When some men are attacked by Indians, a survivor obtains an Indian medicine arrow. An Indian tells Blade he has found gold but will not tell him where until he has that arrow. So Blade ...
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A mystical medicine arrow, the key to a lost gold treasure, is lost in one of many Indian attacks. It is recovered by the only two survivors, a Major and his daughter, who become the ... See full summary »
A highly fictionalized account of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in 1876. He has little ... See full summary »
Olivia de Havilland,
A look at what happened to Custer and his troops at the Battle of Little Big Horn. Custer, an outspoken believer in fair treatment for the Indians, is ousted from his post and forced into ... See full summary »
Outlaw Jesse James and his friend, on the run from Missouri, ride into a town where a gang is trying to drive area ranchers off their land because there's oil underneath it. They take ... See full summary »
Fred C. Brannon,
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
In this expanded theatrical release version of the "Custer" TV series pilot, Lt. Col. George Armstrong Custer has been reinstated and assigned to command the 7th Cavalry Regiment at Fort ... See full summary »
When some men are attacked by Indians, a survivor obtains an Indian medicine arrow. An Indian tells Blade he has found gold but will not tell him where until he has that arrow. So Blade starts killing the survivors of the attack but fails to get the arrow. One of the men he kills is John Cardigan and Kit Cardigan, a Scout for Custer, now starts looking for the killer of his father. Written by
Maurice VanAuken <email@example.com>
Movie serials generally have pretty simple, single-minded stories. There's a series of skirmishes between the good guy and the bad guy over some treasure or doomsday weapon, and that's pretty much it. But Custer's Last Stand is unique among all the serials I've seen. It has many more principal characters, each with their own story thread. It's all tied together by a quest for a ceremonial Indian arrow with coded directions to a cave of gold, but that's strictly a continuity device. The cave is never even found. Along the way there's a hero searching for his father's killer, a disgraced soldier battling alcoholism, a renegade Indian trying to foment a battle with the white settlers, an Indian girl with divided loyalties, an equally conflicted saloon owner, shoot-outs, fist-fights and large-scale battles, cameo appearances by Buffalo Bill, Calamity Jane and Wild Bill Hickock, and of course the climatic massacre at Little Big Horn. This is one brim-full serial! There are always at least two or three separate story threads playing out simultaneously, with the action cutting back and forth among them. We're used to this kind of story construction today--it's standard television soap opera technique--but in a mid-1930s serial it was pretty revolutionary.
The cast is full of veterans of the silent era, including former serial queen Helen Gibson. Performances tend toward the florid and aren't helped by the serial's rapid shooting schedule. There are shots in which actors stumble over lines or the director can be heard barking directions, and no time was wasted re-shooting them. For me the most interesting performance was by Marty Joyce, playing the teen character's sidekick. Joyce is clearly having a good old time embellishing and ad-libbing all his dialog. It's too bad he was killed in an auto accident shortly after making this film. It would be interesting to see how he handled other roles.
I highly recommend Custer's Last Stand to fans of pre-Republic serials. It's as rich and panoramic an epic as you're likely to find.
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