
Speaking during a fireside chat with Canadian Media Producers Association president and CEO Reynolds Mastin on Thursday (February 1), Joly said she understood concerns but agreed with Mastin that the Netflix development had caused confusion “and a lot of surprises” in the industry.
The minister’s comments came in a 30-minute session in which she emphasised the important of an export strategy, spoke warmly of her relations with her counterpart in China, and said she had instructed her department to implement up a zero tolerance policy over sexual harassment, with training programmes and a code of conduct in the hopes of allowing women to tell their stories.
Netflix deal part of ‘a transition plan’
On the thorny issue of Netflix, the minister began by...
- 2/2/2018
- by Jeremy Kay
- ScreenDaily
Cmpa chief addresses elephant in the room at Ottawa event.
Source: John Major Photography
Canadian Media Producers Association (Cmpa) president and CEO Reynolds Mastin said on Thursday (February 1) he would steer clear of commentary on last autumn’s Netflix Canada announcement by Canadian heritage minister Mélanie Joly.
“As for the Netflix deal itself, I’d like to propose a Prime Time truce,” Mastin said in opening remarks at the Prime Time conference in Ottawa, Canada. He was referring to the announcement in September that Netflix will open its first non-us production hub and commit Cad $500m to original Canadian film and TV over five years.
“As some of you may recall, I’ve occasionally said things on this stage that were not entirely aligned with Netflix’s own public policy positions. Two years ago this led to a Cmpa board resolution that I’m no longer allowed to insult sponsors in my opening remarks [Netflix is a grand sponsor of the two-day Prime Time conference]. In protest, I threatened...
Source: John Major Photography
Canadian Media Producers Association (Cmpa) president and CEO Reynolds Mastin said on Thursday (February 1) he would steer clear of commentary on last autumn’s Netflix Canada announcement by Canadian heritage minister Mélanie Joly.
“As for the Netflix deal itself, I’d like to propose a Prime Time truce,” Mastin said in opening remarks at the Prime Time conference in Ottawa, Canada. He was referring to the announcement in September that Netflix will open its first non-us production hub and commit Cad $500m to original Canadian film and TV over five years.
“As some of you may recall, I’ve occasionally said things on this stage that were not entirely aligned with Netflix’s own public policy positions. Two years ago this led to a Cmpa board resolution that I’m no longer allowed to insult sponsors in my opening remarks [Netflix is a grand sponsor of the two-day Prime Time conference]. In protest, I threatened...
- 2/1/2018
- by Jeremy Kay
- ScreenDaily
Two Lovers And A Bear producer Roger Frappier of Max Films has received the Canadian Media Producers Association’s (Cmpa) Established Producer Award at the Feature Film Producer Awards on Thursday.
The film receives its North American premiere in the Toronto International Film Festival’s (Tiff) Special Presentations section on September 13.
Hany Ouichou of Art & Essai received the Cmpa’s inaugural Emerging Producer Award and produced Those Who Make Revolution Halfway Only Dig Their Own Graves. That receives its world premiere at Tiff in Platform on September 13.
“I’m thrilled to celebrate the work of these two remarkable producers and congratulate both Roger and Hany for their terrific films and their meaningful contributions to independent Canadian cinema,” said Cmpa president and CEO Reynolds Mastin.
Legendary East CEO Peter Loehr will deliver the Visual Effects Society keynote at the 8th annual Summit What is Real? on October 29.The Master Cleanse, Trash Fire and The Crucifixion are among the line-up...
The film receives its North American premiere in the Toronto International Film Festival’s (Tiff) Special Presentations section on September 13.
Hany Ouichou of Art & Essai received the Cmpa’s inaugural Emerging Producer Award and produced Those Who Make Revolution Halfway Only Dig Their Own Graves. That receives its world premiere at Tiff in Platform on September 13.
“I’m thrilled to celebrate the work of these two remarkable producers and congratulate both Roger and Hany for their terrific films and their meaningful contributions to independent Canadian cinema,” said Cmpa president and CEO Reynolds Mastin.
Legendary East CEO Peter Loehr will deliver the Visual Effects Society keynote at the 8th annual Summit What is Real? on October 29.The Master Cleanse, Trash Fire and The Crucifixion are among the line-up...
- 9/8/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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