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Storyline
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man. Written by
Daniel Bubbeo <dbubbeo@cmp.com>
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Taglines:
Heartbreak Behind Gayety of a Girly-Girl Show!
Certificate:
Approved
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Did You Know?
Trivia
Lucille Ball and
Maureen O'Hara became inseparable friends while shooting this film, and remained lifelong friends until Ball's death in 1989. O'Hara was having lunch with her when Ball first saw her future husband
Desi Arnaz.
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Quotes
Judy O'Brien:
Go on, laugh, get your money's worth. No-one's going to hurt you. I know you want me to tear my clothes off so you can look your fifty cents' worth. Fifty cents for the privilege of staring at a girl the way your wives won't let you. What do you suppose we think of you up here with your silly smirks your mothers would be ashamed of? We know it'd the thing of the moment for the dress suits to come and laugh at us too. We'd laugh right back at the lot of you, only we're paid to let you sit there ...
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Connections
Referenced in
Lucy (2003)
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Soundtracks
"Morning Star"
(uncredited)
Music by
Edward Ward
Lyrics by
Chet Forrest and
Bob Wright
Sung by an unidentified singer in a nightclub
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Although directed by a woman (Dorothy Arzner) and co-written by a woman (Tess Slesinger) from Vicki Baum's original story, this behind-the-scenes glimpse at Broadway Burlesque is hardly any different than the fame-and-footlights movies the men were grinding out during this era (it even includes a catfight!). Clichéd story concerns two boarding-house girls (Lucille Ball and Maureen O'Hara) who hit the big time: Lucy as a Burlesque Queen and would-be ballerina Maureen as her 'stooge', or warm-up act. Predictably, a smooth-talking womanizer threatens to come between them. When O'Hara sneaks out with Ball's guy, she shows no misgivings over her actions--nor does Lucy seem to care about the abuse Maureen suffers every night performing for unruly crowds. Arzner's cynical take on the girls' smooth-and-scratchy friendship gives the material a bit of an edge (good for about three scenes). The hoary plot mechanisms, unfortunately, reveal the same old soapy story, and neither actress is able to rise above the dross. ** from ****