A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
A surrealistic film with input from Salvador Dalí. Director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman's eye and a dead horse being pulled along ... See full summary »
Two travellers are tormented by Satan from inn to inn and eventuly experience a buggy ride through the heavens courtesy of the Devil before he takes one of them down to hell and roasts him ... See full summary »
"In the opening of this film is seen the astronomer intently poring over his books. Suddenly, in a cloud of smoke, Satan appears and surprises the astronomer. At the command of the Fairy ... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
Jules Verne's novel, "From the Earth to the Moon", served as the source material for the film's plot in a very loose sense. See more »
The size of the space capsule is inconsistent throughout the entire feature. It is, apparently, big enough to carry multiple people, yet when a Selenite is seen on the back of the capsule following its return to the Earth, he is almost as big as the entire capsule. See more »
Magical short by one of cinema's special effects pioneers
Georges Melies is often credited with being the cinema's father of fantasy, and his 1902 short A Trip to the Moon would seem to support that contention. Full of imaginative uses of editing and photography and inspired by the works of Jules Verne, the film contains one of the most recognizable images in motion picture history: the sleek, steel-riveted rocket ship jutting out from one of the eye sockets of an expressive man in the moon. Most historical accounts of Melies indicate that he was a trained stage magician whose skills were well-adapted to the new medium of the cinema, but he was also the first filmmaker to produce "commercials" (in the sense of advertising films for a variety of companies). A Trip to the Moon is still surprisingly enjoyable and bursts with many of Melies' technical innovations.
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