Continuing to explore Nordic cinema of the 50's,I decided to check my downloads from the middle of the decade. Finding the first Nordic title I clicked on to have a swift runtime,I got set to find out how the Finish Marks went missing.
Note:Review contains some spoilers.
View on the film:
One of his only four credits,the screenplay by Erik Westerberg keys in a tightly coiled Film Noir tale, unlocked on finely held misconceptions and suspicions over who broke the bond of the gang,in order to steal the cash.
Folding the viewer in on seeing the person commit the robbery, Westerberg smoothly uses this knowledge to heighten the doomed disintegrating relationship between hard-nosed Pertti and Martti Kuusi.All closely working together, director William Markus & cinematographer Kauno Laine wonderfully keep in step to Einar Englund's excellent score,
plucking at the Kuusi's paranoia in overlapping dissolves to Englund's plucked violin strings, pulled until they snap on the Kuusi's stomping down the low-lit streets drenched in a proto- Psychedelic buzz,washing in who broke the brotherly trust.
Note:Review contains some spoilers.
View on the film:
One of his only four credits,the screenplay by Erik Westerberg keys in a tightly coiled Film Noir tale, unlocked on finely held misconceptions and suspicions over who broke the bond of the gang,in order to steal the cash.
Folding the viewer in on seeing the person commit the robbery, Westerberg smoothly uses this knowledge to heighten the doomed disintegrating relationship between hard-nosed Pertti and Martti Kuusi.All closely working together, director William Markus & cinematographer Kauno Laine wonderfully keep in step to Einar Englund's excellent score,
plucking at the Kuusi's paranoia in overlapping dissolves to Englund's plucked violin strings, pulled until they snap on the Kuusi's stomping down the low-lit streets drenched in a proto- Psychedelic buzz,washing in who broke the brotherly trust.
