Phantom of the Opera (1943)

User Rating:

6.6/10   

Director:

Arthur Lubin

Writers:

Samuel Hoffenstein (writer)
John Jacoby (adaptation)
(more)

Release Date:

27 elokuu 1943 (USA)

Genre:

Drama | Horror | Music | Romance | Thriller

Tagline:

In flaming Technicolor!

Plot:

This is the story of a disfigured violinist who haunts the Paris Opera House

Plot Keywords:

Opera | Music Publisher | Acid | Soprano | Murder

Awards:

Won 2 Oscars. Another 2 nominations

Cast

Nelson Eddy	...	Anatole Garron
Susanna Foster	...	Christine Dubois
Claude Rains	...	Erique Claudin
Edgar Barrier	...	Raoul D'Aubert
Leo Carrillo	...	Signor Ferretti
Jane Farrar	...	Biancarolli
J. Edward Bromberg	...	Amiot
Fritz Feld	...	Lecours
Frank Puglia	...	Villeneuve
Steven Geray	...	Vereheres
Barbara Everest	...	The Aunt
Hume Cronyn	...	Gerard
Fritz Leiber	...	Franz Liszt
Nicki Andre	...	Madame Lorenzi
Gladys Blake	...	Jeanne
Elvira Curci	...	Biancarolli's maid
Hans Herbert	...	Marcel
Kate Drain Lawson	...	Landlady (as Kate Lawson)
Miles Mander	...	Pleyel
Rosina Galli	...	Christine's maid
Walter O. Stahl	...	Doctor (as Walter Stahl)
Paul Marion	...	Desjardins
rest of cast listed alphabetically:
Richard Bartell	...	Reporter (uncredited)
Stanley Blystone	...	Officer (uncredited)
Renee Carson	...	Georgette (uncredited)
Wheaton Chambers	...	Reporter (uncredited)
Lane Chandler	...	Officer (uncredited)
Edward Clark	...	Usher (uncredited)
James Conaty	...	Operagoer (uncredited)
Cyril Delevanti	...	Bookkeeper (uncredited)
William Desmond	...	Stagehand (uncredited)
Helen Dickson	...	Operagoer (uncredited)
Ernest Golm	...	Office manager (uncredited)
Hank Mann	...	Stagehand (uncredited)
Anthony Marlowe	...	'Marta' singer (uncredited)
Alphonse Martell	...	Policeman (uncredited)
Eric Mayne	...	Reporter (uncredited)
Belle Mitchell	...	Feretti's maid (uncredited)
James Mitchell	...	Reporter (uncredited)
Beatrice Roberts	...	Nurse (uncredited)
Muni Seroff	...	Reporter (uncredited)
Johnny Walsh	...	Office boy (uncredited)
Tudor Williams	...	'Marta' singer (uncredited)
Marek Windheim	...	Renfrit (uncredited)

Directed by
Arthur Lubin

Writing credits (in alphabetical order)
Samuel Hoffenstein		writer
Hans Jacoby		uncredited
John Jacoby		adaptation
Gaston Leroux		novel
Eric Taylor		writer

Produced by
George Waggner	....	producer
Jack J. Gross	....	executive producer (uncredited)

Original Music by
Edward Ward

Cinematography by
W. Howard Greene
Hal Mohr

Film Editing by
Russell F. Schoengarth		(as Russell Schoengarth)

Art Direction by
Alexander Golitzen
John B. Goodman

Set Decoration by
Russell A. Gausman		(as R.A. Gausman)
Ira Webb		(as Ira S. Webb)

Costume Design by
Vera West

Makeup Department
Jack P. Pierce	....	makeup artist

Second Unit Director or Assistant Director
Charles S. Gould	....	assistant director (as Charles Gould)

Art Department
Nelson Eddy	....	sculptor: bronze statue of Christine DuBois

Sound Department
Bernard B. Brown	....	sound director
Joe Lapis	....	sound technician

Special Effects by
Tim Baar	....	special effects (as Tim Barr)

Music Department
Arthur Schutt	....	orchestrator
William Tyroler	....	choral direction
Edward Ward	....	musical director
Harold Zweifel	....	orchestrator

Other crew
Joan Hathaway	....	dialogue director
Lester Horton	....	opera sequences
Natalie Kalmus	....	technicolor color director
William von Wymetal	....	opera sequences

Production Companies

• Universal Pictures

Distributors

• Universal Pictures (1943) (USA) (theatrical)
• Realart Pictures (1948) (USA) (theatrical) (re-release)
• MCA/Universal Home Video (199?) (USA) (VHS)
• Argentina Video Home (2005) (Argentina) (DVD)
• Universal Home Entertainment (2001) (USA) (DVD)
• Universal Home Entertainment (2001) (USA) (VHS)
• Universal Pictures Benelux (2002) (Netherlands) (DVD)

Runtime:

92 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Spain:13 | Netherlands:12 | Australia:G (cable rating) | Australia:PG (original rating) | Finland:K-16 | Germany:12 | Sweden:15 | UK:PG | USA:Approved (PCA #9388) | Argentina:Atp

Filming Locations:

Universal Studios - 100 Universal City Plaza, Universal City, California, USA

Company:

Universal Pictures

Trivia:

The role of Christine Dubois was originally intended for Deanna Durbin, who turned it down.

Goofs:

Revealing mistakes: When Christine takes the mask off from Phantom's face, we see that his scar reaches the low area of his right cheek, even the right eyelid is slightly fallen. But before that during the entire film, we never see a single mark of the scar on the uncover area of the Phantom's face, not even the fallen eyelid through the mask.

Quotes:

[Christine has left Raoul and Anatole in her dressing room while she greets a crowd of admirers]
Raoul D'Aubert: Would you join me for a bit of supper at the Cafe de l'Opera?
Anatole Garron: With pleasure, monsieur.
Raoul D'Aubert: Think we can get through this crowd?
Anatole Garron: Certainly. After all, who'd pay any attention to a baritone and a detective?

Movie Connections:

Featured in The Opera Ghost: A Phantom Unmasked (2000) (V)

Soundtrack:

MARTHA (Act III, opera excerpt)

The Mad Scourge of the Paris Opera

When Universal decided to remake Lon Chaney's classic silent version of the opera, sound opened up a rather obvious vista for the film. We can make it as much about opera as the phantom haunting the Paris Opera.

A task rendered considerably easier by the presence of Nelson Eddy and Susanne Foster. Unlike his screen partner at MGM, Jeanette MacDonald, Nelson Eddy came from the opera to the cinema. He always viewed himself as a singer first, films were something he did to get publicity for his concert tours. But Eddy always loved the grand opera, it could easily been his career path. Consequently The Phantom of the Opera and the arias he sings here always had a special place in his affections. We see a lot of the real Nelson here.

Another one of his interests was sculpture. The bust of Susanna Foster that Claude Rains stole from Eddy's dressing room is something that Nelson Eddy actually did. Sculpting was a hobby of his and as you can see he was quite good at it. Might have made a living doing that as well.

Susanna Foster who had a lovely soprano voice gave up her career soon after this most acclaimed of her films. A pity too, it was a real loss to the screen.

This Phantom of the Opera has a bit of comedy in it as well. Baritone Nelson Eddy and Inspector of the Surete Edgar Barrier have an uneasy rivalry going for the affections of Foster. The scenes involving this are nicely staged by director Arthur Lubin, more known for doing Abbott and Costello comedies.

This may have been Edgar Barrier's best film role. He was a more than competent player, his career probably suffering because he was a bit too much like Warren William who was himself a poor man's John Barrymore. Barrier played equally well as villains or as a good guy as he is here. Another fine role for him even though he only has one scene is in Cyrano de Bergerac where he plays the very sly and all knowing and discerning Cardinal Richelieu.

Of course Phantom of the Opera is really made by the performance of Claude Rains as the mild mannered, inoffensive Eric Claudin, a violinist in the Paris Opera who is crushing out big time on Susanna Foster. We see him first being told after 20 years he's being given the sack by the company. What they describe sounds an awful lot like Carpel Tunnel Syndrome that he's developed which is affecting his playing the violin. Bad news for Susanna Foster also because he's been her secret benefactor in paying for voice lessons.

There isn't any middle aged man who doesn't identify with Rains. Tossed out of his job, the rent due, crushing out big time on a young girl, a lot of us have been there. Then when he thinks an unscrupulous music publisher is stealing a concerto he's written, he loses it completely and kills him. And when acid is thrown in his face disfiguring him, it's a short journey to madness.

Rains really makes us feel for Claudin. In that sense the film is not a horror picture in that we're dealing with monsters or unworldly creatures that Universal so specialized in. The man who becomes the Phantom is all too real, too human, and if we're pushed right, could be any one of us.

Can you do better than opera arias by Nelson Eddy and a classic performance by Claude Rains? I think not.