Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2013—in theaters or at a festival—and creatively pair it with an old film they also saw in 2013 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2013 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How...
All the contributors were given the option to write some text explaining their 2013 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How...
- 1/13/2014
- by Notebook
- MUBI
In search of flickering reminders of Chaplin's La, Kira Cochrane follows in the footsteps of The Little Tramp, on the centenary of his arrival in Hollywood
Charlie Chaplin slept here: La hotels
The footprints and signature on the doorstep have faded, but there's no confusion about who built these studios: Charlie Chaplin, dressed as the Little Tramp, is painted on the door. Time-lapse footage of the construction of this mock Tudor village – now owned by the Jim Henson Company and identified by a 12ft statue of Kermit above the entrance – appears in How To Make Movies, a film directed by Chaplin in 1918. It shows the small hamlet emerging among the lemon groves that once undulated here, a city rising from the dust.
I wonder how much of Hollywood would exist if Chaplin had never arrived. If the manager of his touring vaudeville troupe had never received that abrupt, misspelled...
Charlie Chaplin slept here: La hotels
The footprints and signature on the doorstep have faded, but there's no confusion about who built these studios: Charlie Chaplin, dressed as the Little Tramp, is painted on the door. Time-lapse footage of the construction of this mock Tudor village – now owned by the Jim Henson Company and identified by a 12ft statue of Kermit above the entrance – appears in How To Make Movies, a film directed by Chaplin in 1918. It shows the small hamlet emerging among the lemon groves that once undulated here, a city rising from the dust.
I wonder how much of Hollywood would exist if Chaplin had never arrived. If the manager of his touring vaudeville troupe had never received that abrupt, misspelled...
- 12/8/2013
- by Kira Cochrane
- The Guardian - Film News
‘Hollywood Hero’ John Dewar remembered (photo: Anthony Slide wearing Tom Mix’s hat in 1976) Perhaps I have been around too long, but as I grow older I grow despondent that those who contributed so much to film history in the past are forgotten, with others often coming along and taking claim for their achievements. One such Hollywood hero is John Dewar, whom I met when I first came to Los Angeles in 1971. He was a curator in the history department at the Los Angeles County Museum of Natural History and introduced me to the museum’s treasures relating to film history, acquired before the creation of the Los Angeles County Museum of Art — at a time when both institutions were housed together simply as the Los Angeles County Museum. Back in the mid-1930s, it was Ransom Matthews, head of industrial technology at the Museum, who had started collecting such materials.
- 8/29/2013
- by Anthony Slide
- Alt Film Guide
On Tuesday morning, Wamg was invited to the Academy of Motion Picture Arts and Sciences’ special press preview of John Ford’s Upstream (1927), one of 75 films recently found in the New Zealand Film Archive and repatriated to the U.S. with the cooperation of the National Film Preservation Foundation.
The 1927 silent film, that was thought lost for decades, had it’s re-premiere Wednesday night, September 1, at the Samuel Goldwyn Theater in Beverly Hills. Many of the VIP’s on hand included Silent Film Historians and those involved with the restoration, as well as the general public.
Having seen the film on Tuesday, I must say the transfer is absolutely beautiful. I was so impressed by the special care taken with the film’s clarity and how vibrant the tinting is on the multiple color frames throughout. The smoky special effects combined with the subtle transitions made me forget I was...
The 1927 silent film, that was thought lost for decades, had it’s re-premiere Wednesday night, September 1, at the Samuel Goldwyn Theater in Beverly Hills. Many of the VIP’s on hand included Silent Film Historians and those involved with the restoration, as well as the general public.
Having seen the film on Tuesday, I must say the transfer is absolutely beautiful. I was so impressed by the special care taken with the film’s clarity and how vibrant the tinting is on the multiple color frames throughout. The smoky special effects combined with the subtle transitions made me forget I was...
- 9/2/2010
- by Michelle McCue
- WeAreMovieGeeks.com
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