Night Has a Thousand Eyes (1948)When phony stage mentalist Triton mysteriously acquires supernatural powers of precognition, he becomes frightened and abandons his act to live of anonymity. Director:John Farrow |
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Night Has a Thousand Eyes (1948)When phony stage mentalist Triton mysteriously acquires supernatural powers of precognition, he becomes frightened and abandons his act to live of anonymity. Director:John Farrow |
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| Complete credited cast: | |||
| Edward G. Robinson | ... |
John Triton
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Gail Russell | ... |
Jean Courtland
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John Lund | ... |
Elliott Carson
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| Virginia Bruce | ... |
Jenny Courtland
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| William Demarest | ... |
Lieut. Shawn
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Richard Webb | ... |
Peter Vinson
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Jerome Cowan | ... |
Whitney Courtland
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Onslow Stevens | ... |
Dr. Walters
(as Onslow Stevenson)
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John Alexander | ... |
Mr. Gilman
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Roman Bohnen | ... |
Melville Weston
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Luis Van Rooten | ... |
Mr. Myers
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Henry Guttman | ... |
Butler
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Mary Adams | ... |
Miss Hendricks
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Douglas Spencer | ... |
Dr. Ramsdell
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When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship to John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. His partner, Whitney Courtland, uses Triton's talent to make money; but Triton's inability to prevent what he foresees, causes him to break up the act and become a hermit. Years later, Triton has new visions and desperately tries to prevent tragedies in the Courtland family. Can his warnings succeed against suspicion, unbelief, and inexorable fate? Written by Rod Crawford <puffinus@u.washington.edu>
I saw this on New York television as an impressionable thirteen year old in the early sixties. It's been on my top ten list of favorites ever since. Not only the expected intelligent, riveting performance from Robinson, but a touching, foreboding one from the luminous and tragic Gail Russell. This is my favorite Russell performance, followed by The Uninvited and Moonrise. What a waste that her life and talent was snuffed out at 36!