The Sign on the Door (1921) User Reviews

Out and Out Melodrama

[Maleejandra · 6/10 · 22 May 2008]

If you like melodrama, you will like this movie. If not, it will be a complete waste of time and will give you a bad impression of silent movies.

Ann Hunniwell (Norma Talmadge) is a secretary who dreams of a wealthy lifestyle. She yearns to go to the opera to see Madam Butterfly, and when Frank Devereaux (Lew Cody) asks her to go with him, she hesitantly but enthusiastically accepts. His intentions are hardly pure, and the two end up together in a questionable nightclub. Years later, Ann is married to Lafe Regan (Charles Richman) and has a stepdaughter (Helen Weir) to take care of. Suddenly, she meets Devereaux again when he visits her husbands. It seems he has been romancing Lafe's best friend and also his daughter. Ann does her best to protect Helen's good name, but finds it difficult to do so because of her own past with Devereaux.

A memorable performance from Talmadge and a silly but suspenseful plot make for enjoyable movie-going, but it is understandable that The Sign on the Door has not been formally released. The Library of Congress print is in good condition, however, and serves as yet another example of an intact Talmadge film that is widely unavailable for viewing. Why? Despite her popularity during the silent era, Talmadge and her films come off as dated today. She is beautiful and adequately subtle, but she is definitely a product of her time.

Norma Talmadge is fascinating in this society melodrama based on the play The Sign on the Door by Channing Pollock.

[larry41onEbay · 6/10 · 16 October 2017]

PLOT SPOILERS: Ann Hunniwell, innocently accompanying Frank Devereaux, her employer's son, to a questionable New York cafe, is arrested in a raid and is photographed by a newspaperman, although Devereaux manages to obtain the negative. Five years later she is the wife of "Lafe" Regan, a man of high character and social standing; her stepdaughter, Helen, becomes involved with Devereaux, who has had an affair also with the wife of Colonel Gaunt. When the colonel threatens to shoot Devereaux, Regan stalls him, while Ann follows Helen to Frank's apartment; after an oral conflict, Regan shoots Devereaux and leaves a "Not To Be Disturbed" sign on the door. Ann tries to take the blame and shield her family, but the district attorney, having posed as the photographer years before, believes Ann is equally guiltless now and frees her and her husband, stating that no jury would convict Regan on his plea of "Self-Defense."

"DO NOT DISTURB" this movie.

[F Gwynplaine MacIntyre · 1/10 · 13 February 2005]

'The Sign on the Door' is based on a play by Channing Pollock, a prolific playwright who is now utterly forgotten. Pollock's most significant credit isn't listed in IMDb: when the German silent film 'Metropolis' was readied for U.S. distribution, Pollock was given the job of writing English-language intertitles that would simplify the story for American audiences. Pollock chose to chop out large portions of the film, including a crucial subplot about the hero's deceased mother.

The IMDb biography for playwright Channing Pollock states that he was an 'illusionist'. It's hard to believe that there were TWO unrelated men named Channing Pollock, but in fact the playwright and the illusionist are two different people. The illusionist is a resident of England, an incredibly handsome stage magician who performs under the name Channing Pollock.

I've seen the Library of Congress print of 'The Sign on the Door', and I'm sorry I bothered. This movie is somewhere between piffle and tosh. It might be tiffle, but it's surely not posh. SPOILERS THROUGHOUT. Norma Talmadge plays a woman with a dark secret in her past, now happily married to wealthy Lafe Regan. (Until Peter Lawford played Senator Lafe Smith in 'Advise and Consent', this must have been the only movie featuring a rich man named Lafe.) Perennial screen cad Lew Cody, hissable as ever, lures Norma to his room by threatening to reveal her secret. He hangs a do-not-disturb sign on his door. As soon as he's alone with Norma, he tries to have his way with her ... but a stranger rushes in and tries to shoot him. They grapple for the weapon. Cody is shot dead. The police come rolling in, just in time to nick Norma.

Now, see, if Norma would just reveal her Dark Secret, the movie would be over and we could all go home. But then there'd be no movie. So, she has to bite her lip and cringe and tremble for another four or five reels. It's clear that she's Protecting Someone Else, and the only suspense here (what there is of it) is whom. If you must know, it's her daughter. So long as Norma keeps mum, she stands to be hanged for murdering Cody. (Would that make her a Cody pendant?) Herbert Brenon was a good director for stories that had an air of fantasy ('Peter Pan') or unreality ('Laugh Clown Laugh'), but here his technique only emphasises the implausibility of this story. I'll rate this dull 'suspense' film one point out of 10.

Norma Shearer in her motion picture debut!

[Pat-54 · 3/10 · 8 October 1998]

By most accounts, this is Norma Shearer's first film. It is an uncredited bit part in one scene.