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1-67 of 67
- 1989– 59m8.0 (32)TV EpisodeOver eight days of interviews Rohmer elaborates on the relationship between film and literature, and how that pertains to his own work.
- 1989– 52m7.7 (53)TV EpisodeIranian director Abbas Kiarostami is interviewed in Tehran and his work is profiled.
- Two directors struggle to survive in the movie industry.
- 1989– 45m7.6 (6)TV Episode
- Scorsese is filmed in his office, and at home with his parents, allowing him to speak whenever he feels like it rather than responding to conventional interview questions.
- 1989– 1h 31m7.4 (168)TV EpisodeThe Taiwanese auteur gives French director Assayas, his interviewer, a guided tour of the island country.
- 1989– 1h 8m7.4 (81)TV Episode
- A biographical movie on film director Philippe Garrel, based on a live interview during which his ideas and relationships are discussed, and illustrated with inserts from his movies.
- Premiere TV broadcast (France) of the theatrical film One Day in the Life of Andrei Arsenevitch (1987).
- 1989– 1h 10m7.3 (94)TV EpisodeThis is a film made of interviews of the film director Jacques Rivette, by a film critic ("Les Cahiers du Cinéma"), Serge Daney.
- 1989– 54m7.3 (25)TV EpisodeThis is a film made of interviews of the film director Jacques Rivette, by a film critic ("Les Cahiers du Cinéma"), Serge Daney.
- 1989– 55m7.2 (13)TV EpisodeCavalier tracks his career from early more money oriented work toward more unconventional and personal expression within a documentary framework.
- A documentary about American director David Lynch.
- 1989– 52m7.0 (8)TV EpisodeMaverick Cahiers critic and filmmaker in his own right, Luc Moullet provides a surprisingly tender portrait of a female director who has aroused controversy with her depictions of sexuality.
- 1989– 59m6.9 (8)TV EpisodeJean-François Stévenin, the author of three cult feature films, certainly knows how to make an entrance: Laurent Achard opens this portrait devoted to him as part of the mythical series Cinéastes de Notre Temps with an expectant wait. Behind the camera, in the Manet mirror on the wall of the café where the actor-director is due to arrive, we can see all the fans who have come to listen to him today. When the hero eventually turns up, almost like Johnny Halliday, his entrance into the frame is also that of the actor he was, in his own films and those of Truffaut, Rivette, Godard, Mazuy and many others.
- Documentary about the director Shohei Imamura. This intimate portrayal arrives to calm us. In good health and enjoying life, Imamura gets drunk methodically in a bar worthy of "An Autumn Afternoon". Then, in the hands of the professional of an hairdresser, he tells his short experience as a director of pornographic films. We salivate with extracts of unknown and invisible films. We find out he his preparing a new film. It sums up the global project of Imamura perfectly: write the counter-history of Japan, from the point of view of the whores and bandits.
- 1989– 1h 10mNot Rated6.8 (182)TV Episode71MetascoreIn 1985, filmmaker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles and filmmakers. The Austin Film Society raised enough money to fly in their first out-of-town invitee, visionary experimental filmmaker James Benning. Accepting the invitation, Benning met Linklater and immediately the two began to develop a personal and intellectual bond, which has lasted through the present. After the cult success of "Slacker" (1991), Linklater has gone on to make award-winning big budget narrative films including "School of Rock" (2003), "Before Midnight" (2013) and "Boyhood" (2014). Benning, meanwhile, has stayed close to his modest roots and is mainly an unknown figure in mainstream film culture. Combining filmed conversations and archival material, "Double Play" explores the connections between the work and lives of these two American visionaries.
- The Portuguese director Paulo Rocha pays tribute to a mentor, Manoel De Oliveira, in this hour long TV documentary portrait.
- 1989– 1h 4m6.6 (100)TV EpisodeApproached to direct an episode of the tv series Cinema of Our Times, the Belgian auteur turns the camera on herself and offers a selection of clips from her work.
- 1989– 52m6.4 (19)TV EpisodeRevised version of John Ford, entre chien et loup (1966), the earlier incarnation of this series, episode #1.18 16 June 1966.
- Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker around New York by night.
- A 1972 interview with Filmmaker Otto Preminger, who discusses his origins in the theater, and the compromises he has made in order to maintain some control over his Hollywood projects.
- 1989– 1h 13m5.8 (15)TV Episode
- Film-interview with Italian director Nanni Moretti.
- 1989– 50mTV Episode
- A documentary film on André S. Labarthe shot in several stages from winter 2006 to winter 2008 in Paris and Massais. The interviews recorded in 2006 shape a nascent dialogue and then a correspondence accompanies the third part of the film.
- A 1971 interview with filmmaker Joseph Losey, who recounts his departure from America in the early 1950s, his difficulties in establishing himself in Europe, and his eventual reemergence with films such as The Servant (1963) and Accident (1967).
- 1989– 1h 35mTV EpisodeRebroadcast of Jean Renoir le patron, 2e partie: La direction d'acteur (1967) from the earlier incarnation of this series, episode #1.22 January 1967.
- 1989– 58mTV EpisodeOver eight days of interviews Rohmer elaborates on the relationship between film and literature, and how that pertains to his own work.
- A fascinating look at Georgian expat filmmaker Otar Iosseliani through the lens of his former assistant Julie Bertuccelli, focused on his unique working methods and conception of cinema.
- Revised version of La nouvelle vague par elle-même (1964), the earlier incarnation of this series, episode #1.2 19 May 1964.
- Revised version of Bresson ni vu ni connu (1965), the earlier incarnation of this series, episode #1.8 17 June 1965.
- Revised version of Pasolini l'enragé (1966), the earlier incarnation of this series, episode #1.19 15 November 1966.
- Revised version of John Cassavetes (1969), the earlier incarnation of this series, episode #1.38 17 March 1969.
- Revised version of "Rome brûle" (Portrait de Shirley Clarke) (1970), the earlier incarnation of this series, episode #1.45 4 October 1970.
- Revised version of Jean-Pierre Melville (Portrait en 9 poses) (1971), the earlier incarnation of this series, episode #1.48 16 July 1971.
- The cinematic word of the Dardenne brothers, printed on incandescent Super 8 in Seraing, their adolescence hometown. Decorating the film, a town that was actually incandescent before the shutdown of the local metallurgical industry.
- 1989– 1h 13mTV EpisodeErice wander about between Madrid and Paris remembering those primeval scenes in his education as a filmmaker, retrieving places more alive than ever in his cinéphile memory. Paris-Madrid.
- 1989–TV Episode
- The portrait of an exiled film-maker. Pitts survives by filming beyond boundaries. The story of an auteur who will always say ''I am situated in the meantime''.
- Revised version of D'un silence l'autre (1967), the earlier incarnation of this series, episode #1.29 9 December 1967.
- 30 years after his debut, Olivier Assayas is back in New York to present his latest feature film shot in Paris, London, Prague and Oman.
- In this portrait, Mexican light master Carlos Reygadas (Post Tenebras Lux, 2012) seldom addresses the camera directly, but allows himself to be filmed during his first commercial assignment. An unexpectedly playful approach from this solitary filmmaker, in which his driver has as much to say as he does. (Rotterdam International Film Festival)