Betta St. John, who portrayed the lovely island girl Liat in the original Broadway production of South Pacific and starred as a princess alongside Cary Grant and Deborah Kerr in the MGM romantic comedy Dream Wife, has died. She was 93.
St. John died June 23 of natural causes at an assisted living facility in Brighton, England, her son, TV producer Roger Grant, told The Hollywood Reporter.
The California native played one of the survivors of an airline crash, who is chased by a crocodile in Tarzan and the Lost Safari (1957) — the first Tarzan film in 15 years and the first one in color — and then returned for Tarzan the Magnificent (1960). Both films starred Gordon Scott as the King of the Jungle.
St. John also starred with Stewart Granger, Ann Blyth and Robert Taylor in All the Brothers Were Valiant (1953); with Victor Mature, Piper Laurie and Vincent Price in the 3-D adventure Dangerous...
St. John died June 23 of natural causes at an assisted living facility in Brighton, England, her son, TV producer Roger Grant, told The Hollywood Reporter.
The California native played one of the survivors of an airline crash, who is chased by a crocodile in Tarzan and the Lost Safari (1957) — the first Tarzan film in 15 years and the first one in color — and then returned for Tarzan the Magnificent (1960). Both films starred Gordon Scott as the King of the Jungle.
St. John also starred with Stewart Granger, Ann Blyth and Robert Taylor in All the Brothers Were Valiant (1953); with Victor Mature, Piper Laurie and Vincent Price in the 3-D adventure Dangerous...
- 7/7/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
by Camila Henriques
The mid 50s were huge for Deborah Kerr. She followed up the huge hit The King and I (1956) with two leading roles the following year in Heaven Knows Mr Allison and An Affair to Remember.
1957 brought Oscar nomination number four to Deborah Kerr. It happened for her turn as a nun in Heaven Knows, Mr. Allison. She lost to Joanne Woodward’s intricate work in The Three Faces of Eve. She would applaud, sitting in the Academy audience as a gracious nominees, twice more until the Academy gave her an honorary award in 1994. But, for me, it was another movie she did in '57 that truly cemented her as a Hollywood icon.
Leo McCarey’s An Affair to Remember put Kerr in the same frame as Cary Grant. It wasn’t a first time partnership for them, as they had worked together in 1953’s Dream Wife...
The mid 50s were huge for Deborah Kerr. She followed up the huge hit The King and I (1956) with two leading roles the following year in Heaven Knows Mr Allison and An Affair to Remember.
1957 brought Oscar nomination number four to Deborah Kerr. It happened for her turn as a nun in Heaven Knows, Mr. Allison. She lost to Joanne Woodward’s intricate work in The Three Faces of Eve. She would applaud, sitting in the Academy audience as a gracious nominees, twice more until the Academy gave her an honorary award in 1994. But, for me, it was another movie she did in '57 that truly cemented her as a Hollywood icon.
Leo McCarey’s An Affair to Remember put Kerr in the same frame as Cary Grant. It wasn’t a first time partnership for them, as they had worked together in 1953’s Dream Wife...
- 6/26/2020
- by Camila Henriques
- FilmExperience
Take a look around: Women are pissed right now – and there are few better places to exorcise that rage than at one of Dream Wife’s rowdy live shows. The U.K. trio has a “bitches to the front” policy that creates perfect moshpit conditions for women to dance off their frustration to the roiling, feminist anthems from their self-titled debut LP, released in January. Take a track like “Somebody,” a timely paean to body autonomy in which frontwoman Rakel Mjöll, 27, howls, “I am not my body!/I’m somebody!
- 8/31/2018
- by Cady Drell
- Rollingstone.com
Thanks to "Sleepless in Seattle," everyone knows "An Affair to Remember" is the ultimate romantic tearjerker. Not only do Nora Ephron's female characters describe it as their favorite chick flick, but the ending atop the Empire State Building evokes the abortive reunion that Cary Grant and Deborah Kerr never get to enjoy. Many modern viewers also know that "Affair to Remember" (which opened in theaters 55 years ago, on July 11, 1957) was filmmaker Leo McCarey's remake of his own 1939 hit "Love Affair," with Charles Boyer and Irene Dunne as the lovers kept apart by fate and their own wounded pride. Still, there's a lot about "An Affair to Remember" that even its biggest fans may not know, including its uncanny echoes of Grant's own shipboard romance with his third wife, or how a not-yet-famous young visitor witnessed the veteran leading man's acting breakthrough, or Grant's off-camera therapeutic uses of hypnosis and LSD.
- 7/10/2012
- by Gary Susman
- Moviefone
Turner Classic Movies' look at Arabs in Hollywood movies continues this evening with six movies. Why exactly Gabriel Pascal's film adaptation of George Bernard Shaw's Caesar and Cleopatra (1945) is one of the six, I don't know. Caesar was a Roman-born emperor; Cleopatra, a descendant of Greek royalty, was an Egyptian queen long before the Arab conquest of Egypt. Now, I may be puzzled about its inclusion, but Caesar and Cleopatra is very much worth watching chiefly thanks to Claude Rains' brilliant performance as the first half of the title role and Vivien Leigh's highly theatrical but enjoyable star turn as the second half of the title role. Kismet (1944) would have been more enjoyable had it been directed by Henry Hathaway, Michael Curtiz, Frank Lloyd, or even Lloyd Bacon. William Dieterle, best known for several ponderous Warner Bros. biopics of the '30s, had a heavy hand...
- 7/20/2011
- by Andre Soares
- Alt Film Guide
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