A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »
Ferdinand Griffon is married with his wealthy Italian wife and has been recently fired from the television station where he worked. His wife forces him to go to a party in the house of her influential father that wants to introduce Ferdinand to a potential employer. Her brother brings the babysitter Marianne Renoir to take care of their children. Ferdinand feels bored in the bourgeois party and borrows his brother-in-law's car to return home. He meets Marianne, who was his lover five years ago and insists on calling him Pierrot, and offers to take her home. However, he spends the night with her and finds that she is involved in smuggling weapons. When Marianne is chased by terrorists, they decide to travel to the beach without any money, leaving Paris and his family behind in a crazy journey to nowhere. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of the witnesses who notices Ferdinand and Marianne in Nice is called Lazlo Kovaks. This is the alias of Michel Poiccard in "À bout de soufflé" and also the name of Belmondo's character in Leda (1959). See more »
You see? I was right
You didn't believe we'd always be in love.
No. I didn't...
I never told you I'd love you all my life. Oh my love, you never swore to adore me all your life. We never made promises like that, knowing me knowing you. We never thought we ever would be caught by love fickle as we were. And yet, and yet, step by step, without a word between us, bit by bit, feelings slipped between our merry mingle bodies and words of love rose to our naked lips. Bit by bit ...
[...] See more »
Cinema d'auteur all the way!!! Thanks for existing, Godard!!!
This is one of the truly great revolutionary movie experiences of all times. "Pierrot Le Fou" represents what was perhaps the most difficult moment of Godard's controversial career: he was fighting and struggling for make a not commercial movie, something almost impossible with the presence of Belmondo (you have to consider the huge success that this actor had at the time) and a important figure of international cinema such as Dino De Laurentiis being responsible for the distribution of the movie at the time of it's original release. And yet he wanted to put on the screen (well, actually WIDESCREEN) all his questions about cinema, politic, marxism, literature, music and pop culture; well, all the questions that he had at that time. And even with all those problems he was able to make a masterpiece, one of his best and most accessible moments. For those of you who have seen the movie, imagine only this (in a allegoric way): Pierrot's Italian wife is the dangerous commercial international production represented by De Laurentiis, Anna Karina's role represents the nouvelle vague, Samuel Fuller is Samuel Fuller and Belmondo's existential search is Godard's own doubts about the possibilities of cinema. One of the best things that Godard has ever done, "Pierrot Le Fou" is a landmark for the avant-garde cinema that we all love. Now I could spend hours talking about the strange beauty of Anna Karina, the magnificent photography in widescreen Techniscope (utilized at it's limits), the great use that Godard makes of his ironic narrative and ALL the wonders of this movie, but all that I'm going to say is this:
LONG LIVE GODARD!!!
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