Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers ... See full summary »
Elia Kazan, ethnic Greek but Turkish by birth, tells the story of the struggles of his uncle - in this account named Stavros Topouzoglou - in emigrating to America. In the 1890's, the young, kind-hearted but naive Stavros lived in Anatolia, where the Greek and Armenian minorities were repressed by the majority Turks, this repression which often led to violence. Even Stavros being friends with an Armenian was frowned upon. As such, Stavros dreamed of a better life - specifically in America - where, as a result, he could make his parents proud by his grand accomplishments. Instead, his parents, with most of their money, sent Stavros to Constantinople to help fund the carpet shop owned by his first cousin once removed. What Stavros encountered on his journey, made on foot with a small donkey, made him question life in Anatolia even further. Once in Constantinople, his resolve to earn the 110 Turkish pound third class fare to the United States became stronger than ever. But try after try,... Written by
Gene Callahan was Kazan's 'set decorator' on films that Dick Sylbert, and his twin brother Paul, as an associate, had art directed for Kazan. The Sylbert twins had worked with Gene on CBS-New York Network and Local television productions as an art department team. Kazan asked Gene to travel with him to Greece, and to be his film's Production Designer. Noteworthy is that this is Gene's first 'art director' credit. During the film's location filming, Gene also decorated, as he supervised the sets preparation for filming (construction and set decorating) crews. During the film career of Kazan and Callahan, they performed as a team on many succeeding film projects. See more »
I've killed men like you before, and it's no different than killing a sheep. One clean cut anywhere, and the life flows out. A twitch or two and it's all over.
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Director Elia Kazan narrates the main portion of the closing credits, reading the words as they appear on the screen, using complete sentences such as "The cinematography was by Haskell Wexler." See more »
"America, America" deserves a modern audience but is almost impossible to find. I just viewed a VHS version obtained through the inter-library loan program. I live in Virginia and it was sent down from Alaska!
This film should be required viewing for anyone interested in understanding why the huddled masses flocked to America but it is highly personalized and focused on a young man from a middle class Greek family with a big dream that seems impossible to fulfill. Another reviewer correctly likened Stathis Giallelis to a young Brando for his overpowering individuality, determination, and (for Turkish society in 1900) swagger. But when his character Stavros grows a mustache, he becomes a young Omar Sharif. AA is brilliantly written and directed by Elia Kazan.
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