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Sherlock Jr. (1924)

 -  Comedy | Fantasy  -  21 April 1924 (USA)
8.3
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Ratings: 8.3/10 from 17,378 users  
Reviews: 152 user | 58 critic

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

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(story), (story), 1 more credit »
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Cast

Complete credited cast:
...
Projectionist / Sherlock, Jr.
Kathryn McGuire ...
The Girl
Joe Keaton ...
The Girl's Father / Man on Film Screen
Erwin Connelly ...
The Hired Man / The Butler
Ward Crane ...
The Local Sheik / The Villain
Edit

Storyline

A projectionist is studying to be a detective and is in love with a young lady. When he proposes her, his rival steals the chain watch of her father and incriminates him. The disappointed young projectionist returns to his job and while projecting the film, he dreams on being the detective of the story. Meanwhile, the girl finds the truth and acquits the guilty of the projectionist to her father. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Comedy | Fantasy

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

21 April 1924 (USA)  »

Also Known As:

Sherlock Holmes jr.  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (1924)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

For the scene where Sherlock Jr., escaping some gangsters, leaps headfirst through the body of his assistant, Gillette (who is disguised as an old lady selling neckties), and disappears, Buster Keaton used an old magician's trick. Prior to the trick, Gillette is seen standing with his back against a wooden fence. A section of the fence was sawed out and placed on hinges, so that it opened up and back like a garage door. Ford West (the actor playing Gillette) was then strapped to the underside of the cutaway section, so that when it was opened, West's body was hanging parallel to the ground, but his head and arms stuck out through the upper part of the opening in the fence. The dress and open suitcase were then hung from West's shoulders, so that they hung down in front of the fence, concealing the opening. Both the dress and the suitcase had holes cut in them. With the cameras rolling, Keaton leaped headfirst straight through the hole in the suitcase, the hole in the dress, and the opening in the fence. (He later recalled that he "landed face-first in the dirt" on the other side.) The cutaway fence section was then swung down to close the opening, so that West's body landed perfectly inside the dress. Attendants on the other side of the fence cut the straps holding West's torso and feet to the cutaway section, and West stepped away from the fence as if nothing had happened. In the film, you can see West reach behind his back to close the opening in the dress as he steps from the fence. If you look closely, you can also see the outline of the cutaway section in the fence. See more »

Goofs

After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »

Quotes

The sheik: We are lost! He is sending for the world's greatest detective - Sherlock Jr.!
See more »

Connections

Referenced in Brazil (1985) See more »

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User Reviews

nobody has ever done it better, maybe even as well, as Buster
6 March 2003 | by (Dobbs Ferry, NY) – See all my reviews

There ought to be a theater that shows nothing but perfectly preserved prints of the silent comedies of Buster Keaton, Charlie Chaplin, Harold Lloyd, and Harry Langdon. There ought to be a lot of things, I guess. But anyone who thinks that silent film is nothing more than a crude and unskilled ancestor of today's motion picture need only spend some time on these great comedies to realize that, in this genre at least, the peak was reached in the 20s. Yes, there are funny movies with dialogue, but the humor is generally IN the dialogue...nobody--not the Marx Brothers, or W.C. Fields, or Abbot and Costello or the Three Stooges and nobody since--has achieved the sublime mastery of physical comedy these geniuses did. And the best of them all for pure comedy, to my mind, is Keaton. And the best of his movies is Sherlock, Jr. The dream sequence in which he becomes an actor in the film he's projecting is astonishing; the way in which this movie is a sort of window into a different and appealing age is charming--and the ending of this movie takes the breath away. Keaton made some of the great endings in film, I think. Check out "College" some time--just for the last minute or so. If you ever have the chance to see this film in a good print at the right speed with appropriate music, and you don't take that opportunity, shame shame shame. This is one I'd like to own.


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