This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
Elia Kazan, ethnic Greek but Turkish by birth, tells the story of the struggles of his uncle - in this account named Stavros Topouzoglou - in emigrating to America. In the 1890's, the young, kind-hearted but naive Stavros lived in Anatolia, where the Greek and Armenian minorities were repressed by the majority Turks, this repression which often led to violence. Even Stavros being friends with an Armenian was frowned upon. As such, Stavros dreamed of a better life - specifically in America - where, as a result, he could make his parents proud by his grand accomplishments. Instead, his parents, with most of their money, sent Stavros to Constantinople to help fund the carpet shop owned by his first cousin once removed. What Stavros encountered on his journey, made on foot with a small donkey, made him question life in Anatolia even further. Once in Constantinople, his resolve to earn the 110 Turkish pound third class fare to the United States became stronger than ever. But try after try,... Written by
Kazan speaks the credits at the end but omits voicing his own name. See more »
My name is Elia Kazan. I am a Greek by blood, a Turk by birth and an American because my uncle made a journey.
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Director Elia Kazan narrates the main portion of the closing credits, reading the words as they appear on the screen, using complete sentences such as "The cinematography was by Haskell Wexler." See more »
This is a superb piece of filmmaking which has, unfortunately, been all but forgotten. The only weakness is in its star (Stathis Gialellis), but the film is so good that it doesn't matter (and, on second viewing, he's really not all that bad). I have seen this film many, many times on video and once I was privilaged to see it on on the "big Screen" at the Los Angeles County Museum of Art. I highly recommend it. The black and white cinematography by Haskell Wexler is top-notch. This film is a testament to the human spirit.
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