Mongolian cinema has been making steps forward in the latest years, with films like “Black Milk”, “Remember Me” and “They Sing Up on the Hill” among others, being a testament to the fact. What is quite interesting is that the path local cinema seems to follow is not only art-house, as the lack of funding would suggest, but an effort towards more mainstream aesthetics, which seems like the ideal way to attract local audience first. “The Woman” implements both approaches, in a mixture that is not perfect but is very interesting and entertaining, while the presence of a Korean in the story adds an element of surprise and uniqueness.
In the remote Mongolian mountains, Dagiina lives with Eruult, her mother-in-law and her two young children, Ider and Ujin, herding their flock almost completely by herself. Occasionally, a local man comes and helps her with the more difficult tasks, but he...
In the remote Mongolian mountains, Dagiina lives with Eruult, her mother-in-law and her two young children, Ider and Ujin, herding their flock almost completely by herself. Occasionally, a local man comes and helps her with the more difficult tasks, but he...
- 7/18/2020
- by Panos Kotzathanasis
- AsianMoviePulse
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