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Per un pugno di dollari (1964)
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Overview
User Rating:
Release Date:
18 tammikuu 1967 (USA) moreTagline:
This short cigar belongs to a man with no name. This long gun belongs to a man with no name. This poncho belongs to a man with no name. He's going to trigger a whole new style in adventure. morePlot:
A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge. full summary | add synopsisAwards:
1 win moreUser Comments:
"My mistake. Four coffins" more (151 total)Cast
(Complete credited cast)| Clint Eastwood | ... | Joe | |
| Marianne Koch | ... | Marisol | |
| Gian Maria Volonté | ... | Ramón Rojo (as Johnny Wells) | |
| Wolfgang Lukschy | ... | John Baxter (as W. Lukschy) | |
| Sieghardt Rupp | ... | Esteban Rojo (as S. Rupp) | |
| Joseph Egger | ... | Piripero (as Joe Edger) | |
| Antonio Prieto | ... | Don Benito Rojo | |
| José Calvo | ... | Silvanito (as Jose Calvo) | |
| Margarita Lozano | ... | Consuelo Baxter (as Margherita Lozano) | |
| Daniel Martín | ... | Julián | |
| Benito Stefanelli | ... | Rubio (as Benny Reeves) | |
| Mario Brega | ... | Chico (as Richard Stuyvesant) | |
| Bruno Carotenuto | ... | Antonio Baxter (as Carol Brown) | |
| Aldo Sambrell | ... | Rojo gang member (as Aldo Sambreli) |
Additional Details
Also Known As:
A Fistful of Dollars (UK) (USA)Für eine Handvoll Dollar (West Germany)
Il magnifico straniero (Italy) (working title)
Nur einer bleibt zurück (West Germany) (working title)
Por un puñado de dólares (Spain)
more
Parents Guide:
Add content advisory for parentsRuntime:
99 minLanguage:
ItalianColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
Mono (Western Electric Sound System)Certification:
Iceland:16 | Canada:A (Nova Scotia) | Finland:K-16 (cut) (1967) | Finland:K-16 (re-rating) (cut) (1977) | Singapore:PG | Brazil:14 | South Korea:15 | New Zealand:M | UK:X (original rating) | Australia:MA (re-rating) (2004) | Australia:R (original rating) | Canada:G (Quebec) (re-rating) (2003) | Canada:PG (Manitoba/Ontario) | Ireland:15 | Netherlands:12 | Norway:16 | Spain:18 | Sweden:15 | UK:15 (video rating) (1986) | UK:AA (re-rating) (1981) | USA:M (original rating) | USA:R (re-rating) (1993) | Canada:13+ (Quebec) (original rating) | West Germany:16Fun Stuff
Trivia:
Originally called "The Magnificent Stranger", the title wasn't changed to "A Fistful of Dollars" until almost three days before the movie premiered in theaters. In fact, nobody had bothered to inform its main star, Clint Eastwood, of the change, and as a result Eastwood remained virtually unaware of the positive buzz surrounding the movie until an agent pointed it out to him in a Variety Magazine article three weeks later. moreGoofs:
Continuity: During the ambush of the soldiers, the same soldier is shot twice, but seen from a different angle. moreQuotes:
Joe: I don't think it's nice, you laughin'. You see, my mule don't like people laughing. He gets the crazy idea you're laughin' at him. Now if you apologize, like I know you're going to, I might convince him that you really didn't mean it. moreFAQ
This FAQ is empty. Add the first question.more (151 total)
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ALthough in many respects this film pales in comparison with Leone's later films, it is itself a brilliant cinematic achievement. In part, this is because its failings primarily appear to be due to constraints of budget (very small and highly uncertain) and time more than anything else. Even to the extent that the skills of Leone, Morricone, and others hadn't fully flowered yet, this film is incredible at how brilliantly it is handled for what is really a first-time go. Leone had worked on, and even directed, films before, but this is his first real foray in his own direction, and into a genre that he revolutionised and with which he became forever synonymous. Who can imagine westerns without at least thinking of Leone's films, while who can think of Leone without thinking of westerns (even though his last, and arguably greatest, film was a sort of gangster film)? Similarly, one should not criticize this film for being based on Yojimbo, for that film itself was based on an American story while A Fistful of Dollars really is very different in many key respects, not least of all Leone's visual style or his own sense of irony and symbolism derived from Italian precedents and Hollywood westerns.
We also see the nascent Leone visual style here, with the close-up style and contrast of close-ups and long shots appearing. This alone sets it apart from previous films, westerns and non-westerns alike, and still provides for great visual treats that one can appreciate today.
This film also ushered in Leone's obsession with details, hard faces, grungy people, etc., that also revolutionsed the genre.
This films also marks the first brilliant score of Ennio Morricone. It is here that he introduced the lonely whistling, guitar music, chorus, and unusual combinations and styles that developed into the music that has become in the U.S. synonymous with westerns and duels in the same way that Leone's visuals and themes have.
Despite its minor flaws, this is still a great film that is not only revolutionary but still great and fun to watch even today. Like Leone's other films, it is timeless.
One must also admit that it is amazing that in the U.S. an Italian film maker basing his films partly in Italian culture and an Italian composer could come to so define and be synonymous with this genre that Americans had considered so uniquely American, and highlight its underlying universality. That alone reveals the greatness of the films, of which this is the first.