Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.
- Won 4 Oscars
- 18 wins & 15 nominations total
Storyline
Did you know
- TriviaAs the film progresses, the set of the Kowalski apartment actually gets smaller to heighten the suggestion of Blanche's increasing claustrophobia.
- GoofsWhen Stanley comes back from taking Stella to the hospital, he is looking for a bottle opener. He finds it on the mantelpiece, shakes up a bottle of beer, and opens it. The beer foams up and spills on his trousers. But if you watch at the moment when he swings himself up to sit on the table - before he opens the bottle - you can see that the front of his trousers are already wet. Apparently they re-shot it without him changing into dry trousers.
- Alternate versionsThe scene in which Blanche and Stanley first meet was edited a bit to take out some of the sexual tension that both had towards each other when the film was first released in 1951. In 1993, this footage was restored in the "Original Director's Version" of the film. The three minutes of newly-added footage sticks out from the rest of the film because Warner Brothers did not bother to restore these extra film elements along with the rest of the movie, leaving them very scratchy due to deterioration.
- ConnectionsEdited into Un Américain nommé Kazan (2018)
- SoundtracksIt's Only a Paper Moon
(1933) (uncredited)
Music by Harold Arlen
Lyrics by E.Y. Harburg and Billy Rose
Sung by Vivien Leigh while doing her hair
Featured review
If great performances is what you desire, hop on this streetcar.
Based on the Pulitzer Prize winning play by Tennessee Williams, 'A Streetcar Named desire' is set in post World War II New Orleans and centers around a young married couple attempting to keep their bond despite a noted class distinction. Stanley Kowalski, played by Marlon Brando in perhaps one of the greatest performances ever to project off the big screen, is a young Polish American living in a cozy apartment with his quasi-newlywed bride. Stella, a magnolia fresh off a Southern plantation, portrayed with equal panache by Kim Hunter. Things seem to be going along pretty well until Stella's older sister shows up on the doorstep. Blanche Dubois, ( Vivian Leigh ) is a figure as obnoxious as she is tragic, and almost from the very start she is despised by her Polish brother-in-law. Kowalski suddenly discovers that his middle class roots, which hadn't seemed like a much of a point of contention with his new wife, are the subject of snide insinuations and clandestine conversations rolling off the tongue of his sister-in-law. Who, it turns out, is not without considerable baggage herself. That's when the once toasty love nest ( Complete with the memory of twinkling Christmas lights ) turns into a war zone. Things are further complicated when Stanley's Army/factory buddy, brilliantly portrayed by Karl Malden, suddenly takes a shine to Miss Dubois, The incredible thing about 'Streetcar' is not just the quality of the acting, but the way the actors approach the complex and beautiful dialog. Brando combines dynamic sexual magnetism with passionate anger, possessive love and cynicism. Vivian Leigh's tragic character perhaps mirroring the insanity she suffered through in her own life, is portrayed with raving vanity one minute and fleeting youth the next. As she often hears and sees flashbacks which the audience does not. William's dialogue manages to do the impossible, that is to blend in poetic imagery with normal conversation, while not sounding sickly sentimental or downright ridiculous. This is as much a credit to the actors themselves, especially Leigh, who really had to do the bulk of the tough solo
scenes in which Blanche begins to lose her mind for good. But Brando is simply too hard to beat. Stanley Kowalski is fully rounded in every sense when this great American actor delivers his lines. Perhaps the only injustice is that Brando did not receive the Oscar for this film, while his costars Hunter, Leigh and Malden all did. Numerous attempts have been made to remake this film, both on the stage and for television. But no one has been able to execute the premise like this wonderful quartet. A fantastic and moving American classic. 10 out of a possible 10 T.H.
scenes in which Blanche begins to lose her mind for good. But Brando is simply too hard to beat. Stanley Kowalski is fully rounded in every sense when this great American actor delivers his lines. Perhaps the only injustice is that Brando did not receive the Oscar for this film, while his costars Hunter, Leigh and Malden all did. Numerous attempts have been made to remake this film, both on the stage and for television. But no one has been able to execute the premise like this wonderful quartet. A fantastic and moving American classic. 10 out of a possible 10 T.H.
helpful•8028
- fatleprechan
- Jun 18, 2005
Details
- Release date
- Country of origin
- Languages
- Also known as
- Tramvaj zvan ceznja
- Filming locations
- New Orleans, Louisiana, USA(railway station)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,800,000 (estimated)
- Gross worldwide
- $51,836
- Runtime2 hours 2 minutes
- Color
- Aspect ratio
- 1.37 : 1
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