“Who am I?” is the question posed in the first closing credit of “One on One,” as if the preceding two hours of screeching melodrama and stomach-churning, rusty nail-assisted violence could have been the work of anyone but Kim Ki-duk. Even fierce admirers of the prolific South Korean provocateur, however, would struggle to suggest that he’s in top form in this turgid, rushed-looking revenge tale, in which the perpetrators of a schoolgirl’s senseless murder are methodically singled out for punishment of the grisliest variety. A significant step down from the more engaging grotesquerie of last year’s bonkers incest drama “Moebius,” this year’s Venice Days opener may struggle to match even the limited level of distributor interest in Kim’s recent work.
“One on One” marks Kim’s second return to the Lido since winning the Golden Lion under contentious circumstances two years ago for “Pieta,” though...
“One on One” marks Kim’s second return to the Lido since winning the Golden Lion under contentious circumstances two years ago for “Pieta,” though...
- 8/27/2014
- by Guy Lodge
- Variety - Film News
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