Nona Brooks, former member of a stranded theatrical troupe, earns a temporary living singing in a café in Duakwa, British Rhodesia, Africa. The café owner is secretly in league with two ...
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Nona Brooks, former member of a stranded theatrical troupe, earns a temporary living singing in a café in Duakwa, British Rhodesia, Africa. The café owner is secretly in league with two foreign agents with a goal of making the natives restless. American explorer Larry Mason leaves for the jungle with his servant, Jeff and a safari. Nona escapes the café into the jungle but is followed by the agents as, unknowing to her, she is carrying a report of the agent's activities. She joins the safari just as all hands are captured by a tribe of natives. Written by
Les Adams <email@example.com>
When singing "Jungle Moon" in the bar, the girl is backed by the sound of a full orchestra, while there is only a piano playing behind her. Meanwhile, the sound of a piano is absent from the orchestra background to her song. See more »
Cannons to the right of me! Cannons to the left of me! And I ain't got no health insurance!
(Some Spoilers) Being stuck in the African jungle at this dive "The Traders Hole & Cafe" Brooklyn band singer Nora Brooks, Arline Judge,has been waiting for her passport so she can get back to civilization back in Brooklyn. But as you would expect the Post Office, even in the wilds of darkest Africa,is as slow as molasses in it's mail delivery. It turns out that it's not the Post Office fault but Nora's boss Simmons, Arthur O'Connell who been keeping her passport from getting to her, after first stealing it, in order to keep Nora at his joint to entertain the customers.
Simmons is also in the pay of the Nazis who's agents Grozman & Belts,Victor Kendall & Feodor Chaliapan, who are trying to stir up the natives against their British Colonial rulers and become unwitting pawns in helping Germany in winning the war against the allies. It's when British government agent Tony Hobson, Robert Strange, shows up to see just what's going on that things really start to unravel for everyone involved. Having a drink and watching Nora's stage act the lights go out and when their turned back on again Hobon is dead. Stabbed to death and the secret document that he has on him about the Nazis intentions, as well as Nora are both gone. Hobson's killer in a panic put the document in Nora's jacket.
On the run from the police thinking she's to be arrested for agent Hobson's murder Nora runs into in this camp in the middle of the jungle of what's we would call a digger upper, archaeologist Larry Mason, John "Dusty" King. Being a woman the natives on Mason's expiation are nervous since they tell him, through their head boss man Bongo(Martin Wilkins),that she's brought a Ju-Ju, an evil spirit, along with her and they want no part of it.
Not being able to throw Nora out into the jungle Mason agrees to take her along which has the two Nazi agents to get the local native tribe headed by their Oxford educated and Harlem born Chief Mojobo, Lawrence Criner. They want Chief Mojobo to attack and capture Nora and Mason and also his Harlem born & bread sidekick Jefferson "Jeff" Jones, Martan Moreland.
Funny only because of Martan Moreland being in the film who, as you would expect, steals every scene that he's in with the rest of the cast coming across like a bunch of wooden cigar store Indians.The Nazis are so inept that they can't even finish off Simmons, with a handgun and rifle at point-blank range. Simmons gives them up to the British because the Nazis were too cheap to pay him the 100 British Pounds that they promised him.
The lovable and adorable, as well as hilarious, Jeff Jones attracts both a big hairy guerrilla as well as the chief's over endowed and well-fed daughter. Who get's him and his friends Mason & Nora released just before they were to be the main course for Thanksgiving Dinner. The fact that Jeff and Chief Mojobo belonged to the same fraternity back in Harlem didn't hurt their chances to be able to survive intact and not be wolfs-down by the natives either.
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