90
Metascore
9 reviews · Provided by Metacritic.com
- 100Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertSamurai Rebellion can be seen as a statement against the conformity that remained central in Japanese life long after this period. It is the story of three people who learn to become individuals.
- 100Chicago TribuneChicago TribuneThis is a moving, powerful drama, with a rarity in samurai flicks--a very strong female character in Ichi (Yoko Tsukasa). [05 Dec 2003, p.C1]
- Amazing: stirring, subversive and, beneath their dauntingly severe surfaces, sneakily lyrical.
- 88The Seattle TimesJeff ShannonThe Seattle TimesJeff ShannonKobayashi's 1967 hit reflects the social tumult of its time by depicting a defiant swordsman amidst totalitarian excess. The film's escalation of tension is almost unbearable, and Mifune erupts with a ferocity that's as righteous as it is ultimately tragic, for Kobayashi refuses to soften the film's devastating imbalance of power. [16 Jun 2006, p.I22]
- 88Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonFerocious action saga about an old samurai (Mifune) taking a stand against his lord's cruelty and injustice. [03 Mar 2006, p.C5]
- 80The New YorkerMichael SragowThe New YorkerMichael SragowNo one could seethe better than Mifune, but what gives the movie equal shares of exhilaration and heartbreak is the feeling that pours out of him when his son finds happiness in his own marriage.
- Kobayashi's films frequently puncture the legend of the ever-obedient samurai, scrutinising the value of such a rigid feudal system without completely dispensing with the adrenaline-soaked fun of a good old-fashioned sword-fight.
- 75TV Guide MagazineTV Guide MagazineThe film's story line is a clever and perceptive story, superbly told.