Chasing Yesterday (1935) Poster

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6/10
Saccharine But Fun
boblipton28 June 2010
Scholarly O.P. Heggie succors Anne Shirley, the orphaned daughter of an old friend, in this watchable screen adaption of an Anatole France story.

RKO did a fairly large number of movies for children in this period, and Miss Shirley, who took her screen name from her most famous role as the titular heroine of ANNE OF GREEN GABLES, was their lead actress for them -- a bit of casting that was already chafing her. This is awfully sweet, at times too sweet, but Mr. Heggie, a usually reliable actor, is excellent. There is also a wealth of supporting talent in this one, often funny and affecting. Miss Shirley is her usual sweet scamp and if the direction of George Nichols Jr. is not excellent, it is competent for the task at hand.
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6/10
cast more interesting than the plot
ksf-220 September 2016
Warning: Spoilers
"Chasing" opens with a salesman jousting with Therese, the housekeeper, to get inside. The salesman, Coccoz, manages to get in and sell some goods to Sylvestre Bonnard (O.P. Heggie). Bonnard seems anxious to find someone from his past, and goes on a journey to find her. There are some cool special effects, especially for 1935, as Bonnard speaks with a statue, and she seems to come alive. Bonnard meets up with the youngster "Jeanne" (Shirley), who created the statue, and follows her around. a little creepy, but turns out to be harmless. Not really much of a plot, but it does make the time go by. The actors and their own stories are more interesting than what we see on screen, but I guess the film is okay. The house-keeper, played by Helen Westley, really steals the show here.

Just ten years prior to this, Anne Shirley was appearing in films as "Baby Dawn O'Day. although her birth name appears to be Dawn Paris. She would be nominated for an Oscar for "Stella Dallas". Making "Chasing Yesterday", she was still only 17 or 18. and of course she quit the biz in 1944, still in her thirties. Also keep an eye out for Trent Durkin as Henri; Durkin died in 1935, right after making this film, in a car accident with Jackie Coogan. Director George Nichols directed a few more films, then he too died in a car accident in 1939. Heggie died in 1936. Much sadness for the cast of this one. Written by Anatole France, who had numerous stories made into films.
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5/10
Good cast but a bit of a bore
utgard1428 September 2016
Pleasant enough creaker about an elderly scholar who connects with an old flame's orphaned daughter and tries to rescue her from her situation. Anne Shirley plays the girl and she's as charming and likable as ever. I've seen quite a few of her movies by now and I've yet to see a bad turn from her. The rest of the cast is mostly reliable old vets like O.P. Heggie, Etienne Girardot, John Qualen, Helen Westley, and Elizabeth Patterson. All are good but a nice cast and genial atmosphere can only do so much. The movie creaks along slowly and will likely try the patience of most viewers. It's worth a look if you're a fan of any of the actors involved but don't expect it to be some hidden gem.
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Green Gables follow-up
jarrodmcdonald-13 May 2022
Warning: Spoilers
Dawn O'Day became a popular young actress in 1934 when she appeared in RKO's adaptation of ANNE OF GREEN GABLES. It has a big hit with audiences. As part of the studio's marketing scheme, Miss O'Day took the name of the character she played in the film- Anne Shirley- as her new stage name, under which she would be billed for the rest of her career.

A short time later the studio was tasked with finding another project that could duplicate this success. They chose to adapt an old French novel from the 1880s called 'Le Crime de Silvestre Bonnard,' which would feature the actress in another lead role. Again, she would be paired with her costars from the previous picture, O. P. Heggie and Helen Westley. They are a bit more dressed up in CHASING YESTERDAY.

This time, instead of farmers, Heggie is a linguist who collects rare books and Westley is his housekeeper. When Heggie's character tries to hunt down a rare manuscript, he goes to a town where he is reminded of an old love affair. He learns that his deceased former girlfriend had a daughter (Shirley) and she is under the care of a stern guardian and headmistress.

The film deviates from the source material, because in the original novel, the girl is the granddaughter of his old flame which I think makes more sense. Especially since Mr. Heggie does seem old enough to be Miss Shirley's grandfather. Also, the film suggests that Heggie becomes sort of "smitten" with the young girl because of her charms, which adds a peculiar dimension to the proceedings since she may well be his illegitimate daughter. Most of these incestuous implications are brushed aside, since the film was made after the production code had taken affect.

An interesting subplot occurs between Heggie and the headmistress who runs the girls' school that Shirley attends. The headmistress is played by Elizabeth Patterson and she treats the young women under her supervision rather cruelly. In scenes that could have been written by Charles Dickens, the plot has Shirley longing to escape this bleak situation. When Heggie comes to visit her, she gets a brainstorm and suggests that the gentleman has feelings for Patterson, which is definitely not true.

Miss Patterson is a frustrated spinster longing for love, and she falls for this trick. She uses the girl as an excuse to visit Heggie's home, and things get considerably more entertaining. However, the ruse backfires and it leads to harsher punishments for the girl...which only makes Heggie more determined to rescue and adopt her. There is an additional romantic subplot when a student of Heggie's, played by Junior Durkin in his last screen role, also falls for Miss Shirley's charms.

Of course we know a film like this is going to have a happy ending, but the fun is in how the various plot threads are gradually unspooled. The performances here from the three leads are just as good as they were in the Green Gables film. Though I think the best work is rendered by Elizabeth Patterson who is playing against type. Contemporary critics singled her out for praise. Watch her witch-like character fooled by someone who is obviously smarter than her!
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6/10
Some time ago there was a famous film suggesting that firemen should . . .
tadpole-596-91825611 September 2020
Warning: Spoilers
. . . make a beeline to every hoard of books, and burn them upon arrival. Nieces, ex-wives, lovers, cabinet secretaries, generals, ambassadors, Watergate investigators, Chiefs of Staff, personal lawyers, mistresses, covert spies, White House servants, one-time neighbors, disgruntled contractors, off-shore tie & steak & wine suppliers, business partners, frustrated starlets, bodyguards, chauffeurs, pilots and yacht captains have been swarming out of the woodwork recently, making life miserable for America's Leader. CHASING YESTERDAY teaches viewers that the only good book is an incinerated volume. People must not waste their time CHASING YESTERDAY, when it's high time to face the music of Tomorrow!
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5/10
Goes round and round like a cat chasing it's tail.
mark.waltz29 December 2023
Warning: Spoilers
Best viewed if you realize that it's melodramatic, silly, overwrought, overacted and as delusional as the nasty school mistress played by Elizabeth Patterson. She has custody of the orphaned Anne Shirley who's visited by O. P. Heggie, a lonely intellectual who was once in lobs with Shirley's mother. Telling Patterson the lie that Heggie has a crush on her and is thinking of proposing, Shirley arranges for a weekend visit, but the lie is exposed, Patterson humiliated and her attorney Etienne Girardot furious. Shirley must now arrange to run away so she can further get to know him and find out more about her mother.

This elaborate film version of a novel by Anatole France starts off rather bizarre, and I didn't think I'd be able to make it through, but once I realized where it was going, I became fascinated by the pretentiousness and unintentional humor. John Qualen as a door to door book seller and Helen Westley as Heggie's housekeeper are very funny, but it's Patterson in a villainous part (part buffoon too) who walks off with the film. She's a delightful scenery chewer here, but not a one dimensional harpy. Heggie is great in a part that Charles Coburn could have done delightfully. Shirley is not much different than she was in "Anne of Green Gables". An opulent RKO A film that isn't entirely pleasing but outstanding for those details I single out.
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