Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job. Written by
Future Italian director Ettore Scola, who was only fifteen years old at the time, recalled passing the Piazza Vittorio while on his way to school one day and wondering why it was so deserted that time of day. He said, "...only a worker, a street sweeper and a child were crossing the street, going in the direction of the market. A low and strangely close voice, like that of a prompter amplified by a megaphone, reached the actors and the crowd gathered behind the barriers: 'More slowly, Lamberto. Let Gino go ahead. Enzo, keep behind Papa.' The whisper was coming from a small tower on top of which, in a little wooden armchair, was seated a gentleman wearing a hat, a scarf, and a camel hair coat." See more »
Exceptional film which should be honored and treasured
Italian Neorealism has always been one of my favorite film movements, and The Bicycle Thief appears to be one the finest examples of this medium. While people today might not understand the power in the story, one has to understand the nature state of Italy after World War II. The country was in ruins, and finding a good job was difficult. Desperation took over more often than reason, and this leads to the eventual climax of self pity and remorse. Quite a powerful film, for it is the only foreign film I have on my personal Top 25 list.
32 of 47 people found this review helpful.
Was this review helpful to you?